The Museum of Modern Art Library
Mail Art Periodicals
An Annotated Inventory
John Held, Jr. Collection
Modern Realism Archive
San Francisco, California

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INDEX

O
O Dos: Revista de Arte Correo
O!!Zone
Occasional, Tuesday-Art News
Ocean Front
oFF;oFF
Offerta Speciale
Okrazoidical
Open Forum
Open Netmag: International Network Culture
Open World
Opuntia
Or
Origin Project: Portfolio de Arte Postal-Mail Art
The Other Times: An Alternative Mail Art Format
Our International Stamps/Cancelled Seals/Nuestro Libro Internacional de Estampillas y Matasellos
Overview
Ovum
The Oxidized Look

 

O - Oxidized Look

O. Ghislain Belmans, Johan Sanctorum, Jan Struelens, Editors. Hoeilaart, Belgium. 1984.

No. 8 (Summer 1984). Photocopy. 7 3/4"x7 3/4". 122 pages. Includes an interview with Guy Bleus (Belgium, "Mail-Art is the Dream of All Travelling."

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O Dos: Revista de Arte Correo. N. N. Arganarz, Editor. Montevideo, Uruguay. 1984.

Vol. 1, No. 1 (1984). Offset. 8 1/4"x6 3/4". 21 pages. "Primer Manifiesto Internacional de Arte Correa," by C. D. O. (Italy). "Arte Correo," by the editor. "El Arte postal y el Gran Monstruo," by Ulises Carrión (Holland). "Elogio Del Arte Correo," by Daniel Daligand (France). All texts translated into Spanish by the editor. Additional contributions by Jorge Orta (Argentina), A. De Araujo (Brazil), Paulo Bruscky (Brazil), Clemente Padin (Uruguay), Aaron Flores (Mexico), Cesar Espinosa (Mexico), E. B. Higgins III (USA), Karl Kempton (USA), Crackerjack Kid (USA), Carlo Pittore (USA), Carol Stetser (USA), Henning Mittendorf  (Germany), Hans Nevidal (Austria), Guillermo Deisler (Bulgaria), Vittore Baroni (Italy), Shoji Yoshizawa (Japan), et al.   

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O!!Zone. Harry Burrus, Editor. Houston, Texas. 1994-2001.

No. 13 (1994). Photocopy. 8 1/2"x5 1/2". 56 pages. "A pamphlet of words, line, and images." Contributions by Bob Grummen (USA), Crag Hill (USA), Michael Basinski (USA), et al.

No. 14 (1995). Photocopy. 8 1/2"x5 1/2". 52 pages. Contributions by Guy r. Beining (USA), Crag Hill (USA), Jim Leftwich (USA), Spencer Shelby (USA), Hartmut Andryczuk (Germany), Joel Lipmanm (USA), et al.

No. 15 (Summer 1995). Photocopy. 8 1/2"x5 1/2". 80 pages. Contributions by John M. Bennett (USA), Jim Leftwich (USA), Michael Basinski (USA), Joel Lipman (USA), et al.

No. 16 (n.d.). Photocopy. 8 1/2"x5 1/2". 60 pages. Contributions by Clemente Padin (Uruguay), Spencer Selby (USA), Larry Tomoyasu (USA), Giancarlo Pavanello (Italy), et al.

(1996). Photocopy. 11"x8 1/2". (190 pages). Visual Poetry with contributions by 83 artists from 20 countries including Guido Vermuelen (Belgium), Avelino De Araujo (Brazil), Paulo Bruscky (Brazil), Antonio Pérez-Cares (Chile), padre J. Gutierrez (Cuba), Julien Blaine (France), Jean-François Robic (France), Hartmut Andryczuk (Germany), Theo Breuer (Germany), Klaus peter Dencker (Germany), Klaus Groh (Germany), Ruud Janssen (Holland), Vittore Baroni (Italy), Ruggero Maggi (Italy), Alberto Rizzi (Italy), Giovanni Strada (Italy), Keiichi Nakamura (Japan), Fernado Aguiar (Portugal), Rea Nikonova (Russia), Pedro Bericat (Spain), Pere Sousa (Spain), Marcel Stüssi (Switzerland), Karl Young (USA), Joel Lipman (USA), Karl Kempton (USA),  Clemente Padin (Uruguay), et al. 

(1997). Photocopy. 11"x8 1/2". 75 pages. Visual poetry by 57 artists from 16 countries including Reed Altemus (USA), Demitry Babenko (Russia), Vittore Baroni (Italy), Theo Breuer (Germany), Geoffrey Cook (USA), Jean Claude Gagnon (Canada), Antonio Gomez (Spain), Ibirico (Spain), Ruggero Maggi (Italy), Willi Melnikov (Russia), Keiichi Nakamura (Japan), Jürgen Olbrich (Germany), Clemente Padin (Uruguay), Alberto Rizzi (Italy), Serge Segay (Russia), Giovanni Strada (Italy), Annina Van Sebroeck (Belgium), Guido Vermuelen (Belgium), et al.

(1998). Photocopy. 11"x8 1/2". 135 pages. Visual Poetry with contributions by Fernando Aguiar (Portugal), Dmitry Babenko (Russia), Guy Beining (USA), Paulo Bruscky (Brazil), Antonio Pérez Cares (Chile), Klaus Groh (Germany), Pedro Gutierrez (Cuba), John Held, Jr. (USA), Ibirico (Spain), Willi Melnikov (Russia), Rea Nikonova (Russia), Clemente Padin (Uruguay), Stephen Perkins (USA), Carlo Pittore (USA), Alberto Rizzi (Italy), Serge Segay (Russia), Bruno Sourdin (France), Guido Vermuelen (Belgium), et al.

(1999-2000). Photocopy. 11"x8 1/2". 100 pages. Visual poetry with contributions by Avelino Araugo (Brazil), Vittore Baroni (Italy), Pedro Bericat (Spain), Diane Bertrand (Canada), Boek/Cesar Reglero (Spain), Boog (USA), Theo Breuer (Germany), Hans Braumüller (Germany), Dimitry Bulatov (Russia), Joe Cohen (USA), Klaus peter Dencker (Germany), J. C. Gagnon (Canada), Klaus Groh (Germany), Crag Hill (USA), Ruud Janssen (Holland), Karl Kempton (USA), Ilmar Kruusamäe (Estonia), Jim Leftwich (USA), Joel Lipman (USA), Ruggero Maggi (Italy), Henning Mittendorf (Germany), Keiichi Nakamura (Japan), Rea Nikonova (Russia), Clemente Padin (Uruguay), Carlo Pittore (USA), Ivan Preissler (Czech Republic), Serge Segay (Russia), Spencer Selby (USA), Pere Sousa (Spain), Carol Stetser (USA), Giovanni Strada (Italy), Guido Vermuelen (Belgium), et al.

(2001). Color & Black and White Photocopy. 11"x8 1/2". 57 pages. Visual Poetry with contributions by Fernando Aguiar (Portugal), Reed Altemus (USA), Hartmut Andryczuk (Germany), Avelino Araujo (Brazil), Roy Arenella (USA), Dmitry Babenkio (Russia), Vittore Baroni (Italy), Julie Hagan Bloch (USA), Boog (USA), Dmitry Bulatov (Russia), H. R. Fricker (Switzerland), Klaus Groh (Germany), John Held, Jr. (USA), Richard Kostelanetz (USA), Henning Mittendorf (Germany), Keiichi Nakamura (Japan), Rea Nikonova (Germany), Clemente Padin (Uruguay), Hilda Paz (Argentina), Günther Ruch (Switzerland), Bruno Sourdin (France), Carol Stetser (USA), Giovanni Strada (Italy), John Upton (Scotland), Guido Vermeulen (Belgium), et al.   

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Occasional, Tuesday-Art News. George Jeffus, Editor. Tuesday Art Press, San Diego, California. 1988-1989.

No. 10 (March 8, 1988). Mixed Media. 4 1/2"x6 1/4". Postcard. From the series, "Mail Art Against AIDS." Theme: hands.

No. 11 (March 22, 1988). Mixed Media. 4"x6". Postcard. From the series, "Mail Art Against AIDS." Theme: passion.

(April 22, 1988). Mixed Media. 4"x6". Postcard. From the series, "Mail Art Against AIDS." Theme: Rain Dance II.

(May 14, 1988). Mixed Media. 4"x6". Postcard. From the series, "Mail Art Against AIDS." "Several mail art shows are being held within the next few months that are deserving of everyone's support..."

(November 8, 1988). Photocopy and Mixed Media. 8 1/2"x5 1/2". (4 pages). Contribution by John Held, Jr. (USA).

New Series No. 2 (November 23, 1988). Photocopy and Mixed Media. 8 1/2"x5 1/2". (4 pages). "Well here goes. I am sending you four pages today. I will try to send at least tow but hopefully more. Please don't worry about them being out of order, its part of my plan. On the front of each mailing will be a number this one is 2, that is how you will know that you are getting everything, if you miss a number please let me know right away." Contribution by Artpolice (USA), et al.

New Series No. 3 ([December 18, 1988]). Photocopy and Mixed Media. 8 1/2"x5 1/2". (8 pages). Contributions by John M. Bennett (USA), John Atkins (Canada), Ammunition (USA), et al.

New Series No. 4 (April 24, 1989). Photocopy and Mixed Media. 8 1/2"x5 1/2". (10 pages). Contributions by Mike Duquette (Canada), Radio Free Dada (USA), Nenad Bogdavovic (Yugoslavia), Carroll Brooks (USA), et al.

(August 25, 1989). Photocopy. 11"x8 1/2". (2 pages). "Mail Art? Money?," by the editor. "Publishers/mail-artists need to distinguish between the activity of mail-art and the activity of publishing. The two an co-exist without being the same. Let me give an example. Recently I published a little book which I mailed to mail-artists. I excluded any indication of a price for the book. My intent being to participate as a mail-artist with other mail-artists. They had not expected or requested either the book or the participation. The freedom to in return participate was their choice, and the manner in which they chose to participate was their choice. having no expectations on either my part or theirs let the value remain on the activity."

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Ocean Front. Gerald Jupitter-Larsen, Editor. C. C. Publications Society, Vancouver, Canada 1979-1980.

Vol. 2, No. 1 (December 1979-January 1980). Photocopy. 8 1/2"x5 1/2". (4 pages). "NOTE: The writers of this issue of O. F. have censored their own work, for, they said, they didn't like it?"

Vol. 2, No. 2 (March-May 1980). Photocopy. 8 1/2"x5 1/2". (4 pages). Destroyed music by The Haters. Contribution by Vittore Baroni (Italy).

No. 7 (June 1980). Photocopy. 8 1/2"x5 1/2". (4 pages). Cut and paste fiction by The Haddock (USA). 

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oFF;oFF. Edgardo-Antonio Vigo, Editor. La Plata, Argentina. 1987.

No. 1&2 (1987). Mixed Media. 10 1/2"x7 1/4". Unpaged. "Las Obras de Edgardo-Antonio Vigo: Transgresion, Irregularidad, Incertidumbre," by Horace Zabala (Argentina). Contains envelopes, collages, photography, and artistamps by the editor. Also contains contributor lists for numbers 1 and 2, although these works (with the exception of the text by Zabala and a rubber stamp impression by Harley [USA]), are not enclosed. (Presentation copy given to John Held, Jr., while visiting the editor).

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Offerta Speciale. Carla Bertola, Editor. Torinio, Italy. 1995.

Vol. 8, No. 15 (May 1995). Offset. 9 1/4"x6 1/4". 56 pages. Visual Poetry with contributions by Guillermo Deisler (Germany), Pedro Juan Gutiérrez (Cuba), Spenser Selby (USA), Giovanni Strada (Italy), Avelin De Avaujo (Brazil), Rea Nikonova (Russia), Michele Perfetti (Italy), Hartmut Andryczuk (Germany), et al.    

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Okrazoidical. Bern Porter and John A. Pyros, Editors. Dramatika, Tarpon Springs, Florida. 1995-1996.

