Jackson Pollock Bibliography: Articles

This section contains mostly articles from periodicals. But several essays from books, as well as key articles from exhibition catalogues (also listed in the Exhibition History) are included. Exhibition reviews, which are listed chronologically following the corresponding exhibition in the Exhibition History, are listed here alphabetically by author. how to search

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"Abstract Artist Dies in Automobile Crash." Passaic Herald News (Passaic, N.J.), August 13, 1956.

"Abstractions for Export." Time (New York) 59, no. 6 (February 11, 1952): 71.

Adams, Brooks. "Un Léger pour les années 80." Art Press (Paris) 127 (July–August 1988): 4–9.

Adlow, Dorothy. "Mid-Autumn in 57th Street." Christian Science Monitor (Boston), November 22, 1952, sec. 2, p. 10.

Adlow, Dorothy. "Contemporary Painting in Manhattan." Christian Science Monitor (Boston), December 10, 1955, p. 12.

Albertazzi, Mario. "Il ‘fenomeno’ Pollock." Liberta (Piacenza), April 4, 1958.

Alberti, Mario. "L’Astrattista del Far West." Il Tirreno (Livourne), April 7, 1958.

Albertini, Rosanna. "Out of Actions: MACABA." Art Press (Paris) no. 240 (November 1998): 66–67.

Alfieri, Bruno. "Piccolo discorso sui quadri di Jackson Pollock (con testimonianza dell’artista)." L’Arte moderna (Venice), June 8, 1950.

Allara, Pamela. "Boston: Veiled Images." Art News (New York) 79, no. 7 (September 1980): 218, 220–21.

Alloway, Lawrence. "Introduction to ‘Action.’" Architectural Design (London) 26, no. 1 (January 1956): 30.

Alloway, Lawrence. "U.S. Modern: Paintings." Art News and Review (London) 7, no. 26 (January 21, 1956): 1, 9.

Alloway, Lawrence. "Background to Action: 2. The Marks." Art News and Review (London) 9, no. 20 (October 26, 1957): 1–2.

Alloway, Lawrence. "The Art of Jackson Pollock: 1912–1956." The Listener (London) 60, no. 1448 (November 27, 1958): 888.

Alloway, Lawrence. "London Chronicle." Art International (Lugano, Switzerland) 2, nos. 9–10 (December 1958–January 1959): 33–36.

Alloway, Lawrence. "Sign and Surface—Notes on Black and White Painting in New York." Quadrum (Brussels) no. 9 (1960): 49–61.

Alloway, Lawrence. "Jackson Pollock." Paletten (Gothenburg, Sweden) 4 (1961): 83.

Alloway, Lawrence. "Notes on Pollock." Art International (Lugano, Switzerland) 5, no. 4 (May 1, 1961): 38–41, 90.

Alloway, Lawrence. "The Biomorphic Forties." Artforum (New York) 4, no. 1 (September 1965): 18–22.

Alloway, Lawrence. "Pollock’s Black Paintings." Arts Magazine (New York) 43, no. 7 (May 1969): 40–43.

Alloway, Lawrence. Review. The Nation (New York) 211, no. 14 (November 2, 1970): 444–45.

Alvard, Julien. "À propos de carabiniers." Cimaise (Paris) 1–2, no. 6 (May 1954): 4–6.

Alvard, Julien. "Potential américain." Cimaise (Paris) 4, no. 2 (November–December 1956): 29–31.

Amayo, Mario. "The Danse in Art, 2: The Twenties and After." Dance and Dancers (London) 12, no. 2 (February 1961): 14–18.

"American Fashion: The New Soft Look." Vogue (New York) 117 (March 1, 1951): 156–59.

"Americans Abroad." Time (New York) 56, no. 8 (August 21, 1950): 49.

Anfam, David. "New York: Jackson Pollock." Burlington Magazine (London) 140, no. 1139 (February 1998): 151–53.

Angell, Roger. "Museum of Modern Art." Holiday Magazine (Philadelphia) 14, no. 5 (November 1, 1953): 56–63, 116–23.

Arcangeli, F. "Pollock e dell’arbitrio—colara grovigli dismalti sulla tela stesa la terra." L’Europeo (Milan) 12, no. 53 (December 30, 1956): 53.

Archer, W. G. "New Books." Review of Jackson Pollock, by Bryan Robertson. Studio (London) 161, no. 816 (April 1961): 151, 161.

