JASPER JOHNS BIBLIOGRAPHY











Articles and Exhibition Reviews














In chronological order by year and alphabetical order within each year. When the author is not known, the article or review appears directly below the year, before the alphabetical ordering by author begins. When more than one such item exists, they are listed alphabetically, by title.

LCG indicates an incomplete citation that can be found and verified in the Leo Castelli Gallery archives. JJSA indicates an incomplete citation that can be found and verified in the Jasper Johns Studio Archives.
If those letters are followed by a year, it indicates which folder or box the item can be found in.

When an article is in a language other than English, that title appears in italics. When an article title has been translated into English but the article is in another language, the title has been put in square brackets. (This happens most often with articles in Japanese.) Because unverified information is indicated by square brackets [ ], sometimes there are two sets of square brackets if an article is both unverified and in another language.

To locate all entries for a given year, search for that year’s numerical date followed by an asterisk–for example, 1958*.

To search Jasper Johns’s published interview and statements, enter (JJ itw); for his published writings, enter (JJ wtg); and for his published sketchbook notes, enter (JJ skbk).



1951*


"Art and the Armed Forces." Columbia Museum of Art News (Columbia, S.C.), vol. 2, no. 8 (November 1951): n.p. Review of art exhibitions organized by Private Jasper Johns at Fort Jackson Cultural Center (S.C.).



1952*


"Fort Jackson Gallery." Columbia Museum of Art News (Columbia, S.C.), vol. 3, no. 2 (February 1952): n.p. List of the soldier artists at the Richland Art School who exhibited at the Fort Jackson Gallery (S.C.), including Private Jasper Johns.

Bettelheim, Bruno. "Schizophrenic Art: A Case Study." Scientific American (April 1952): 31—34. Iconographic source used later by Johns.



1955*


Porter, Fairfield ("F. P.") "Third Annual." Artnews, vol. 53, no. 9 (January 1955): 47—48. Review of invitational exhibition, Tanager Gallery, New York, N.Y., December 20, 1954—January 20, 1955.



1957*


Cato, Robert. "Sources of Inspiration." Print (New York, N.Y.), vol. 11, no. 1 (February—March 1957): 28 "Jasper John (sic)." Works exhibited at the magazine Clinic of the American Institute of Graphic Arts; first time a work by Johns is reproduced in a periodical (Target with Four Faces, 1955).

Rosenblum, Robert. "Castelli Group." Arts, vol. 31, no. 8 (May 1957): 53. Review of group exhibition at the new Leo Castelli Gallery, New York, N.Y.



1958*


"Allendale Artist Paints What He Likes–Happens to Like Flags!" Chronicle (Augusta, Ga.), April 6, 1958. Discusses March 31, 1958 issue of Newsweek.

"Leo Castelli." East of Fifth (New York, N.Y.), January 1958. Includes review of Johns’s first one-man exhibition at the Leo Castelli Gallery, New York, N.Y. LCG.

"Painting and Sculpture Acquisitions–Jan. 1, 1958—Dec. 31, 1958." The Museum of Modern Art Bulletin (New York, N.Y.), 1958: 21.

"Trend to the Anti-Art: Targets and Flags." Newsweek, vol. 51, no. 13 (March 31, 1958): 96. Review of Johns’s first one-man exhibition at the Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc.,1993): n.p. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art): 81. (JJ itw)

Alloway, Lawrence. "The Arts and the Mass Media." Architectural Design (London), vol. 28 (February 1958): 84—85. Johns not discussed, but first mention of term "Pop art."

Devree, Howard. "Art: Pittsburgh Bicentennial Show. Eight Awards Made in Category of Painting." New York Times, December 4, 1958, p. 36. Review of Carnegie International Exhibition, Pittsburgh, Penn. Anonymous $500 donation given to Johns for Gray Numbers (1958).

Lonngren, Lillian. "Abstract Expression in the American Scene." Art International (Lugano), vol. 2, no. 1 (February 1958): 56. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Porter, Fairfield ("F. P.") "Jasper Johns." Artnews, vol. 56, no. 9 (January 1958): 20. Review of Johns’s first one-man exhibition at Leo Castelli Gallery, New York, N.Y. Target with Four Faces (1955) reproduced on the cover of this issue; includes commentary by executive editor Thomas B. Hess. Cover and Porter article reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Preston, Stuart ("S. P."). "Haseltine Views of Italy at Cooper Union." New York Times, January 25, 1958, p. L15. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Rosenblum, Robert. "Jasper Johns." Arts, vol. 32, no. 4 (January 1958): 54—55 Review of Johns’s first one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Washburn, Gordon Bailey. "Pittsburgh Bicentennial International: The Prize Awards." Carnegie Magazine (Pittsburgh, Penn.), vol. 32 (December 1958): 329—33.



1959*


"Allendale Man Wins Art Honor In New York." The State (Columbia, S.C.), [after January 1959], p. B7. Johns received the Mademoiselle Merit Award for the publication of The Figure 1 in the January 1959 issue of Mademoiselle. JJSA.

"His Heart Belongs to Dada." Time, vol. 73 (May 4, 1959): 58. Discusses Johns and his participation in exhibition "Recent Acquisitions," The Museum of Modern Art, New York, N.Y. Reprinted in Kirk Vanedoe and Christel Hollevoet, eds, Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 81—82. (JJ itw)

"Jasper Johns." Mademoiselle, (January 1959): 23. Item mentioning one-man exhibition, Galerie Rive Droite, Paris. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. LCG.

"Jasper Johns Has Show at Museum of Modern Art." Citizen (Allendale, S.C.), December 25, 1959. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y. LCG.

"16 Americans In Exhibit at New York Museum." New Haven Register (New Haven, Conn.), December 20, 1959. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y. LCG.

Adlow, Dorothy. "Work by Youthful Artists at Museum of Modern Art." Christian Science Monitor, December 19, 1959, p. 10. Review of "100 Works on Paper," Institute of Contemporary Art, Boston, Mass.

Alloway, Lawrence. "Some London Exhibitions" Art International (Lugano), vol. 3, no. 5—6 (1959): 64. Reproduction of 0 to 9 (1958), with caption mentioning one-man exhibition, Galleria del Naviglio, Milan.

Ashton, Dore. "Art: Five Temperaments."New York Times, May 15, 1959, p. 20. Review of group exhibition at Leo Castelli Gallery, New York, N.Y.

Bisaccio, Philip. [Alfred H. Barr, Jr. awarded the American Federation of Arts’ Fiftieth Anniversary Award; with photograph of three Johns paintings purchased by The Museum of Modern Art, New York, N.Y., 1958.] The Art Times (New York, N.Y.) vol. 2, no. 2 (September 1959): 6.

Calas, Nicolas. "ContiNuance: On the possibilities of a new kind of symbolism in recent American painting and what such symbols could possibly mean." Artnews, vol. 57, no. 10 (February 1959): 36—39.

Chevalier, Denys. "Galerie Rive Droite." Cahiers du Musée de Poche (Paris), no. 2 (June 1959): 136—37. Review of one-man exhibition at Galerie Rive Droite, Paris.

Devree, Howard. "Art: 24 Contemporaries." New York Times, January 30, 1959, p. 19. Review of "Recent Acquisitions," The Museum of Modern Art, New York, N.Y.

Genauer, Emily. "16-Artist Show Is on Today at Museum of Modern Art." New York Herald Tribune, December 16, 1959, p. 26. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Harris, Kay (photographer). "Five Young Artists." Charm (New York, N.Y.), vol. 90, no. 2 (April 1959): 84—87 (84—85). Photographs reprinted in Suzanne Bailey, "Sztuka mlodych." Ameryka (United States Information Service for Poland), no. 34 (spring 1962): 41—44. Photographs of and small text on Jasper Johns, Alfred Leslie, Harold Stevenson, Richard Stankiewicz, and Robert Rauschenberg in their studio.

Hess, Thomas B. "In Praise of Folly." Artnews, vol. 58, no. 1 (March 1959): 25—27, 59—61. Discusses The Museum of Modern Art’s acquisition of three works by Johns in the context of the Museum’s exhibition "New Acquisitions."

Hoctin, Luce ("L. H."). "Jasper Johns." Arts, no. 707 (January 28—February 3, 1959): 12. Review of one-man exhibition at Galerie Rive Droite, Paris.

Johns, Jasper. "Collage." Arts, vol. 33, no. 6 (March 1959): 7. Letter to the editor, disputing Hilton Kramer’s review (see Kramer, 1959). Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 19. (JJ wtg)

Kramer, Hilton. "Month in Review." Arts, vol. 33, no. 5 (February 1959): 48—49. Includes review of exhibition "Beyond Painting," Alan Gallery, New York, N.Y.

Leon, Dennis. "‘16 Americans’ on View." Philadelphia Inquirer, December 27, 1959. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

McCue, George. "The Artist Reconsiders the Image." Sunday Post Dispatch, December 13, 1959, p. 5B. Mentions Johns’s participation in and prize awarded at the Carnegie International, and "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Mock, Jean Yves. "Notes from Paris and London: Jasper Johns and Leonor Fini at the Galerie Rive Droite." Apollo (London), vol. 69, no. 409 (March 1959): 90.

Preston, Stuart. "Real and Surreal in the Week’s Exhibitions." New York Times, October 25, 1959, p. 23. Review of group exhibition "Work in Three Dimensions," Leo Castelli Gallery, New York, N.Y.

Preston, Stuart. "Art: ‘Sixteen Americans.’" New York Times, December 16, 1959, p. L50. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Ragon, Michel. "Art Today in the United States." Cimaise (Paris), vol. 6, no. 3 (January—March 1959): 6—33 (28, 32). In French and English.

Rubin, William. "Pittsburgh: The Carnegie International." Art International (Lugano), vol. 3, no. 1—2 (1959): 19—23 (19). Review.

Sawyer, Kenneth B. "Exhibit From the Leo Castelli Gallery." The Sun (Baltimore, Md.), May 31, 1959, p. A 8. Review of a group exhibition selected by Leo Castelli, shown at the Gombrecht and Benesch Gallery in Baltimore, Md., deploring Johns’s absence.

Schneider, Pierre. "Dada, Surrealism and Now." Artnews, vol. 58, no. 1 (March 1959): 48. Review of one-man exhibition at Galerie Rive Droite, Paris.

Tillim, Sidney ("S. T.") "Work in Three Dimensions."Arts, vol. 34, no. 3 (December 1959): 59. Review of group exhibition, Leo Castelli Gallery, New York, N.Y.

Tono, Yoshiaki. "Spazio vuoto e spacio pieno." Azimuth (Piero Manzoni and Enrico Castellani, eds., Milan), 1959: n.p. Johns’s Target with Plaster Casts, 1955, is reproduced. In Italian.

Van Hook, David H. "Letter to the Editor" Arts, vol. 33, no. 6 (March 1959): 7. Criticizes Arts’s January 1, 1958 review of the Carnegie International for not reproducing Johns’s Gray Numbers (1958)–the sole American prizewinner.



1960*


"Allendale Man Shows Paintings in New York City." Chronicle (Augusta, Ga.), January 30, 1960. Review. LCG.

Leo Castelli Gallery. Advertisement. Art International (Lugano), vol. 4, no. 6 (June 10, 1960): 17. With installation photograph of "Sixteen Americans," The Museum of Modern Art, New York, N.Y., showing Johns’s works.

"Fine Arts in the Market Place/Gains on Young Americans." Life, vol. 49, no. 12 (September 19, 1960): 12—16 (16). Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

("J.K.S.") "Jasper Johns–Artist in Search of Subject." Minneapolis Sunday Tribune, May 15, 1960. Review of Johns’s one-man exhibition at the University of Minnesota, Minneapolis.

"Jasper Johns: A Survey." Columbia Museum of Art News (Columbia, S.C.), vol. 11, no. 9 (December 1960): 1. Announcement of one-man exhibition at Columbia Museum of Art, Columbia, S.C.

"Jasper Johns’ Exhibit Set At Museum Here Tonight." Columbia Record (Columbia, S.C.), December 7, 1960. Announcement of opening of one-man exhibition at the Columbia Museum of Art, Columbia, S.C.

"Letter to the Editor." Lakeville Journal (Lakeville, Conn.), March 31, 1960. LCG.

"S.C. Artist is Exhibited in New York." The State (Columbia, S.C.), February 14, 1960, p. 16C. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.; mention of Johns’s one-man exhibition at Galerie Rive Droite, Paris, and his one-man exhibition at Galleria del Naviglio, Milan, in 1959. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

"Works of Two Major Artists to be Shown at Museum." The State (Columbia, S.C.), December 4, 1960, p. 8D. Announcement of one-man exhibition at the Columbia Museum of Art, Columbia, S.C.



Coates, Robert M. "The ‘Beat’ Beat in Art." New Yorker (January 2, 1960): 60—61. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Coates, Robert M. "Art Galleries: New Oils at the Castelli." New Yorker, vol. 36 (March 5, 1960): 130. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

[French, Frank A. "Art for the Public: Back from the North Woods." 1960. Review of group exhibition "Painters Who Search for New Art Forms," Morse Gallery, Rollins College, Fla. LCG.]

Genauer, Emily. "More Good Solo Shows: Jasper Johns Show." Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y., contrasted with "Sixteen Americans," The Museum of Modern Art, New York, N.Y. New York Herald Tribune, February 21, 1960, sec. 4, p. 7. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Genauer, Emily. "Dada’s the Disease, Geometry a Cure?" Review of Robert Rauschenberg exhibition at Leo Castelli Gallery, New York, N.Y., with comments on Johns’s related neo-dada efforts. New York Herald Tribune, April 3, 1960, sec. 4, p. 7.

Greenberg, Clement. "Louis and Noland." Art International (Lugano), vol. 4, no. 5 (May 25, 1960): 26—29. Reprinted in Clement Greenberg, (John O’Brian, ed.), Clement Greenberg: The Collected Essays and Criticism–Volume 4: Modernism with a Vengeance, 1957—1969, (London & Chicago, Ill.: University of Chicago Press, 1993): 94—100.

Hutchison, Ruth. "New Forms Revealed by 16 Modern Artists." Globe-Times, Bethlehem, Penn.), March 30, 1960. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Johns, Jasper. "Duchamp." Scrap (New York, N.Y.), no. 2 (December 23, 1960): 4. Review of George Heard Hamilton’s translation of Marcel Duchamp’s The Bride Stripped Bare by Her Bachelors Even, a typographic version of Duchamp’s Green Box; (Documents of Modern Art, no. 14, New York, N.Y.: Wittenborn, 1960). Reprinted in Christian Geelhaar, Jasper Johns Working Proofs (Basel: Kunstmuseum Basel, 1979; London: Petersburg Press, 1979, 1980): note 18, pp. 33—34; and in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 20. (JJ wtg)

Judd, Donald ("D.J.") "Jasper Johns." Arts, vol. 34, no. 6 (March 1960): 57—58. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Key, Donald. "The ‘Pop Bottle’ School of Art Takes Spotlight in New York Galleries." Milwaukee Journal (Milwaukee, Wis.) May 15, 1960. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 82. (JJ itw)

Key, Donald ("D.K.") "Johns Adds Plaster Casts to Focus Target Paintings." Milwaukee Journal (Milwaukee, Wis.), June 19, 1960, pt. 5, p. 6. (JJ itw)

Myers, John Bernard. "The Impact of Surrealism on the New York School." Evergreen Review, vol. 4, no. 12 (March—April 1960): 75—85.

Porter, Fairfield. "Art." The Nation, vol. 190, no. 12 (March 19, 1960): 262. Includes review of one-man exhibition, Leo Castelli Gallery, New York, N.Y.

Restany, Pierre. "L’Amérique aux Américains." Ring des Arts (Zurich), no. 1 (1960): 22—31. Assessment of the European origins of American art.

Roberts, Colette. "New York." Cahiers du Musée de Poche (Paris), no. 4 (May 1960): 91—92. Includes review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y. In French.

Rosenberg, Harold. "Artysta a spoleczenstwo." [Artists vs. society]. Ameryka (United States Information Services for Poland), no. 93 [1960]: 56—61. LCG.

Rosenblum, Robert. "Jasper Johns." Art International (Lugano), vol. 4, no. 7 (September 25, 1960): 74—77. Two Flags, 1959, is reproduced upside down on cover. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Excerpted in (in Swedish) exhibition catalogue K[arl] G[ustav] [Pontus] Hultén, 4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz.

Rubin, William. "From the Exhibition ‘Sixteen Americans’ at The Museum of Modern Art, New York/Younger American Painters." Art International (Lugano), vol. 4, no. 1 (1960): 24—31. Review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y., and "School of New York: Some Youger Artists," Stable Gallery, New York, N.Y.

Sandler, Irving Hershel ("I.H.S.") "Reviews and Previews: Jasper Johns." Artnews, vol. 58, no. 10 (February 1960): 15. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Schwartz, Marvin D. "New York Notes: Sixteen Americans at the Museum of Modern Art" Apollo, London (February 1960): 49. Review.

Tillim, Sidney. "Month in Review." Arts, vol. 34, no. 5 (February 1960): 52—53. Includes review of "Sixteen Americans," The Museum of Modern Art, New York, N.Y.

Tono, Yoshiaki. ["American Artists."] Atelier (Tokyo), vol. 3, no. 397 (1960): 34—41. In Japanese.

Tono, Yoshiaki. ["New Adventures in American Art."] Mizue (Tokyo), no. 659 (March 1960): 4—5, 23 (reproductions of three works by Johns, without text). In Japanese.

Tono, Yoshiaki. "From a Gulliver’s Point of View." Art in America, vol. 48, no. 2 (summer 1960): 54—59.

Willard, Charlotte. "New Trends Foreseen by Martha Jackson." Art in America Market Letter, March 1960: n.p. Jackson picks Jasper Johns, one of The Museum of Modern Art’s (New York, N.Y.) choices in the exhibition "Sixteen Americans" exhibition, as artist to watch.



1961*


"Handling Living Artists." Time, vol. 78, no. 21 (November 24, 1961): 58. Discusses Leo Castelli’s involvement in the organization of one-man exhibtion at Galerie Rive Droit, Paris.

["Jasper Johns."] The State Magazine (Columbia, S.C.), January 15, 1961. Article announcing January 1961 exhibition at Leo Castelli Gallery, New York, N.Y. and June 1961 exhibition at Galerie Rive Droite, Paris. LCG.

Review of one-man exhibition "Jasper Johns: Drawings, & Sculptures, Lithographs," Leo Castelli Gallery, New York, N.Y. Horizon (Tuscaloosa, Ala./New York, N.Y.), vol. 3, no. 5 (May 1961): 119.

"South Carolina Contemporaries." Museum of Art News, vol. 12, no. 4 (April 1961): n.p. Review of group exhibition "Investing in Art," Columbia Museum of Art.



Alloway, Lawrence. "Easel Painting at the Guggenheim." Art International (Lugano), vol. 5, no. 10 (Christmas 1961): 26—34 (30). Review of "American Abstract Expressionists and Imagists," Solomon R. Guggenheim Museum, New York, N.Y.

Ashbery, John. "Art and Artists." International Herald Tribune (Paris), June 28, 1961, p. 7. Review of one-man exhibition at Galerie Rive Droite, Paris.

Ashbery, John. "Paris Summer Notes." Art International (Lugano), vol. 5, no. 8 (October 20, 1961): 91—92. Review of one-man exhibition at Galerie Rive Droite, Paris.

Burrows, Carlyle ("C.B."). "Stressing Black." New York Herald Tribune (February 12, 1961): sec. 4: p. 21. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Hess, Thomas B. "Collage as an Historical Method." Artnews, vol. 60, no. 7 (November 1961): 31—33, 69—71 71. Review of "The Art of Assemblage," The Museum of Modern Art, New York, N.Y.

Jensen, Knud W., ed. "Katalog Bevaegelses-udstillingen." Louisiana Revy (Louisiana Museum of Modern Art, Humlebaek), vol. 2, no. 1 (September 1961): 36. Exhibition checklist for "Bevaegelse i kunsten," Louisiana Museum of Modern Art, Humlebaek, Denmark. Exhibition catalogues section in this bibliography, and articles related to that exhibition in Danish.

Picard, Lil. "Verrücktes ist noch nicht Kunst." Die Welt (Hamburg), April 6, 1961, p. 6. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Preston, Stuart. "Ends and Means of Abstract Art." New York Times, February 12, 1961, p. 21. Review of one-man exhibition at the Leo Castelli Gallery, New York, N.Y.

Ragon, Michel. "Plus vrai que nature." Arts: Lettres, spectacles, musique (Paris), no. 827 (June 21—27, 1961): 7. Review of one-man exhibition at Galerie Rive Droite, Paris.