Vol. 27, No. 3 (Issue 37) (Summer 1995). Photocopy. 11"x8 1/2". (36 pages). "Porter and I met, as it were, through the post, and more specifically while networking as mail artists. That led to my sending him materials which I thought and he graciously agreed as worthy of some archival care. That, in the course of our further correspondence, led to Porter's suggestion we collaborate on a publishing venture; and that, of course, being this before you...The material is published by DRAMATOKA, a small-press magazine which commenced its existence in 1968." Signed edition 4/30.

Vol. 28. Issue 38 (Summer 1996). Photocopy. 11"x8 1/2". (42 pages). Texts and Visual Poetry by the editors. Edition 36/36.

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Open Forum. Lianos, Editor. Athens, Greece. 1997.

No. 13 (1997). Photocopy. 8 1/4"x5 3/4". 48 pages. Sexual freedom magazine from Greece with Mail Art contributions by Fernando Aquiar (Portugal), and Melnikov-Starquist (Russia). "Mainstream Avant-Garde?," by Frank Moore (USA).

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Open Netmag: International Network Culture. Jo Klaffki, Editor. Edition Kunst-Bahnhausen Academy, Minden, Germany. 1992.

No. 1 (August 1991). Photocopy. 7 3/4"x5 1/2". (8 pages). "This open netmag is only one of the multiple zines reflecting the global network activities. No question why & wherefore but when final(l)y the mail-art-move will collapse into its own mirrorship, that our ONgoing nosy-ness we want to reflect. ON's feeding up the eternal hungry brain cell culture with a strange mixed shake of its own spirituelle sperm..." Opening of Mahamat-Hall, the editor's archive of Mail Art with "more than 25,000 works from nearly 450 networkers." "Networker-Congress" statement in German. "Networker Databank Congress," and "Netshaker Harmonic Divergence" announcements by Crackerjack Kid (USA). "Mental Check About Congress," insert intended to "add-and-pass."     

No. 2 (1992). Photocopy and Mixed Media. 8 1/4"x5 3/4". 96 pages. "ON-No. 2 just is on the move spreading out the first summary of congress-fever-transpirations. Floods of streaming water dropped in as given results concerning the long expected symptoms of an epidemical outbreak. This even before the incubation period got'n officially character. Well, a sickness into network certainly is more powerful than elsewhere." An early report of documentation resulting from the Decentralized World-Wide Networker Congress 1992. List of "planned open sessions." Results of the editors' Congress Banknote project. with contributions by Antonio Gomez (Spain), Clemente Padin (Uruguay), Jasques Massa (France), Ruud Janssen (Holland), Henning Mittendorf (Germany), et al. "Excerpts from the Goforth Journal: Stamp Francisco Networking Congress, Networking Fresco, and the Birth of the Fake Picabia Bros.," by John Held, Jr. Mail Art exhibition, project and publication opportunities. "Congress Banknotes" enclosed.    

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Open World. Dobrica Kamperelic, Editor. Beograd, Yugoslavia. 1985-2001.

No. 1 ([1985]). Photocopy. 8 1/4"x5 3/4". (8 pages). "New "Projects/Magazines/Shows." Mail Art exhibition in Ghana announced. 

No. 2 ([1985]). Photocopy. 8 1/4"x5 3/4". (8 pages). Mail Art exhibition, project and publication opportunities. Notices for AU (Japan), Edgardo-Antonio Vigo (Argentina), Charles François (Belgium), Harry Fox (USA), Bob Kirkman (USA), Ruud Janssen (Holland), et al. Text by Ryosuke Cohen (Japan).

No. 3 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for Andrej Tisma's (Yugoslavia) "Private Life" exhibition, Lon Spiegelman (USA), Pat Larter (Australia), Crackerjack Navel Academy, etc. 

No. 4 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for request for "artists pseudonyms," Neoism, Keith Bates (England), Ruggero Maggi's "Shadow Project," Joki Mail Art (Germany) "International Artists' Postage Stamps Exhibition," etc.

No. 5 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for "The International Shadow Project," Peter Meyer (Sweden) in New York City, Crackerjack Kid's (USA) "Flags for World Peace Project," Yugoslavia Mail Art meeting in Novi Sad for an exhibition curated by Andrej Tisma (Yugoslavia), etc.

No. 6 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for Fred Truck's (USA) "Biennial Report of the Performance Bank," Nikola Sindik (Yugoslavia), etc. "OPEN WORLD is underground, but really open!!! So, make a copy of this bulletin for you mail-art friend(s)!"

No. 7 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for "The Last (Lost) (Late) Mail Art Show," at Galaleria Della Occhio, New York City; "Signal Art," by Miroljub Todorovic (Yugoslavia); Shozo Shimamoto (Japan); "Networking Currents," by Crackerjack Kid, H. R. Fricker (Switzerland) in California, etc.

No. 8 ([1985]). Photocopy. 8 1/4"x5 3/4". (12 pages). "New Projects/ Multi-Media Shows/ Magazines/ Messages." Participant list for editor's "Ars as Idea" project, Andrej Tisma (Yugoslavia) in New York City, reprinted newspaper article by Michel Champendal (France), Metallic Avau (Belgium), letter by Crackerjack Kid (USA), etc.  

No. 9 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Clemente Padin (Uruguay), Guy Bleus (Belgium), Andrej Tisma (Yugoslavia), Pascal Lenoir (France), et al.

No. 10 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices of Shozo Shimamoto (Japan) in Yugoslavia with the editor, proposal for a "World Decentralisation Mail -Art Congress," etc.

No. 11 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for the "Decentralized Worldwide Congress," Monty Cantsin (Canada) Neoist performance, "Karenni Stamps Project," by Jean-Marc Rastorfer (Switzerland), David Jarvis (England), "Artists Strike,"  etc.

No. 12 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for "Wellcomet Mr. Halley" project by Gilberto Prado (Brazil), Canadian Correspondence Art Gallery, Bern Porter (USA), Nenad Bogdanovic (Yugoslavia), etc.

No. 13 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for Networking Space (Japan), "The Second International Portfolio of Artists' Photography," Modern Realism Gallery (Dallas, Texas), performance by Emilio Morandi (Italy), Ruggero Maggi (Italy) and Shozo Shimamoto (Japan), "Night Exercises" project by Peter Meyer (Sweden), etc.

No. 14 ([1986]). Photocopy. 8 1/4"x5 3/4". (24 pages). Mail Art exhibition, project, and publication opportunities. Notices for a Mail Art project by Fran Cutrell Rutkovsky (USA), "El Djarida" magazine, J. P. Jacobs (USA) in Yugoslavia, Arno Arts (Holland), etc.

No. 15 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). "This is our last O. W. issue till September 1986., but maybe last forever!" Mail Art exhibition, project, and publication opportunities. Notices for "Brain Cell" by Ryosuke Cohen (Japan), J. P. Jacobs (USA) in Yugoslavia Hungary, H. R. Fricker (Switzerland), etc.

No. 16 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for Andrej Tisma's (Yugoslavia) "Private Life" project; the death of Slavko Matkovic (Yugoslavia); H. R. Fricker (Switzerland) in Yugoslavia; "International Mail-Art Symposium" at Canadian Correspondence Art Gallery, Calgary, Canada, etc.

No. 17 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for "Mail Art Congress London;" opening of "Private Life," Mail Art exhibition in Novi Sad, Yugoslavia; Ruth and Robert Rehfield (East Germany); Chuck Stake (Canada) in Yugoslavia,

No. 18 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for "Decentralized Worldwide Mail-Art Congress;" Kowa Kato (Japan); Detlef Kappis (East Germany); "Post Arte" magazine in Mexico; etc.

No. 19 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for a performance by Kim Il Jung (West Germany), Daniel Daligand (France), Josif Király (Romania), Fran Cutrell Rutkovsky (USA), Sarajevo street performance, etc.

No. 20 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Bálint Szombathy (Yugoslavia), Cavellini (Italy) and Shozo Shimamoto (Japan), César Espinosa (Mexico). Jenny De Groot (Holland), Minoy (USA), et al.

No. 21 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for Ecart Performance Group (Switzerland), Henning Mittendorf (West Germany), Mail Art Congress in East Berlin, Andrej Tisma (Yugoslavia)  meets Peter Meyer in Sweden.

No. 22 ([1986]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Shozo Shimamoto (Japan) in Paris, Emilio Morandi (Italy), Neoists in Berlin, Klaus Groh (West Germany), etc.

No. 23 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Günther Ruch (Switzerland), Andrej Tisma (Yugoslavia), Ruud Janssen (Holland), Jo Klaffki (West Germany), Shozo Shimamoto (Japan), et al.

No. 24 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Al Ackerman (USA), Acosta Bentes (Uruguay), Belgian Mail Artists in Hasselt, Jenny De Groot (Holland)), Gerard Barbot (USA) and Giovanni Strada (Italy), et al.

No. 25 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. List of participants in the editor's "Ars as Idea," project. Notices of activities by Jo De Jonge (Holland), Charles François (Belgium), E. A. Vigo (Argentina), Stephen Perkins (USA), Joseph Beuys (West Germany), Arno Arts (Holland), Mogen Otto Nielsen (Denmark), Guillermo Deisler (East Germany), et al.  

No. 26 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Documentation for the editor's appearance at Arte Studio in Ponte Nossa, Italy, hosted by Emilio Morandi. Gerard Barbot (USA) in Germany with Ruggero Maggi (Italy) and Joki Mail Art (Germany). Andrej Tisma (Yugoslavia) in New York City with Crackerjack Kid (USA), David Cole (USA), Mark Bloch (USA), et al.

No. 27 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices of the editor's forthcoming trip to Minden, West Germany. Activities by Hildegard Weiss and Hannes Clerico (West Germany),
Tomasz Schulz (Poland), Cavellini (Italy), Shozo Shimamoto (Japan), Istvan Kantor (Canada), Jenny De Groot (Holland), David Cole (USA), et al.

No. 28 ([1987]). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Photo documentation of the editor in Minden, West Germany. Interview of the editor with Günther Ruch (Switzerland). Emilio Morandi (Italy) in Beograd. Andrej Tisma (Yugoslavia) in New York City. Shozo Shimamoto (Japan), Ryosuke Cohen (Japan), Peter Küstermann (West Germany), Ann Schoen (West Germany), the Barbot Family (USA), mark Bloch (USA), et al, in New York City.

No. 29 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Proposal for a Mail-Art Island. Art event in Beograd with Kum Nam Baik (South Korea) and Gaetano Colonna (Italy). Activities by Andrej Tisma (Yugoslavia), Andrzej Dudek-Dürer (Poland), Chuck Stake (Canada), et al.

No. 30 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Klaus Groh (West Germany), Sofia Martinou (Greece), Jaroslav Supek (Yugoslavia), Katalin Ladik (Yugoslavia), et al. 

No. 31 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Andrej Tisma (Yugoslavia), Anna Banana (Canada), Fernando Aguiar (Portugal), Monty Cantsin (Canada), et al.

No. 32 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by  Rea Nikonova (USSR) and Serge Segay (USSR), Kjell Nyman (Sweden), Fumiko Tatamatsu (Japan), Cavellini (Italy), Thierry Tillier (Belgium), et al.

No. 33 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by  Fernando Aguiar (Portugal), Byron Black (Thailand), Nikola Sindik (Yugoslavia), Daniel Plunkett (USA), Rimma Gerlovin (USA), Tatomir Toroman (Yugoslavia), Carol Schneck (USA), et al.

No. 34 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by  Eamonn Robbins (Ireland), Ryosuke Cohen (Japan), Seiei Nishimura (Japan), César Espinosa (Mexico), Charles Gatewood (USA), Siglinde Kallenbach (West Germany), et al. Performance by the editor in Beograd with Tatomir Toroman (Yugoslavia), Jaroslav Supek (Yugoslavia), et al.

No. 35 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by  Françoise Duvivier (France), Klaus Groh (West Germany), Miroljub Todorovic (Yugoslavia), John Held, Jr. (USA), Bob Kirkman (USA), Rea Nikonova and Serge Segay (USSR), et al.