Armstrong, Richard. "American Revolution." USA 1 (New York) 1, no. 2 (May 1962): 51.

Armstrong, Richard. "Abstract Expressionism was an American Revolution." Canadian Art (Ottawa) 21, no. 93 (September–October 1964): 262–65.

Arnheim, Rudolf. "Accident and the Necessity of Art." Journal of Aesthetics and Art Criticism (Baltimore) 16, no. 1 (September 1957): 18–31.

"L’Art abstrait—les américains au Musée d’art moderne." Combat (Paris), January 26, 1959, p. 7.

"Art for Embassies." Art in America (New York) 52, no. 1 (February 1964): 91.

"Art Gallery Institute Open Exhibits, of Merit, Interest." Buffalo Evening News, May 19, 1951.

"Art in Review: Parthenon Sets Abstract Show Sunday." Banner (Nashville), April 11, 1953.

"Artist in Action." Times Literary Supplement (London), February 3, 1961.

Arts, January 5, 1956.

"Art with a ‘Life of Its Own.’" Christian Science Monitor (Boston), April 20, 1967, p. 13.

"Art World: Dealer Sues Pollock Estate." Art in America (New York) 81, no. 11 (November 1993): 150–52.

Artner, Alan G. "Treasures on Tour, Lavish is the Word for Pollock Show." Chicago Tribune, April 15, 1979, sec. 6/7, p. 4.

Ashbery, John. "Black Pollock." Art News (New York) 68, no. 1 (March 1969): 28, 66–68.

Ashton, Dore. "Art." Arts and Architecture (Los Angeles) 73, no. 1 (January 1956): 10, 32–33.

Ashton, Dore. "Present Paintings in New York." Cimaise (Paris) 4, no. 2 (November–December 1956): 11–12.

Ashton, Dore. "Art." Arts and Architecture (Los Angeles) 74, no. 3 (March 1957): 8, 9, 10, 38.

Ashton, Dore. "Art." Arts and Architecture (Los Angeles) 76, no. 6 (January 1959): 10, 32–33.

Ashton, Dore. "La Perspective de la peinture américaine." Cahiers d’art (Paris) 33–35 (1960): 203–20.

Ashton, Dore. "Pollock, le nouvel espace." XXème siècle (Paris) no. 17 (Christmas 1961): 75–80.

Ashton, Dore. "Seven American Decades." Studio International (London) 165, no. 839 (March 1963): 148–53.

Ashton, Dore. "A to B." Studio (London) 166, no. 847 (November 1963): 194–97.

Ashton, Dore. "Pollock Retrospective at the Museum of Modern Art." Studio International (London) 174, no. 891 (July–August 1967): 46–48.

Ashton, Dore. "Pollock at Marlborough-Gerson." Studio International (London) 177, no. 9 (May 1969): 243–45.

Ashton, Dore. "Jackson Pollock’s Arabesque." Arts Magazine (New York) 53, no. 7 (March 1979): 142–43.

Auping, Michael. "Web Master." Art News (New York) 98, no. 5 (May 1999): 146.

Aznar, José Camon. "Arte norteamericano moderne." ABC (Madrid), October 18, 1955.

Baas, Jacquelynn. "Interpreting Orozco’s Epic: Celebrating the Fiftieth Anniversary of José Clemente Orozco’s Mural at Dartmouth College." Dartmouth Alumni Magazine (Hanover, N.H.) 76, no. 5 (January/February 1984): 44–49.

Baigell, Matthew. "American Painting: On Space and Time in the Early 1960’s." Art Journal (New York) 28, no. 4 (summer 1969): 368–74.

Bailey, Patricia. "Pollock at the Modern—Drawing into Painting." Art World (New York) 4 (March 15, 1980): 1, 12.

Baker, Kenneth. "Reckoning with Notation: The Drawings of Pollock." Artforum (New York) 18, no. 10 (summer 1980): 32–36.

Balfour, Nancy. The Economist. December 31, 1956.

Banham, Reyner. "The New Brutalism." Architectural Review (London) 118, no. 708 (December 1955): 359.

Bannard, Walter Darby. "Cubism, Abstract Expressionism, David Smith." Artforum (New York) 6, no. 8 (April 1968): 22–32.

Bannard, Walter Darby. "Touch and Scale, Cubism, Pollock, Newman and Still." Artforum (New York) 10, no. 2 (October 1971): 58–68.