Restany, Pierre. ["Jasper Johns and the Metaphysic of the commonplace."] Cimaise (Paris), vol. 8, no. 55 (September—October 1961): 90—97. Also offprint from article, Paris, 1961. In French, English, German, and Spanish.

Rickborn, D. R. "Art’s Fair-Haired Boy: Allendale’s Jasper Johns Wins Fame With Flags." The State Magazine, (Columbia, S.C.), January 15, 1961: 20—21. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 83. (JJ itw)

Robinson, Layhmond. "A Gallery of Art Lost in Mansion." New York Times, March 4, 1961, p. L12. Discusses Nelson A. Rockefeller’s painting by Johns (spelled ‘Jonas’), Black Target (1959), damaged in fire at Governor’s mansion in Albany, N.Y.,

Rosand, David. "At The Limits of Art." The Second Coming, vol. 1, no. 2 (July 1961): 52—55. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Rubin, William. "The International Style: Notes on the Pittsburgh Triennial." Art International (Lugano), vol. 5, no. 9 (November 20, 1961): 26—32 (28—29). Review.

Sandler, Irving Hershel ("I.H.S."). "Jasper Johns." Artnews, vol. 60, no. 1 (March 1961): 15. Review of exhibition at Leo Castelli Gallery, New York, N.Y.

Sandler, Irving Hershel. "New York Letter." Art International (Lugano), vol. 5, no. 3 (April 5, 1961): 40—41. Review of one-man exhibitioin at Leo Castelli Gallery, New York, N.Y. [same review as Sandler, 1961, Artnews].

Sandler, Irving Hershel. "In the Art Galleries." New York Post, October 15, 1961, p. 12. Review of "The Art of Assemblage," The Museum of Modern Art, New York, N.Y.

Tillim, Sidney ("S.T.") "Jasper Johns." Arts, vol. 35, no. 6 (March 1961): 51—52. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Tillim, Sidney. Arts, vol. 35, no. 8—9 (May—June 1961): 51. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Washburn, Gordon Bailey, ed. "The 42nd Pittsburgh International Exhibition of Contemporary Painting and Sculpture." Art International (Lugano), vol. 5, no. 8 (October 20, 1961): 38—75 (60). Photographs.



1962*


"Alla Leo Castelli, New York." Domus (Milan), no. 386 (January 1962): 26. Review of group exhibition at Leo Castelli Gallery, New York, N.Y.

"Leo Castelli: Avant Garde Dealer." Art Voices from Around the World (New York, N.Y.) vol. 1, no. 2 (November 1962): 27.

"Exhibit at Tulane." TimesPicayune (New Orleans, La.), December 2, 1962. Review of "Wit and Whimsy in Twentieth Century Art," Tulane University Center, New Orleans, La.

["Glad Vernissage Kring Starnbaneren." Dagens Nyheter (Stockholm), March 18, 1962. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm. LCG.]

"Konstverk med getlukt." Svenska Dagbladet (Stockholm), March 7, 1962, p. 1, 13. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm.

["The New Realists: Pacesetters of Passes?" Art Students League News, vol. 15 (December 1962): 9.]

("P.F.A."). "Austellungen: Bern." Werk, vol. 49, no. 9 (September 1962): 208—9. Review of "4 Amerikaner: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Kunsthalle Bern.

"Seventh Annual Art Auction Brings in $ 1,621." USC Perspective (Columbia, S.C.: Alumni Association, University of South Carolina), vol. 2, no. 9 (May 1962): 4. University of South Carolina Department of Fine Arts spring auction, April 30, included a black-and-white target lithograph donated by Johns.

"Strictly Invitational." Art Voices from Around the World (New York, N.Y.) vol. 1, no. 2 (November 1962): 26. Discusses Johns working at Universal Limited Art Editions.



Ashbery, John. "American Art Shows Flood Paris." International Herald Tribune (Paris), November 21, 1962, p. 5. Includes review of one-man exhibition at Galerie Marcelle Dupuis, Paris.

Ashbery, John. "Paris Notes." Art International (Lugano), vol. 6, no. 10 (December 20, 1962): 51. Review of one-man exhibition at Galerie Marcelle Dupuis, Paris.

Ashton, Dore. "Dibujos y acuarelas abstractos en USA." El Farol (Caracas), vol. 23, no. 198 (February 1962): 2—8. Review of exhibition at the Museo de Bellas Artes de Caracas.

Ashton, Dore. "Abstract Expressionism Isn’t Dead." Studio International (London), vol. 164, no. 833 (September 1962): 104—107. Includes review of drawing exhibition at Leo Castelli Gallery, New York, N.Y.

Bailey, Suzanne. "Sztuka mlodych." Ameryka (United States Information Services for Poland), no. 34 (spring 1962): 41—44. Same photographs (minus Stevenson) as in Kay Harris, "Five Young Artists." Photographs of Jasper Johns, Alfred Leslie, Harold Stevenson, Richard Stankiewicz, and Robert Rauschenberg, in their studios.), Charm, vol 90, no. 2 (April 1959): 84—87 (84—85).

Brunius, Clas. "4 Amerikanare." Expressen (Stockholm), March 17, 1962, p. 4. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockhom.

Dorfles, Gillo. ["Jasper Johns and The Hand-made Ready-made Object."] Metro (Milan), no. 4/5 (1962): 80—81. In English and Italian.

[Ebeling and Dietrich.] Kalenderrolle. [Wuppertal, West Germany: Verlag Kalender], no. 61 (June 1962). Includes reproduction of Johns’s Flashlight (1958).

Eklund, Hans. "4 Amerikanare torpederar det gamla konstverket." Aftonbladet (Stockholm), March 17, 1962, p. 3. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm.

Gottlieb, Carla. "The Pregnant Woman, The Flag, The Eye: Three New Themes in Twentieth Century Art." The Journal of Aesthetics and Art Criticism (Cleveland, Ohio) vol. 21, no. 2 (winter 1962): 177—87.

Greenberg, Clement. "After Abstract Expressionism." Art International (Lugano), vol. 6, no. 8 (October 25, 1962): 24—32. See Max Kozloff’s rebuttal in June 1963 issue. Revised and reprinted in Harry Geldzahler, New York Painting and Sculpture: 1940—1970 (exhibition catalogue, New York, N.Y.: E. P. Dutton & Co., in association with the Metropolitam Museum of Art, 1969): 360—71.

Javits, Marion. "Senator’s Wife." New York Post, May 8, 1962, p. 54, (magazine p. 8). In her column, author reminisces about a visit to Robert Rauschenberg’s and Jasper Johns’s Front Street studios with Alfred Barr, Leo and Ileana Castelli, and her husband, Jacob Javits.

Johns, Jasper. Letter to the editor. Portable Gallery Bulletin (New York, N.Y.), no. 3 December 1962, n.p. Reply to Albert Vanderburg’s article in the November 1962 issue regarding a photograph of Robert Rauschenberg’s combine painting Short Circuit. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 21. (JJ wtg)

Johnson, Charlotte Buel. "Numbers in Color." School Arts (Needham, Mass.), vol. 62/63 (November 1962): 35.

Jouffroy, Alain. "Rauschenberg ou le déclic mental." Aujourd’hui: Art et architecture (Paris), vol. 8, no. 38 (September 1962): 22—23.

Linde, Ulf. "4 Amerikanare." Dagens Nyheter, (Stockholm), March 17, 1962, p. 4. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm.

Lynton, Norbert. "London Letter: American Painting Exhibitions" Art International (Lugano), vol. 6, no. 4 (May 1962): 96—97. Review of "Vanguard American Painting," United Stataes Information Service Gallery, U.S. Embassy, London.

Meneeley, Edward, ed. "Jasper Johns." Portable Gallery Bulletin, no. 1 October 1962, n.p. Discusses new acquisition in the Portable Gallery’s slide collection.

O’Hara, Frank. "Art Chronicle." Kulchur (New York), vol. 2, no. 5, (spring 1962): 80—86 [86].

Picard, Lil. "Was Malen die bösen Buben? Eine neue Richtung in den USA, noch jünger als die Neo-Dadaisten." Die Welt (Hamburg), August 1, 1962. On Pop Art

Reid, Alastair. "World of Z." [Reproduction of Alphabets (1957), with annoucement of forthcoming exhibitions in caption]; and "The Editor’s Guest Book." Harper’s Bazaar (January 1962): 83, 88—89.

Rosenberg, Harold. "The Game of Illusion." New Yorker (November 24, 1962): 161—67. Review of "New Realism," Sidney Janis Gallery, New York, N.Y. Johns not included in exhibition but discussed here.

Rosenberg, Harold. "Action Painting: A Decade of Distortion." Artnews, vol. 61, no. 8 (December 1962): 42—44, 62—63.

Rosenberg, Harold. "Artysta a spoleczenstwo." [Artists vs. Society.] Ameryka (United States Information Service for Poland), no. 93 [1960?], 56—61. LCG gl 1960—62.

Rosenblum, Robert. "Les Oeuvres récentes de Jasper Johns." XXe Siècle (Paris), vol. 24, no. 18, supplement (February 1962): n.p. Article prompted by one-man exhibition at Galerie Rive Droite, Paris, 1961.

Schuyler, James. "Is there an American Print Revival? New York." Artnews, vol. 60, no. 9 (January 1962): 36—37. Review of group exhibition "The Fine Art of Lithography," Kornblee Gallery, New York, N.Y.

Seckler, Dorothy Gees. "Folklore of the Banal." Art in America, vol. 50, no. 4 (winter 1962): 56—61.

Steinberg, Leo. "Contemporary Art and the Plight of its Public." Harper’s Magazine, vol. 224, no. 1342 (March 1962): 31—39, New York, N.Y. Text of a series of lectures presented by Steinberg at The Museum of Modern Art, New York, N.Y., in 1960, on the occasion of the exhibition "Sixteen Americans." (For review of these lectures, see John Canaday, "It Talks Good." New York Times, March 6, 1960.) Reprinted in Gregory Battcock, ed., The New Art: A Critical Anthology (New York: E.P. Dutton & Company, Inc., 1966, 1973): 205—26; and in Leo Steinberg, Other Criteria: Confrontations with Twentieth-Century Art (New York, N.Y.: Oxford University Press, 1972): 3—16.

Steinberg, Leo. "Jasper Johns." Metro (Milan), no. 4/5 (May 1962): 82—109. Revised and enlarged for Leo Steinberg, Jasper Johns (New York, N.Y.: George Wittenborn, 1963). Revised and expanded as "Jasper Johns: The First Seven Years of His Art" in Leo Steinberg, Other Criteria: Confrontations with Twentieth-Century Art (New York, N.Y.: Oxford University Press, 1972): 17—54 (also see preface, p. vii). Reprinted as "Jasper Johns: The First Seven Years of His Art" (with an appendix, "Back Talk From Leo Steinberg," December 13, 1992) in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue, New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Excerpted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 83.(JJ itw)

Tillim, Sidney. "The Fine Art of Acquiring Fine Art." Playboy, vol. 9, no. 1 (January 1962): 60—66, 90, 146, 153—54.

Tono, Yoshiaki. ["Jasper Johns or the Metaphysics of Vulgarity."] Mizue (Tokyo), no. 685 (April 1962): 24—40. See Restany, 1961. In Japanese.

Vanderburg, Albert, Jr. "Comment." Portable Gallery Bulletin, no. 2 (November 1962): n.p. Discusses B.H. Friedman’s 1959 book School of New York: Some Younger Artists (listed in Exhbition Catalogue, Group Exhibtions) and photograph of Robert Rauschenberg’s combine painting Short Circuit. Issue includes also announcements for one-man exhibition at Ileana Sonnabend Gallery, Paris, and "My Country ’Tis of Thee," Dwan Gallery, Los Angeles, Calif. See Jasper Johns’s reply in December 1962 issue.

Wretholm, Eugen. "Utställninger Stockholm: Fyra amerikanare." Konstrevy (Stockholm), vol. 38, no. 3 (1962): 106—107. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm.



1963*


"Advertencia con indiscutibles fondos filosoficos." Arquitectura (Mexico City), no. 18 (June 1963): 120—26.

"Artists for Artists." New Yorker (March 9, 1963): 32—34. Discusses group exhibition at Allan Stone Gallery, New York, N.Y., of artist donations to raise funds for the Foundation for Contemporary Performance Arts, with Johns as participant, primary organizer of the exhibition, and co-founder of the Foundation. (JJ itw)

["The Directions of Painting in 1962—63." Philadelphia, Prometheus (February 1963): 3. Review of exhibition at Makler Gallery, Philadelphia, Penn. LCG.]

"Folk Art, Pop! Go the Easels." Life (March 29, 1963): A16. Review of "Six Painters and the Object," Simon R. Guggenheim Museum, New York, N.Y.

"4th International Biennal of Painting and Sculpture of the Republic of San Marino." Art International (Lugano), vol. 7, no. 6 (June 25, 1963): 51, 63. Lists Johns among artists invited to represent the United States. See Giorgio de Marchis review (Art International, September 25, 1963) noting that Johns was absent from exhibition.

"Pictures from Modern Masters to Aid Music and Dance." Artnews, vol. 61, no. 10 (February 1963): 44. Statement by Johns on the Foundation for Contemporary Performance Arts. Excerpted from "L.J.," "Paintings for Sale: Profits for Performers." Dance Magazine, vol. 37, no. 3 (March 1963): 44. Review of group exhibition at the Allan Stone Gallery, New York, N.Y. (JJ itw)

"Pop Art—Cult of the Commonplace." Time, vol. 81, no. 18 (May 3, 1963): 69—72 (72).

"Pop Goes the Easel." Newsweek, vol. 61, no. 13 (April 1, 1963): 80. Review of "Six Painters and the Object," Simon R. Guggenheim Museum, New York, N.Y.

"1er Salon international de Galeries-pilotes." Art International (Lugano), vol. 7, no. 6 (June 25, 1963): 22, 23, 30. Review.

"Seven New Shows: Subtle . . . Simple . . . Sure . . . Surprising." Newsweek, vol. 61, no. 7 (February 18, 1963): 65. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

"Sold Out Art: More Buyers Than Ever Sail into a Broadening Market." Life, vol. 55, no. 12 (September 20, 1963): 125—29 (126).

["Statens konstsamlingars tillväxt och förvaltning 1963." Med. från Nationalmuseet (Stockholm), no. 88 (1963): 16—62. Discusses new acquisitions by the Stockholm National Museum; includes reproduction of painting by Johns. LCG.]



Ahlander, Leslie Judd. "Washington Gallery Shows Pop Art." Washington Post, April 21, 1963, p. 66. Review of "The Popular Image," Washington Gallery of Modern Art, Washington, D.C.

Ahlander, Leslie Judd. "Pop Art Festival Hailed." Washington Post, May 26, 1963, p. G 10.

Review of festival accompanying "The Popular Image," Washington Gallery of Modern Art, Washington, D.C.

[Ahlander, Leslie Judd. "Washington Gallery Shows Pop Art." Washington Post, May? 1963. Review of festival accompanying "The Popular Image," Washingtom Gallery of Modern Art, Washington, D.C. LCG gl.]

Alloway, Lawrence. "Notes on Five New York Painters." Gallery Notes (Buffalo Fine Arts Academy, Buffalo, N.Y.), vol. 26, no. 2 (autumn 1963): 13—20. LCG.

Ashbery, John; Jean-Jacques Levêque, Sergio Mondragon, Margaret Randall, and Ida Rodriguez. "La cultura en Mexico." Suplement of Siempre! (Mexico City), no. 71 (June 26, 1963): 1—13. Various articles on the Beat generation and Pop art.

Ashton, Dore. "Jasper Johns." Arts & Architecture, vol. 80, no. 3 (March 1963): 6—7. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Bindman, David. "Popular Image: Contemporary American Art at the I.C.A. Gallery." The Arts Review (London), November 2, 1963, p. 10. Review.

Bourdon, David. "Nya amerikanska realister." Konstrevy (Stockholm), vol. 39, no. 2 (1963): 42—49, 78. LCG gl.

Breckenridge, Betty ("B.B."). "Jasper Johns, Richmond Art Center." Artforum, vol. 1, no. 11 (May 1963): 12—13. Review of "Jasper Johns: Retrospective Exhibition," Richmond Art Center, Richmond, Calif.; first shown at Everett Ellin Gallery, Los Angeles, Calif.

Chevalier, Denys. "La Biennale internationale de gravure de Ljubljana." Aujourd’hui: Art et architecture (Paris), vol. 8, no. 42—43 (October 1963): 202.

Coplans, John. "Pop Art, USA." Artforum, vol. 2, no. 4 (October 1963): 27—30. Also published as "American Painting and Pop Art" in Coplans, Pop Art USA (exhibition catalogue; Oakland, Calif.: Oakland Art Museum, and California College of Arts and Crafts, 1963): 7—14.

Davies, Lawrence E. "Oakland to Show 2 Coasts’ Pop Art" New York Times, September 7, 1963, p. 16. Review of "Pop Art USA," Oakland Art Museum, Oakland, Calif.

Dienst, Rolf-Gunter. "Informelle Schriften." Das Kunstwerk (Stuttgart), vol. 16, no. 10 (April 1963): 4—24.

Factor, Donald ("D.F."). "Jasper Johns: Everett Ellin Gallery." Artforum, vol. 1, no. 8 (February 1963): 16—17. Review.

Factor, Donald ("D.F."). "Six Painters and the Object and Six More." Artforum, vol. 2, no. 3 (September 1963): 13—14. Includes review of "Six Painters and the Object," Los Angeles County Museum of Art, Los Angeles, Calif.

Feversham, Harry. "But is it Art?" Collector’s Quarterly Report, vol. 1, no. 2 (spring 1963): 36—38. Discusses Pop art.

Fried, Michael. "New York Letter." Art International (Lugano), vol. 7, no. 2 (February 25, 1963): 60—62." Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Gaul, Winfred. "Die Welt der Slogans und der Phrasen. Moderne Kunst sucht neur Wege—Bewältigung des Banalen." Die Welt (Essen), no. 15 (January 18, 1963): 7.

Getlein, Frank. "Modern Art Pop Show Is Strictly Dullsville." The Evening Star (Washington D.C.), April 21, 1963, C12. Review of "The Popular Image," Washington Gallery of Modern Art, Washington, D.C.

Glusker, Irwin. "What Next in Art?" Horizon (Tuscaloosa, Ala.) vol. 5, no. 3 (January 1963): 16—25.

Hultén, Karl Gustav Pontus. "Om Pop-Kunsten." Louisiana Revy (Louisiana Museum of Modern Art, Humlebaek, Denmark), (September 1963): 10—15. Review of "4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz," Moderna Museet, Stockholm, 1962.

Jaguer, Edouard. "Second mouvement." Hélice (January 3, 1963): 65—67.

Johnston, Jill with collage by Hans Namuth. "Happenings: A Cast of Characters." Harper’s Bazaar, vol. 96, no. 3021 (August 1963): 124—25, 149.

Judd, Donald. "New York Exhibitions: Whitney Annual." Arts, vol. 37, no. 5 (February 1963): 46—47. Review.

Judd, Donald. "Six Painters and the Object at the Guggenheim." Arts, vol. 37, no. 9 (May—June 1963): 108—109. Review of "Six Painters and the Object," Simon R. Guggenheim Museum, New York, N.Y.

Kozloff, Max. "Letter to the Editor." Art International (Lugano), vol. 7, no. 6 (June 25, 1963): 88—92. Response to Clement Greenberg, October 1962.

Kozloff, Max. "Art Books of 1963." The Nation, vol. 197, no. 22 (December 28, 1963): 459—60. Review of Leo Steinberg monograph, Jasper Johns (1963).

("L.J.") "Paintings for Sale: Profits for Performers." Dance Magazine, vol. 37, no. 3 (March 1963): 44—45. Review of group exhibition at Allen Stone Gallery, New York, N.Y. to support the Foundation for Contemporary Performance Arts. Also see, "Pictures from Modern Masters to Aid Music and Dance." Artnews, vol. 61, no. 10 (February 1963): 44. Includes fuller statement by Johns on the Foundation for Contemporary Performance Arts. (JJ itw)

Langsner, Jules. "Los Angeles Letter." Art International (Lugano), vol. 7, no. 1 (January 25, 1963): 81—83. Review of group exhibition "My Country ’Tis of Thee," Dwan Gallery, Los Angeles, Calif. (1962); and one-man exhibition at Everett Ellin Gallery, Los Angeles, Calif. (1962).

Levêque, Jean-Jacques ("J.-J. L."). "Jasper Jones [sic]." Aujourd’hui: Art et architecture, vol. 7, no. 40 (January 1963): 46. Review of one-man exhibition at Ileana Sonnabend/Galerie Marcelle Dupuis, Paris (1962).