No. 36 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. "Crisis go on: last prices for PTT service grow up 80%..and we are very upset; probably must limit our m. a. network very much...and the FUTURE of MAIL-ART here is just BIG QUESTION in the FUTURE." Mail-Art forum in Pula, Yugoslavia.

No. 37 (1988). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by  Carol Stetser (USA), Jean-Noël Laszlo (France), Ruggero Maggi (Italy), John Held, Jr. (USA), Shozo Shimamoto (Japan), A1 Waste Paper Company Ltd. (England), Ben Vautier (France), et al.

No. 38 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. "Japanese Shadow Project," with Ruggero Maggi (Italy), John Held, Jr. (USA), Daniel Daligand (France), Gerard Barbot (USA), Shozo Shimamoto (Japan), Ryosuke Cohen (Japan), et al. Activities by Jo Klaffki (West Germany), Ben Allen (North Ireland), Kum Nam Baik (South Korea), Barry Edgar Pilcher (England), et al.

No. 39 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Richard Kostelanetz (USA), Lotte R. Hansen (Denmark), Rea Nikonova (USSR), Pawel Petasz (Poland), John Held, Jr. (USA), et al. "OPEN WORLD wait for the fresh news/artworks (black and white, please)etc. from you...Wait it too: next 40th issue will be in spring 1989. SPECIAL ISSUE!!"

No. 40(1989). Photocopy. 8 1/4"x5 3/4". (12 pages). "This is 40th issue of our OPEN WORLD! We start in the spring 1985, and now, after 4 years small celebration..."Mail Art exhibition, project, and publication opportunities. Notices for activities by Ruggero Maggi (Italy), Jaroslav Supek (Yugoslavia), Andrej Tisma (Yugoslavia), Nenad Bogdanovic (Yugoslavia), et al.

No. 41 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Jean-Pierre Naud (France), Alef Theatre (Yugoslavia), John Held, Jr. (USA), Seiko Miyzaki (Japan), Hazel Jones (England), et al.

No. 42 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). "As you can see, we continue with OPEN WORLD...But will be next issue?...We doubt it. With inflation more of 600%!...and many rest problems-it's impossible." Mail Art exhibition, project, and publication opportunities. Notices for activities by Antonio Gomez (Spain), Harry Fox (USA), E. A. Vigo (Argentina), Rea Nikonova (USSR), Ken Friedman (USA), Emilio Morandi (Italy), Jo Klaffki (West Germany), Clemente Padin (Uruguay), et al.

No. 43 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notices for activities by Mark Pawson (England), Lancillotto Bellini (Italy), Daniel Daligand (France), Guy Bleus (Belgium), David Jarvis (England), et al.

No. 44 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). "At last we realized our project EGO/Erotic Games are Open! The exhibition with more of 500 participants from 36 countries was at Club Dagit, Banja Luka City, 5-11 September 1989." Reproduced contributions for the exhibition by participants Seiei Jack Nakahara (Japan), Radio Free Dada (USA), David Jarvis (England), John Held, Jr. (USA), Kowa Kato (Japan), et al. Contributor list.

No. 45 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dear friends, networkers, this issue of OPEN WORLD is dedicated to multi-media-art program named RED HOUSE of ART and organized by AFLEF THEATRE group..." Mail Art exhibition, project, and publication opportunities.

No. 46 (1989). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dear friends/networkers, this issue of OPEN WORLD is dedicated to last meetings, here in Beograd, with John Held, Jr. + his wife Paula Barber (USA) and Mirei + Jose Van Der Broucke (Belgium), our dear guests, who made lecture, shows, performances at NOVI KLUB...many thanks them for visits, for friendship and we would like meet them again!" Mail Art exhibition, project, and publication opportunities. Mail Artists at "Europe Against the Current" festival in Amsterdam, Holland, included Pedro Bericat (Portugal), Géza Perneczky (West Germany), György Galantai (Hungary), Andrej Tisma (Yugoslavia), Jan De Bover (Belgium), et al.
 
No. 47 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "It isn't last issue of OPEN WORLD, but about next one we must find new solutions...with phantastic/abnormal inflation and may rest trouble we don't need special ART-STRIKE (1990-1993) action-we are in the strike many years ago!" Mail Art exhibition, project, and publication opportunities. Notices for activities by Daniel Plunkett (USA), José Vanderbroucke (Belgium), Jose Oliveira (Portugal), John Held, Jr. (USA), Shozo Shimamoto (Japan), Vittore Baroni (Italy), et al.

No. 48 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "After visit of our dear friends from TEXAS Paula Barber + John Held, Jr. in October 1989, our next guest from Texas was DANIEL PLUNKETT, publisher of magazine ND, performer, mail-artist etc." Mail Art exhibition, project, and publication opportunities. Art Strike, 1990-1993. Notice of activities by Jo Klaffki (West Germany), Ryosuke Cohen (Japan), Jose Vanderbroucke (Belgium), Jenny De Groot (Holland), Stewart Home (England), et al.

No. 49 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dear friends/networkers-this is MOMENT FOR THE TRUTH! Are you still in the NETWORK? If you are then-you are also in ART-STRIKE on special kind!...And before 'serious " culture dies-give a chance to alternative-art! Stop out from glowing stupy art-business and show virtue of stepping alter-way to untold spirit life and art for everyone." Mail Art exhibition, project, and publication opportunities. "Statement Regarding the Art Strike 1990-1993." by Andrej Tisma (Yugoslavia).  Notice of activities by Jo Klaffki (West Germany), Mike Duquette (Canada), Peter Küstermann (West Germany), Ruggero Maggi (Italy), Ken Friedman, Jean-Jacques Lebel (France), Shozo Shimamoto (Japan), et al.

No. 50 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "At last, here is OPEN WORLD no. 50! And...next one/next series-who knows?...But we hope should be better in some better times..." Mail Art exhibition, project, and publication opportunities. Notice of activities by Andrzej Dudek-Dürer (Poland), Ruth and Marvin Sackner (USA), Seiei Nakamura (Japan), Andrej Tisma (Yugoslavia), et al.

No. 51 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "Well, dear friends in NETWORK hare we are again with you! We try to find new solutions about OPEN WORLD in actual chaos here...and continue with alter-art activity. But, last time, we've more and more problems about job and money than before, so SORRY for any delay in correspondence-life." Mail Art exhibition, project, and publication opportunities. Notice of activities by Le Peintre Nato (France), Henning Mittendorf (Germany), Paulo Bruscky (Brazil), Guy Bleus (Belgium), Jose Oliveira (Portugal), et al. "Net-Run 1990."

No. 52 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). Notice for "Worldwide Decentralized Networker-Congress 1992." Mail Art exhibition, project, and publication opportunities. Notice of activities by Birger Jesch (East Germany), Tatamotsu Watanabe (Japan), Rea Nikonova (USSR), Bruno Chiarlone (Italy), Bob Kirkman (USA), Mark Pawson (England), et al. "This issue of OPEN WORLD is dedicated to our feed-back card project "Feel Me (or: express yourself!)...You can see contributions of 40 m.a. friends, but this ongoing project, so who knows when it will be finish?"

No. 53 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Ed Varney (Canada), Scott McLeod (USA), Ruud Janssen (Holland), Barry Edgar Pilcher (England), Harry Fox (England), et al. Notices on "Art Strike," "Net Run," and "The International Mail Art Symposium in the U.S.S.R."   

No. 54 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Ruud Janssen (Holland), Ryosuke Cohen (Japan), Lloyd Dunn (USA), Shozo Shimamoto (Japan), Géza Perneczky (Germany), Reed Altemus (USA), Vittore Baroni (Italy), Johan Van Geluwe (Belgium), M. A. Longbottom (England), et al.

No. 55 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). "We still waiting for concrete information about future NETWORKER-CONGRESS and hope Peter Kaufmann and H. R. Fricker will prepare concrete plan for it." Mail Art exhibition, project, and publication opportunities. Notice of activities by Ruggero Maggi (Italy), Jose Vanderbroucke (Belgium), Ray Johnson (USA), Serse Luigetti (Italy), Mayumi Handa (Japan), Jo Klaffki (West Germany), et al. "Would you like united Yugoslavia? We hope so...And, if you'd like it, please, lets know or send appeal (just this message) to our parliament! At this moment relations between Yugoslav peoples are very bad and some would like to be separate. But, it's dangerous for rest (for us too)." 

No. 56 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). Death of Cavellini (Italy). Mail Art exhibition, project, and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), Gianni Broi (Italy), Andrea Ovicinnicoff (Italy), Ben Vautier (France), Mimi Holmes (USA), Clemente Padin (Uruguay), John held, Jr. (USA), et al. "YES, save our HOME-save the eARTh!...But also save YUGOSLAVIA! Ecological, economical, political YU problems are big."

No. 57 (1990). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Giovanni Strada (Italy), Ken Friedman (USA), John Held, Jr. (USA), John Marriott (Canada), Carroll Brooks (USA), Rea Nikonova (USSR), Andrej Tisma (Yugoslavia), et al. "Well, here is OPEN WORLD n. 57, last one in this hard 1990...We hope NO last one forever?...Of course, it depends of many things here: if civil war don't happen soon, if we'll have enough money, if something or someone don't stop our activity or make us dependence of political opinions... We just hope!"

No. 58 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Swami Nirmalananda (India), FaGaGaGa (USA), Shozo Shimamoto (Japan), Günther Ruch (Switzerland), Mayumi Handa (Japan), A-1 Waste paper Company Ltd. (England), Tulio Restrepo (Columbia), et al.

No. 59 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "Yes, the war became in Persian gulf, but also here (in some versions), and our appeals didn't have feed-back communication. Here's new OPEN WORLD and new appeal- STOP THE WAR everywhere!...Save YUGOSLAVIA! Think about the FUTURE." " Mail Art exhibition, project, and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), Andrzej Dudek-Dürer (Poland), Pascal Lenoir (France), Emilio Morandi (Italy), et al.

No. 60 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "The war in gulf stop and we hope all over the world could be better next time...the situation here is till hard, so once again our appeal: SAVE UNITED YUGOSLAVIA!! NEW ART COMMUNICATION STRATEGY  could be just in UNITED EUROPE, UNITED YUGOSLAVIA, UNITED WORLD." Mail Art exhibition, project, and publication opportunities. Notice of activities by H. R. Fricker (Switzerland), Anna Banana (Canada), Le Peintre Nato (France), Gerard Barbot (USA), Steve Random (USA), Hans Braumüller (Chile). Homages to the late G. A. Cavellini (Italy).

No. 61 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "No, civil war don't became in Yugoslavia, besides some local accidents last time and some violent people...Wes till try to save UNITED YUGOSLAVIA and you can help us with appeals to your governments...Political/economical/national crisis isvery deep and hard, so we need INTERNATIONAL UNDERSTANDING! HELP!" Mail Art exhibition, project, and publication opportunities. Notice of activities by Lon Spiegelman (USA), György and Julia Galántai (Hungary), Mogens Otto Nielsen (Denmark). Kum Nam Baik (South Korea), Jonas Nekrasius (USSR), Giovanni Strada (Italy), Peter W. Kaufmann (Switzerland), Vittore Baroni (Italy), Jo Klaffki (West Germany), et al. Notice of the editors' book, "Art As Communication".

No. 62 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "We live in some kind of CHAOS and believe how civil car don't became, but about UNITED YU-we doubt it." Mail Art exhibition, project, and publication opportunities. Notice of activities by Mayumi Handa (Japan), Bob Kirkman (USA), Barry Edgar Pilcher (England), Jan De Boever (Belgium), Svjetlana Mimica (Yugoslavia), Jenny De Groot, FaGaGaGa (USA), et al.    

No. 63 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Johan Van Geluwe (Belgium), FaGaGaGa (USA), Lon Spiegelman (USA), Shozo Shimamoto (Japan), H. R. Fricker (Switzerland), Jean-Noël Laszlo (France), et al. "Slovania and Croatia should be separated very soon...In this case probably very bad reactions in our Serbian people."