"Bargains in Beauty." Art Digest (New York) 19 (December 15, 1944): 22.

Barker, Walter. "New Stature for Jackson Pollock: Retrospective Reaffirms His Importance to Modern Art." Music and the Arts (Peterborough, N.H.) (May 7, 1967): 5B.

Baro, Gene. "Collector: Lydia Winston." Art in America (New York) 55, no. 5 (September–October 1967): 72–77.

Barotte, René. "American Painters." L’Intransigeant (Paris), March 6, 1952, p. 7.

Barotte, René. "Pollock a abandonné l’huile." L’Intransigeant (Paris), March 16, 1952.

Barotte, René. "Pollock et la nouvelle peinture américaine." L’Intransigeant (Paris), January 20, 1959, p. 2.

Barr, Alfred H., Jr. "Gorky, de Kooning, Pollock." In XXV Biennale de Venezia, 383–85. Exh. cat. Venice: Alfieri Editore, 1950. Reprinted in Art News (New York) 49, no. 4 (summer 1950): 22–23, 60.

Battcock, Gregory. "Re-evaluating Abstract Expressionism." Arts Magazine (New York) 44, no. 3 (December 1969–January 1970): 46–48.

Bauer, John I. H. "Modern American Art and Its Critics." Art in America (New York) 39, no. 2 (April 1951): 57.

"Beaubourg, Paris: Exhibition." Goya (Madrid) no. 166 (January–February 1982): 224.

Beaumont, Mary Rose. "London Reviews. Jackson Pollock: Anthony d’Offay Gallery." Art Review (London) 41, no. 20 (October 6, 1989): 692.

Benton, Thomas H. "Form and the Subject." The Arts (New York) 5, no. 6 (June 1924): 302–08.

Benton, Thomas H. "Mechanics of Form Organization in Painting," parts 1–4. The Arts (New York) 10, no. 5 (November 1926): 285–89; 10, no. 6 (December 1926): 340–42; 11, no. 1 (January 1927): 43–44; 11, no. 2 (February 1927): 95–96; 11, no. 3 (March 1927): 145–48.

Benton, Thomas H. "My American Epic in Paint." Creative Art (New York) 3, no. 6 (December 1928): xxxi–xxxvi.

Benton, Thomas H. "Random Thoughts on Art." New York Times Magazine, October 28, 1962, p. 42.

Berger, John. "The Arts and Entertainment: The Battle." New Statesman and Nation (London) 51, no. 1298 (January 21, 1956): 70–72.

Berger, John. "The Arts and Entertainment: The White Cell." New Statesman: The Week-End Review (London) 56, no. 1445 (November 22, 1958): 722–23.

Bergmann, Rudij. "Drawing into Painting: Ausstellung Jackson Pollock in der Düsseldorf Kunsthalle." Stuttgart Nachrichten (Stuttgart), June 12, 1979.

Berkson, Bill. "Review of Books: The Pollock Effect." Review of The Fate of a Gesture: Jackson Pollock and Postwar American Art, by Carter Ratcliff. Art in America (New York) 85, no. 12 (December 1997): 29–31.

Berlind, Robert. "Looking at Blue Poles." Art in America (New York) 87, no. 5 (May 1999): 120.

Berman, Avis. "The Pollock-Krasner House: Inside the Artists’ Long Island Residence." Architectural Digest 45, no. 5 (May 1988): 64, 76, 78–79.

Besson, George. "Quelques Aspects de l’infantilisme dans l’art americain." Les Lettres françaises (Paris) no. 463 (April 30, 1953): 9.

"The Best?" Time (New York) 50, no. 22 (December 1, 1947): 55.

Bevan, Roger. "Kunsthalle Düsseldorf: A Relationship Revisited." Art Newspaper (London) 6, no. 51 (September 1995): 17.

"Beyond the Pasteboard Mask." Time (New York) (January 17, 1964): 66–69.

"The Big Gamble: 33 Blue Chips at the Museum of Modern Art." Vogue (New York) 124 (November 1, 1954): 109.

Birmingham, Doris A. "Masson’s Pasiphaë: Eros and the Unity of the Cosmos." Art Bulletin (New York) 69, no. 2 (June 1987): 279–94.

Blake, Peter. "Ossorio." Architecture Plus (New York) 2, no. 1 (January–February 1974): 66–73.