Lucie-Smith, Edward. "Round the New York Art Galleries: Letters and Figures." The Listener (London), January 10, 1963, p. 71. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.; and "According to the Letter," Thibaut Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

de Marchis, Giorgio. "La VI Biennale de San Marino." Art International (Lugano), vol. 7, no. 7 (September 25, 1963): 52—54. Notes Johns was absent from biennial because of organizational difficulties.

Nordland, Gerald. "Pop Goes the West." Arts, vol. 37, no. 5 (February 1963): 60—62. Review of group exhibition "My Country ’Tis of Thee," Dwan Gallery, Los Angeles, Calif. (1962); and one-man exhibition at Everett Ellin Gallery, Los Angeles, Calif., 1962.

Pease, Roland F. "Avant-Garde Artists Band Together to assist Dance, Music, Theater." Art Voices (February 1963): 22. Review of group exhibition at Allan Stone Gallery, New York, N.Y., to support the Foundation for Contemporary Performance Arts. LCG gl.

Perelman, S. J. "People are Talking About . . ." Vogue, vol. 141, no. 3 (February 1, 1963): 113. One-line commentary on Johns’s new paintings on view at Leo Castelli Gallery, New York, N.Y.

Picard, Lil. "Pausenlos dreht sich ein Puppenkopf." Die Welt (Hamburg), March 5, 1963, p. 7. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Picard, Lil. "Jasper Johns." Das Kunstwerk (Stuttgart), vol. 17, no. 5 (November 1963): 6—12 Flag on Orange Field (1957), reproduced on cover. An English translation of the article, by Henry F. Odell, can be found in the Leo Castelli Gallery archives. Another typescript in English exists in the Lil Picard archives, the Estate of Lil Picard, New York, N.Y. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 91—92. (JJ itw)

Preston, Stuart. "Exhibition of Art Opens in Canada: Dunn Show of Moderns Goes From Picasso to Pop." New York Times, September 9, 1963, p. 24. Review of "Dunn International," Beaverbrook Art Gallery, Fredericton, Canada.

Restany, Pierre. "Le Nouveau Réalisme à la conquête de New York." Art International (Lugano), vol. 7, no. 1 (January 1963): 29—36, 39—41. Review of "New Realism," Sidney Janis Gallery, New York, N.Y. Johns not included in exhibition but discussed in review.

Restany, Pierre. "The New Realism." Art in America, vol. 51, no. 1 (February 1963): 102—4. Review of "New Realism," Sidney Janis Gallery, New York, N.Y. Johns not included in exhibition but discussed in review.

[Restany, Pierre. "En cinquante ans Paris a fait de New York la seconde capitale de l’art moderne." La Galerie des arts (Paris), no. 4 (February 1963): 14—16. LCG.]

Restany, Pierre. "Le Raz de marée réaliste aux USA." Domus (Milan), no. 399 (February 1963): 33—35. Review of "New Realism," Sidney Janis Gallery, New York, N.Y. Johns not included in exhibition but discussed in review.

Restany, Pierre. "La V Biennale Internazionale dell’Incisione a Lubiana." Domus (Milan), no. 405 (August 1963): 42, 50. Review.

Roberts, Colette. "Lettre de New York." Aujourd’hui: Art et architecture, vol. 7, no. 40 (January 1963): 55. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.; and "According to the Letter," Thibaut Gallery, New York, N.Y.

Rose, Barbara. "Dada, Then and Now." Art International (Lugano), vol. 7, no. 1 (January 25, 1963): 23—28. Also published in Swedish as "Dada förr och nu." Paletten (Göteborg, Sweden), 1963, pp. 7—12.

Rose, Barbara. "Pop Art at the Guggenheim." Art International (Lugano), vol. 7, no. 5 (May 25, 1963): 20—22. Review of "Six Painters and the Object," Solomon R. Guggenheim Museum, New York, N.Y.

Russell, John. "Bad Pictures, Good Show." Sunday Times (London), October 27, 1963, p. 33. Review of "The Popular Image: U.S.A.," Institute of Contemporary Arts, London.

Saarinen, Aline B. "Explosion of Pop Art." Vogue (April 15, 1963): 86—87, 134, 136, 142. Review of "Six Painters and the Object," Solomon R. Guggenheim Museum, New York, N.Y. LCG gl.

Sandler, Irving Hershel. "New York Letter." Quadrum (Brussels), vol. 14 (1963): 119—120. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Sandler, Irving Hershel. "In the Art Galleries." New York Post, December 22, 1963, p. 14. Review of "Hard Center," Thibaut Gallery, New York, N.Y. Johns not included in exhibition.

Schneider, Pierre. "Paris." Artnews, vol. 61, no. 9 (January 1963): 44—45. Includes review of one-man exhibition at Galerie Marcelle Dupuis, Paris.

Schneider, Pierre. "Le Pop Art à Paris." L’Express (October 10, 1963): 32—33. Review of Paris Biennial.

Schulze, Franz. "On Modern American Painting." Apollo (London), vol. 78, no. 20 (October 1963): 274—280.

Selz, Peter, ed. "A Symposium on Pop Art." Arts, vol. 37, no. 7 (April 1963): 36—45. Transcription of symposium held in 1963 at The Museum of Modern Art, New York, N.Y., with Henry Geldzahler, Hilton Kramer, Dore Ashton, Leo Steinberg, and Stanley Kunitz. Published in German in Jürgen Becker and Wolf Vostell, eds., Happenings: Fluxus, Pop Art, Nouveau Réalisme (Hamburg: Rowohlt, 1965) 107—22.

Solomon, Alan R. "The New Art." Art International (Lugano), vol. 7, no. 7 (September 25, 1963): 37—41. First published as "The New Art" in The Popular Image (exhibition catalogue; Washington, DC: Washington Gallery of Modern Art, 1963); and in (London: Institute of Contemporary Arts in collaboration with Ileana Sonnabend Gallery, Paris, 1963). Reprinted in Gregory Battcock, ed., The New Art: A Critical Anthology (New York, N.Y.: E.P. Dutton & Company, 1966, 1973): 188—204.

Swenson, Gene R. ("G.R.S.") "Jasper Johns." Artnews, vol. 61, no. 10 (February 1963): 11—12. Review of one-man exhibition at the Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Tillim, Sidney. "Month in Review." Arts, vol. 37, no. 6 (March 1963): 62. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

[Tillim, Sidney. "Pop Art: A Dialogue." Eastern Arts Quarterly (Kutztown, Penn.) (September—October 1963): 11, 15. LCG.]

Toninelli, Romeo. "I mercanti d’arte." Domus (Milan), no. 406 (September 1963): 43—50 43—44.

Tono, Yoshiaki. ["Focus on Contemporary Art 18: Is Action Painting Over?"] Mizue (Tokyo), no. 699 (May 1963): 38—52. In Japanese.

Tono, Yoshiaki. ["Statements by Contemporary Artists: From Jackson Pollock to Jasper Johns."] Mizue (Tokyo), no. 700 (June 1963): 6, 1—30 18—19. In Japanese. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 52 (sec. 11). (JJ skbk)

Wholden, R. G. "My Country ’Tis of Thee, Dwan Gallery." Artforum, vol. 1, no. 8 (February 1963): 20. Review of "My Country ’Tis of Thee," Dwan Gallery, New York, N.Y.



1964*




"Americans in Paris." Newsweek, vol. 63, no. 1 (January 6, 1964): 60. Discusses American galleries in Paris.

Announcement of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y. New York Times, March 1, 1964, p. 25.

"At Home with Henry." Feature on the apartment of Pop art collectors Robert and Ethel Scull. Time (February 21, 1964): 68—71.

"Carnival in Venice." Newsweek (July 6, 1964): 74—75. Review of Venice Biennale.

("L.L.P."). "Alla Biennale, impressioni di un visitatore." Domus (Milan), no. 418 (September 1964): 54.

"News of Alumni." USC Perspective (Alumni Association, University of South Carolina, Columbia, S.C.) [1964]. Mentions Life article on exhibition of new acquisitions, "1954—64: Painting and Sculpture of a Decade," Tate Gallery, London. JJSA.

("M. L.") "What’s New?" Glamour, vol. 50, no. 6 (February 1964): 100—01. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

"New York Americana." Harper’s Bazaar (July 1964): 86—87.

"The Older–The Younger." Newsweek, vol. 63, no. 8 (February 24, 1964): 82—83. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

"On the Scene. Jasper Johns: Pop Art’s Grandpop." Playboy (March 1964): 122—23.

"Le Pop’Art: la boîte de conserve devient objet d’art." Marie Claire (September 1964): 22. Discusses artists represented by the Paris galleries of Ileana Sonnabend, Iris Clert, and René Breteau.

"Venice–The XXXII Biennale." Art International (Lugano), vol. 8, no. 5—6 (summer 1964): 37—51 51. Photographs of works in the Venice Biennale.

"Wealthy Patrons Now Hang Pop Art Alongside Paintings by Picasso." Ladies’ Home Journal (March 1964): 152—54. Discusses Scull collection of Robert and Ethel Scull.



Aldridge, John W. "The Price of Being Taken Seriously." The New York Times Book Review, September 6, 1964, section 7, p. 1. Target with Four Faces (1955) reproduced; no mention of Johns in the text.

Alexandrian, Sarane. "Le XXe Salon de Mai." L’Oeil (Paris), no. 114 (June 1964): 26—33 27—28. Review.

Ashbery, John. "U.S. Takeover in Paris." International Herald Tribune (Paris), May 26, 1964, p. 5. Review of "Painting and Sculpture of a Decade," Tate Gallery, London, and Salon de Mai, Paris.

Ashbery, John. "The Venice Biennale Begins To Show Its Changing Face." International Herald Tribune (Paris), June 16, 1964, p. 5. Review.

Ashbery, John. "Venice Biennale Center of Controversy." International Herald Tribune (Paris), June 23, 1964, p. 5. Review.

Ashton, Dore. "Acceleration in Discovery and Consumption." Studio International (London), vol. 167, no. 853 (May 1964): 212—14. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Ashton, Dore. "Letter from New York." Canadian Art, issue 92, vol. 21, no. 4 (July—August 1964): 242. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Boatto, Alberto; Gillo Dorflès, et al. "La Pop Art: Inchiesta." Arte Oggi, vol. 6, no. 21 (September 1964): 5—48.

Boudaille, Georges. "Au XXe Salon de Mai: le Pop’Art tout nu." Les lettres françaises (Paris), [May 1964]: 12. LCG gl 1960—62.

Cabanne, Pierre. "A Venise: L’Amérique proclame la fin de l’Ecole de Paris et lance le Pop Art pour coloniser l’Europe." Arts: Lettres, Spectacles, Musique (Paris), no. 968 (June 24—30, 1964): 16. Review of Venice Biennale.

Cage, John. "26 Statements re Duchamp." Art and Literature (Lausanne), 3 (autumn—winter 1964): 9—10.

Calas, Nicolas. "Jasper Johns." Village Voice, March 5, 1964, p. 9. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Canaday, John. "Bright Stars." New York Times, March 23, 1964, p. 26. Discusses artworks commissioned by Philip Johnson for the New York State Theater, including a Numbers (1964).

Factor, Donald ("D.F."). "New York Group; Ferus Gallery." Artforum, vol. 2, no. 9 (March 1964): 13. Review of group exhibition at Ferus Gallery, New York, N.Y.

Farnsworth, Clyde. "Tate Gallery Shows 310 Works Ranging From Matisse to Pop." New York Times, April 21, 1964, p. 26. Review of "Painting and Sculpture of a Decade," Tate Gallery, London.

Forge, Andrew. "The Emperor’s Flag." New Statesman (London), vol. 68, no. 1761 (December 11, 1964): 938—939. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.; and of one-man exhibition of lithographs on view at the United States Information Service Gallery, American Embassy, London.



Frackman, Noel. "Jasper Johns: A Retrospective Exhibition Jewish Museum." New York Patent Trader ? (March 5, 1964). Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y. LCG.

Gassiot-Talabot, Gérald. "La XXXIIe Biennale de Venise/The 32nd Venice Biennale." Cimaise (Paris), no. 69/70 (July—October 1964): 106—114 110. In French and English. Review of American art at the Venice Biennale.

Gassiot-Talabot, Gérald. "La Panoplie de l’oncle Sam à Venise." Aujourd’hui: Art et architecture (Paris), vol. 8, no. 47 (October 1964): 30—33 33. Review of the French and American pavilions, Venice Biennale

Gassiot-Talabot, Gérald. "Lettre de Paris." Art International (Lugano), vol. 8, no. 9 (November 1964): 55—58. Review of the Salon de Mai, Paris.

Geldzahler, Henry. "Peinture américaine actuelle/Recent American Painting." Cimaise (Paris), vol. 11, no. 69—70 (July—October 1964): 41—42, 47.

Genauer, Emily. "The Amazing Rise of Jasper Johns in World of Art." New York Herald Tribune, February 15, 1964, p. 7. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Genauer, Emily. "Can This Be Art?" Ladies’ Home Journal, vol. 81, no. 2 (March 1964): 151—55. Discusses Pop art in museums and in the collection of Robert and Ethel Scull.

Genauer, Emily. "The Merchandise of Venice." New York Herald Tribune, July 12, 1964, p. 21. Review of the American Pavilion, Venice Biennale (Johns not mentioned, but background information cited.)

Genauer, Emily. "Dernier Cri at Venice: Keep Moving." New York Herald Tribune, July 19, 1964, p. 25.

Genauer, Emily. "No Other Gods Before Me." New York Herald Tribune (September 6, 1964): 21. Mention of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

George, Hardy. "Jasper Johns."Arts Review (London), vol. 16, no. 24 (December 12—26, 1964): 18. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.; and of one-man exhibition of lithographs on view at the United States Inforamtion Service Gallery, American Embassy, London.



Getlein, Frank. "Representing U.S. in Venice Show." Sunday Star (Washington, D.C.), March 29, 1964. Review of Venice Biennale. LCG gl.



Gosling, Nigel. "A Stonewaller from New York." The Observer, London (December 6, 1964): 24. Review of one-man retrospective exhibition, "Jasper Johns," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.; and of one-man exhibition of lithographs on view at the United States Informaiton Service Gallery, American Embassy, London.

Greenberg, Clement. "Post-Painterly Abstraction." Art International (Lugano), vol. 8, no. 5-6 (summer 1964): 63—65 64.

Holmstrand, James, and Jay Nash. "Zeroing In On Jasper Johns." Literary Times, Chicago), vol. 3, no. 7 (September 1964): 1, 9, 14. Interview. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 104—06. (JJ itw)

Hunter, Marjorie. "8 Artists Chosen For Venice Show." New York Times, April 3, 1964, p. 30. Alan R. Solomon, U.S. Curator for the 1964 Venice Biennale, describes American representation.

Jensen, Knud W., ed. "Udstillingen Amerikansk popkunst." Louisiana Revy, vol. 4, no. 4 (April 1964). Served as catalogue for the exhibition "American Pop Art," Louisiana Museum of Modern Art, Humlebaek, Denmark. Contains Alan R. Solomon’s article "Den nye amerikanske kunst"(pp. 2—3), a Danish translation of "The New American Art."

Johnson, Philip. "Young Artists at the Fair and at Lincoln Center." Art in America, vol. 52, no. 4 (August 1964): 112—125. Johnson commissioned Numbers (1964) for his New York State Theater at Lincoln Center.

Jouffroy, Alain; Pierre Restany, et al. "Pop-art Diskussion." Das Kunstwerk (Stuttgart), vol. 17, no. 10 (April 1964): 25—26, 29—31.

Jouffroy, Alain. "Rauschenberg." L’Oeil (Paris), no. 113 (May 1964): 28—35, 68—69. Reprinted in Alain Jouffroy, Les pré-voyants (Brussels: La Connaissance, 1974): 141—53.

Jouffroy, Alain. "Une révision moderne du sacré." XXe Siècle (Paris), vol. 26, no. 24 (December 1964): 89—98.

Kaufman, Betty. "Jasper Johns." Commonweal, vol. 80 (April 24, 1964): 157—59. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Kelly, Edward. "A Review of Virtuosity, Novelty and Lopsided Taste: Jasper Johns, Mark Berger, Picasso." Art Voices (April—May 1964): 35—36. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Kozloff, Max. "Art." The Nation, vol. 197, no. 4 (January 20, 1964): 77—80.

Kozloff, Max. "The Many Colorations of Black and White." Artforum, vol. 11, no. 8 (February 1964): 22—25.

Kozloff, Max. "Art." The Nation, vol. 198, no. 12 (March 16, 1964): 274—76. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y. Reprinted in Max Kozloff, Renderings (New York: Simon & Schuster, 1968): 206—11.

Kozloff, Max. "Johns and Duchamp." Art International (Lugano), vol. 8, no. 2 (March 20, 1964): 42—45.

Kozloff, Max. "Art and The New York Avant-Garde." Partisan Review, vol. 31, no. 4 (Fall 1964): 535—54.

Livi, Grazia. "Ecco i malinconici ‘Pop’" Epoca (May 1964): 43—52.

Lord, Barry J. "Pop Art in Canada." Artforum, vol. 2, no. 9 (March 1964): 28—31. Review of exhibition ot the Wright Collection at the University of British Columbia’s Fine Arts Gallery in Vancouver, Canada.

Lucie-Smith, Edward. "Everything that is the case." The Listener (London), (December 17, 1964): 982. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.; and of one-man exhibition of lithographs on view at the United States Information Service Gallery, American Embassy, London.

Lynton, Norbert. "London Letter." Art International (Lugano), vol. 8, no. 1 (February 1964): 42. Review of "The Popular Image," Institute of Contemporary Arts, London.

Lyons, Leonard. "Art Note: Jasper Johns." The Evening Star (Washington, D.C.), March 3, 1964. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Melville, Robert. "The Avant-Garde at the Tate." New Statesman (London), May 1, 1964, p. 695. Review of "Painting and Sculpture of a Decade," Tate Gallery, London.

Michelson, Annette. "The 1964 Venice Biennale." Art International (Lugano), vol. 8, no. 7 (September 1964): 38—40.

Miyakawa, Jun. ["Anti-Art."] Bijutsu Techô (Tokyo) (April 1964): 48—57. See Yoshiaki Tono’s rebuttal in May 1964 issue. In Japanese.

Miyakawa, Jun. ["Eternal Possibility."] Bijutsu Techô (Tokyo) (June 1964): 22—25. Reply to Yoshiaki Tono’s article in May 1964 issue. In Japanese.

Mullins, Edwin. "Objects and Images." Sunday Telegraph (London), December 6, 1964, p. 12. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Newton, Eric. "Flags and Targets." Manchester Guardian Weekly, December 17, 1964, p. 14. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Ostermann, Robert. "Men Who Lead an American Art Revolution." National Observer (Silver Spring, Md.), February 17, 1964, p. 18.

Parinaud, André. "Un Marchand américain à Paris" and "Les galeries américaines à Paris." Arts: lettres, spectacles, musique, Paris, no. 985 (December 16—22, 1964): 3—4. Interview with Michael Sonnabend who discusses 1962 one-man exhibition at Sonnabend Gallery, Paris.

Penn, Arthur. "American Genii." Vogue (December 1964): 240—43. Photograph by Penn of Josef Albers and Jasper Johns.

Pignotti, Lamberto. "Si sta per chiudere il capitolo dell’arte per gli eletti mentre é appena iniziato il capitolo dell’arte di massa." Arte Oggi, vol. 6 (September 1964): 40—41. Issue on Pop Art.

Porter, Fairfield. "The Education of Jasper Johns." Artnews, vol. 62, no. 10 (February 1964): 44—45, 61—62.

Preston, Stuart ("S.P."). "Pop Hits the Big Time." New York Times, February 13, 1964). Review of opening of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y. JJSA.

Preston, Stuart "Art: Jasper Johns Retrospective Show." New York Times, February 15, 1964): 20. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Ragon, Michel. "Les Etats-Unis sont à la recherche d’un art national." Galeries des Arts, no. 17 (Juin 1964): 13—14.

Ragon, Michel. "L’académisme et l’art d’avant-garde." Jardin des arts (Paris), no. 115 (June 1964): 22—32. Johns’s Painted Bronze, 1960, reproduced, but no mention of Johns in text.

Ragon, Michel. "De la poubelle à la bonbonnière, la boîte a envahi l’art moderne." Galeries des Arts (Paris), no. 18 (July—August—September 1964): 26—29.

[Rembert, Catharine.] "Catcher of the Eye/Painterly Pop of Jasper Johns." Time, vol. 84, no. 23 (December 4, 1964): 84—87. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Restany, Pierre. "Pop Art, Neo-Dada, Nouveau Réalisme." Das Kunstwerk (Stuttgart), vol. 17, no. 10 (April 1964): 30—31.