No. 64 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dark clouds circulate up of our country, black birds doing bad job, Yugoslavia do not exist as before...and we're afraid about the future, although the fact that we haven't (total) civil war, just accidents in Croatia." Mail Art exhibition, project, and publication opportunities. Notice of activities by Gianni Broi (Italy), John Held, Jr. (USA), Peter W. Kaufmann (Switzerland),  Svjetlana Mimica (Yugoslavia), Bob Kirkman (USA), Jaroslav Supek (Yugoslavia), Peter Küstermann and Angela Pähler (West Germany), Keith Bates (England), et al.  

No. 65 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dear mail-art friends/networkers-here's the WAR!...Real war with many died people, many destroyed homes, many tragic individual and collective destinies/fates, thousands and thousands people left their homes and coming here as refugees...Unfortunately, we haven't communication with Croatian m. a. friends (if they stay our friends?), we haven't PTT and rest kind of normal communications." Mail Art exhibition, project, and publication opportunities. Notice of activities by Peter Küstermann (West Germany), Ruggero Maggi (Italy), Shozo Shimamoto (Japan), Lon Spiegelman (USA), Jo Klaffki (West Germany), Mayumi Handa (Japan), John Held, Jr. (USA), Ruud Janssen (Holland), et al. Networker Congress information.

No. 66 (1991). Photocopy. 8 1/4"x5 3/4". (12 pages). "We really tired of the bad news, dramatic events, we need PEACE very much...but now new big problem: ISOLATION! Economical/ political/ cultural...isolation of YU and our Serbian people." Mail Art exhibition, project, and publication opportunities. Notice of activities by FaGaGaGa (USA), Ruud Janssen (Holland), Swami Nirmalananda (India), Stephen Perkins (USA), Michael Fox (West Germany), Géza Perneczky (West Germany), José Vanderbroucke (Belgium), et al. Poem by Svjetlana Mimica (Yugoslavia), "The Hidden Face of War."

No. 67 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). "Dear mail-art friends/networkers-we wish to all of you VERY HAPPY NETWORKER YEAR 1992. PEACE and LOVE!!! We hope the war will STOP here and YUGOSLAVIA will stay OPEN and FREE. Mail Art exhibition, project, and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), Peter Küstermann (West Germany), Daniel Plunkett (USA), John Held, Jr. (USA), Hazel Jones and Michael Leigh (England), Luc Fierens (Belgium), Ruud Janssen (Holland), Bruno Capatti (Italy), César Figueiredo (Portugal), et al.  

No. 68 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). "YES, the war stop now (we hope forever), but new big problem is extremely hard economical situation: some economists say-till the end of 1992. Inflation should be 12,000-15,000%!!! CATASTROPHE!" Mail Art exhibition, project, and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), Peter W. Kaufmann (Switzerland),  Ruggero Maggi (Italy), Birger Jesch (East Germany), Mark Bloch (USA), Luc Fierens (Belgium), Peter Küstermann and Angela Pähler (West Germany), et al. "Decentralized Worldwide Networker Congress 1992" information.

No. 69 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Bruno Chiarlone (Italy), Ruud Janssen (Holland), Sofia Martinou (Greece), Andrej Tisma (Yugoslavia), Rod Summers (Holland), Fernando Aguiar (Portugal), Ruggero Maggi (Italy), Crackerjack Kid (USA), Mirojlub Todorovic (Yugoslavia), Jo Klaffki (West Germany), Pewal Petasz (Poland), et al. Networker congress activities.

No. 70 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). Mail Art exhibition, project, and publication opportunities. Notice of activities by Vittore Baroni (Italy), Le Peintre Nato (France), Peter Küstermann and Angela Pähler (West Germany), Reid Wood (USA), Pascal Lenoir (France), Peter W. Kaufmann (Switzerland), Crackerjack Kid (USA), Steve Random (USA), et al. Manifesto resulting from the "Networker Congress in Baranja 1992," with statements from Yugoslavian participants.  

No. 71 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). "Networker Congress in Beograd City" with Yugoslavian Mail Artists Jaroslav Supek, Aleksandar Jovanovic, Nenad Bogdanovic, the editor, et al. Networker Congress in Dallas, Texas, organized by John Held, Jr. (USA).  "Networking Under Embargo," by Andrej Tisma (Yugoslavia). Mail Art exhibition, project, and publication opportunities. Notice of activities by Marcel Stüssi (Switzerland), Fernando Aguiar (Portugal), De Decker Geert (Belgium), Pawel Petasz (Poland), Luc Fierens (Belgium), et al. "We've made communications with Dragan Krizic from Sarajevo (ex mag. Neue Urfor) and our opinion is how all three ethnic groups are guilty for this bloody/horror war there..."   

No. 72 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). "Besides thousand troubles everyday, inflation of 21,000% (can you believe it!?), actual war in Bosna, economical collapse, total blockade, NO-perspective for far future, collective paranoia, no essential needs for normal life...-here's OPEN WO(R)LD no 72. So, we never closed to the world-the world closed to YU." "Anti-Embargo Congress in Sremski Karlovci." Manifesto, "Deblockade of Creativity,"  signed by nine Yugoslavian Networkers. News of other Networker Congresses in California, Belgium, Italy, etc.  Mail Art exhibition, project, and publication opportunities. Notice of activities by  Luc Fierens (Belgium), Jo Klaffki (Germany), Bruno Capetti (Italy), Vittore Baroni (Italy), Ryosuke Cohen (Japan), et al.

No. 73 (1992). Photocopy. 8 1/4"x5 3/4". (12 pages). Dear friends/networkers, as you know, 1992 was extreme hard year with war in Bosnia, total blockade of YU, million rest troubles...In any case, we stay open and OPEN WORLD still exists..." visit by Peter Küstermann and Angela Pähler (Germany).  Networker Congress at Villorba, Italy. Mail Art exhibition, project, and publication opportunities. Notice of activities by Stephen Perkins (USA), Rea Nikonova and Serge Segay (Russia), Dawn Redwood (England), Ruud Janssen (Holland), Geert De Decker (Belguim), Clemente Padin, et al.

No. 74 (1993). Photocopy. 8 1/4"x5 3/4". (12 pages). "We are still alive and OPEN WORLD is here! Please, COPY IT and CIRCULATE." "Networking Message from Angela+Peter." Mail Art exhibition, project, and publication opportunities. Notice of activities by Clemente Padin (Uruguay), Charles Françoise (Belguim), Sophia Martinou (Greece), Aleksandar Jovanovic (Yugoslavia), Andrej Tisma (Yugoslavia), John Held, Jr. (USA), Monty Cantsin (Canada), et al. "Try to understand how m. a. network is not only free zone for artistic games! Write to us about it."

No. 75 (1993). Photocopy. 8 1/4"x5 3/4". (12 pages). "And we stay (inside/inner life) OPEN WORLD, but UN, democratic Europe and rest treat us as PRISONERS!" Mail Art exhibition, project, and publication opportunities. "Dreamtime Networker Congress-USA '92." Notice of activities by Peter Küstermann (Germany), Ever Arts (Holland), FaGaGaGa (USA), Nenad Bogdanovic (Yugoslavia), Shozo Shimamoto (Japan), et al.

No. 76 (1993). Photocopy. 8 1/4"x5 3/4". (12 pages). "And here's OPEN WOR(L)D no. 76 (No "Open World"!...it sounds ironic-John Held says)-in extreme hard situation when our existence/life is in big danger..." Mail Art exhibition, project, and publication opportunities. "Prevent Civilization Gangrene," by Andre Tisma (Yugoslavia). Notice of activities by Byron Black (Indonesia), Aleksandar Jovanovic (Yugoslavia), John Held, Jr. (USA), Ruggero Maggi (Italy), Klaus Rupp (Germany), Keith Bates (England), buZ blurr (USA), et al.

No. 77 (1993). Photocopy. 8 1/4"x5 3/4". (16 pages). Yugoslavian art activities, including the program for the exhibition, "Open World-Open Mind," organized by the editor. Listing of contributors to the exhibition. Mail Art exhibition, project, and publication opportunities. Notice of activities by FaGaGaGa (USA) , Luce Fierens (Belgium), Mayumi Handa (Japan), Géza Perneczsky (Germany), Ruggero Maggi (Italy), Mike Dyar (USA), et al.   

No. 78 (1994). Photocopy. 8 1/4"x5 3/4". (12 pages). "Our life is a kind of slavery life, we're still in strict blockade but we are out of war..." Contributor list for the exhibition "Flying Up," at the Museum of contemporary Art, Beograd. Mail Art exhibition, project, and publication opportunities. Notice of activities by Stephen Perkins (USA), Jaroslav Supek (Yugoslavia), Ryosuke Cohen (Japan), John Held, jr. (USA), Andrej Tisma (Yugoslavia), Peter Küstermann (Germany), Nenad Bogdanovic (Yugoslavia), Clemente Padin (Uruguay), Sandor Gogoljak (Yugoslavia), et al. 

No. 79 (1994). Photocopy. 8 1/4"x5 3/4". (12 pages). "...we produce & distribute with help of our m.a. friends (Ruggero Maggi, Willie Marlow, Klaus Rupp, Emilio Morandi, Magda Lagerwer, Montse Fornos...). "Anti-Embargo Performance," by Aleksandar Jovanovic (Yugoslavia) and Sandor Gogoljak (Yugoslavia) in Novi Sad. Reprint of "Bibliozine" #20, featuring "Open World" magazine. Mail Art exhibition, project, and publication opportunities. Notice of activities by Jose Vandenbroucke (Belgium), Mogens Otto Nielsen (Denmark), Michael Leigh (England), Peter Küstermann (Germany), Fulgos Silvi (Italy), Ruud Janssen (Holland), et al. 

No. 80 (1994). Photocopy. 8 1/4"x5 3/4". (16 pages). "In Yugoslavia coming better times, hyperinflation stop and we wish and hope deblockade will coming soon too." Anti-embargo activities by Yugoslavian networkers, including Jaroslav Supek, Sandor Gogoljak, Nenad Bodganovic, Andrej Tisma, Miroljub Todorovic, the editor, et al. Mail Art exhibition, project, and publication opportunities. Notice of activities by Lloyd Dunn (USA), Sumiko Miuzaki (Japan), Stephen Perkins (USA), Pere Sousa (Spain), Tulio Restrepo (Columbia), Michael Lumb (England), et al.       
 
No. 81 (1994). Photocopy. 8 1/4"x5 3/4". (16 pages)."Indian-German Art Workshop," by Peter Küstermann (Germany) and Byron Black (Indonesia). Yugoslavian "Anti-Embargo" performances.  Mail Art exhibition, project and publication opportunities. Notice of activities by Shozo Shimamoto (Japan), Abelardo Mena (Cuba), Aleksandar Jovanovic (Yugoslavia), Rod Summers (Holland), Clemente Padin (Uruguay), Emilio Morandi (Italy), John Held, Jr. (USA), et al.

No. 82 (1994). Photocopy. 8 1/4"x5 3/4". (16 pages). "Besides the fact that UN suspended cultural embargo to YU we feel it de facto...But, special person (our favorite networker!), an hero in intern. network is John Held, Jr., our very dear guest here last days of October 1994...He's first foreign networker who visited us after Angela+Peter Netmail/Küstermann 1992." Mail Art exhibition, project and publication opportunities. Notice of activities by Emilio Morandi (Italy), Michael Leigh (England), Michael Lumb (England), Andre Tisma (Yugoslavia), Teresinka Pereira (USA),
Keiichi Nakamura (Japan), et al.

No. 83 (January 1995). Photocopy. 8 1/4"x5 3/4". (16 pages). "...ten years of OPEN WORLD (1st issue was been published 1985)." Death of Yugoslavian Mail Artist Slavko Matkovic. Anti-Embargo performance activities of John Held, Jr. with Yugoslavian networkers in Beograd. Mail Art exhibition, project and publication opportunities. Notice of activities by Juhani Takalo-Eskola (Finland), Ubaldo Giacommucci (Italy), M. B. Corbett (USA), Anna Boschi (Italy), Svjetlana Mimica (Croatia), et al.