Blake, Peter. Chapters 10 and 11 in No Place Like Utopia: Modern Architecture and the Company We Kept, 109–18; 121–24. New York: Alfred A. Knopf, 1993.

Blistene, B. "Pollock: Centre Georges Pompidou." Flash Art (Milan) 16, no. 108 (summer 1982): 72–73.

Blistene, Bernard. " Une Histoire de l’art du XXe siècle, États-unis: de l’expressionisme abstrait au minimalisme." Beaux Arts Magazine (Paris) no. 182 (July 1999): 82–94.

Bloch, Bradley W. "Pollock without Drips." The New Leader (New York) 73, no. 7 (April 30, 1990): 22–23.

Bloch, Susi. "Review: Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings, and Other Works, 1978." Art Journal (New York) 39, no. 1 (fall 1979): 55–56.

Boas, George. "What is Happening to Art?" Journal of the American Association of University Women (Ithaca, N.Y.) 50, no. 4 (May 1957): 233–35.

B[ochner], M[el]. "In the Museums: Jackson Pollock." Arts Magazine (New York) 41, no. 7 (May 1967): 54.

Bogen, Walther. "Pollock und Wols." Kristall 3, no. 14 (1961): 29.

Bois, Yve-Alain. "Painting as Model." October (New York) no. 37 (summer 1986): 125–37.

Bois, Yve-Alain. "Greenberg’s Amendments (Clement Greenberg)." Kunst & Museumjournaal (Amsterdam) 5, no. 1 (1993): 1–9.

Bois, Yve-Alain. "Whose Formalism?" Art Bulletin (New York) 78, no. 1 (March 1996): 9–12.

Bois, Yve-Alain. "Jackson Pollock: Early Sketchbooks and Drawings." Artforum (New York) 36, no. 6 (February 1998): 83–84.

Bonalumi, M. "Studio Paul Facchetti." Numero: Arte e letteratura (Florence) 4, no. 3 (December 1952): 17–18.

Bone, Stephen. "The Arts: American Art at the Tate." Time and Tide (London) 37, no. 2 (January 14, 1956): 52–53.

Bone, Stephen. "The Arts: Accidents and Mannerism." Time and Tide (London) 37, no. 3 (January 21, 1956): 77.

Boudaille, Georges. "Exhibitions: 20 Peintres américains d’avant-garde." Arts (Paris) no. 348 (February 29, 1952): 5.

Bourdon, David. "Jackson Pollock in Repose Stands Tall." Village Voice (New York) 11, no. 32 (August 9, 1976): 81.

Bourdon, David. "Lee Krasner: I’m Embracing the Past." Village Voice (New York) 12, no. 9 (March 7, 1977): 57.

Bowling, Frank. "Problems of Criticism I-II-III-IV-V-VI." Arts Magazine (New York) 46, no. 7 (May 1972): 34–38.

Bowness, Alan. "The American Invasion and the British Response." Studio International (London) 173, no. 890 (June 1967): 285–93.

Brach, Paul. "Tandem Paint: Krasner/Pollock." Art in America (New York) 70, no. 3 (March 1982): 92–95.

Brach, Paul. "Review of Books: Jackson Pollock." Review of To a Violent Grave: An Oral Biography of Jackson Pollock, by Jeffrey Potter. Art in America (New York) 74, no. 4 (April 1986): 11.

Brach, Paul. "The Figure Resurfaces." Art in America (New York) 78, no. 9 (September 1990): 166–69.

Braff, Phyllis. "Entering a Time Machine via Photography: The Life Shoot." New York Times, September 20, 1998, Long Island sec., p. 14.

Branzi, Silvio. "Jackson Pollock." Il Gazzettino (Venice), March 21, 1958.

Bremer, Nina. "New York. The Museum of Modern Art. Exhibition: Jackson Pollock: Drawing into Painting, February 4 to March 16, 1980." Panthéon (Munich) 38, no. 3 (July–September 1980): 238.

Brenson, Michael. "The Painter’s World: Jackson Pollock in East Hampton." International Herald Tribune (Paris), September 28, 1979, Weekend sec., p. 7.

Brenson, Michael. "France’s Extraordinary Tribute to Jackson Pollock." New York Times, February 28, 1982, pp. 29–30.