Revel, Jean-François. "XXXIIe Biennale de Venise." L’Oeil (Paris), no. 115—116 (July—August 1964): 3—10 [7—8].

Rose, Barbara. "New York Letter." Art International (Lugano), vol. 8, no. 1 (February 1964): 40—41. Review of three 1963—64 group exhibitions including works by Johns: "Black and White," The Jewish Museum, New York, N.Y., "Black, White, and Grey," Wadsworth Atheneum, Hartford, Conn., and "Hard Center," Thibaut Gallery New York, N.Y.

Rosenberg, Harold. "Jasper Johns: ‘Things the Mind Already Knows’." Vogue, New York, vol. 143, no. 3 (February 1, 1964): 174—77, 201, 203. Reprinted in Harold Rosenberg, The Anxious Object: Art Today and Its Audience, New York, N.Y.: Horizon Press, 1964 and New York, N.Y.: Collier Books, 1973.

Russell, John. "How to Hang out the Flag." Sunday Times (London), December 6, 1964, p. 25. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Sandler, Irving Hershel. "In the Art Galleries." New York Post (March 1, 1964): 40 (magazine page 14). Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum, New York, N.Y.

Sapp, Marian. "A Johns Named Jasper." The State and The Columbia Record (Columbia, S.C.), February 23, 1964, p. 5 D. Recalls Johns’s 1960 one-man exhibition at the Columbia Museum of Art, on the occasion of the one-man retrospective exhibition at The Jewish Museum, New York, N.Y. Mentions his painting Numbers (1964), for New York’s Lincoln Center.

Schneider, Pierre. "La Biennale de Venise." L’Express (Paris), (July 2, 1964): 18—19. Review.

Solomon, Alan R. "The New American Art." Art International (Lugano), vol. 8, no. 2 (March 1964): 50—55. Originally published in Swedish as introduction to exhibition catalogue Amerikansk Pop—Konst American Pop Art (Stockholm: Moderna Museet, 1964): as "Den nya amerikanska konsten": 17—23; in Danish catalogue of same exhibition as "Den nye amerikanske kunst,"in (Knud W. Jensen, ed.): Louisiana Revy, vol. 4, no. 4 (April 1964): 3—4; and in Dutch catalogue of same as "De Nieuwe Amerikaanse Kunst." (Amsterdam: Stedelijk Museum, 1964): n.p.

Solomon, Alan R. "Americans in Venice." The Art Gallery (Ivoryton, Conn.), June 1964, pp. 14—21. As U.S. curator for the 1964 Venice Biennale, Solomon describes American representation. The United States Information Agency distributed 2,100 copies of this magazine to the American Pavilion at the Venice Biennale.

Spencer, Charles S. "American Hails London Gallery. Whitechapel Room Delights Jasper Johns, Exhibitor." New York Times, International Edition), December 8, 1964. LCG.

Swenson, Gene R. "What is Pop Art? Part II." Artnews, vol. 62, no. 10 (February 1964): 43, 66—67. Interview with Jasper Johns. Reprinted in John Russell and Suzi Gablik, Pop Art Redefined (exhibition catalogue, New York, N.Y.: Frederick A. Praeger Publishers, 1969; and London: Thames and Hudson, 1969): 82—83. Barbara Rose, ed., Readings in American Art: 1900—1975 (New York, N.Y.: Frederick A. Praeger Publishers, 1975): 147—49. Barbaralee Diamonstein, ed., "The Art World: A Seventy-Five Year Treasury of Artnews." Artnews, New York (November 1977): 170—72. In Italian in Alberto Boatto, Pop Art (Rome and Bari: Laterza e Figli, 1983): 207—11. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 92—96. Excerpted William C. Seitz, São Paulo 9. Environment USA: 1957—1967/Meio-Natural USA: 1957—1967 exhibition catalogue; IX Biennial, Museum of Modern Art, São Paulo (Washington D.C.: Smithsonian Institution Press, 1967): 80—81 in English and Portuguese); Alloway, Lawrence, Mario Amaya, et al, Art Since Mid-Century: The New Internationalism. Volume 2: Figurative Art (exhibition catalogue; Greenwich, Conn.: New York Graphic Society, 1971; and London, Thames and Hudson, 1971): 325; Richard Field, Jasper Johns: Prints 1970—1977 (exhibition catalogue; London: Petersburg Press and Middletown, Conn.: Wesleyan University Press, 1978): n.p.; Ellen H. Johnson, ed. American Artists on Art, from 1940 to 1980 (New York: Icon Editions, Harper & Row, 1982): 89—92. Marco Livingstone, with Norman Rosenthal, Pop Art (exhibition catalogue; London: Royal Academy of Arts, 1991): 45—48. In French-Canadian edition of same (Montreal: Musée des Beaux-Arts, 1992): 44—45, and in Kristine Stiles and Peter Selz, eds., Theories and Documents of Contemporary Art. A Sourcebook of Artists’ Writings (Berkeley: University of California Press, 1996): 323—24. (JJ itw)

Sylvester, David. "Art in a Coke Climate." Sunday Times Magazine (London), January 26, 1964, pp. 14—23.

Sylvester, David, with photos by David Budnik. "America on Target: New York Takeover." Sunday Times Magazine (London), April 26, 1964, pp. 24—34. Photograph of Johns between Target with Plaster Casts (1955), and Target with Four Faces (1955), on cover; and photograph of Johns working on Philip Johnson’s commission for Lincoln Center.

Sylvester, David. "Jasper Johns at the Whitechapel." Broadcast talk: Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y. BBC Third Programme, tape # TLO 54751. Transmitted December 12, 1964. Typescript (11 pages) © David Sylvester. First published as "Johns" in David Sylvester, On Modern Art: Critical Essays 1948—96; London: Chatto and Windus; and New York, N.Y.: Jack Macrae Books/Henry Holt & Co., 1996.

Thompson, David. "Subtle Significance." The Queen (London), vol. 423, no. 5558 (December 16, 1964): 17. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Tillim, Sidney. "Ten Years of Jasper Johns." Arts, vol. 38, no. 7 (April 1964): 22—26. Review of one-man retrospective exhibition "Jasper Johns," The Jewish Museum New York, N.Y.

Tono, Yoshiaki. ["Reply to Mr. Miyakawa."] Bijutsu Techô (Tokyo), (May 1964): 46—49.

Response to Jun Miyakawa’s article in April issue. See above. In Japanese.

Tono, Yoshiaki. ["Jasper Johns in Tokyo."] Bijutsu Techô (Tokyo), (August 1964): 5—8. Chronicle, with photographs of Johns in Tokyo by Kenichi Tsunoda. Reprinted in Yoshiaki Tono, After Pollock (Tokyo: Bijutsu Shuppan-sha, 1965): 265—75. In Japanese. (JJ skbk) (JJ itw)

Tono, Yoshiaki. ["I want images to free themselves from me."] Geijutsu Shincho (Tokyo), vol. 15, no. 8 (August 1964): 54—57. Reprinted in Yoshiaki Tono, [Chatting with Artists] (Tokyo: Iwanami-Shoten, 1984): 130—143. Excerpted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 101—4; and in Sketchbook Notes section: S-2, S-3, S-7, S-14, and S-27. In Japanese. (JJ itw)

Tono, Yoshiaki. "Report from New York." Space Design, no. 21 (September 1966): 23. Reproduction of According to What, 1964.

Wallis, Nevile. "Images and Irony." The Spectator, London, no. 7121 (December 18, 1964): 843—44. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Willard, Charlotte. "Drawing Today." Art in America, vol. 52, no. 5 (October 1964): 49—50. Review of group exhibition, "Drawing Today," FAR Gallery, New York, N.Y.

Wraight, Robert. "On Galleries: Not so much an exhibition." The Tatler, London, vol. 254, no. 3304 (December 23, 1964): 822. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y.

Zerner, Henri. "Universal Limited Art Editions." L’Oeil (Paris), no. 120 (December 1964): 36—43, 82. Review of "American Painters: New Lithographer," The Museum of Modern Art, New York, N.Y.



1965*


"The American Artist: He Has It Made." Out of Town Paper (September 1965). Book reviews: John Rublowsky, Pop Art, and Calvin Tomkins, The Bride and the Bachelors: The Heretical Courtship in Modern Art. LCG.

"Artists: Pop’s Dada." Time, vol. 85, no. 6 (February 5, 1965): 85. Includes statement by Johns on Marcel Duchamp, first quoted in Scrap (New York, N.Y.), no. 2 (December 23, 1960): 4; and a statement by Duchamp on Johns.

"I Saw the Figure 5 in Gold." National Observer (Silver Spring, Md.), September 13, 1965, p. 23. Review of "Three Centuries of American Painting," The Metropolitan Museum of Art, New York, N.Y.

"Vanity Fair: The New York Art Scene." Newsweek, (January 4, 1965): 54—59.

"You Bought It, Now Live With It." Life (July 16, 1965): 56—61. Discusses Scull, Kraushar, and Abrams collections.



Avedon, Richard. Harper’s Bazaar, vol. 98, no. 3041 (April 1965): 168. Photographs.

Barrett, Cyril. "London Commentary." Das Kunstwerk (Stuttgart), vol. 18, no. 8 (February 1965): 25. Review of one-man retrospective exhibition "Jasper Johns," Whitechapel Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964.

Boudaille, Georges. "La peinture est toujours un défi à tous les défis." Les lettres françaises (Paris) (April 1—6, 1965): 1, 7. Discusses Aragon, La peinture au défi (1930).

Calas, Nicolas. "Why Not Pop Art." Art and Literature (Lausanne), 4 (spring 1965): 178—84. Reprinted in Nicolas Calas, Art in the Age of Risk and Other Essays (New York: E.P. Dutton & Co., 1968): 41—49.

Elkoff, Marvin. "The American Painter as a Blue Chip." Esquire (January 1965): 36—42, 112.

Factor, Donald. "Jasper Johns, Pasadena Art Museum." Artforum, vol. 3, no. 6 (March 1965): 11—12. Review of one-man retrospective exhibition "Jasper Johns," Pasadena Art Museum, Pasadena, Calif.

Gablik, Suzi. "Meta-trompe-l’oeil." Artnews, vol. 64, no. 1 (March 1965): 46—49.

Geldzahler, Henry. "Numbers in Time: Two American Paintings." The Metropolitan Museum of Art Bulletin, vol. 23, no. 8 (April 1965): 295—98. Features Charles Demuth’s I Saw the Figure Five in Gold, and Johns’s Black Figure 5 ([1968]).

Genauer, Emily. "The White House Arts Festival: A Narrow Display of Vitality." New York Herald Tribune, June 18, 1965, p. 17.

Glueck, Grace. "Scientist Brings Art To His Work. Billy Klüver’s Skill Goes into Friends’ Creations." New York Times, December 17, 1965, p. 48.

Gray, Cleve. "The Portfolio Collector." Art in America, vol. 53, no. 3 (June 1965): 93—95.

Gray, Cleve. "Tatyana Grosman’s Workshop." Art in America, vol. 53, no. 6 (December 1965—January 1966): 83—85.

Grinke, Paul. "Jasper Johns’ Ambiguity." Financial Times (London), January 1, 1965: 20. Review of one-man retrospective exhibition "Jasper Johns"at the Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964

Hahn, Otto. "L’art à New York: L’Op chasse le Pop." L’Express (Paris), (April 26—May 2, 1965): 88—90. Review of "The Responsive Eye," The Museum of Modern Art, New York, N.Y.

Hopps, Walter. "An Interview with Jasper Johns." Artforum, vol. 3, no. 6 (March 1965): 32—36. Conducted on the occasion of one-man retrospective exhibition "Jasper Johns," Pasadena Art Museum, Pasadena, California. Excerpted in Marco Livingstone, with Norman Rosenthal, Pop Art (London: Royal Academy of Arts, 1991): 48; and in French-Canadian edition of same (Montreal: Musée des Beaux-Arts, 1992): 46. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 106—13.

(JJ itw)

Irwin, David. "Edinburgh." Burlington Magazine (London), vol. 107, no. 751 (October 1965): 541. Review of exhibition, "Jasper Johns: Lithographs," Morton House in Edinburgh, Scotland; first shown at the United States Information Service Gallery, American Embassy, London, in 1964—65.

Johns, Jasper. "Sketchbook Notes." Art and Literature (Lausanne), vol. 4 (spring 1965): 185—92. Reprinted in: John Russell and Suzi Gablik, Pop Art Redefined (exhibition catalogue; London: Thames and Hudson, 1969; and New York, N.Y.: Frederick A. Praeger Publishers, 1969): 84—85; in German as "Skizzenbuch-Notizen," in Carlo Huber, Jasper Johns Graphik (exhibition catalogue; Bern: Kornfeld and Klipstein, 1971); Jasper Johns, "Notes on According to What?" (1965); in Barbara Rose, ed., Readings in American Art: 1900—1975 (New York, N.Y.: Frederick A. Praeger Publishers, 1975; Holt, Rinehart and Winston, 1975): 176—178; Francis Naumann, Jasper Johns: According to What & Watchman (New York: Gagosian, 1992): 66—67; Kristine Stiles and Peter Selz, eds., Theories and Documents of Contemporary Art. A Sourcebook of Artists’ Writings (Berkeley: University of California Press, 1996): 325—326; and Kirk Varnedoe, ed., and Christel Holevoet, comp., Jasper Jjohns: Writings, Sketchbook Notes, Interviews (New York, N.Y., The Museum of Modern Art, 1996): Sketchbook Notes section, S-16, S-19—21, S-23—28. Excerpted and discussed in: Roberta Bernstein, Jasper Johns’ Paintings and Sculptures, 1954—1974: "The Changing Focus of the Eye," (Ann Arbor, Michigan: UMI Reseach Press, 1985): 114. JJ skbk

Johns, Jasper. "Four Drawings." Artforum, vol. 4, no. 2 (October 1965): 34—35.

Johnson, Ellen H. "Art about Art: Jim Dine and Jasper Johns." Art and Literature (Lausanne), vol. 6 (autumn 1965): 128—40. Reprinted in Ellen H. Johnson, Modern Art and the Object: A Century of Changing Attitudes (New York, N.Y.: Harper and Row, 1976): 171—76.

Kafka, Barbara Poses, "Artists Eat." Art in America, vol. 53, no. 6 (December 1965—January 1966): 87. Breakfast recipe by Johns.

Kozloff, Max. "Three-Dimensional Prints and the Retreat from Originality." Artforum, vol. 4, no. 4 (December 1965): 25—27.

Krauss, Rosalind. "Jasper Johns." Lugano Review, vol. 1, no. 2 (II/1965): 84—113.

Lerman, Leo. "The New Old Masters." Mademoiselle, no. 60 (February 1965): 120—23. Discusses "Four Germinal Painters (Morris Louis, Kenneth Noland, Robert Rauschenberg, Jasper Johns)"at the 1964 Venice Biennale; includes portraits by Duane Michals.

Lynton, Norbert. "London Letter." Art International (Lugano), vol. 9, no. 2 (March 1965): 33—34. Includes review of exhibition retrospective "Jasper Johns," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964

Lyons, Leonard. "Relative Merits." The Reader’s Digest (July 1965): 93. Humorous four-line description of one-man exhibition at Columbia Museum of Art (Columbia, S.C.), 1960.

McKenzie, Sylvia. "Jasper Johns Art Hailed Worldwide." The News and Courier (Charleston, S.C.), October 10, 1965. Reviews Johns’s career. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 122. (JJ itw)

Marmer, Nancy. "Los Angeles Letter." Art International (Lugano), vol. 9, no. 4 (May 1965): 43. Review of one-man retrospective exhibition "Jasper Johns," Pasadena Art Museum, Pasadena, Calif.

Melville, Robert. "Master of the Stars-and-Stripes." Architectural Review, vol. 137, no. 817 (March 1965): 225—27. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964.

[Nakahara, Yusuki. ["To dismiss the Distance Between Object and Painting: Jasper Johns." Yomiuri Newspaper (evening edition; Tokyo), June 16, 1965, p. 9. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.]

Neuendorf, Hans R. "Ist Pop Art das Letzte?" Discusses Galerie Ileana Sonnabend, Paris. [1965?]: 52—56. LCG gl 1965.

Okada, Takahiko. ["Jasper Johns Show in Tokyo: Echoing Image."] Bijutsu Techô (Tokyo), no. 256 (August 1965): 1—5. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.

Orlando, Ruggero. "Il Pennello nell’Occhio: A che punto è la Pop Art un anno dopo le polemiche della Biennale." L’Europeo (December 19, 1965): 42—45. Discusses 1964 Venice Biennale.

Pincus-Witten, Robert. "New York." Artforum, vol. 4, no. 7 (March 1965): 48. Review.

du Plessix Gray, Francine, ed. "Painters and Poets." Art in America, vol. 53, no. 5 (October—November 1965): 24, 26—27. Includes reproduction of Johns’s print Skin with O’Hara Poem (1963-65) with a poem by Frank O’Hara typed on it.

Ragon, Michel. "Où en est l’art américain?" Jardin des arts (Paris), no. 124 (March 1965): 2—11. Discusses 1964 Venice Biennale.

Roberts, Keith. "Current and Forthcoming Exhibitions." Burlington Magazine (London), vol. 107, no. 742 (January 1965): 40—41. Review of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964.

Rose, Barbara. "The Second Generation: Academy and Breakthrough." Artforum, vol. 4, no. 1 (September 1965): 53—62.

Rose, Barbara. "ABC Art." Art in America, vol. 53, no. 5 (October—November 1965): 57—69. Reprinted in Gregory Battcock, ed., Minimal Art: A Critical Anthology (New York, N.Y.: E.P. Dutton & Co., 1968): 274—97.

Rosenblum, Robert. "Pop Art and Non-Pop Art." Art and Literature (Lausanne), vol. 5 (summer 1965): 80—93.

Sandler, Irving Hershel. "The New Cool Art." Art in America, vol. 53, no. 1 (February 1965): 96—101.

[Sasaki, Seitchi. "Jasper Johns exhibition" Bijutsu Journal (Tokyo), no. 55 (September 1965): 58—59. Review of one-man exhibition at Minami Gallery, Tokyo.]

Smith, Sidney Goodsir. "Art You Must Judge for Yourself: Johns’ Talent Misguided." The Scotsman (Edinburgh), August 26, 1965. Review of exhibition, "Jasper Johns: Lithographs," Morton House in Edinburgh, Scotland; first shown at the United States Information Service Gallery, American Embassy, London, in 1964—65.

Solomon, Alan. "Is There A New Theater?" New York Times, June 27, 1965, p. 12. Discusses artists involved in theater and dance.

Sylvester, David. "What the Pundits Say About Jasper Johns." Television script. BBC Channel VT4, Ampex record VT/4T/26404. Recorded January 20, 1965. Typescript (13 pages) © David Sylvester. Discusses negative reviews of one-man retrospective exhibition "Jasper Johns: Paintings, Drawings and Sculpture 1954—1964," Whitechapel Art Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964.

Takashi/Ryu, ["Clear Impression, Deeply Moving: Jasper Johns Exhibition."] Asahi Newspaper (evening edition; Tokyo), June 14, 1965, p. 5. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.

Tomkins, Calvin. "Profiles: Marcel Duchamp." New Yorker (February 6, 1965): 37—93 39. Brief mention of Marcel Duchamp’s influence on Johns and Robert Rauschenberg.

Tomkins, Calvin. "The Big Show in Venice." Harper’s, vol. 230, no. 1379 (April 1965): 98—104. Discusses Alan Solomon’s organization of American exhibition in former U.S. Consulate at 1964 Venice Biennale.

Whittet, G. S. "On Target But Off Center: London Commentary." Studio International (London), vol. 169, no. 862 (February 1965): 78—79. Review of one-man retrospective exhibition "Jasper Johns," Whitechapel Gallery, London, first shown at The Jewish Museum, New York, N.Y., 1964.

[Yasui. "To Follow an Old and New Subject of America: Jasper Johns Exhibition." Mainichi Newspaper (evening edition; Tokyo), June 23, 1965, p. 3. Review of one-man exhibition at Minami Gallery, Tokyo.]



1966*


"Jasper Johns Featured in ETV Presentation." The State and The Columbia Record (Columbia, S.C.), November 6, 1966, p. 14 D. On television documentary "USA Artists: Jasper Johns."

"Jasper Johns is Featured on ETV Program Monday." Barnwell People-Sentinel (Barnwell, S.C.), vol. 90, no. 9, November 3, 1966, pp. 1, 5. On television documentary "USA Artists: Jasper Johns."