No. 84 (1995). Photocopy. 8 1/4"x5 3/4". (16 pages). Mail Art exhibition, project and publication opportunities. Homages to Ray Johnson (USA). Notice of activities by Klaus Rupp (Germany), Filimir (Yugoslavia), Jas. Felter (Canada), Peter Küstermann (Germany), Ruggero Maggi (Italy), Darko Vulic (France), Shozo Shimamoto (Japan), et al.

No. 85 (1995). Photocopy. 8 1/4"x5 3/4". (16 pages). "YU Mail Art Exhibition" at Museum of Modern Art, Beograd. Belgian Mail Artists gather at Guy Bleus' artistamp exhibition.  Mail Art exhibition, project and publication opportunities. Notice of activities by Picasso Gaglione (USA), Ruud Janssen (Holland), Ryosuke Cohen (Japan), Crackerjack Kid (USA), Keith Bates (England), et al.

No. 86 (1995). Photocopy. 8 1/4"x5 3/4". (16 pages). "We've been in big dilemma: STOP with OPEN WORLD, after 10 years of activity and 85 issues, or CONTINUE? WHY?...Firstly, we don't feel (and open your eyes, please!) free and open people as before...and loose a part of our cosmopolit feelings in the finish of wartime into former Yugoslavia. After NATO air-forces attacks vs. Serbs...ON another hand, some ours networking friends, real friends (John Held Jr., José VD Broucke, Ruud Janssen...) would like new OPEN WORLD issues...So, YES, we continue our OW activity as 'OPEN WOR(l)D'!'L'=liberty is loose as long as sanctions vs YU will stay." Open letter from Andre Tisma (Yugoslavia) to José Van Den Broucke (Belgium).  Mail Art exhibition, project and publication opportunities. Notice of activities by Nenad Bogdanovic (Yugoslavia), Ruud Janssen (Holland), Anna Boschi (Italy), Swami Nirmalamanda (India), Ashley Parker Owens (USA), Klaus Rupp (Germany), Miroljub Todorovic (Yugoslavia), et al.

No. 87 (1996). Photocopy. 8 1/4"x5 3/4". (16 pages). Announcement of a new project by the editor, "Visions of New Era=New Art=Open World." Mail Art exhibition, project and publication opportunities. Notice of activities by Miroljub Todorovic (Yugoslavia), Keiichi Nakamura (Japan), Birger Jesch (Germany), Darko Vulic (Switzerland), Artpool (Hungary), Crackerjack Kid (USA), Dragan Nesic (Yugoslavia), et al.  

No. 88 (April 1996). Photocopy. 8 1/4"x5 3/4". (16 pages). "Yugoslavian Networkers" exhibition at Stamp Art Gallery, San Francisco. Visual Poetry Festival in Mexico. "In Memoriam Guillermo Deisler," by Clemente Padin (Uruguay). Mail Art exhibition, project and publication opportunities. Notice of activities by Ruud Janssen (Holland), Luc Fierens (Belgium), Gerard Barbot (USA), Edgardo-Antonio Vigo (Argentina), Scott McLeod (USA), Rea Nikonova (Russia), et al.

No. 89 (June 1996). Photocopy. 8 1/4"x5 3/4". (16 pages). Notice of activities by Yugoslavian networkers. Participant list for "The First International Festival of Experimental Poetry and Expanded Art Media," Beograd. First Pacific Rim Artistamp Congress," San Francisco, California. "Mail Art as Means of Survival Under Communism," by Peter Küstermann (Germany).  Mail Art exhibition, project and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), H. R. Fricker (Switzerland), Clemente Padin (Uruguay), José Vanderbroucke (Belgium), Serge Segay (Russia).

No. 90 (1996). Photocopy. 8 1/4"x5 3/4". (16 pages). "We're still in hard economical+social situations! Besides the fact that UN sanctions vs. YU suspended (but we're still out of UN and many intern. organizations)." Mail Art exhibition, project and publication opportunities. Notice of activities by Klaus Rupp (Germany), Diane Bertrand (Canada), Rea Nikonova and Serge Segay (Russia), Darko Vulic (Switzerland), Saho Tanaka (Japan), et al.

No. 91 (1996). Photocopy. 8 1/4"x5 3/4". (16 pages). "Fluxfest 96" in San Francisco, California. Visual Poetry Festival in Mexico with Dick Higgins (USA), Clemente Padin (Uruguay), Emilio Morandi (Italy), Giovanni Strada (Italy), Edgardo-Antonio Vigo (Argentina), Klaus Groh (Germany), et al. Death of Pat Larter (Australia).  Mail Artists Mail Art exhibition, project and publication opportunities. Notice of activities by Pawel Petasz (Poland), Simon Baudhin (Belgium), H. R. Fricker (Switzerland), Dmitry Bulatov (Russia), Anna Boschi (Italy), Emilio Morandi (Italy), Artpool (Hungary), et al.

No. 92 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). "...in this issue of OW  you can see why our idea of OPEN WORLD still exist and what we expect from the networkers all over the world..." Mail Art exhibition, project and publication opportunities. Notice of activities by Shozo Shimamoto (Japan) and Le Peintre Nato (France), Guy Bleus (Belgium), Tartarugo (Spain), Peter Küstermann (Germany), Hans Braumüller (Chile), Ruud Janssen (Holland), Gik Juri (Russia), Darko Vulic (Switzerland), Shigeru Tamaru (Japan), Miroljub Todorovic (Yugoslavia), Stephen Perkins (USA), et al.

No. 93 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). "Dobrica Kamperelic: Open World," exhibition at the Stamp At Gallery, San Francisco, California. Mail Art exhibition, project and publication opportunities. Notice of activities by Le Peintre Nato (France), Emilio Morandi (Italy), Kees Francke (Holland), Tartarugo (Spain), Nenad Bogdanovic (Yugoslavia), Michael Fox (Germany), Dmitry Bulatov (Russia), Filimir (Yugoslavia), et al.

No. 94 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). Mail Art exhibition, project and publication opportunities. Notice of activities by Ruggero Maggi (Italy), Nastic Zoran (Yugoslavia), Andrej Ksrbinek (Slovenia), Jo Klaffki (Germany), Barry Edgar Pilcher (Ireland), Franco Santini (Italy) and Raimondo Del Prete (Italy), Shozo Shimamoto (Japan), Henning Mittendorf (Germany), Fernando Aguiar (Portugal), Pete Spense (Australia), Francis Fan Mail (Luxembourg), et al. 

No. 95 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). "Art-life here is really dynamic and interesting, many new interesting artists make phantastic projects and art-actions, so come here and enjoy it! We are ready for cooperative art-projects and actions..." Death of Jo Klaffki (aka Joki mail Art) (Germany). Mail Art exhibition, project and publication opportunities. Notice of activities by Pere Sousa (Spain), Keiichi Nakamura (Japan), Clemente Padin (Uruguay), Marina Abramovic (Holland),  Wilfred Nolde (Germany), Shozo Shimamoto (Japan), et al.

No. 96 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). "Besides many troubles here, art-life is really attractive and that's reason for your visit and cooperative art-actions with us, isn't it?" Death of Mail Artist Marcel Stüssi (Switzerland). "Perfo-Media Festival," organized by Emilio Morandi (Italy). Meeting of Belgian Mail Artists. Mail Art exhibition, project and publication opportunities. Notice of activities by José Vanenbroucke (Belgium), Shozo Shimamoto (Japan), Darko Vulic (Switzerland), Peter Küstermann (Germany), Clemente Padin (Uruguay), Seiko Miyzaki (Japan), et al.

No. 97 (1997). Photocopy. 8 1/4"x5 3/4". (16 pages). "Here's last issue of OPEN WORLD in 1997...Yes, better times must became next year, optimism never fall away in our mind besides permanent crisis here, had economical+social situation." Vittore Baroni (Italy) coordinates "Incongruous Meetings 1998." Publication of "Arte Postale," by Vittore Baroni. Mail Art exhibition, project and publication opportunities. Notice of activities by Zlatko Krstevski (Macedonia), Kam Nam Baik (South Korea), Ruud Janssen (Holland), Luc Fierens and Annina Van Sebroeck (Belgium), Reika Yamamoto (Japan), Chuck Stake (Canada), Clemente Padin (Uruguay), Pascal Lenoir (France), Peter Küstermann (Germany).

No. 98 (1998). Photocopy. 8 1/4"x5 3/4". (16 pages). "Hm.  we hadn't the slightest idea that so much people/networkers show interests for our  "Open World' all over the world...So, lets celebrate 'Open World' no. 100 at NUBS Gallery TOGETHER this summer." Death of Edgardo-Antonio Vigo (Argentina). Mail Art exhibition, project and publication opportunities. Notice of activities by Harry Burras (USA), Wilfred Nold (Germany), Pete Spense (Australia),  Dawn Redwood (England), César Espinosa (Mexico), Pawel Petasz (Poland), John Held, Jr. (USA), Joe Decie (England), La Toanvinh (Canada), Artpool (Hungary), Luc Fierens (Belgium), et al.

No. 99 (1998). Photocopy. 8 1/4"x5 3/4". (16 pages). "Probably you got news about problems in Kosovo, extreme southern-part of Serbia?...And we must say how we're, once again, disappointed with UN and intern. factors who help Albanians and close the eyes with Serbian problems. WHY!?" Reprint of review of "Open World" from Factsheet Five." Mail Art exhibition, project and publication opportunities. Notice of activities by Ruud Janssen (Holland), Barry Edgar Pilcher (Ireland), Manfred Vançi Stirnemann (Switzerland), Dmitry Bulatov (Russia), Claudia Pütz (Germany), Magda Lagerwerf (Holland), Lois Klassen (Canada), Michael Lumb (England), John Held, Jr. (USA), Eugenio Miccini (Italy), Henning Mittendorf (Germany), et al.

No. 100 (1998). Photocopy. 8 1/4"x5 3/4". (16 pages). "Dear friends/networkers all over the world. YES, here's 'OPEN WORLD' no. 100! Seth Friedman told the truth: "Nothing stops 'OPEN WORLD'-not war, UN imposed cultural embargo, editors' personal health or financial depravation'...Also actual situation here, problems with Kosovo (world mass-media-mad-machine always made wrong infor, turn upside dawn (sic) the truth), ignorance by UN, intern. organizations, but some networkers too.../ So, our project 'OPEN WORLD-VISIONS OF NEW ERA' is dedicated to problems of Global World (Unus Mundus) and visions of New Era with immensely fat layer of superstitions and taboos, with all attributes that make it what is or just with indications of all that could create it: World without boundaries, human gene...the end of history...trans-national institutions and multinational corporations, global transport, informatic society, World communication system, the Great Unification of Cosmic Powers, bioengineering, fractals and holograms, techo-fetishism+ digital revolution, ecological balance + greenhouse effects, multiculturalism and open (international) art cooperation etc. etc." Contributor list for the exhibition "Open World-Visions of New Era," at Galerija NUBS, Beograd. "Incongruous Meetings 1998." Mail Art exhibition, project and publication opportunities. Notice of activities by Miroljub Todorovic (Yugoslavia), Renata and Giovanni Strada (Italy), Georg Lipinsky (Germany), Pete Spence (Australia), Clemente Padin (Uruguay), Antonio Miro (Spain), Michael Dittman (USA), Luc Fierens (Belgium), et al.   

No. 101 (1998). Photocopy. 8 1/4"x5 3/4". (16 pages). "Dear friends/networkers all over the world, this is NOT, as you expect, OPEN WORLD no. 101-it is OPEN WORD no. 1!!! So, we closed our OPEN WORLD, maybe FOREVER!!! WHY??? Many reasons...but MOST IMPORTANT is because next days we expect (we, SERBS, sky-people, always victims...under Turkey 500 years!...then Austro-Ungarian (empire), Germans...now NEW WORLD ORDER-what kind of farce with NEW WORLD ORDER. (UN today, USA, NATO, etc.) strong (strongest!) attack by NATO air-forces (someone says-430 airplanes, F-16, Tornados etc., than tomahawks-rockets...etc. V.S. Yugoslavia!!!...In any case, don't forget us, OPEN WORLD, our ideas and actions..." "In Memoriam Joki," by Peter Küstermann (Germany). Mail Art exhibition, project and publication opportunities. Notice of activities by John Held, Jr. (USA) and Bill Gaglione (USA), Monty Cantsin (Canada), Dmitry Bulatov (Russia), Dragean Nestic (Yugoslavia), Crackerjack Kid (USA), Clemente Padin (Uruguay), Lothar Trott (Switzerland), Anne Boschi (Italy), Tartarugo (Spain), Giovanni Strada (Italy), Hans Braumüller (Germany), Merlin (Germany), Luc Fierens (Belgium), et al.