Brenson, Michael. "The Pollock Who Blazed an Artistic Trail for His Brother." New York Times, May 1, 1982, p. 17.

Brenson, Michael. "Met Museum Gets Pollock Works." New York Times, December 22, 1982, sec. C, p. 15.

Brenson, Michael. "If It Wasn’t New, It Wasn’t Art." Review of Jackson Pollock: A Biography, by Deborah Solomon. New York Times Book Review, October 18, 1987, p. 24.

Brenson, Michael. "Divining the Legacy of Jackson Pollock." New York Times, December 13, 1987, sec. 2, pp. 47, 53.

Brenson, Michael. "Charles Pollock, Abstract Painter and Brother of Jackson, Dies at 86." New York Times, May 10, 1988, sec. D, p. 2.

Brenson, Michael. "Faces in the Shadows: What Do They Mean?" New York Times, July 24, 1988, sec. 2, pp. 29, 35.

"Le Briseur de chevalet." Cent idées (Paris) no. 73 (November 1979).

Brisset, Pierre. "Paris: Jackson Pollock." L’Oeil (Paris) no. 321 (April 1982): 67.

Browne, Rosalind. Editor’s Letter. Art News (New York) 62, no. 10 (February 1964): 6.

Brummer, Miriam. "New York Reviews. Jackson Pollock: Paintings and Drawings." Art News (New York) 86, no. 3 (March 1987): 146–47.

Brunius, Clas. Expressen, November 24, 1953.

Brustein, Robert. "The Cult of Unthink." Horizon (New York) 1, no. 1 (September 1958): 38–44.

Burnett, David. "A Declaration of Space: Jackson Pollock and Barnett Newman." Vanguard (Vancouver) 9, no. 7 (September 1980): 20–23.

Burnham, Jack. "The Semantics of ‘End Game’ Art." Arts Magazine (New York) 47, no. 2 (November 1972): 38–43.

Burr, James. "Triumph and Tragedy." Apollo (London) 130, no. 332 (October 1989): 282–84.

Burrows, Carlyle. "Art of the Week: A Deluge of Displays, Mainly Modern." New York Herald Tribune, April 6, 1947.

Burrows, Carlyle. "Final Works by Beckmann and a Group of Americans." New York Herald Tribune, April 8, 1951, sec. 4, p. 8.

Burrows, Carlyle. "Art Review: Modern Work, Linear Abstract and Real." New York Herald Tribune, November 16, 1952, sec. 4, p. 8.

Burrows, Carlyle. "Pollock Art in Survey." Herald Tribune Book Review (New York) December 4, 1955, p. 29.

Burton, Hal. "Jackson Pollock: He Paints as He Pleases." Newsday (New York), December 1, 1950, p. 49.

Butcher, G. M. "The Modern Americans." The Guardian (Manchester, England), May 27, 1961, p. 5.

Butler, Joseph T. "The American Way with Art." Connoisseur (London) 171 (May 1969): 64.

Cabanne, Pierre. "Rétrospective Pollock." Le Matin (Paris), October 8, 1979.

Cabutti, Lucio. "Storia di Jackson Pollock e dei suoi quadri." Bolaffiarte (Turin) no. 93 (November 1979): 28–29.

"Calling Young Realists." Art Digest (New York) 18, no 13 (April 1, 1944): 26.

Calvesi, Maurizio. "Genio di Pollock." I4 Soli: Rivista d’arte attuale (Turin) no. 2 (March–April, 1958): 19–21.

Calvesi, Maurizio. "Pollock." In Le Due Avanguardie, 211–19. Milan?: Editori Laterza, 1984.

Campbell, Lawrence. "Ah, Sweet Mystery of Gerontion [sic]." Art News (New York) 67, no. 7 (November 1968): 39.

Camus, Marie-Hélène. "Découverte de la peinture américaine." Humanité-Dimanche (Paris) no. 192 (October 9, 1979): 48–49.

Canady, John. "This Way (and That) to the American Art Shows." New York Times, June 28, 1964, sec. 2, p. 13.

Carmean, E. A., Jr. "Jackson Pollock: Classic Paintings of 1950." In American Art at Mid-Century—The Subjects of the Artist, 127–53. Exh. cat. Washington, D.C.: National Gallery of Art, 1979.

Carmean, E. A., Jr., "The Sandwiches of the Artist." October (New York) no. 16 (spring 1981): 87–101.