"Jasper Johns is Featured on ETV Program Monday." Williston Way (Williston, S.C.), November 3, 1966, p. 4. On television documentary "USA Artists: Jasper Johns."

Das Kunstwerk
(Stuttgart), vol. 19, no. 10—12 (April—June 1966): 45. Photograph of Johns at Galerie Bonino.

"Oh, Say Can You See?/Jasper Johns’s Eyeful of Foolery." Time, vol. 87, no. 2 (January 14, 1966): 70—71. Commentary on Johns’s work included in "Annual Exhibition 1966"at the Whitney Museuem of American Art, New York, N.Y.

"Technology and the Arts: Engineer Billy Klüver Exercises his Technological Talents to Help Artists Design Their Work." Bell Telephone Laboratories Reporter (N.J.), (March—April 1966): 16—19.

"South Carolina Native Artist to be Featured on ETV Monday Night." Daily Item ([Sumter], S.C.), November 6, 1966, p. 8. Discusses telvision documentary "USA Artists: Jasper Johns."



Adams, Alice. "Exhibitions: The Object Transformed." Craft Horizons, vol. 26, no. 5 (September—October 1966): 42—43. Review of exhibition "The Object Transformed," The Museum of Modern Art, New York, N.Y.

Amaya, Mario. "The New Super Realism." Sculpture International, no. 1 (January 1966): 18—27.

Ashbery, John. "Brooms and Prisms." Artnews, vol. 65, no. 1 (March 1966): 58—59, 82—84. Johns’s unfinished painting Untitled (1965—67) is reproduced upside down. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Berkson, William ("W. B."). "Jasper Johns." Arts, vol. 40, no. 5 (March 1966): 57. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Davis, Douglas M. "An Exciting New Focus in TV: The Daring of the Postwar Arts." National Observer (Silver Spring, Md.), August 15, 1966, p. 20. On television documentary "USA Artists: Jasper Johns."

Elkoff, Marvin. "Collecting Original Art Prints." Holiday (Philadelphia), February 1966, p 101—106.

Finch, Christopher. "The Object in Art." Art and Artists (London), vol. 1, no. 2 (May 1966): 18—21.

Glueck, Grace. "Art Notes: No Business Like No Business." New York Times, January 16, 1966): sec. II: 26. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. JJ itw

Goldman, Albert. "Beer Cans in Bronze." New York Times Book Review, January 30, 1966, pp. 14, 16. Book review of Mario Amaya, Pop Art and After. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 128.

Gray, Cleve. "Tatyana Grosman’s Workshop." Art in America, vol. 53, no. 6 (December 1965—January 1966): 83—85.

Greenfeld, Josh. "Sort of the Svengali of Pop." New York Times Magazine (May 8, 1966): 34—35, 38, 40, 42, 45—46, 48, 50, 52, 55 50. Discusses Leo Castelli.

Gruen, John ("J.G."). "Critical Guide to the Galleries: Jasper Johns." New York Herald Tribune, January 15, 1966, p. 10. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Hudson, Andrew. "America Has New ‘Period Style’; Gives the Painting Elbow Room." Washington Post, February 6, 1966, p. G 7. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y., and "Annual Exhibition 1966," Whitney Museum of American Art, New York, N.Y.

Hudson, Andrew. "3 Minor but Interesting Art Exhibits Open." Washington Post, October 16, 1966, p. G 9. Includes review of "Rhe Drawings of Jasper Johns," Museum of Natural History, Washington, D.C.

Huxtable, Ada Louise. "Outdoor Living with Underground Art/Living with Art." New York Times, October 30, 1966, pp. D 27, 29. Discusses Philip Johnson’s collection.

Ichiro, Hariu. ["The False Image and Reality of American Painting."] Mizue (Tokyo), no. 743 (December 1966): 62—65. Review of "Two Decades of American Painting," National Museum of Modern Art, Tokyo and Kyoto, 1966—67. Includes photographs taken during panel discussion "Where is contemporary art going?" held at Asahi Shimbun Hall, Tokyo, October 20 (Johns participated) and a photograph of exhibition "Harmony of Furniture and Painting," Tokyo Prince Hotel, October 25—27. In Japanese.

Johns, Jasper. ["‘This Week’s Cover’: White Flag, Tokyo, 25 Oct. ’66."] Asahi Magazine (Tokyo), vol. 8, no. 46 (November 6, 1966): 110. Notes published on the occasion of Johns’s stay in Tokyo during exhibition "American Contemporary Art," Modern Museum, Tokyo. In English and Japanese. Also included (in Japanese) in Yoshiaki Tono, ed., ["Jasper Johns: Sketchbook Notes."] av [Art vivant: Seibu (now Sezon) Museum News] (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. (6 pages). Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 21—22. In Japanese. (JJ wtg)

Kozloff, Max. "The Inert and the Frenetic." Artforum, vol. 4, no. 7 (March 1966): 40—44.

Kramer, Hilton. "Jasper Johns." New York Times, January 22, 1966, p. 25. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Kramer, Hilton. "Sculpture: Talent Unfolds on Horizon." New York Times, November 26, 1966, p. 31. Review of "Art in the Mirror," The Museum of Modern Art, New York, N.Y.,

Leider, Philip. "Joe Goode and the Common Object." Artforum, vol. 4, no. 7 (March 1966): 24—27. On the relationship between Pop art and artists including John Frederick Peto, John Haberley, and William Michael Harnett.

Lippard, Lucy R. "New York Letter." Art International (Lugano), vol. 10, no. 1 (January 1966): 90—95. Review of exhibition at Leo Castelli Gallery, New York, N.Y.

Lippard, Lucy R. "An Impure Situation [New York and Philadelphia Letter]." Art International (Lugano), vol. 10, no. 5 (May 1966): 60—65.

Manning, W. H., Jr. "A History of Barnwell County." The Barnwell People-Sentinel (Barnwell, S.C.), October 27, 1966. p. B1.

Michelson, Annette. "New York Letter." Art International (Lugano), vol. 10, no. 3 (March 20, 1966): 67, 71. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Munro, Eleanor C. "News—New York Galleries." Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Town and Country (February 1966): 102—103. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Pascalini, Gabriel. "Zeitgeistville, 1966." Esquire, vol. 66, no. 6 (December 1966): 169—79 [170]. On painters who have "made it" in New York.

Piene, Nan R. "New York: Gallery Notes." Art in America, vol. 54, no. 1 (January—February 1966): 121. Mentions one-man exhibition at Leo Castelli Gallery, New York, N.Y., and "1965 Annual Exhibition," Whitney Museum of American Art, New York, N.Y.

Pincus-Witten, Robert. Artforum, vol. 4, no. 7 (March 1966): 47—48. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Read, Herbert. "Formens upplösning i den moderna konsten." Paletten (Göteborg, Sweden), no. 2 (1966): 66—73.

Rosenberg, Harold. "From Pollock to Pop: Twenty Years of Painting and Sculpture." Holiday (Philadelphia), vol. 39, no. 3 (March 1966): 96—105, 136—140. Excerpt reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Sandler, Irving. ["The Grand Trend Toward Innovation."] Asahi Graph (special issue titled "Exhibition of Contemporary American Painting") Tokyo, (October 20, 1966): 60—62, 75—77, 79. Review of "Two Decades of American Painting," The Museum of Modern Art, New York, N.Y., and the National Museum of Modern Art, Tokyo and Kyoto. Includes reproduction of works by Johns and a short biography. In Japanese.

Solomon, Alan R. "American Art Between Two Biennales." Metro (Milan), vol. 9—12, no. 11 (1966): 24—35.

Swenson, G[ene] R. "Peinture américaine 1946—1966." Aujourd’hui: Art et architecture (Paris), no. 55—56 (December 1966—January 1967): 156.

Tono, Yoshiaki. ["Report from New York."] Space Design (Tokyo), no. 21 (September 1966): 23. Includes reproduction of According to What (1964), and Studio (1964). In Japanese. LCG gl 1965.

Tono, Yoshiaki. ["Two Decades of American Paintings, I: Birth and Death of Abstract Expressionism."] Mizue (Tokyo), no. 741 (October 1966): 10—30. Published on occasion of "Two Decades of American Painting," National Museum of Modern Art, Tokyo and Kyoto. In Japanese.

Tono, Yoshiaki. "Two Decades of American Paintings, II: Before and After Pop Art." Mizue (Tokyo), no. 742 (November 1966): 40—49. Published on occasion of "Two Decades of American Painting," National Museum of Modern Art, Tokyo and Kyoto. In Japanese.

Trotta, Gerri. "Not To Be Missed." Harper’s Bazaar (April 1966): 198. Announcement of "Seven Decades of Modern Art 1895—1965," presented jointly by ten New York City galleries. LCG

Van Hook, David H. "Who is Jasper Johns? In 250 words or less." ETV Guide (South Carolina Educational Television Network), Columbia, S.C., vol. 1, no. 8 (November 1966): cover, 1, 5. On television documentary "USA Artists: Jasper Johns."

Whitney, David. "La Galerie souterraine de Philip Johnson." Quadrum (Brussels), 20 (1966): 155—58. Discusses Philip Johnsons’s private art gallery.

Willard, Charlotte. "In the Art Galleries." New York Post, January 30, 1966, sec. 2, p. 6, p. 30. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Willard, Charlotte. "Eye to I." Art in America, vol. 54, no. 2 (March—April 1966): 57. Self-portraits by contemporary artists. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 128—29.(JJ itw)



1967*


["Marks Reflect Cézanne’s Style: Jasper Johns Prints."] Yomiuri Newspaper (evening edition; Tokyo), July 10, 1967, p. 9. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.

"What is Art Today?" Time (January 27, 1967): 24—25.

["Work full of Talent: Johns."] Asahi (evening edition; Tokyo), July 10, 1967, p. 9. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.

"A Year from Monday." Publishers’ Weekly (August 28, 1967): 270. Review of John Cage, A Year from Monday: New Lectures and Writings.



Agajanian—Quinn, Joan. "Shopping with Andy." Contemporanea (New York), vol. 1, no. 2 (July—August 1988): 102—5. Also see "Auctions." Ibid., 118—21. Discusses auction of Andy Warhol’s contemporary art collection in May, including Johns’s painting Screen Piece (1967) and drawing Light Bulb (1958).

Bourdon, David. "Expo ’67." Art International (Lugano), vol. 11, no. 7 (September 20, 1967): 22. Review.

Brown, Beth. "S.C. Artist Exhibiting At Expo." Charleston Evening Post (Charleston, S.C.), September 1, 1967, p. C3. Review of Johns’s Map(Based on Buckminster Fuller’s Dymaxion Air Ocean World) shown at Expo ’67, Montreal.

Calas, Nicolas. "The Enterprise of Criticism." Arts, vol. 42, no. 1 (September—October 1967): 9. Reprinted in Nicholas Calas, Art in the Age of Risk and Other Essays (New York: E. P. Dutton & Co., 1968): 139—42.

Davis, Douglas M. "A Backward Look Points Up Recent Innovations." National Observer (Silver Spring, Md.), August 28, 1967, p. 18. Review of "The 1960s," The Museum of Modern Art, New York, N.Y.

Eagle, Joanna. "Artists as Collectors." Art in America, vol. 55, no. 6 (November—December 1967): 55—63 58—59. Reprinted in Jean Lipman, ed., The Collector in America (New York: Viking Press/Studio Book, 1971): 252—261.

Gleeson, James. "It’s a Landmark in Art Shows." The Sun (Sydney), July 18, 1967. Review of 1967 venue of 1966 exhibition "Two Decades of American Painting"at the Art Gallery of New South Wales, Sydney.

Haryu, Ishiro. ["The Destiny of the Person Who Sees."] Sekai (Tokyo), vol. 263 (October 1967): 239—242. Discusses the plate of the month: Johns’s Pinion (1966). In Japanese.

Hunter, Sam. "Neorealismo, Assemblage, Pop Art in America." L’Arte Moderna (Milan), vol. 13, no. 112 (1967): 121—60.

Kozloff, Max. "Jasper Johns: The ‘Colors’; the ‘Maps’, the ‘Devices’." Artforum, vol. 6, no. 3 (November 1967): 26—31.

Kramer, Hilton. "Richard Smith, British Painter, Wins Grand Prize at 9th São Paulo Bienal." New York Times, September 21, 1967, p. 59. Johns represented in the "São Paulo: Environment U.S.A.: 1957 -1967" and was awarded prize.

Lagrup, Knut. "Konst som sprak." Sydsvenska Dagbladet Snällposte, (September 13, 1967): 4.

McCaughey, Patrick. "Great American Moderns." The Age (Melbourne), June 10, 1967. Review of 1967 venue of 1967 exhibition "Two Decades of American Painting"at the National Gallery of Victoria, Melbourne.

Mellow, James R. "New, Newer, Newest." New York Times Book Review, September 10, 1967, pp. 7, 62. Review of Alan Solomon New York: The New Art Scene (photographs by Ugo Mulas).

Millar, Ronald. "The Staggering Success of U.S. Art." The Australian (Melbourne), June 10, 1967. Review of 1967 venue of 1967 exhibition "Two Decades of American Painting," National Gallery of Victoria, Melbourne.

Moritz, Charles, ed. "Jasper Johns." Current Biography, vol. 28, no. 5 (May 1967): 17—20. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Perreault, John. "Legibility." Village Voice, June 15, 1967, p. 13. Review group exhibition "Language to Be Looked At and/or Things to Be Read," Dwan Gallery, Los Angeles, Calif.

[Pleynet, Marcelin. "De la peinture aux Etats Unis." Les lettres françaises (Paris), March—April 1967. Published in four installments. Reprinted in Pierre Buraglio, ed., Texte 2; Valence: Ecole des beaux-arts, 1978. Reprinted as Marcelin Pleynet, Les Etats-Unis de la peinture; Paris: Seuil, 1986.]

Powledge, Fred. "Battle Over the Bill of Rights." Life (March 31, 1967): 22—24, 65—66. Discusses U.S. flag.

Restany, Pierre. "Le Pop-Art: un nouvel humanisme américain." Aujourd’hui: Art et architecture (Paris), (January 1967): 121—22.

Solomon, Alan R. "The New New York Art Scene: Who Makes it?" Vogue (August 1, 1967): 102—6, 135—37, 140. Excerpted from Alan R. Solomon, New York: The New Art Scene (photographs by Ugo Mulas).

Sylvester, David. "The Sunday Times Guide to the Modern Movement." Sunday Times Magazine (London), June 4, 1967, pp. 10—29 [27].

Taylor, Simon Watson. "Tokyo Print Biennial." Art and Artists (London), vol. 1, no. 12 (March 1967): 16—21. Review.

Thomas, Daniel. "Australia’s Most Important Exhibition." Sydney Morning Herald, July 15, 1967, p. 13. Review of 1967 venue of 1966 exhibition "Two Decades of American Painting," Art Gallery of New South Wales, Sydney.

Wehn, Teri F. "No Strings Attached: The Janis Gift." Art in America, vol. 55, no. 6 (November—December 1967): 70—75 70, 74.

Whittet, G.S. "The Bienal of São Paulo." Art International (Lugano), vol. 11, no. 9 (November 1967): 36—42 39. Discusses awarding of prize to Johns at the 1967 São Paulo Bienal.

[Yasui. "Intelligent Print Compositions in Jasper Johns exhibition." Mainichi Newspaper (evening edition; Tokyo), July 18, 1967, 3. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese]



1968*


"Denver Friends Invited To View Aspen Art Exhibits." Aspen News (Aspen, Colo.), August 1, 1968, p. 10. Review of "Jasper Johns Lithographs," Pitkin County Library, Aspen, Colo.

"Johns Lithos On Display At PitCo [Pitkin County] Library." Aspen News (Aspen, Colo.), August 1, 1968. Review of "Jasper Johns Lithographs," Pitkin County Library, Aspen, Colo.

Review of Johns one-man exhibition at Pitkin County Library, Aspen News, August 22, 1968, p. 12.

[Review of Merce Cunningham Dance Co. performance "Walkaround Time," Teatro Nôvo with sets by Johns.] O Globo (Brazil), July 29, 1968, p. 14. JJSA.

"Today in History." New York Post, May 15, 1968, p. 58 (Post Daily Magazine, p. 6). Mentions Johns’s birthday.



Ashbery, John. "Working Toward the New." New Republic, vol. 158 (April 20, 1968): 40, 42—43. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Barnes, Clive. "Dance: ‘Walkaround Time’ Premiere. Cunningham’s Novelty Has Impressive Décor." New York Times, May 23, 1968, p. L53. Review of Merce Cunningham Dance Company performance "Walkaround Time," Buffalo N.Y. Sets by Johns after Duchamp’s Large Glass.

Cage, John. "Jasper Johns: Stories and Ideas." Art and Artists (London), vol. 3, no. 2 (May 1968): 36—41. First published as John Cage, "Jasper Johns: Stories and Ideas" in Jasper Johns (exhibition catalogue; New York: The Jewish Museum, 1964): 21—26; and in Jasper Johns (exhibition catalogue; London: Whitechapel Gallery, 1964): 26—35; and in John Cage, A Year from Monday: New Lectures and Writings (London: Calder and Boyars, 1967; and in Middletown, Conn.: Wesleyan University Press, 1969): 73—84. Reprinted in German in Carlo Huber, ed. Jasper Johns Graphik (exh. cat; Bern: Klipstein and Kornfeld, 1970): n.p. Reprinted in Gregory Battcock, ed., The New Art. A Critical Anthology (New York: E.P. Dutton & Co., 1966, 1973): 29—45. Excerpted in Ellen H. Johnson, ed. American Artists on Art, from 1940 to 1980 (New York: Icon Editions, Harper and Row, 1982): 72—78. (JJ itw) (JJ skbk)

Canaday, John. "Art: New Paintings from Jasper Johns. Big Works on View at the Castelli Gallery." New York Times, March 2, 1968, p. 25. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Dienst, Rolf-Gunter. "Austellungen in New York." Das Kunstwerk (Stuttgart), vol. 21, no. 6-7 (April—May 1968): 24. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Fant, Christie Z. "Social Whirl." The State (Columbia, S.C.), September 27, 1968, p. B2.

Fujieda, Akio. ["Jasper Johns: Master of Contemporary Art."] Bijutsu Techô (Tokyo), July 1968, pp. 50—59. In Japanese.

Giuliano, Charles. "Dada." Avatar, no. 1 (March 29, 1968): 5.

Glueck, Grace. "Documenta: It Beats the Biennale." New York Times, July 7, 1968, p. D20. Review of Documenta IV.

Gruen, John. "Art in New York" New York (July 8, 1968): 11. Review of "The Art of the Real: An Aspect of American Painting and Sculpture, 1948—68," The Museum of Modern Art, New York, N.Y.

Gruen, John. "Art in New York" New York (September 2, 1968): 13. Review of "List Art Posters," Chelsea National Bank Gallery.



Hahn, Otto. "Tous les américains ne sont pas Pop." L’Express (Paris), (November 25—December 1, 1968): 48. Review of "The Art of the Real: An Aspect of American Painting and Sculpture, 1948—68," Grand Palais, Paris.

Jensen, Knud W., ed. "Vaerker fra Documenta." Louisiana Revy (Humlebaek, Denmark), vol. 9, no. 3 (November 1968): 40. Checklist in issue devoted to Documenta IV, which traveled to Louisiana Museum of Modern Art, Humlebaek, Denmark.

Johns, Jasper. "Paintings and Drawings." Juilliard, Trevor Winkfield, ed.], (Leeds, England), (Spring 1968): 7—16, 41. Johns’s sculpture High School Days, 1964, reproduced on cover.

Johns, Jasper. "Marcel Duchamp (1887—1968)." Artforum, vol. 7, no. 3 (November 1968): 6. Reprinted in: Pierre Cabanne, Dialogues with Marcel Duchamp by Pierre Cabanne (New York: Viking Press, Documents of 20th-Century Art, 1971): 109—10; Anne d’Harnoncourt and Kynaston McShine, eds., Marcel Duchamp (exhibition catalogue; New York: The Museum of Modern Art; and Philadelphia: Philadelphia Museum of Art, 1973): 203—4; Susan Hapgood, Neo-Dada: Redefining Art, 1958-62 (New York, N.Y.: American Federation of Arts in association with Universe Publishing, 1994): 139; and Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 22. (JJ wtg)

Johns, Jasper. "Sketchbook Notes." Juillard [Trevor Winkfield, ed.], (Leeds, England), 3 (Winter 1968-69): 25—27. Excerpted in Art Now: New York, vol. 1, no. 4 (April 1969): n.p. Reprinted in German in Carlo Huber, ed. Jasper Johns Graphik (Bern: Klipstein und Kornfeld, 1971; in Japanese, in Yoshiaki Tono, ed., ["Jasper Johns: Sketchbook Notes"] av [Art vivant: Seibu (now Sezon) Museum News] (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. (6 pages); Richard Francis, Jasper Johns (New York: Abbeville Press, 1984): 109—11. Francis, Jasper Johns (Tokyo: Bijutsu Shuppan-sha/New York: Abbeville Press/Modern Masters Series, 1990). In Japanese (translated by Yoshiaki Tono and Tetsuo Iwasa). Reprinted in Kirk Varnedoe: Sketchbook Notes section: S-29, S-31—S-39. (JJ skbk)

Johns, Jasper. Cultural Affairs 3 (1968): cover and pp. 4, 11, 16, 20, 27. Illustrations by Johns, "Artist-in-Residence."