No. 102 (1998). Photocopy. 8 1/4"x5 3/4". (16 pages). "We wish to all of you Merry Christmas and very happy 1999.!!! Le fin du Siecle is just near, we still dreaming an real OPEN WORLD, world without borders, but also world without poorless, sufferings, sorrow, humility, false promises...but the world with any progress, wholeness, wisdom, goodness, happiness!! OK? Is it only utopia or reality soon???" Visit of Giovanni and Renata Strada (Italy) and Emilio Morandi (Italy), for Incongruous Meeting. Mail Art exhibition, project and publication opportunities. Notice of activities by Guy Bleus (Belgium), Annina Van Sebrouck and Luc Fierens (Belgium), Vittore Baroni, José Vandenbroucke (Belgium), Dmitry Bulatov (Russia), Tartarugo (Spain), Christian Allee (France), Wilfred Nold (Germany), Grace Wahnich (Argentina), et al.

No. 103 (1999). Photocopy. 8 1/4"x5 3/4". (16 pages). "So, all our ideals, feelings about international friendship and art-cooperation, global ideas etc. nowadays are in the darkness of so-called interests of NEW WORLD ORDER with 'leaders in the shadow'...SORRY...we hope that you understand us in very special situation here because many worst things could happen in next weeks...Your support WELCOME JUST NOW!" Mail Art exhibition, project and publication opportunities. Notice of activities by Darko Vulic (Switzerland), Erifili Dimitriadow (Greece), Carsten Schmidt Olsen (Denmark), Lancillotto Bellini (Italy), Gogolyak Sandor (Yugoslavia), Peter and Angela Netmail (Germany), Anna Banana (Canada), Anna Boschi (Italy), et al.

New Series No. 3 (2000). Photocopy. 8 1/4"x5 3/4". (20 pages). Titled, "Obscure Open? World," "Yugoslavia still are under the sanctions of UN and Europe Unia-after horrible bombing by NATO air-forces 79 days-also occupation of Kosovo, oldest part of Serbia...So how we can be OPEN WORLD besides our cosmopolitanism, internacialism, hospitality, etc. etc.. Let us know!" "The future of Mail Art 2000: Vision-Utopia-Desires-Perspective," by Angela and Peter Netmail (Germany). Mail Art exhibition, project and publication opportunities. Notice of activities by Andrej Tisma (Yugoslavia), Clemente Padin (Uruguay), Luc Fierens (Belgium), Stephen Perkins (USA), Alan Turner (England), Emilio Morandi (Italy), Joe Decie (England), et al.

New Series No. 4 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled," Offer Open World." "Here's OOW no. 4 and you are almost bound that this issue is really amazing+exciting! We wouldn't just turn upside down your opinions about war and artistic actions, peaceful activity, buy you'll read on following pages of OW 4 some important aspects about it, our sense of responsibility for the future of World in New Millenium, our experiences during wartime here and around, but also start of our dispute/debate with Steve Perkins...He's old, good friend, he has , of course, his own opinions about situation here and what's happened...so it is OK, but...but he lives so far from here, he hasn't real INFO, he couldn't feel the same because he hasn't be under our skin during bombing etc. etc." Open letter to Stephen Perkins (USA) by the editor.   Mail Art exhibition, project and publication opportunities. Notice of activities by Barry Edgar Pilcher (Ireland), Peter Küstermann (Germany), Merlin (Germany), Giovanni and Renata Strada (Italy), Pascal Lenoir (France), et al.

New Series No. 6 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "Overt Open World." "After 103 issues of 'Open World' and new series of OOW (5 issues), we continue our art-communication with this latest issue of OOW." Deaths of David Cole (USA) and Harry Fox (England). Mail Art exhibition, project and publication opportunities. Notice of activities by De Decker Geert (Belgium), Clemente Padin (Uruguay), Alan Turner (England), Ginger Mason (Switzerland), Teresinka Pereira (USA), Marilyn Dammann (USA), Tartarugo (Spain), et al.

New Series No. 7 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "Owwn Open World." editor mentions his upcoming trip to Minden, Germany, and the troubles to obtain a visa. Mail Art exhibition, project and publication opportunities. Notice of activities by Christa Behmenburg (Germany), Antonio Sassu (Italy), Bill Gaglione (USA), Ruud Janssen (Holland), Milja Rantanen (Finland), Loco (Japan), Guido Vermeulen (Belgium), Clemente Padin (Uruguay), Pascal Lenoir (France), et al.

New Series No. 8 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "OP!?TI MYSTIC Open World." "Well Filimir and me/Dob. we get German VISA, at last, and will coming to MINDEN (M. A. Mekka) 8th September to contribute into great Angela+Peter Netmail project 2000...during our stay there, in Minden, we'll try to explain all friends/networkers real situation here...and what's really happened last ten years until destruction of former YU." Mail Art exhibition, project and publication opportunities. Notice of activities by Giovanni and Renata Strada (Italy), Peter Küstermann (Germany), John Held, Jr. (USA), Keith Bates (England), César Reglero (Spain), Antonio Sassu (Italy), et al.

New Series No. 9 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled "Offhand Open World." Dear friends/networkers ALL OVER THE WORLD, here's ours (yours too!) O O W no. 9 with very fresh news, but firstly the news about extraordinary TIME of CHANGE multimedia-art festival in well-known, MINDEN-M.A. MEKKA (Germany) realized 6-12 September 2000...We've been just happy to meet our old m.a. friends: Angela+Peter NETMAIL, Renata+Giovanni StraDADA, John Held Jr., Annina+Luc Fierens, Dr. Klaus Groh, Pawel Petasz, Dawn Redwood, Gert De Decker, Angela+Henning Mittendorf..." Photo documentation of Minden Festival. Mail Art exhibition, project and publication opportunities. Notice of activities by Loco (Japan), Dimitry Bulatov (Russia), et al.

New Series No. 11 (2000). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "On Site Open World Magazine." "Besides the fact that our flats are cold in winter time, that our economical+social situation is very hard , besides many actual troubles...we are not pes(s)imists we didn't take no notice to all aspects of our reality, we never stop dreamin' and wishin' about better times, nice travels = new meeting with friends all over the world...It turned out to be solution for existence in terrible time pass 10 years, in stuffy, sad, fully crazy situation after destruction of former Yugoslavia, silly strokes by our ex leaders and misunderstanding from World Unity. But, no one can back those years to us! It's loose forever. Never mind, enjoy O O W no.11 with very fresh news, invitations for many new projects, reports from art-events, meetings etc. etc. All the best! Welcome to Democratic Yugoslavia!" Text from "Time of Change" address in Minden, Germany, by Henning Mittendorf (Germany). Mail Art exhibition, project and publication opportunities. Notice of activities by David Dellafiora (Australia), Peter Küstermann (Germany), Gianni Simone (Japan), Patricia Collins (England), Michael Fox (Germany), De Decker Geert (Belgium), et al.

New Series No. 12 (2001). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "Oddly Open World." "Last news, JUST this moment on our TV-3 Serbian policemen killed by Albanian terrorists today, 18th February... and they start offensive v.s. Serbs, spring offensive! please, open your eyes! Lets us STOP terrorists in our country!!" Mail Art exhibition, project and publication opportunities. Notice of activities by Tulio Restrepo (Columbia), Bill Gaglione (USA), Lother Trott (Switzerland), Nikola Sindik (Yugoslavia), Clemente Padin (Uruguay),  Anna Boschi (Italy), Emilio Morandi (Italy), Dragonfly Dream (USA), Ruggero Maggi (Italy), John Held, Jr. (USA), Vittore Baroni (Italy), et al.

New Series No. 13 (2001). Photocopy. 8 1/4"x5 3/4". (18 pages).  Titled, "Oops Open World Magazine." "Mr. Milosevic, our ex-president is arrested..." Announcement of special issue of "Kairan" magazine on the Balkans. Mail Art exhibition, project and publication opportunities. Notice of activities by Giovanni Strada (Italy), Barry Edgar Pilcher (Ireland), Keith Bates (England), Loco (Japan), Henning Mittendorf (Germany), et al.

New Series No. 14 (2001). Photocopy. 8 1/4"x5 3/4". (16 pages). Titled, "Oracle? Open World Magazine." "The situation here after Milosevic's sending consignment to Hague is very exciting, many protests, many glowing feelings...But, our social and economical situation is of the worst sort in Europe. Besides democratic changes and promises of so-called World Unity about help noting special happened..." Mail Art exhibition, project and publication opportunities. Notice of activities by John Held, Jr. (USA), Vittore Baroni (Italy), Henning Mittendorf (Germany), Reed Altemus (USA), Ryosuke Cohen (Japan), Gianni Simone (Japan), Clemente Padin (Uruguay), Peter Küstermann (Germany), Filimir (Yugoslavia), David Alvey (USA), Simon Baudhuin (Belgium), Darko Vulic (Switzerland), Anna Boschi (Italy), Antonio Sassu (Italy), et al. 

^         

Opuntia. Dale Speirs, Editor. Calgary, Canada. 1995-2001.

No. 23 (February 1995). Photocopy. 8 1/2"x5 1/2". 16 pages. "This is the 50th issue of OPUNTIA since #1 rolled off the photocopier in March 1991> Officially this zine is still an irregular (that way I can't be held to blame if an issue is late) but unofficially I've been getting enough material to come out monthly. OPUNTIA is mostly living up to the ideals I had in mind when I began it: to document Canadian fanhistory, who write about economics, politics, and anything else I want to preach, and as a means of positive expression, to get me out of a negative outlook on life and doing something constructive instead."

No. 24.1 (July 1995). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes a review of "Global Mail." "Zine Beginnings," by the editor.

No. 25 (September 1995). Photocopy. 8 1/2"x5 1/2". 16 pages. "Mail Viruses," by the editor, discusses chain letters.

No. 26 (October 1995). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 26.1 (November 1995). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," including reviews of "Global Mail," "Drift," and "Lime Green News." "But Is It Art?" reviews "Eternal network: A Mail Art Anthology," by Chuck Welch (USA). "I've been too busy in zinedom to become involved in mail art, but have always kept the thought in the back of my mind that some day I'll start cranking out the decorated envelopes and weird stuffers. Part of my interest comes from my philatelic side, as mail art is much more artistic than those boring cachets the average philatelist produces. Mail art is intended to bypass the art gallery system, where art is a commodity, in favour of exchanging art the way zines are traded..."

No. 26.5 (Saturnalia 1995). Photocopy. 8 1/2"x5 1/2". 12 pages. Per-zine issue.

No. 27.1 (February 1996). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," include reviews of "Drift," "Bibliozine," and "Global Mail." "Zines as Psychotherapy." Letter from Chuck Welch (USA) in regard to a review of "Eternal Network: A Mail Art Anthology." "I think mail art as snail mail will calcify before the end of this decade. The future of mail art is e-mail art. many artists hate the idea because e-mail isn't as tactile. They miss the point entirely; mail art is...about art as communication. Mail art is about process as concept and content. When it stops being that, it will be commodified."

No. 28.1A (May 1996). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," including reviews of Lime Green News," "Bibliozine," and "Netshaker."

No. 28.1B (July 1996). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," including reviews of "Global Mail," "Bibliozine," "Lime Green News," and ""The Luther Blissett Project." "U 2 Can Detourne Things," by the editor. Correspondence from Chuck Welch (USA). "I think some purists in the mail art fossils net might give you real shit about judging mail art zines."

No. 28.5 (August 1996). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 29 (October 1996). Photocopy. 8 1/2"x5 1/2". 8 pages. "Round Robins: A Preliminary History," by the editor. "A round robin (RR) is a circulating packet of letters of zines, each participant adding their contribution as it comes round and removing the previous one." Letter by John Held, Jr. (USA).