Carmean, E. A., Jr., "The Church Project: Pollock’s Passion Themes." Art in America (New York) 70, no. 6 (summer 1982): 110–22.

Carrier, David. "New York: Extending the Language of Abstraction." Art International (Paris) no. 12 (autumn 1990): 60.

Carrieri, Raffaele. "Jackson Pollock dipingeva alla maniera degli indiani." Epoca (Milan) October 29, 1961.

Carter, Betsy. "Jackson Pollock’s Drawings under Analysis." Art News (New York) 76, no. 2 (February 1977): 58–60.

Cartier, Jean-Albert. "50 Ans d’art aux États-unis au Musée d’art moderne." Combat (Paris), April 2–3, 1955, p. 5.

Cartier, Jean-Albert. "La Peinture américaine au Musée d’art moderne." Combat (Paris) January 19, 1959, p. 7.

Casteras, Susan P. "‘Arabesque’: Its History as an Object." In Richard Brown Baker Collects: A Selection of Contemporary Art from the Richard Brown Baker Collection, 14–23. Exh. cat. New Haven, Conn.: Yale University Art Gallery, 1975.

Cavaliere, Barbara. "Drawing into Painting: The Museum of Modern Art." Flash Art (Milan) no. 96–97 (March–April 1980): 17.

Cavaliere, Barbara and Robert C. Hobbs. "Against a Newer Laocoön." Arts Magazine (New York) 51, no. 8 (April 1977): 110–17.

Cembalest, Robin. "Fake Pollock: Real Trouble." Art News (New York) 92, no. 3 (March 1993): 33–34.

Cena, Olivier. "Laisse tomber, c’est de la peinture." Télérama (Paris), October 10, 1979.

Champigneulle, Bernard. "American Painters and Sculptors." France illustration (Paris) (May 16, 1953).

Channin, Richard. "The Rise of Factural Autonomy in Painting, part I." Arts Magazine (New York) 47, no. 2 (November 1972): 30–37.

"Chaos, Damn It!" Time (New York) 56, no. 21 (November 20, 1950): 70–71.

Chassey, Eric de. "Jackson Pollock: Figuratif ou abstrait ?" L’Oeil (Paris) no. 504 (March 1999): 48–55.

Chastel, André. "Découverte de l’amérique: neuf peintres et trois sculpteurs du XXe siècle." Le Monde (Paris), April 25, 1953, p. 7.

Chastel, André. "Au Musée d’art moderne, la symphonie du nouveau monde: L’Art américain présenté par New-York." Le Monde (Paris), April 2, 1955, p. 7.

Château, C. "The Exhibition of American Art—Painting and Sculpture—An Overview at the Musée d’art moderne." France-Soir (Paris), April 27, 1953.

Chave, Anna C. "Pollock and Krasner: Script and Postscript." RES (Cambridge, Mass.) 24 (autumn 1993): 95–111.

Choay, Françoise. "Jackson Pollock." L’Oeil (Paris) no. 43/44 (July–August, 1958): 42–45, 83.

Choay, Françoise. "Jackson Pollock au pays de Descartes." L’Observateur littéraire (Paris) (January 29, 1959): 20.

"La Chronique des Arts." Supplément à la Gazette des Beaux-Arts (Paris) 100, no. 1362–63 (July–August 1982): 4–5.

Clark, Eliot. "New York Commentary." Studio (London) 153, no. 771 (June 1957): 184–86.

Clark, T[imothy]. J. "Clement Greenberg’s Theory of Art." In W. J. T. Mitchell, ed., The Politics of Interpretation, 203–20. Chicago: University of Chicago Press, 1983.

Clark, T. J. "Arguments about Modernism: A Reply to Michael Fried." In W. J. T. Mitchell, ed., The Politics of Interpretation, 239–48. Chicago: University of Chicago Press, 1983.

Clark, T. J. "Jackson Pollock’s Abstraction." In Serge Guilbaut, ed., Reconstructing Modernism: Art in New York, Paris, Montreal 1945–1964, 172–243. Cambridge, Mass.: MIT Press, 1990.

Clark, T. J. "In Defense of Abstract Expressionism (On Vulgarity as a Reflection of Bourgeois Taste in the New York School Painters)." October (Cambridge, Mass.) no. 69 (summer 1994): 22–48. "Sticks pretty close" to "Jackson Pollock’s Abstraction," above.