Karshan, Donald H. "American Printmaking, 1670—1968." Art in America, vol. 56, no. 4 (July—August 1968): 22—55.

Last, Martin. "Jasper Johns at Leo Castelli." W.B.A.J. The Critical People, March 3, 1968. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Mellow, James R. "New York Letter." Art International (Lugano), vol. 12, no. 4 (April 1968): 63—68. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Michelson, Annette. "The Imaginary Object: Recent Prints by Jasper Johns." Artist’s Proof (New York, N.Y.; Pratt Institute): vol. 8 (1968): 44—49. Published on the occasion of the group exhibition, "Suites: Recent Prints," The Jewish Museum, New York, N.Y.

Milicevic, Djorje (photographer). "New York Art Scene Exclusive." Art Voices (New York, N.Y.), vol. 5, no. 2 (spring 1968): 56.

Miyakawa, Jun. ["Jasper Johns: The Words; The Idea of a Changing Focus."] Bijutsu Techô (Tokyo), July 1968, pp. 60—63. Includes sketchbook notes and reproduction of sketch for Souvenir, 1964. In Japanese. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook Notes section, S-2, S-11, S-13, S-25. (JJ skbk)

Nielsen, Hans-Jørgen. "Adskilligt på foranledning af Documenta 4." Louisiana Revy (Humlebaek, Denmark), vol. 9, no. 3 (November 1968): 13—16. In issue devoted to Documenta IV which traveled to Louisiana Museum of Modern Art, Humlebaek, Denmark.

Perreault, John. "Jasper Johns." Artnews, vol. 67, no. 2 (April 1968): 14. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Robbins, Daniel. Bulletin of Rhode Island School of Design. Museum Notes (Providence, R.I.), vol. 55, no. 2 (December 1968): 53, 55. Issue serving as catalogue of exhibition "Recent Acquisitions"at the Museum of the Rhode Island School of Design, Providence, R. I., 1969.

Saal, Hubert. "Merce." Newsweek, vol. 71, no. 22 (May 27, 1968): 88. Review of "RainForest" by Merce Cunningham Dance Co. Includes statement by Johns. Excerpted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johs: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 129. (JJ itw)

Siegel, Jeanne. "Jasper Johns." Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Arts, vol. 42, no. 6 (April 1968): 56. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. [Jean Stewart, sic].

Siegel, Jeanne. "Documenta IV: Homage to the Americans?" Arts, vol. 43, no. 1 (September—October 1968): 37—41. Review.

Tono, Yoshiaki. ["Jasper Johns: The Point ‘According to What?’"] Bijutsu Techô (Tokyo), July 1968, pp. 64—65, 70—74. Includes sketchbook notes and reproduction of a sketch for According to What (1964). In Japanese. See also, Miyakawa (same issue, pp. 60—63). Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook Notes section, S-17, S-18, S-20, S-21, S-26, S-27. (JJ skbk)

[Wilson, William. "Graphic Art Auction Nets $ 93,000." Los Angeles Times, 1968. JJSA.]



1969*


"At Jasper Johns’s Place." New Yorker (January 4, 1969): 23—24. Benefit for the Merce Cunningham Dance Co. organized in Johns’ studio—a former bank on East Houston Street, New York, N.Y.

"County Art Museum Receives Lithographs by Jasper Johns." The Greenville News (Greenville, S.C.), January 10, 1969, p. 26. Discusses Johns’s gift of ten black-and-white lithographs, titled Numbers, to the Greenville County Museum of Art, Greenville, S.C.

"A Fortunate Year." The Metropolitan Museum of Art Bulletin, vol. 27, no. 6 (February 1969): 312—22 (322). Discusses The Metropolitan Museum of Art’s (New York, N.Y.) 1968 acquisitions.

"Honorary Degree citations: Jasper Johns, Artist–Patron of the Arts." University of South Carolina Commencement Exercises (May 31, 1969). Johns receives honorary degree of Doctor of Humane Letters.

"Honorary Degrees Conferred." The Columbia Record (Columbia, S.C.), [May ?, 1969.] Johns receives honorary degree of Doctor of Humane Letters. LCG.

"Jasper Johns." Beaux Arts (Brussels), October 1969.

"Jasper Johns." Beaux Arts (Brussels), December 1969.

"Through January 4: Recent Prints from Gemini." Los Angeles County Museum of Art Members’ Calendar, December 1969, pp. 4—5. Review of "Recent Prints from Gemini Gel"(1968—69), Los Angeles County Art Museum.



Alloway, Lawrence. "Popular Culture and Pop Art." Studio International (London), vol, 178, no. 913 (July—August 1969): 16—21.

Alloway, Lawrence. "The Man Who Liked Cats: The Evolution of Jasper Johns." Arts, vol. 44, no. 1 (September—October 1969): 40—43. Book review of Max Kozloff, Jasper Johns.

Battcock, Gregory. "Pop Art at the Hayward."[New York Post?] Review of "Pop Art Redefined," Hayward Gallery, London. LCG.



[Bittleman, Arnold. "Visions of Technology." Innovation, no. 2 (June 1969): 31.]

Bourdon, David. "Modern Masters Amid the Old." Life (October 24, 1969): 12. Review of "New York Painting and Sculpture: 1940—1970," The Metropolitan Museum of Art, New York, N.Y.

Calamandrei, Mauro. "Il mondo è una scultura." L’Espresso, Rome, no. 5 (February 1, 1969): 4—17. Discusses American Pop art.

Frankenstein, Alfred. "A Sense of Color–A Joy of Life." San Francisco Sunday Examiner and Chronicle, July 20, 1969, pp. 26—27. Book review of Max Kozloff, Jasper Johns (1969).

Gablik, Suzi. "Protagonists of Pop: Five Interviews." Studio International (London), vol. 178, no. 913 (July—August 1969): 9—16 [10; Painted Bronze (1960) reproduced on p. 13].

d’Harnoncourt, Anne, and Walter Hopps. "Etant Donnés: 1o la chute d’eau, 2o le gaz d’éclairage. Reflections On a New Work by Marcel Duchamp." Philadelphia Museum of Art Bulletin, vol. 64, nos. 299—300 (April—September 1969): 1—58 (42—58).

Henning, Edward B. "Robert Rauschenberg, Gloria." Cleveland Museum of Art Bulletin, vol. 56, no. 2 (February 1969): 72—77 (73—75).

[Huber, Carlo. Review of "Jasper Johns, 30 Lithographien 1960—1968," Kunstmuseum Basel; first shown at Documenta IV, 1968. In German. Transcript in LCG.]

Imdahl, Max. "Is it a Flag, or is it a Painting? Über Mögliche Konsequenzen der konkreten Kunst." Wallraf-Richartz Jahrbuch (Cologne), 31 (1969): 205—32 (214—15).

Jehle, Werner. "Jasper Johns." Werk, vol. 56, no. 4 (April 1969): 283. Review of "Jasper Johns, 30 Lithographien, 1960—68, "Kunstmuseum, Basel; first shown at Document IV (1968). In German.

Jespersen, Gunnar. "Møde med Jasper Johns." Berlingske Tidende (Copenhagen), February 23, 1969, p. 14. Interview with Johns. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 134—37. (JJ itw)

Johns, Japser. "Sketchbook Notes." Art Now: New York, vol. 1, no. 4 (April l969): n.p. Excerpted from Jasper Johns, "Sketchbook Notes" Juilliard (Leeds), no. 3 (winter 1968—69): 25-26. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook notes section, S-32, S-35, S-36, S-39. (JJ skbk)

Johns, Jasper. "Sketchbook Notes." 0 to 9 [Vito Acconci and Bernadette Mayer, eds.], (New York, N.Y.), no. 6 (July 1969): 1—2. Reprinted in Japanese, among other notes, in: Yoshiaki Tono, ed., "Jasper Johns: Sketchbook Notes." av [Art vivant: Seibu (now Sezon) Museum News] (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. (6 pages); and in English in Richard Francis, Jasper Johns (New York: Abbeville Press, 1984): 111—12. Also see Francis, [Jasper Johns] (Tokyo: Bijutsu Shuppan-sha/New York: Abbeville Press/Modern Masters Series, 1990); in Japanese. Reprinted in English in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook Note section, S-49—S-53, S-55, S-56. ( JJ skbk)

Johns, Jasper. "Thoughts on Duchamp" in Cleve Gray, ed., "Feature: Marcel Duchamp 1887—1968." Art in America, vol. 57, no. 4 (July—August 1969): 31. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 22—23. (JJ wtg)

Johnson, Charlotte Buel. "Introducing New Art to Children." Instructor (Dansville, N.Y.), vol. 79, no. 1 (August—September 1969): 89—91.

Kramer, Hilton. "30 Years of New York School." New York Times Magazine (October 12, 1969): 28—31, 89—90, 92, 94, 97, 99—100, 102, 109—10, 117, 119—20. Review of "New York Painting and Sculpture: 1940—70," The Metropolitan Museum of Art, New York, N.Y.

Loftis, Norman J. "Choreography of the Object." Craft Horizons (March—April 1969): 10—13, 52. Discusses "Walkaround Time," 1968, with sets by Johns.

Masheck, Joseph. "Sit-in on Johns." Studio International (London), vol. 178, no. 916 (November 1969): 193—195. Book review of Max Kozloff, Jasper Johns.

Morris, Robert. "Notes on Sculpture, Part IV: Beyond Objects." Artforum, vol. 7, no. 8 (April 1969): 50—54.

Perreault, John. "Painting." Grolier Encyclopedia Yearbook (1969): 336—338. LCG gl.

Picard, Lil. "Immer Ärger mit Henry: Henry Geldzahler arrangierte eine umstrittene Austellung in New York." Die Welt (Hamburg), November 14, 1969, p. 7. Review of "New York Painting and Sculpture: 1940—70," The Metropolitan Museum of Art, New York, N.Y.

Rose, Barbara. "Problems of Criticism, V: The Politics of Art, Part II." Artforum, vol. 7, no. 5 (January 1969): 44—49.

Rose, Barbara. "Why Read Art Criticism?" New York (March 3, 1969): 44—45. Reproduction of The Critic Sees (1964).

Smeltzer, Robert. "Johns Lithographs Will Enhance Museum’s Stature." Greenville Piedmont (Greenville, S.C.), January 10, 1969, p. 6. Discusses Johns’s gift of a series of ten lithographs, Numbers, to the Greenville County Museum of Art, Greenville, S.C.

Young, Joseph E. "Jasper Johns: An Appraisal." Art International (Lugano), vol. 13, no. 7 (September 1969): 50—56. Interview conducted in Los Angeles, January 24, 1969. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 129—34. (JJ itw)



1970*


"Barnwell Newspaper Salutes Artist who Lived in Sumter." The Sumter News (Sumter, S.C.), vol. 4, no. 1 (March 19, 1970): 1, 5. Review of one-man exhibition at Gibbes Art Gallery, Charleston, S.C.

"Brandeis Lauds Two Generations in Arts Awards." New York Times, May 18, 1970, p. 38. Johns given Creative Arts Awards Citation and $1000.

"Just a Lot of Eyefoolery." Life (June 5, 1970): 74—77. Review of exhibition of nineteenth-century American still-life painting, Whitney Museum of American Art, New York, N.Y.

"One of the Greatest Lithographers of All Times." Life (January 23, 1970): 60—61. Review of one-man print exhibition at New Gallery, Cleveland, Ohio.



Albright, Thomas. "Jasper Johns’ Graphic Work." San Francisco Chronicle, October 21, 1970, p. 46. Review of one-man exhibition at John Berggruen Gallery, San Francisco, Calif.

Alloway, Lawrence. "Art." The Nation (January 26, 1970): 92—93. Includes review of "Jasper Johns: Drawings," Leo Castelli Gallery, New York, N.Y.

Alloway, Lawrence. "The Spectrum of Monochrome." Arts, vol. 45, no. 3 (December 1970—January 1971): 30—33.

Ashton, Dore. "New York Commentary." Review of "Jasper Johns: Drawings," Leo Castelli Gallery, New York, N.Y. Studio International (London), vol. 179, no. 920 (March 1970): 119.


[Bongard, Willi?]. "Capital Kunst Kompass." Capital (Germany), October 1970, pp.143—54.

Bourdon, David. "What’s up in Art? Follow the Clan. He Sells Pieces of History." Life (May 1, 1970): 71—74. Discusses Leo Castelli.

Bowling, Frank. "Another Map Problem." Arts, vol. 45, no. 3 (December 1970—January 1971): 27—29.

Brown, Beth. "Carolina Artist Featured." The News and Courier (Charleston, S.C.), February 15, 1970, p. C4. Review of one-man exhibition at Gibbes Art Gallery, Charleston, S.C.

Campbell, Lawrence. "Jasper Johns." Artnews, vol. 69, no. 1 (March 1970): 16. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Canaday, John. "Art: Engaging Prints by Jasper Johns." New York Times, December 24, 1970, p. 8. Review of "Jasper Johns: Lithographs,"The Museum of Modern Art, New York, N.Y.

Courthion, Pierre. "Situation de la peinture américaine." XXe siècle (Paris), n.s., vol. 32, no. 34 (June 1970): 12.

Davis, Douglas. "Wheeling and Dealing." Newsweek, vol. 76, no. 22 (November 30, 1970): 89. Discusses auction sales

Field, Richard S. "The Making of ‘Souvenir.’" The Print Collector’s Newsletter, vol. 1, no. 2 (May—June 1970): 29—31. Discusses the publication of Johns’ lithograph Souvenir by the Philadelphia Museum of Art to celebrate the exhibition "Jasper Johns: Prints 1960—1970."

García Herráiz, Enrique. "Crónica de Nueva York." Goya, no. 94 (January—February 1970): 239. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Getlein, Frank. "Art: Georgetown Spotlights the News on Two Fronts." The Evening Star (Washington D.C.), May 31, 1970, E15. Review of one-man exhibition at Fendrick Gallery, Washington , D.C.

Gorsen, Peter. "Erotic Art: Dokumentation." Reproduces Target with Plaster Casts, 1955, Kunst (Mainz), vol. 10, no. 37 (February—March—April 1970): 1,639.

Gratz, Roberta Brandes. "Daily Closeup: After the Flag." New York Post, vol. 170, no. 37 (December 30, 1970): 25 (magazine p. 3). Review of one-man exhibition "Jasper Johns Lithographs," The Museum of Modern Art, New York, N.Y. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 137—38. (JJ itw)

Hofmann, Paul. "35th Art Biennale Beset by Problems At Venice Opening." New York Times, June 24, 1970, p. 38.

Kearse, Eunice J. "The Artist, Jasper Johns: Life Story Is Interesting." The Barnwell People—Sentinel, Barnwell, S.C. (March 12, 1970): 3. Review of one-man exhibition at Gibbes Art Gallery, Charleston, S.C.

Keers, Frits. ["Untitled, Jasper Johns."] Openbaar Kunstbezit (Amsterdam), vol. 14, no. 26 (1970). In Dutch and English.

Kerber, Bernhard. "Steifenbilder. Zur unterscheidung ähnlicher Phänomene." Wallraf-Richartz Jahrbuch (Cologne), 32 (1970): 235—56 (250).

Koch, Stephen. "On Looking at What Isn’t." New Republic, vol. 163 (October 10, 1970): 31—33. Book reviews: Max Kozloff, Jasper Johns, and Richard Field, Jasper Johns: Prints 1960—1970 (exhibition catalogue, 1970).

Kostelanetz, Richard. "The State of the Art of Painting." North American Review (winter 1970): 52—60. Also see Richard Kostelanetz, Metamorphosis in the Arts: A Critical History of the 1960s. (New York, N.Y.: Assembling Press, 1980): 29—52.

Kozloff, Max. "The Division and Mockery of the Self." Studio International (London), vol. 179, no. 918 (January 1970): 9—15.

Morris, Robert. "Some Notes on the Phenomenology of Makiing: The Search for the Motivated." Artforum, vol. 8, no. 8 ( April 1970): 9—15.

Perreault, John. "A Different Light/Jasper Johns." Village Voice, February 5, 1970, pp. 16, 29. Review of one-man exhibition, "Jasper Johns: Drawings," Leo Castelli Gallery, New York, N.Y.

Plagens, Peter. "Jasper Johns at the Irving Blum Gallery, Los Angeles." Artforum, vol. 9, no. 1 (September 1970): 83. Review.

Ratcliff, Carter. "New York." Art International (Lugano), vol. 14, no. 3 (March 20, 1970): 66—67. Review of "New York Painting and Sculpture: 1940—1970," Metropolitan Museum of Art, New York, N.Y., and one-man exhibition "Jasper Johns: Drawings," Leo Castelli Gallery, New York, N.Y.

Richard, Paul. "The Enigmatic Art of Jasper Johns at the Fendrick Gallery: Jasper Johns’s Graphics." Washington Post (May 27, 1970): C1, C4. Review of one-man exhibition at the Fendrick Gallery, Washington, D.C.

Rose, Barbara. "The Graphic Work of Jasper Johns: Part I." Artforum, vol. 8, no. 7 (March 1970): 39—45.

Rose, Barbara. "The Graphic Work of Jasper Johns: Part II." Artforum, vol. 9, no. 1 (September 1970): 65—74.

Sandler, Irving. "Rauschenberg and Johns: Anti-Art?" New York Times, May 10, 1970, p. 21. Review of one-man exhibition at Philadelphia Museum of Art, Philadelphia, Penn.

Seltzer, Ruth. "Swinging Soirée in Museum Garage." The Philadelphia Inquirer, April 21, 1970, p. 20. Review of party sponsored by the Friends of the Philadelphia Museum of Art on the occasion of "Jasper Johns: Prints 1960—1970."

Siegel, Jeanne. "Jasper Johns at Castelli." Arts, vol. 44, no. 4 (February 1970): 60. Review of one-man exhibition, "Jasper Johns: Drawings," Leo Castelli Gallery, New York, N.Y.

Tuchman, Phyllis. "American Art in Germany." Artforum, vol. 9, no. 3 (November 1970): 58—69. Discusses history of Documenta and German collectors and dealers.

Young, Joseph E. "Jasper Johns Lead-Relief Prints." Artist’s Proof (New York, N.Y., Pratt Institute), vol. 10 (1970): 36—38. (JJ itw)



1971*


"Lithographs on Display." Mercury (San Jose, Calif.), December 19, 1971. Review of "Jasper Johns: Lithographs (1970—71)," San Francisco Museum of Art, San Francisco, Calif., first shown at The Museum of Modern Art, New York, N.Y., 1970.

"Mir kommt alles sehr kompliziert vor." Neue Zürcher Zeitung (Zürich), no. 188 (April 25, 1971): 53. Review of one-man exhibition at Kunsthalle Bern.



Alloway, Lawrence. "Art: Exhibition of Map (Based on Buckminster Fuller’s Dymaxion Air Ocean World) at the Museum of Modern Art." The Nation, vol. 213 (November 22, 1971): 541—42. Review of "Jasper Johns: Map," The Museum of Modern Art, New York, N.Y.

Brown, Adger. "Johns Art on Book Cover." The State (Columbia, S.C.), February 21, 1971, p. E4. Discusses Numbers in Color (1958—59), reproduced as box-cover on John W. McCoubrey, American Painting 1900—1970. JJSA

Canaday, John. "Incidentally About Jasper Johns." New York Times, January 3, 1971, p. D19. Review of "Jasper Johns: Lithographs," The Museum of Modern Art, New York, N.Y.

Canaday, John. "Johns More than Painter." The Barnwell People–Sentinel, January 14, 1971, p. B2. Same article published under the title "Incidentally About Jasper Johns." in New York Times, January 3, 1971, p. D19.

Chandler, John Noel. "The Colors of Monochrome." Artscanada, vol. 28, no. no. 5, issue 160—161 (October—November 1971): 18—31 [26].