No. 29.1 (November 1996). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of Bibliozine," "Global Mail," and "Rubberstampmadness." Review of the book, "Zines! Vol. 1," by V. Vale.

No. 29.2 (December 1996). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 8 pages. "Subject Index to Opuntia #1 to #29.1," compiled by the editor.

No. 29.5 (January 1987). Photocopy. 8 1/2"x5 1/2". 8 pages. Notice of correspondence with Andrea Ovcinnicoff (Italy).

No. 31 (Early March 1997). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 31.1 (Ides of March 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," including reviews of "Bibliozine," "RE:ACTION," "Lime Green News," and "London Psychogeographical Association Newsletter." "Stewart Home Considered as a Trekkie," by the editor.

No. 32 (Late March 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "Hektographs and Damp Leafs: Cutting-Edge Technology," by the editor.

No. 33 (May 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. Includes a "Underground Chain," as an enclosure.

No. 33.1 (June 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "London Psychogeographical Association Newsletter," Factsheet Five," and "Brain Cell."

No. 33.5 (July 1997). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 34 (August 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "The origin of Rubber Stamps," by the editor. "A Brief History of Rubber Stamp Art," by John Held, Jr. (USA).

No. 34.1 (September 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Global Mail," Tabloid Trash," and "Collection Art Terre."

No. 34.5 (October 1997). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 35 (November 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. Letters refer to John Held, Jr.'s article on rubber stamp art.

No. 35.1 (December 1997). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Lime Green News," "Proud Cray," and "RE:ACTION." Review of books on zines. Commentaries on "Brain Cell," and "Artist Trading Cards."

No. 35.5 (January 1998). Photocopy. 8 1/2"x5 1/2". 12 pages. History of Canadian postal strikes.

No. 36 (February 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "More About Hetographs," by the editor. 

No. 37 (March 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "Public Letter Writers," by the editor.

No. 37.1 (April 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings" includes reviews of "Bibliozine," "Historians Anonymous," and "Assembling zines," by Stephen Perkins (USA). "Zine Zines," comments of review zines such as "Factsheet Five," and "Global Mail."

No. 38 (June 1998). Photocopy. 8 1/2"x5 1/2". 12 pages. "The Urban Legend of a Million Stamps," by the editor.

No. 38.2 (May 1998). Photocopy. 8 1/2"x5 1/2". 8 pages. "Up until now, the few x.2 issues of this zine have been for indexes of OPUNTIA. I have begun to compile indexes of other zines in my collection, and this issue is the first in that effort."

No. 39 (July 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "For some time now I've been working on what is shaping up to be a book-length manuscript on invisible postal history, things like public letter writers, round robins, and chain letters. This issue has an extract from the latter subject, and in future issues I'll have accounts of the dying child postcard chain, prayer letters, and other aspects of the chain letter..."

No. 39.5 (August 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine issue.

No. 40 (September 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "Modern Chain Letters," by the editor.

No. 40.1 (October 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Bibliozine," "Lime Green News," "Subspace International Zine Show," and "Artistamp News." 

No. 40.2 (Early November 1998). Photocopy. 8 1/2"x5 1/2". 12 pages. "Cumulative Subject index to OPUNTIA #1 to #40.1," compiled by the editor.

No. 40.5 (Late November 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. Results of "The Worldwide Party," a project advocated by the editor.

No. 41 (December 1998). Photocopy. 8 1/2"x5 1/2". 16 pages. "I've been flattered by several requests in the last few months for back issues of OPUNTIA. Alas, I cannot offer any, as I only print enough for the current mailing list, usually 100 copies." "Fragments for a History of APAS," by the editor.

No. 41.1A (January 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Brain Cell," "Bibliozine," and RE:ACTION."

No. 41.1B (February 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Brain Cell," "Numero," and "London Psychogeographical Association Newsletter."

No. 41.1C (March 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings." Enclosed letter requesting article on Mail Art.

No. 41.1D (April 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," incudes a review of "The E-Mail Interview with Guy Bleus."

No. 41.5 (May 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine issue.

No. 42 (June 1999). Photocopy. 8 1/2"x5 1/2". 16 pages.

No. 42.1 (July 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings" includes reviews of "Numero," "Bibliozine," "RE:ACTION," and "Global Mail."

No. 42.5 (Stampede 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.

No. 43.1A (Late August 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes a review of "Popular Reality."

No. 43.1B (September 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listing," includes a review of "Anna's Banana Bulletin." Review of the book, "L'Arte Del Timbro/Rubber Stamp Art," by John Held, Jr. (USA). "The field is still growing today and splintering, such as SF and philately did. at one time SFers all read the same books and magazines; now they are hopelessly fragmented into hundreds of sub-fandoms. philatelists used to all be worldwide issue collectors, now  most of them don't even collect all their own country. Rubber stamping went from Dada to young moms into scrapbooking and greeting cards, with no knowledge of what went on before. RUBBERSTAMPMADNESS is now full colour, a thick, matronly magazine packed with ads./But Held is more concerned with the mail art end of it. After his introductory history sets the stage, he then discusses quite a number of mail artists, using them to illustrate the trends in rubber stamping in the avant garde. Samples of their works are abundant throughout the book. Certainly an excellent overview of the field..."

No. 43.5 (October 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.

No. 44 (November 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. Discussion of Science Fiction fandom.

No. 44.1 (December 1999). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes a review of "Kreuz-Akttionen."

No. 44.1B (January 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Historians Anonymous," "Numero," and "Popular Reality." "Mail Art Listings" includes project and publication opportunities. Book reviews of "The Assault on Culture" and "The Festival of plagiarism," by Stewart Home (England). Review of "Smile Classified," by Simon Ford (England). "Mail Art-Brain Cell-Fractal," by Ryosuke Cohen (Japan).

No. 44.1C (February 2000). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 16 pages.

No. 44.1D (March 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings" includes reviews of "Mani Art," "Popular Reality," and "Artistamp News." "Mail Art Listings" includes project and publication opportunities.

No. 45.1 (June 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Letters to the editor comment on Mail Art. "Zine Listings," includes a review of "Shouting at the Postman." "Mail Art Listings," include project and publication opportunities. "Statistics-Zines Received," includes number of zines collected by Robert Lichtman (1987-1998) and the editor (1998-1999). "The lament that zinedom is dying and the papernet ain't what it used to be doesn't seem justified." The editor received a total of 364 zines in 1999.

No. 45.5 (July 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.

No. 46 (Early August 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. "The History of Art Trading Cards: A Collaborative Cultural performance," by M. Vanci Stirnemann (Switzerland). "artist Trading Card information," by Don Mabie a.k.a. Chuck Stake (Canada).  

No. 46.1 (Late August 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings," includes reviews of "Kreuz Aktionen 2000," and "Popular Reality." "Mail Art Listings" include exhibition, project and publication opportunities.

No. 46.5A (September 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.

No. 46.5B (Late October 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.

No. 46.5C (November 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Letters on "The Worldwide Party." Artist trading card by Chuck Stake (Canada).

No. 46.5D (December 2000). Photocopy. 8 1/2"x5 1/2". 16 pages. Noted correspondence from Picasso Gaglione (USA) and Diane Bertrand (Canada). Per-zine. 

No. 47 (January 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. "Fun With Parcels,"  by the editor.

No. 47.1A (February 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. "Mail Art Listings" include exhibition, project and publication opportunities. "Canada post Regulations: Non-mailable matter Regulations Relating to Philately and Mail Art," by the editor. "Zine Listings," includes a review of "Anna Banana's Bulletin."

No. 47.1B (March 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. "This issue of OPUNTIA is the 124th issue published and the 10th anniversary of the premiere issue in March 1991...How do I keep up the frequency? Firstly, I don't have a television set..." "Zine Listings," includes reviews of "Popular Reality," and "The Ratty's Gazette." "Mail Art Listings," include exhibition, project and publication opportunities.

No. 47.5 (April 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. Letters to the editor by Dianne Bertrand (Canada) and Ken Miller (USA).

No. 48 (May 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. "The Mails Versus Animals," by the editor.

No. 48.1A (June 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. Letter to the editor by Anna Banana (Canada). "Mail Art Listings" include exhibition, project and publication opportunities. "Zine Listings" include a review of "Kreuz-Aktionen 2001."

No. 48.1B (July 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. "Zine Listings" include reviews of "Anna Banana Bulletin," and "Fake Emperor"(a collaboration by John Held, Jr. (USA) and Keiichi Nakamura (Japan). "Mail Art Listings" include exhibition, project and publication opportunities. Review of "Jean Baudrillard and the Psychogeography of Nudism," by Stewart Home (England}.

No. 48.5A (August 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. Per-zine.         

No. 50 (December 2001). Photocopy. 8 1/2"x5 1/2". 16 pages. Correspondence received from Pascal Lenoir (France), John Held, Jr. (USA), Anna banana (Canada). "Postal Problems: Cranks and Circulars," by the editor. "Shadowland and Rubberwork," by Don Mabie (aka Chuck Stake, Canada). "I have been employing rubber stamps in the production of artworks for some twenty years. I originally became aware of the medium through my involvement with correspondence/mail art. My commitment to both correspondence/mail art and rubber stamps (as a medium or process of production) came through their direct philosophical associations with the Dada and Fluxus movements..." "Great Moments in the History of Mail Art: 1926." "Mail Art Fiction," lists relevant works in books (Nick Bantock's "Griffin and Sabine" series), and artistamps (Donald Evans, "The Stamp Art of Michael Thompson and Michael Hernandez de Luna").   

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Or. Uncle Don Milliken, Editor. Orworks, Sunderland, Massachusetts. 1977-1984.

Little Book #1 (1977). Photocopy. 4 1/4"x3 1/2". (14 pages). "This is Not a Fluxus Book." With pages "Not Done By" George Brecht (USA), John Cage (USA), Jean DuPuy (USA), Robert Filliou (France), Dick Higgins (USA), Allan Kaprow (USA), Jackson Mac Low (USA), George Maciunas (USA), Yoko Ono (USA), Nam June Paik (USA), BenVautier (France), and Wolf Vostell (Germany). Published in Shelburne Falls, Massachusetts.  

No. 13 ([1978]). Photocopy. 5 1/2"x4 1/4". (32 pages). "OR is an Int'l Urinal of Postalot...OR accepts stuff. On occasion, it get published. No guarantee. No returns. More action/Less thought." Contributions by Unhandeijara Lisboa (Brazil). Tony Bradley (England), Michael Mollett (USA), Rolf Staeck (East Germany), Angelika Schmidt (West Germany), Fletcher Copp (USA), Frank Ferguson (USA), Steven Durland (USA), Ron Gasowski (USA), Klaus Groh (West Germany), Steve Hitchcock (USA), Mr. Cuttlefish (USA), Tom Packlick (aka Pack) (USA), Boyd Rice (USA), Al Souza (USA), Mel Tearle (USA), Irene Dogmatic (USA), Robin Crozier (England), Leonhard Frank Duch (Brazil), et al.

No. 15 (n.d.). Photocopy and Rubber Stamp. 4 1/4"x3 1/2". 14 pages. "Daze of Rage: aphORisms & platORtudes."

No. 17 ([1979]). Photocopy and Rubber Stamp. 8 1/2"x5 1/2". (16 pages). "OR is a magazine for artists. If you're not an artist (nasty thing), you should report yourself immediately...all correspondence artists being letter-bums, here is more OR cast on the waters." Contributions by Cavellini (Italy), Anna Banana (USA) and Bill Gaglione (USA), Angelika Schmidt (West Germany), Toshinori Saito (Japan), Buster Cleveland (USA), Lon Spiegelman (USA), John Held, Jr. (USA), Dr. Klaus Groh (West Germany), Michael Mollet (USA), Paulo Bruscky (Brazil), et al.

No. 19 (1979). Photocopy and Rubber Stamp. 4 1/4"x2 3/4". (16 pages). "A Hit from the Past (portrait of the artist as a young dupe)." On becoming an artist the ORworks  way: "Artists were strange. They dressed funny. They drank too much and did dope. They didn't have to clean their rooms and they got to be around a lot of naked women." 