Clark, T. J. "The Unhappy Consciousness" and "In Defense of Abstract Expressionism." In Farewell to an Idea: Episodes from a History of Modernism, 299–403. New Haven: Yale University Press, 1999. The latter is "based on" "Jackson Pollock’s Abstraction," above.

Clarke, David J. "The Gaze and the Glance: Competing Understandings of Visuality in the Theory and Practice of Late Modernist Art." Art History (Oxford) 15, no. 1 (March 1992): 80–98.

Clay, Jean. "Hans Namuth, critique d’art." Macula (Paris) no. 2 (1977): 24–35.

Clothier, Peter. "Robert Arneson." Art News (New York) 87, no. 6 (summer 1988): 201.

C., M. "Current and Forthcoming Exhibitions: London." Burlington Magazine (London) 100, no. 669 (December 1958): 450.

Coates, Robert M. "The Art Galleries: From Moscow to Harlem." New Yorker 19, no. 15 (May 29, 1943): 49.

Coates, Robert M. "The Art Galleries: Situation Well in Hand." New Yorker 19, no. 40 (November 20, 1943): 97–98.

Coates, Robert M. "The Art Galleries: Edward Hopper and Jackson Pollock." New Yorker 23, no. 48 (January 17, 1948): 56–57.

Coates, Robert M. "The Art Galleries: Persia, 2000 B.C. to the Present." New Yorker 25, no. 41 (December 3, 1949): 95.

Coates, Robert M. "Assorted Abstractions." New Yorker 26, no. 37 (November 4, 1950): 116–19.

Coates, Robert M. "The Art Galleries: Extremists." New Yorker 26, no. 42 (December 9, 1950): 109–11.

Coates, Robert M. "The Art Galleries: From Ingres to Pollock, Direct." New Yorker 28, no. 40 (November 22, 1952): 176–79.

Coates, Robert M. "The Art Galleries: American and International." New Yorker 30, no. 1 (February 20, 1954): 81–83.

Coates, Robert M. "The Art Galleries: Opposites." New Yorker 32, no. 45 (December 29, 1956): 47–49.

Coates, Robert M. "The Art Galleries: Worldwide." New Yorker 33, no. 38 (November 16, 1957): 222.

Coates, Robert M. "The Art Galleries: Artists’ Progress." New Yorker 34, no. 40 (November 22, 1958): 177.

Cockcroft, Eva. "Abstract Expressionism, Weapon of the Cold War." Artforum (New York) 12, no. 10 (June 1974): 39–41.

Collins, Bradford R. "Life Magazine and the Abstract Expressionists, 1948–51: A Historiographic Study of a Late Bohemian Enterprise." Art Bulletin (New York) 73, no. 2 (June 1991): 283–308.

Conil, Michel-Louis. "Pollock." Information and Documents (Paris), April 1958, pp. 29–33.

Connolly, Jean. Review of collage exhibition at Art of This Century. The Nation (New York) 156, no. 18 (May 1, 1943): 643–44.

Connolly, Jean. "Art: Spring Salon for Young Artists." The Nation (New York) 156, no. 22 (May 29, 1943): 786.

Conrad, Barnaby. "Pollock Honored at Yale Double Header: New Old Works." Art World (New York) 3, no. 2 (October–November 1978): 1, 6.

"Contemporary Paintings at Museum of Fine Arts" Sun (Binghampton, N.Y.), November 5, 1952.

Cooper, David. "Jackson Pollock to the Edge of a Theory." Winston-Salem Journal (North Carolina), October 15, 1967.

Cooper, Douglas. "The Biennale Exhibition in Venice." Listener (London) 44, no. 1119 (July 6, 1950): 12–14.

Copeland, Roger. "Beyond Expressionism: Merce Cunningham’s Critique of ‘the Natural.’" In Janet Adshead-Lansdale and June Layson, eds., Dance History, 2d ed., pp. 182–97. London: Routledge, 1994.

Corlett, Mary Lee. "Jackson Pollock: American Culture, the Media and the Myth." Rutgers Art Review (New Brunswick, N.J.) 8 (1987): 71–106.

Cortes, Juan. Vanguardia (Barcelona), October 14, 1955.

Costantini, C. "Gli ‘arrabbiati’ ripudiano tavolazza, cavalletto epennelli." Il Messaggero di Roma (Rome), March 22, 1959.

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