Davis, Douglas. "Treasure Map." Newsweek, vol. 77 (February 15, 1971): 89—90. Discusses Johns’s Map (Based on Buckminster Fuller’s Dymaxion Air Ocean World) (1967—71), sold to Peter Ludwig.

Eagle, Joanna. "Artists as Collectors." Art in America, vol. 55, no. 6 (November—December 1967): 55—63 (58—59). Reprinted in Jean Lipman, ed., The Collector in America (New York: Viking Press/Studio Book, 1971): 252—261.

Green, Denise. "Jasper Johns at MOMA." Arts, vol. 45, no. 5 (March 1971): 51. Review of "Jasper Johns: Lithographs," The Museum of Modern Art, New York, N.Y.

Hughes, Robert. "The Revival of Prints." Time (January 18, 1971): 56. Discusses master printer Kenneth Tyler.

Kozloff, Max. "Under the Corporate Wing." Art in America, vol. 59, no. 4 (July—August 1971): 92—99.

Kramer, Hilton. "‘Technics’ of Fashion." New York Times, May 2, 1971, p. D21. Review of the exhibition catalogue "Technics and Creativity: Selections from Gemini G.E.L.," The Museum of Modern Art, New York, N.Y.

Kramer, Hilton. "Art: Two Uses of the Shaped Canvas: Frank Stella’s Reliefs and Collages on View/‘Map’ by Jasper Johns at the Modern." New York Times, October 16, 1971, p. 25. Review of "Jasper Johns: Map," The Museum of Modern Art, New York, N.Y.

Lukacs, John. "America May be in its Last Phase of Adolescence." New York Times Magazine (December 5, 1971): 48—60 51. Johns not mentioned; his Three Flags (1958) reproduced.

Lycan, William G. "Gombrich, Wittgenstein, and the Duck-Rabbit." The Journal of Aesthetics and Art Criticism (Cleveland), vol. 30, no. 2 (Winter 1971): 229—37. On Wittgenstein.

Marandel, J. Patrice. "Lettre de New York." Art International (Lugano), vol. 15, no. 2 (February 20, 1971): 76—77. ." Review of "Jasper Johns: Lithographs," The Museum of Modern Art, New York, N.Y.

Mitchell, Jack (photographer). "A Portrait of the Artist as a Contemporary." After Dark (May 1971): 44—53 (46—47).

Naimer, Lucille. "Jasper Johns’ Map at MoMA." Arts, vol. 46, no. 3 (December 1971—January 1972): 56—57. Review of "Jasper Johns: Map"at The Museum of Modern Art, New York, N.Y.

Ratcliff, Carter. "New York Letter." Art International (Lugano), vol. 15, no. 2 (February 20, 1971): 73. Review of "Jasper Johns: Lithographs," The Museum of Modern Art, New York, N.Y.

Richard, Paul. "Moving into the 20th Century." Washington Post, September 1, 1971, pp. D1, 8. Johns’s Three Flags, 1958, (Burton Tremaine Collection) reproduced with statement stating that it may be acquired by the National Gallery of Art, Washington, D.C.

Rose, Barbara. "Mondrian in New York." Artforum, vol. 10, no. 4 (December 1971): 54—63 63.

Russell, John. "Jasper Johns." Connaissance des Arts (Paris), no. 233 (July 1971): 48—53.

Russell, John. "Jasper Johns." Réalités (Paris), no. 251 (October 1971): 70—74. In English.

Sakazaki, Otsuro. ["Jasper Johns: Good Heart of America."] Bijutsu Techô (Tokyo), vol. 23, no. 345 (August 1971): 108—117, 129—131. In Japanese.

Shapiro, David. "Imago Mundi." Artnews, vol. 70, no. 6 (October 1971): 40—41, 66—68. Discusses Johns’s Map (Based on Buckminster Fuller’s Dymaxion Air Ocean World) (1967—71). (JJ itw)

Sheppard, Eugenia. "Around the Town." New York Post, May 4, 1971, p. 49, (magazine p. 7). Discusses housewarming at Merce Cunningham’s Westbeth studio.

Steele, Mike. "Speaking of Art." Minneapolis Tribune, March 7, 1971, p. E4. Discusses Johns’s Map (Based on Buckminster Fuller’s Dymaxion Air Ocean World) (1967—71), shown in a one-man exhibition at the Minneapolis Institute of Arts, Minneapolis, Minn.

Wollheim, Richard. "The Art Lesson." Studio International (London), vol. 181, no. 934 (June 1971): 278—283. On Wittgenstein.

Young, Joseph E. "Richard S. Field’s Jasper Johns: Prints 1960—1970." The Print Collector’s Newsletter, vol. 2, no. 2 (May—June 1971): 37—39. Book review of exhibition catalogue.

Young, Joseph E. "Gemini G.E.L., Los Angeles." Art International (Lugano), vol. 15, no. 10 (December 20, 1971): 71—73.



1972*


[Announcement for "Jasper Johns: Lithographs," Museum of Fine Arts, Houston, Tex., first shown at The Museum of Modern Art, New York, N.Y., 1970.] Gazette des Beaux-Arts, vol. 114, 6e période, tome 80, no. 1242—1243 (July—August 1972): 31—32.

"Art Exhibit at Erskine." The State (Columbia, S.C.), November 12, 1972. Review of group exhibition of contemporary South Carolina artists, Erskine Exhibition Center, Columbia, S.C.

["Jasper Johns: FragmentsAccording to What (1971) and Lead Reliefs (1969)."] Bijutsu Techô (Tokyo), vol. 24, no. 354 (April 1972): 285—304. Reproductions of the works in one-man exhibition at Minami Gallery, Tokyo. See also article by Joseph Love in same issue. In Japanese.

[["Lead as Criticism of Our Times."] Mainichi Newspaper (evening edition; Tokyo), February 22, 1972, p. 5. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.]

[["Third Print Exhibition of the Popular American Artist."] Asahi Newspaper, (evening edition; Tokyo), March 2, 1972, p. 5. Review of one-man exhibition at Minami Gallery, Tokyo.]



Baro, Gene. "Baltimore: Johns Exhibit." Washington Post, February 20, 1972, p. P5. Review of "Jasper Johns: Lithographs," Baltimore Museum of Art, Baltimore, Md., first shown at The Museum of Modern Art, New York, N.Y., 1970.

Butterfield, Jan. "Three of Art: Works of Johns, Stella, Warhol to Open New Art Museum." The Corpus Christi Caller—Times (Corpus Christi, Tex.), September 24, 1972, p. C1. Review of "Johns, Stella, Warhol: Works in Series," Art Museum of South Texas, Corpus Christi, Tex.

Coplans, John. "Fragments According to Johns, An Interview with Jasper Johns." The Print Collector’s Newsletter, vol. 3, no. 2 (May—June 1972): 29—32. Conducted in Los Angeles, Calif., 1971. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 138—41. (JJ itw)

Gauthier, Maximilien. "Jasper Johns: Lithographie." Gazette des Beaux Arts (Paris) vol. 114, ser. 6, tome 80, no. 1242—1243 (July—August 1972): suppl. 31—32. Review of "Jasper Johns: Lithographs," Museum of Fine Arts, Houston, Tex., first shown at The Museum of Modern Art, New York, N.Y., 1970.

Goldman, Judith. "Print Criteria." Artnews, vol. 70, no. 9 (January 1972): 48—51, 65.

Hughes, Robert. "Jasper Johns’ Elusive Bull’s Eye." Horizon (Tuscaloosa, Ala.), vol. 14, no. 3 (summer 1972): 20—29.

Jennings, Emily and David Pickering. "Art Museum Proudly Opened." Christian Science Monitor (October 5, 1972): A1, 16. Review of "Works in Series: Stella, Johns, Warhol"at the Museum of South Texas, Corpus Christi, Tex.

Kelder, Diane. "Tradition and Craftsmanship in Modern Prints." Artnews, vol. 70. no. 9 (January 1972): 56—59, 69—73.

Kerber, Bernhard. "Documenta und Szene Rhein-Ruhr." Art International (Lugano), vol. 16, no. 8 (October 1972): 76.

Kozloff, Max. "The Trouble With Art as Idea." Artforum, vol. 11, no. 1 (September 1972): 33—37.

Love, Joseph. ["Too Many Footprints/Clues?"] Bijutsu Techô (Tokyo), vol. 24, no. 354 (April 1972): 305—310. In Japanese. This issue also contains reproductions of the works in one-man exhibition at the Minami Gallery, Tokyo, 285—304.

Pincus-Witten, Robert. "Mel Bochner: The Constant as Variable." Artforum, vol. 11, no. 4 (December 1972): 28—34 [29].

Richard, Paul. "Jasper Johns’ Graphics." Washington Post, June 12, 1972, pp. B12, C1, 4. Review of one-man exhibition at Fendrick Gallery, Washington, D.C.

Richard, Paul. "Jasper Johns’ Illusions." Washington Post, June 12, 1972, pp. B1, 12. Review of one-man exhibition at Fendrick Gallery, Washington, D.C.

Seitz, William C. "Mondrian and the Issue of Relationships." Artforum, vol. 10, no. 6 (February 1972): 70—75.

Steinberg, Leo. "Reflections on the State of Criticism." Artforum, vol. 10, no. 7 (March 1972): 37—49.

Wallach, Amei. "The Miracle in West Islip." New York Newsday, October 24, 1972, part 2, pp. A4—5, 12—13.



1973*


Baldwin, Nick. "American Art: A Revolution." Des Moines Sunday Register (Des Moines, Iowa), March 4, 1973, pp. 14—16. Review of "Twenty-Five Years of American Painting 1948—1973.," Des Moines Art Center, Des Moines, Iowa. Johns not mentioned, but his Painting with Two Balls (1962) is reproduced.

Bayne, Coy. "An Eye on South Carolina." The State (Columbia, S.C.), November 22, 1973. Lists the sale of Double White Map and Target (1958). (South Carolina Library)

Cooper, Arthur. "Patron Angel of Modern Art." Newsweek (October 29, 1973): 58. Discusses sale of Robert C. Scull collection.

Damian, Jean-Michel. "Cage et Cunningham à l’Opéra." Artpress (Paris), no. 8 (December—January 1973 - 1974): 25. Review of Merce Cunningham dance performance "Un jour ou deux," Paris Opera, with costumes and set by Johns.

Davis, Douglas. "Currier to Ives to Johns." Newsweek, vol. 82, no. 10 (September 3, 1973): 60—63.

Ferretti, Fred. "Scull’s U.S. Art Brings Record $ 2 Million." New York Times, October 19, 1973, p. 57. Discusses sale of Robert C. Scull collection.

Ferrier, Jean-Louis. "Jasper Johns, l’incendie de l’Amérique." XXe siècle (Paris), vol. 35, no. 40 (June 1973): 131—37. Johns’s Cup 2 Picasso (Universal Limited Art Editions 123): created especially for this issue, p. 131.

Gratz, Roberta Brandes. "Artist’s a Study in Blue At Scull’s SRO Auction." New York Post, December 19, 1973, pp. 3, 16. Discusses sale of Robert C. Scull collection.

Henning, Edward B. "Reconstruction: A Painting by Jasper Johns acquired by the Cleveland Museum of Art." Cleveland Museum of Art Bulletin (Cleveland, Ohio), vol. 60, no. 8 (October 1973): 235—41.

Hess, Thomas B. "Polypolyptychality." New York, vol. 6, no. 8 (February 19, 1973): 73. Review of Whitney Biennial.

Hopps, Walter. "Jasper Johns: Fragments—According to What." Print Review (New York), no. 1 (March 1973): 41—50. Also see Walter Hopps, catalogue of same title, one man exhibition; Gemini G.E.L., 1971.

Johnson, Diana L. Bulletin of Rhode Island School of Design. Museum Notes, vol. 59, no. 6 (April 1973): n.p. Issue served as catalogue to the exhibition "Selection III: Contemporary Graphics from the Museum’s Collection."

Kelder, Diane. "Prints: Jasper Johns at Hofstra." Art in America, vol. 61, no. 1 (January—February 1973): 109—10. Review of 1972 one-man exhibition "Decoy, The Print and the Painting,"Emily Lowe Gallery, Hofstra University, 1972.

Killer, Peter. "1957: Pop Art II. Jaspar [sic] Johns." Du (Zurich), vol. 33 (April 1973): 247.

Kozloff, Max. "American Painting During the Cold War." Artforum, vol. 11, no. 9 (May 1973): 43—54.

Picard, Lil. "Der Pop-Rekord des Taxikönigs: Die Sammlung Robert C. Scull erzielte bei Parke Bernet in New York Höchstpreise." Die Welt (Hamburg), October 23, 1973, p. H23. Discusses sale of Robert C. Scull collection.

Pincus-Witten, Robert. "Theater of the Conceptual: Autobiography and Myth." Artforum, vol. 12, no. 2 (October 1973): 40—46.

Raynor, Vivian. "Jasper Johns: ‘I have attempted to develop my thinking in such a way that the work I’ve done is not me.’" Artnews, vol. 72, no. 3 (March 1973): 20—22. Interview with Johns. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 142—46. (JJ itw)

Rose, Barbara. "Profit without Honor." New York (November 5, 1973): 80. Discusses sale of Robert C. Scull collection.

Roth, Moira and William. "John Cage on Marcel Duchamp." Art in America, vol. 61, no. 6 (November—December 1973): 72—79. Interview with John Cage where he mentions Johns in connection with Duchamp.

Sarraute, Claude. "Merce Cunningham, John Cage at the Paris Opera/Classical Depth Charge." The Guardian (London), November 24, 1973, p. 16. Review of Merce Cunningham dance performance "Un jour ou deux," Paris Opera, with costumes and sets by Johns.

Schneider, Pierre. "Paris: A Festival to Vitalize a Season." New York Times, December 11, 1973): 54. Review of Merce Cunningham dance performance "Un Jour ou deux," Paris Opera, with costume and sets by Johns.



1974*


"Electragraphics." Review of video program titled "The Map." The Art Gallery Magazine (Greenville County Museum of Art, S.C.), March 1974, pp. 57—62 [57].

"Gli artisti nei loro studi." L’Uomo Vogue (Milan): 84—85. Includes photograph of Johns in his New York City studio. Also in Japanese edition of same magazine. JJSA 1974. LCG 1973.



Baldwin, Carl R. "Art & the Law: The Flag in Court Again." Art in America, vol. 62, no. 3 (May—June 1974): 50—54.

Baldwin, Carl R. "On the Nature of Pop." Artforum, vol. 12, no. 10 (June 1974): 34—37 35. Review of "American Pop Art," Whitney Museum of American Art, New York, N.Y.

Channin, Richard. "Nancy Graves: Map Paintings." Art International (Lugano), vol. 18, no. 9 (November 15, 1974): 26—27, 62.

Danto, Arthur C. "The Transfiguration of the Commonplace." Journal of Aesthetics and Art Criticism (Cleveland, Ohio), vol. 33, no. 2 (winter 1974): 139—148.

Dreiss, Joseph. "Jasper Johns." Arts, vol. 49, no. 1 (September 1974): 59. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Frankenstein, Alfred. "Fooling the Eye." Artforum, vol. 12, no. 9 (May 1974): 32—35.

Geldzahler, Henry and Kenworth Moffett. "Two Views of Pop." Artnews, vol. 73, no. 5 (May 1974): 30—32. Review of "American Pop Art," Whitney Museum of American Art, New York, N.Y.

Gidal, Peter. "Beckett & Others & Art: A System." Studio International (London), vol. 188, no. 971 (November 1974): 183—87.

Herrera, Hayden. "Drawings by Gallery Artists at Castelli." Artnews, vol. 73, no. 4 (April 1974): 98. Review of group exhibition at Leo Castelli Gallery, New York, N.Y.

Hughes, Robert. "The Instant Nostalgia of Pop." Time (April 15, 1974): 80—83. Review of "American Pop Art," Whitney Museum of American Art, New York, N.Y.

Kainen, Jacob. "Quality in Edition Prints." Artnews, vol. 73, no. 3 (March 1974): 34—35.

Kozloff, Max. "Traversing the Field . . . Eight Contemporary Artists at MoMA." Artforum, vol. 13, no. 4 (December 1974): 44—49.

Kramer, Hilton. "American Pop at the Whitney." New York Times, April 6, 1974, p. 27. Review.

Larson, Philip. "Words in Print." The Print Collector’s Newsletter, vol. 5, no. 3 (July—August 1974): 53—56.

Mikotajuk, Andrea. "Jasper Johns at Castelli." Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Arts, vol. 49, no. 3 (November 1974): 17.

Nabakowski, Gislind, ed. "Jasper Johns." Flash Art, no. 44/45 (April 1974): 61. Review of one-man exhibition at De Gestlo Gallery, Hamburg.

Oakes, Philip, ed. "Open Book" Sunday Times (London) [c. September 1974], p. 36. Book review of Foirades/Fizzles and of "Jasper Johns: Drawings," Museum of Modern Art, Oxford. JJSA.

Overy, Paul. "Jasper Johns, American Innovator." The Times (London), September 17, 1974, p. 12. Review of "Jasper Johns: Drawings," Museum of Modern Art, Oxford.

Packer, William. "Jasper Johns–Museum of Modern Art, Oxford." Financial Times (London), September 25, 1974, p. 3. Review of "Jasper Johns Drawings," Museum of Modern Art, Oxford.

Percival, John. "Cunningham, Cage and Johns at the Palais Garnier." Dance and Dancers (London), vol. 25, no. 1 (January 1974): 20—23, 46—47. Review of the Paris Autumn Festival of Dance.

Rees, R.J. "Jasper Johns Drawings." Studio International (London), vol. 188, no. 972 (December 1974): review 13. Review of "Jasper Johns: Drawings," Museum of Modern Art, Oxford.

Reichardt, Jasia. "The Rendering is the Content." Architectural Design (London), vol. 44, no. 12 (1974): 801. Review of "Jasper Johns: Drawings," Museum of Modern Art, Oxford.

Richard, Paul. "Reassuringly Modern." Washington Post, October 5, 1974, p. B7.

Russell, John. "Persistent Pop." New York Times Magazine, sec. 6 (July 21, 1974): 6—7, 25, 27, 30, 32—34. Review of "American Pop Art," Whitney Museum of American Art, New York, N.Y.

Tannous, David. "Jasper Johns Returns to the Fendrick." Washington Star News, October 11, 1974, p. C3. Review of "American Pop Art"at the Whitney Museum of American Art, New York, N.Y.

Tisdall, Caroline. "Level Crossing." The Guardian (London), September 23, 1974, p. 8. Review of "Jasper Johns Drawings," Museum of Modern Art, Oxford.

Vaizey, Marina. "Contemporary Celebrations." Sunday Times, London), September 15, 1974, p. 38. Review of "Jasper Johns: Drawings," Museum of Modern Art, Oxford; and "American Pop Art," Whitney Museum of American Art, New York, N.Y.

Ward, David. "Jasper Johns Drawings." Arts Review, vol. 26, no. 19 (September 20, 1974): 561, 564. Review of "Jasper Johns: Drawings," Museum of Modern Art, Oxford.

Wember, Paul. "Von der Ein-Stimmung der Farbe bis zur Einfarbigkeit: Gedanken zur Monochromie der 50er und 60er Jahre." Pantheon, vol. 32, no. 2 (April—May—June 1974): 162—65, 171.

Whitford, Frank. "Doctor Bongar’s List of Starboard." Studio: International Journal of Modern Art, vol. 188, no. 971 (November 1974): Review 6.

Winter, Peter. "Jasper Johns, Galerie de Gestlo, Hamburg." Das Kunstwerk (Stuttgart), vol. 27, no. 2 (March 1974): 44, 67. Review of one-man exhibition.



1975*


[["The Beauty of Mental Tension in Jasper Johns Exhibition."] Asahi Newspaper (evening edition; Tokyo), November 1, 1975, p. 7. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.]

["Contrast Between Impressionism and Abstract Avant-garde: Johns Exhibition." Yomiuri Newspaper (evening edition; Tokyo), November 11, 1975, p. 5. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.]

"International Auction Review." The Print Collector’s Newsletter, vol. 6, no. 1 (March—April 1975): 24.

"Jasper Johns." Flash Art, no. 54/55 (May 1975): 17. Review of "Jasper Johns Drawings," Serpentine Gallery, London, first shown at the Museum of Modern Art, Oxford, 1974.

["Jasper Johns Drawings."] Geijutsu Shincho (Tokyo), vol. 26, no. 12 (December 1975): 35. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.

"Johns Lithograph Exhibit Opens Sunday At Gallery." Discusses opening of "Prints by Jasper Johns," Sumter Gallery of Art, Sumter, S.C. [Sumter Daily Item or Sumter News?], (Sumter, S.C.), week before May 4, 1975. JJSA.