No. 20 (n.d.). Photocopy and Rubber Stamp. 5 1/2"x4 1/4". (16 pages). "Question(s) of the Month." "Directed by Michael Mollett. Produced by Uncle Don Milliken." Match the Mail Artist to the question asked. Who's who of mail Art as answers, including Edgardo-Antonio Vigo (Argentina), Ulises Carrion (Holland), Ray Johnson (US), Vittore Baroni (Italy), et al.

No. 21 (1979). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (12 pages). Dada poetry accompanied by photo proofs of the editor in a tutu.

Nos. 22, 23, 24 ([1979]). Photocopy, rubber Stamps and Mixed Media. (12 pages). "Inside: The Dinner Party-Also Mail Art." Contributions by Ulises Carrion (Holland), David B. Greenberger (USA), E. F. Higgins (USA), Angelika Schmidt (West Germany), Miroljub Todorovic (Yugoslavia), et al. 

No. 25 ([1980]). Photocopy and Mixed Media. 8 1/2"x5 1/2". (16 pages). "Column filler items from The New York Times, November 11, 1979, in the order in which they appeared."

No. 26 ([1980]). Photocopy, Rubber Stamps, Artistamps, and Mixed Media. 8 1/2"x5 1/2". (12 pages). Contributions by E. F. Higgins III (USA), Brendan de Vallance (USA), Steven Durland(USA), Irene Dogmatic (USA), Robin Crozier (England), Gabor Tóth (Hungary), James Haining (USA), et al.

No. 28 ([1980]). Photocopy and Rubber Stamps. 4 1/4"x3 1/4". (16 pages). Contributions by Shozo Shimamoto (Japan), Frank Ferguson (USA), Trinity Press (aka Charles Chickadel) (USA), Tom Hosier (USA), Steven Durland (USA), et al. 

No. 30 ([1980]). Photocopy, Rubber Stamps and Mixed Media. 8 1/2"x5 1/2". (12 pages). Handwritten "diary" accompanied by illustrations taken from Dunlop souvenir postcards.

No. 32 ([1980]). Photocopy, Rubber Stamps and Mixed Media. 8 1/2"x5 1/2". (16 pages). "The Happy Valley School of Bookmaking presents POR TRAITS OF THE ARTIST, Lectures & Slides." Satire on the artist book. "This piece went to the Modern. It can be seen on permanent display, in the Very Important Young Bookkworkers Collection. People wonder how I get such fantastic results. It's because I allow the work to flow through me. I don't try to force things. Zen, y'know. & besides, I'm good. Things click for me that other bookers can't do."

No. 33 ([1981]). Photocopy. 8 1/2"x7". (4 pages). "There are several ways to peruse this edition. None of them are particularly important. OR remains a gift, to you, from me. The reasons remain unclear. The United States Postal Service continues to do an exemplary job. The rest of us do the best we can, considering the circumstances. Keep in touch, Buckos." Contribution by Bill Whorral (USA).

No. 34 (n.d.). Photocopy and Rubber Stamp. 4 1/4"x3 1/2". (16 pages). Handwritten text with splotches by the editor.

No. 35 (n.d.). Photocopy and Rubber Stamps. 4 1/4"3 1/2". (16 pages). "Good News." Includes "George Brett: 'Simple Pleasures.'" Model Dadazine.

No. 37 ([1981]). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (12 pages). "Art Pie and Cold Cuts." "HILTON KRAMER SAYS THE AVANT-GARDE ARTIST HAS LOST THE POWER TO SHOCK!!!!! Do you think this is avant-garde? Do you think this is art? do you think? Wanna fuck?" contributions by John M. and C. Mehrl Bennett (USA), Gabor Tóth (Hungary), Michael Mollett (USA), Lon Spiegleman (USA), et al.

No. 39 ([1981]). Photocopy, Rubber Stamps and mixed Media. 8 1/2"x5 1/2". (10 pages). "I'm doin' the same damned thing & it don't amount to much. Oh, well. Keep smiling. Show your teeth. Some new. Some repeats. Same old merde. You know I love you. Just don't press your luck." Contributions by Bill Whorrall (USA), Gabor Tóth (Hungary), Michael Mollett (USA), et al.

No. 46 ([1982]). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 12 pages). Contributions by Leonhard Frank Duch (Brazil), Frank Ferguson (USA), Richard Olson (USA), Michael Mollett (USA), Al Ackerman (USA), Nancy Frank (USA), et al. Dedicated to Hanns Sohm (West Germany).

No. 82 (March 1984). Photocopy. 8 1/2"x5 1/2". (12 pages). "This is the final installment of three obvious variations on a theme. form is content & visa versa. Shape up, Bunkie. Structurally yours, Uncle Don." Contributions by Musicmaster (USA), Robin Crozier (England), Lon Spiegelman (USA), Leonhard Frank Duch (Brazil), et al.   

No. 87 (n.d.). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 10 pages. Parody of photocopy publications. "You come up with the artsy-artsy and I'll show you one or two ways to wrap it. If you ain't really into the idea of building you own limited edition booklet, with readily available inexpensive materials, contact you local printer. a short run for an offset merchant is about 250 copies, with expenses you're talking no less than a couple of hundred dollars. maybe much more. If you got the money, they got the time. the longer the run, the cheaper the individual copy. personally, I'd rather xerography. it's instant gratification, give or take a few instances...It keeps me off the streets. it's a meaningless activity with no rationale other than the fact that I like. When I don't like it. I go for walks..." Contribution by Gabor Tóth (Hungary).

No. 88 (n.d.). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (12 pages). Illustrations by Musicmaster (USA). "Tell him uncle Don sent you. But don't tell him how far."

No. 90 (n.d.). Photocopy and Mixed Media. 8 1/2"x5 1/2". 10 pages. "Chance Song: The Theater of Memory." A conceptual publication.

No. 91 (n.d). Photocopy, Rubber Stamp and Mixed Media. 8 1/2"x5 1/2". (12 pages). "Mothers Only Competition: Serving the Midwest Since 1963." Illustration and photo-collage.

No. 92 (n.d). Photocopy. 8 1/2"x5 1/2". 9 pages. Contributions by Archiv Hanns Sohm (West Germany), Al Neil (Canada), Robert Cumming (USA), Thomas Strittmatter (West Germany), Peter Grohmann (West Germany), et al. "This edition of OR was made possible by a gift from Ruth & Marvin Sackner."

No. 95 (n.d.). Handwritten Text and Rubber Stamps. 6 1/2"x5". (12 pages). "Dead Pandas." Edition 43/60.  

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Origin Project: Portfolio de Arte Postal-Mail Art. Hans Braumüller, Editor. Santiago, Chile. 1991-1992.

(1991). Mixed Media. 9 3/4"x6 3/4". (sealed). Assembling magazine on the theme "500 Years of Genocide & Colonialism."

(October 1992). Mixed Media. 9"x5". (62 pages). Assembling magazine. Contributions by 62 artists from 14 countries. Contributors include Carlos Montes de Oca (Chile), Ruggero Maggi (Italy), Giovanni Strada (Italy), Gullermo Deisler (Germany), John Held, Jr. (USA), Stephen Perkins (USA), Hilda Paz (Argentina), Shigeru Tamaru (Japan), Marcel Stüssi (Switzerland), Warren Burt (Australia), Clemente Padin (Uruguay), Kum Nam Baik (South Korea), et al. "This portfolio is part of DNC (Decentralized Networker Congress) 92." 

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Other Times: An Alternative Mail Art Format, The. Phyllis Cairns, Editor. Pembroke Press, Westport and Newtown, Connecticut. 1986-1987.        
 
Vol. 1, No. 1 ([1986]). Photocopy. 17"x11". (2 pages). Collage. "Mail Artist Suffocates Under Massive Pile of Unanswered Correspondence."

Vol. 1, No. 2 ([1986]). Photocopy. 17"x11". (2 pages). Collage with text from U. S. Census Bureau.

Vol. 1, No. 3 ([1987]). Photocopy. 17"x11". (2 pages). Published in Newtown, Connecticut. "Our new residence (actually over 160 years old) was once a tavern and the tow's post office..." Photocopy collage. "P.S. A few of you caught and responded to some of Last Times misinformation. (The numbers were off on a couple of statistics.) One of you was so depressed by the mailing that you never wanted to hear from me again. That's OK, you're still on the mailing list..."

Vol. 2, No. 1 (July/August 1987). Photocopy and Mixed Media. 17"x11". (8 pages). "'The Other Times' is offered to members of The International Society of Copier Artists as the newsletter part of membership." Project and publication opportunities. Contributions by Ryosuke Cohen (Japan), Minoy (USA), Tyler James Hoare (USA). et al.

Vol. 2, No. 2 (September/October 1987). Photocopy. 17"x11". (8 pages). Contributions by Gerard Barbot (USA), Sarah Jackson (Canada), David Jarvis (England), E. Acosta Bentos (Uruguay), et al. Mail Art exhibition, project and publications opportunities. Reviews.

Vol. 2, No. 3 (November/December 1987). Photocopy. 17"x11". (8 pages). Letters from Gerard Barbot (USA) and Sarah Jackson (Canada). Reviews of publications by Jas. Duke (Australia) and John M. Bennett (USA). Mail Art exhibition, project and publication opportunities.

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Our International Stamps/Cancelled Seals/Nuestro Libro Internacional de Estampillas y Matasellos. Edgardo-Antonio Vigo, Editor. La Plata, Argentina. 1983.

No. 10 (1983). Offset, Artistamps and Rubber Stamps. 9"x7". (28 pages). Assembling magazine. contributions by Vittore Baroni (Italy), Julien Blaine (France), Gullermo Deisler (Bulgaria), György and Julia Galantai (Hungary), E. F. Higgins III (USA), Chuck Welch (USA), Leavenworth Jackson (USA), Ruggero Maggi (USA), Ed Varney (USA), Pawel Petasz (USA), Robert Swierkiewicz (Hungary), et al. Special section on "DOC(K)S magazine, edited by Julien Blaine (France).  

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Overview TAM-Publications. Ruud Janssen, Editor. TAM (Traveling Art Mail) Publications, Tilburg, Holland. 1995.

(1995). Computer Print. 11 3/4"x8 1/4". 10 pages. List of publications by the editor from 1993 through 1995. These include, "Statements About Mail Art," "Evolution in/by Mail Art," Words-List Mail Art," "TAM-Bulletin," etc. 

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Ovum. Clemente Padin, Editor. Montevideo, Uruguay. 1972.

No. 10 (1972). Offset. 8 1/2"x5 3/4". (4 pages). Catalog for "Exposicion Exhaustiva de la Nueva Poesia," held at Galeria U, Montevideo, Uruguay, February 7 through March 5, 1972. Listing of contributors from 29 countries.  

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Oxidized Look, The. Daniele Ciullini, Editor. Firenze, Italy. 1981.

No. 11 (June 1981). Photocopy. 11 3/4"x8 1/4". 18 pages. "Oxidized selfportrait?? Dedicated number to Diana Arbus." Contributions by Ruggero Maggi (Italy), Pawel Petasz (Poland), Edgardo-Antonio Vigo (Argentina), Leavenworth Jackson (USA), Arturo G. Fallico (USA), Albrecht d. (West Germany), Thierry Tillier (Belgium), Paulo Bruscky (Brazil), Robin Crozier (England), Jürgen Olbrich (West Germany), John Evans (USA), Leonhard Frank Duch (Brazil), Vittore Baroni (Italy), et al.

No. 12 (September 1981). Photocopy. 11 3/4"x8 1/4". 18 pages. "Quarterly magazine published by D. Ciullini about music fun and art by mail." Contributions by Robert Swierkievicz (Hungary), Artfoot (USA), Gabor Toth (Hungary), Piermario Ciani (Italy), Giovanni Fontana (Italy), Ubaldo Giacomucci (Italy), Guillermo Deisler (Bulgaria), Barbara Rosenthal (USA), Robin Crozier (England), Daniel Daligand (France). Listing of "Fanzines" and "Music by Mail."