"Londra: Jasper Johns." Review of one-man exhibition at the Serpentine Gallery, London. Bolaffi Arte (Turin), vol. 6, no. 49 (April—May 1975): 89.

"Museum Exhibits Special Art." The State (Columbia, S.C.), August 3, 1975. Review of "Collector One: A Private Collection of Contemporary Art," Columbia Museum of Art, Columbia, S.C. South Carolina Library.

"New Editions: Jasper Johns." Artnews, vol. 74, no. 1 (January 1975): 62.

[["See-Through Object."] Kyoto Newspaper (Kyoto), November 29, 1975, p. 15. Review of one-man exhibition, Minami Gallery, Tokyo and Kyoto American Center, Kyoto. In Japanese.]

[["The Standard Bearer of Contemporary Art: Johns’ Drawings."] Mainichi Newspaper (evening edition; Tokyo), November 5, 1975, p. 5. Review of one-man exhibition at Minami Gallery, Tokyo. In Japanese.]



Brown, Adger. "Museum Exhibits Special Art." The State (Columbia, S.C.), August 3, 1975, p. 5E. Review of "Collector One: A private Collection of Contemporary Art," Columbia Museum of Art, Columbia, S.C.

Burr, James. "Into Art with the Star-spangled Banner." Apollo (London), vol. 101, no. 158 (April 1975): 327. Review of "Jasper Johns Drawings," Serpentine Gallery, London, first shown at the Museum of Modern Art, Oxford, 1974.

Crichton, Fenella. "Jasper Johns Drawings at the Serpentine Gallery, London." Art International (Lugano), vol. 19, no. 5 (May 15, 1975): 41. Review of one-man exhibition.

del Renzio, Toni. Art and Artists (London), vol. 9, no. 12 (March 1975): 43—44. Review of "Jasper Johns Drawings," Serpentine Gallery, London, first shown at the Museum of Modern Art, Oxford, 1974.

Dubreuil-Blondin, Nicole. "Autour d’un drapeau de Jasper Johns." Vie des Arts (Montreal), vol. 20, no. 81 (winter 1975—1976): 51—53.

Ellenzweig, Allen. Arts, vol. 49, no. 5 (January 1975): 6. "Jasper Johns." Review of one-man exhibition at Knoedler, New York, N.Y., 1974.

Fuller, Peter. "Jasper Johns: Drawings." Connoisseur (London), vol. 188, no. 757 (March 1975): 243. Review of one-man exhibition at Serpentine Gallery, London.

Gablik, Suzi. "Jasper Johns at the Museum of Modern Art." Art in America, vol. 63, no. 1 (January—February 1975): 89. Review of one-man exhibition at the Museum of Modern Art, Oxford.

Goldin, Amy. "Patterns, Grids, and Paintings." Artforum, vol. 14, no. 1 (September 1975): 50—54.

Hochfield, Sylvia. "Artists Rights: Pros and Cons." Artnews, vol. 74, no. 5 (May 1975): 20—25. Discusses the Projanski Agreement, which ensued from the 1973 Scull auction.

Rose, Barbara. "Self-Portraiture: Theme with a Thousand Faces." Art in America, vol. 63, no. 1 (January—February 1975): 66—73 (71).

Tono, Yoshiaki. ["American Pop Art ... and After."] Mizue (Tokyo) 2, no. 839 (February 1975): 5—29. In Japanese.

Tono, Yoshiaki. ["About Leg, or Duchamp and Johns I."] Bijutsu Techô (Tokyo), vol. 27, no. 393 (April 1975): 176—93. In Japanese.

Tono, Yoshiaki. ["About Leg, or Duchamp and Johns II."] Bijutsu Techô (Tokyo), vol. 27, no. 394 (May 1975): 196—07. Includes reproductions of four pages from Johns’s sketchbook, on According to What. In Japanese. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook Notes section, S-18, S-20, S-21, S-27. (JJ skbk)

Wolfe, Tom. "Hello, Steinberg; Goodbye, Greenbert, You too, Rosenberg: Joy Returns to Culturesburg." Harper’s (April 1975). Reprinted in Tom Wolfe, The Painted Word.

Young, Joseph E. "Jasper Johns." Artnews, vol. 74, no. 1 (January 1975): 62.



1976*


"Jasper Johns’s Untitled." Los Angeles County Museum of Art Members Calendar, vol. 14 (June 1976): n.p. Discusses painting on loan to the museum.

"A Lady in Distress." New York Daily News, February 8, 1976, p. 4. Jacqueline Onassis photographed after her visit to one-man exhibition at Leo Castelli Gallery, New York, N.Y.

"The Modern Eye." Vogue (March 1976): 153. Reviews of "Drawing Now: 1955—1975," The Museum of Modern Art, New York, N.Y., and of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

"Modern U.S. Art Is Shown in Geneva." New York Times, July 22, 1976, p. 25. Review of "Peinture américaine en Suisse 1950—1965," Museum of Art and History, Geneva.

"Un nouveau Jasper Johns." Gazette de Lausanne, May 29, 1976, p. 1. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.



Anderson, Alexandra. "A Preview of Foirades/Fizzles by Samuel Beckett with Etchings by Jasper Johns." New York Arts Journal, vol. 1, no. 2 (September—October 1976): 41.

Bernstein, Roberta. "Johns and Beckett: Foirades/Fizzles." The Print Collector’s Newsletter, vol. 7, no. 5 (November—December 1976): 141—45. (JJ itw)

Bourdon, David. "The Lines Lead to Johns." The Village Voice (February 9, 1976): 91—92. Review of "Drawing Now: 1955—1975," The Museum of Modern Art, New York, N.Y.; and "Twentieth-Century American Drawing," Simon R. Guggenheim Museum, New York, N.Y.

Calas, Nicolas. "Jasper Johns and the Critique of Painting." Point of Contact, vol. 1, no. 3 (September—October 1976): 50—57.

Crossley, Mimi. "Art: Jasper Johns Retrospective at the Janie C. Lee Gallery." The Houston Post, February 5, 1976, p. A19. Review of one-man exhibition.

Dienst, Rolf-Gunter. "Buchstabierte Bilder." Kunstwerk (Stuttgart), vol. 29, no. 2 (March 1976): 3—29.

Field, Richard S. "Jasper Johns’ Flags." The Print Collector’s Newsletter, vol. 7, no. 3 (July—August 1976): 69—77.

Frackman, Noel. "Jasper Johns." Arts, vol. 50, no. 8 (April 1976): 22. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Frackman, Noel. "New Graphics 1976." Arts, vol. 51, no. 4 (December 1976): 26. Book review of Samuel Beckett and Jasper Johns, Foirades/Fizzles.

Goldstein, Carl. "The Direct Cast and Sculpture." Arts, vol. 50, no. 5 (January 1976): 87.

Hess, Thomas B. "On the Scent of Jasper Johns." New York, vol. 9, no. 6 (February 9, 1976): 65—67. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Hess, Thomas B. "The Great Paper Chase." New York (February 16, 1976): 74—75. Review of "Drawing Now: 1955—1975," The Museum of Modern Art, New York, N.Y.; and "Twentieth-Century American Drawings," Simon R. Guggenheim Museum, New York, N.Y.

Higginson, Peter. "Jasper’s Non-Dilemma: A Wittgensteinian Approach." New Lugano Review, no. 10 (1976): 53—60.

Kaplan, Patricia. "On Jasper Johns’ According to What." Art Journal, vol. 35, no. 3 (spring 1976): 247—250.

Krauss, Rosalind. "Jasper Johns: The Functions of Irony." October, 2 (summer 1976): 91—99.

Masheck, Joseph. "Jasper Johns Returns." Art in America, vol. 64, no. 2 (March—April 1976): 65—67 [Johns’s Untilted, 1975, on cover]. Also see below, Stuckey 1976. Reprinted as "Coming to Terms with Later Johns" in Joseph Mashek, Historical Present: Essays of the 1970s (Ann Arbor, Mich., 1984): 109—13.

McDonagh, Don. "Enlisting Artists as Designers for the Theater." New York Times, August 22, 1976. Reprinted in Artists’ Sets and Costumes: Recent Collaborations Between Painters and Sculptors, and Dance, Opera, and Theater (exhibition catalogue; Philadelphia, Penn.: Philadelphia College of Art, 1977): 6—7.

Minemura, Toshiaki. "Jasper Johns Painting." Mizue (Tokyo), no. 858 (September 1976): 34—36, 41—45. In Japanese.

Moser, Charlotte. "New Work Shows Magnitude of Johns’ Artistic Inquiry." Houston Chronicle (February 8, 1976): 9. Review of one-man exhibition at Janie C. Lee Gallery, Houston, Tex.

Perrone, Jeff. "Jasper Johns’ New Paintings." Artforum, vol. 14, no. 8 (April 1976): 48—51. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Pincus-Witten, Robert. "On Target: Symbolist Roots of American Abstraction." Arts, vol. 50, no. 8 (April 1976): 84—91.

Rose, Barbara. "Decoys and Doubles: Jasper Johns and the Modernist Mind." Arts, vol. 50, no. 9 (May 1976): 68—73.

Rosenberg, Harold. "The Art World: American Drawing and the Academy of the Erased de Kooning." New Yorker (March 22, 1976): 106—110. Review of "Drawing Now: 1955—1975," The Museum of Modern Art, New York, N.Y.; and "Twentieth-Century American Drawing," Simon R. Guggenheim Museum, New York, N.Y.

Russell, John. "Jasper Johns Stretches Himself—and Us." New York Times, February 1, 1976, section 2, pp. 31, 32. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Russell, John. "The Fine Art of Excellence in Printmaking." New York Times, March 7, 1976, section 11, pp. 1, 23. Discusses printmaking at Universal Limited Art Editions, West Islip, N.Y.

Smith, Roberta. "Drawing Now (And Then)." Artforum, vol. 14, no. 8 (April 1976): 52—59. Review of "Drawing Now: 1945—1975," The Museum of Modern Art, New York, N.Y.; and "Twentieth-Century American Drawings," Simon R. Guggenheim Museum, New York, N.Y.

Stuckey, Charles F. "Johns: Yet Waving?" Art in America, vol. 64, no. 3 (May—June 1976): 5. Discusses Joseph Masheck’s article in March—April issue.

Tomkins, Calvin. "Profiles: The Moods of a Stone–Tatyana Grosman." New Yorker (June 7, 1976): 65—66. Includes statement by Johns on Tatyana Grosman. (JJ itw)

Trini, Tommaso. Data, no. 22 (July—August—September 1976): 86. Discusses Michelangelo Pistoletto’s "Oggetti in meno," 1966.



1977*


Announcement of October 24 issue of Newsweek titled "Super Artist." New York Times, October 18, 1977, p. 61.

"Art Walk." OCS News (newspaper for Japanese-speaking population of the U.S.; Long Island City, N.Y.), vol. 3, no. 50 (November 11, 1977): 18. In Japanese.

"Drawings by Gallery Artists." New York Times, May 13, 1977, p. C22. Review of group exhibition at Leo Castelli Gallery, New York, N.Y.

"In the Seventies the Enigmatic Master of Pop Art Stays on Target." People Weekly, vol. 8, no. 26 (December 26, 1977—January 2, 1978): 83.

"Jeepers, it’s Jasper." Daily News, October 21, 1977, p. 12. Mention of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

"Jasper Johns." Print Collector’s Newsletter, vol. 8, no. 4 (September—October 1977): 112—13. Review of one-man retrospective exhibition "Jasper Johns"at the Whitney Museum of American Art, New York, N.Y.

"Jasper Johns." Skowhegan School of Painting and Sculpture (bulletin; Skowhegan, Me.), 1977, pp. 11, 24.

"Jasper Johns: A Retrospective Exhibition, At Whitney Museum." New York Antique Almanac (September 1977). Announcement. JJSA.



"Jasper Johns Works at Whitney Museum." The Barnwell People-Sentinel (Barnwell, S.C.), October 13, 1977, p. 5. Review of one-man retrospective exhibition "Jasper Johns"at the Whitney Museum of American Art, New York, N.Y.; and mention of one-man exhibition at Greenville County Museum of Art, Greenville, S.C.

"Johns at the Whitney." Art/World (New York, N.Y.) vol. 2, no. 2 (October 15—November 11, 1977): 1. Announcement of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

"A Johns Retrospective Coming to the Whitney." New York Times, August 30, 1977, p. 35.

"Johns To Exhibit Private Collection." The State (Columbia, S.C.), December 11, 1977, p. 5E. Review of "An Artist Collects," Columbia Museum of Art, Columbia, S.C.

Letters to the Editor responding to Mark Stevens’s article in October 24 issue. Newsweek, November 7, 1977, p. 6.

"The New Season in the Arts–A Special Preview." New York Times, August 28, 1977, section 2, pp. 1, 17.

"The Painter’s Eye." New York (December 26, 1977—January 2, 1978): 54. Johns visits "Cézanne: The Late Work," The Museum of Modern Art, New York, N.Y.

Photograph of Johns and Susan Sontag at opening of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. SoHo Weekly News, October 20, 1977, p. 43.

"Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 8, no. 5 (November—December 1977): 145.

The Print Collector’s Newsletter
, vol. 8, no. 5 (November—December 1977): 147. Book review of Richard S. Field, Jasper Johns/Screenprints (exhibition catalogue).

The Print Collector’s Newsletter
, vol. 8, no. 5 (November—December 1977): 149—50. Book review of Michael Crichton, Jasper Johns.

Reproduction of poster for one-man retrospective exhibition "Jasper Johns"at the Whitney Museum of American Art, New York, N.Y. Where (New York, N.Y.), (October 24, 1977): 17.

"Special Events." Art Now: Gallery Guide (December 1977): 34. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

"Targets, Numbers, Flags." Apollo, vol. 106, no. 190 (December 1977): 508—9. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

"Which Way Is Up?" Editors’s correction to reproduction of Two Flags in Edmund White’s article, October 1977 issue, Horizon (New York), vol. 20, no. 4 (December 1977): 95.



Alloway, Lawrence. "Art." The Nation, vol. 225 (November 26, 1977): 571—72.

Baker, Kenneth. "A Light Pun." Christian Science Monitor, vol. 69, no. 79 (March 17, 1977): 28.

Bannon, Barbara A. Publisher’s Weekly, vol. 212, no. 12 (September 19, 1977): 130—31. Book review of Michael Crichton, Jasper Johns.

Beatty, Frances. "The Elusive Mr. Johns." Art/World (New York, N.Y.), vol. 2, no. 3 (November 12—December 9, 1977): 13. Book review of the Michael Crichton, Jasper Johns.

Beaver, Martha. "Jasper Johns, Super Artist: You Can’t Knock Success." The State (Columbia, S.C.), December 26, 1977, p. A11. Review of one-man exhibition at the Columbia Museum of Art, Columbia, S.C.

[Beaver, Martha. The State (Columbia, S.C.), ca. December 1977. Review of "An Artist Collects," Columbia Museum of Art, Columbia, S.C. LCG.]

Bernstein, Roberta. "Jasper Johns and the Figure: Part One: Body Imprints." Arts, vol. 52, no. 2 (October 1977): 142—44.

Bongard, Willi. "Wall Stocks." Across the Board: The Conference Board Magazine, vol. 14, no. 11 (November 1977): 42—57. Discusses art as investment.

Bourdon, David. "Jasper Johns: ‘I Never Sensed Myself as Being Static.’" The Village Voice, October 31, 1977, p. 75. Interview with Johns conducted on October 11, 1977, on the occasion of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. See fuller, previously unpublished version in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York: The Museum of Modern Art, 1996): 155—62. JJ itw

Canaday, John. "Here We Go Again." The New Republic (October 1, 1977): 28—29. Mentions one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Canaday, John. "Four Current Exhibitions." The New Republic, December 10, 1977, pp. 22—24. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Carpenter, Joan. "The Infra-iconography of Jasper Johns." Art Journal, vol. 36, no. 3 (spring 1977): 221—27.

Cavaliere, Barbara. "Pop Plus." Arts, vol. 52. no. 2 (October 1977): 22—23. Review of "Pop Plus," Whitney Museum of American Art, Downtown Branch, New York, N.Y.

Conrad, Barnaby. "Skowhegan Dinner." Art/World (New York, N.Y.), vol. 1, no. 9 (May 1977): 10—11. Discusses Thirty-First Annual Dinner for the Skowhegan School of Painting and Sculpture, April 26. Photo of Philip Johnson presenting Skowhegan medal to Johns.

Courtney, Marian. "Jasper Johns is ‘exasperating.’" Herald News Sunday Magazine (October 30, 1977). Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Crichton, Michael. "Surface Tension." New York, September 19, 1977, pp. 64—65. Excerpts from Michael Crichton, Jasper Johns (exhibition catalogue).

Davis, John S. "Jasper Johns’ Collection Contains Art Leaders." The State (Columbia, S.C.), [December? 1977]. Letter to the editor; rebuttal to Martha Beaver’s negative review of "An Artist Collects," Columbia Museum of Art, Columbia, S.C. JJSA.

DeCaro, Pat. "Johns Exhibit Ambitious, but Repetitious." Horizon (N. J.), December 23, 1977, p. 2. Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

DeShazo, Edith. "Greatest Artist or Inflated Reputation?" Sunday News Journal (Wilmington, Del.), December 4, 1977, pp. 1, 7. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Diamonstein, Barbaralee. "The Art World: A Seventy—Five Year Treasury of Art News." Artnews, (November 1977): 70—72. Includes reprint of Gene Swenson, "What is Pop Art II." Artnews, vol.62, no. 10, (February 1964). (JJ itw)

Duffy, Robert W. "Bold And Complicated Vision." St. Louis Post-Dispatch, October 23, 1977, p. C5. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Edwards, Ellen. "Jasper Johns: Looking Back to See the Future." Miami Herald, December 25, 1977, p. M2. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Ellinghausen, Christine. "Jasper Johns." News World, October 21, 1977, pp. B1, 3. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Feigenbaum, Rita. "Jasper Johns exhibition ‘a pleasure.’" Knickerbocker News (Albany, N.Y.), December 2, 1977, p. 11. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Forgey, Benjamin. "Serious Painting That Conveys ‘a Sense of Desolate Waiting’/A Retrospective of the Deadly Serious Art of Jasper Johns." Washington Star, October 23, 1977, pp. G1, 20. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Frankenstein, Alfred. "Another Big Show." San Francisco Chronicle, November 3, 1977. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Fremont-Smith, Eliot ("E.F.S."). Village Voice, October 24, 1977, p. 104. Book review of Michael Crichton, Jasper Johns.

Glueck, Grace. "‘Once Established,’ says Johns, ‘Ideas Can be Discarded.’" New York Times, October 16, 1977, sec. 2, pp. 1, 31. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 162—64. (JJ itw)

Glueck, Grace. "The 20th-Century Artists Most Admired by Other Artists." Artnews, vol. 76, no. 9 (November 1977): 78—103 87, 89. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 166. (JJ itw)

Glueck, Grace. "Art." New York Times, December 9, 1977, p. C7. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Harnett, Lila. "Johns: On Target." Cue, October 29—November 11, 1977, p. 39. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Helfer, Judith. "Sehen heisst denken." Aufbau (Germany), November 25, 1977, p. 13. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Herrmann, Rolf-Dieter. ["Johns The Pessimist."] Artforum, vol. 16, no. 2 (October 1977): 26—33 [False Start, 1959, on cover.]Also see "Correction" in Artforum, vol. 16, no. 4 (December 1977): 12. Published in German as: "Johns der Pessimist." Heute Kunst (Milan), no. 22 (May—June 1978): 17—20.

Herrmann, Rolf-Dieter. "Jasper Johns’ Ambiguity: Exploring the Hermeneutical Implications." Arts, vol. 52, no. 3 (November 1977): 124—29.

Hess, Thomas B. "Jasper Johns, Tell A Vision." New York, vol. 10, no. 45 (November 7, 1977): 109—11. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Hobhouse, Janet. "Jasper Johns: The Passionless Subject Passionately Painted." Artnews, vol. 76, no. 10 (December 1977): 46—49.

Hoelterhoff, Manuela. "Retrospectives for Two Major Painters." Wall Street Journal, December 1, 1977, p. 24. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y., and "Cézanne: The Late Work," The Museum of Modern Art, New York, N.Y.

Hope, Henry R. ["Review."] Art Journal, vol. 37, no. 2 (winter 1977—78): 172. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Hughes, Robert. "Pictures at an Inhibition–Jasper Johns’ New York Retrospective." Time (October 31, 1977): 84—86. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y. Also see rebuttal to this review by Tony Towle in typescript, dated November 6, 1977, in the Leo Castelli Gallery archives.

Johnston, Albert H. "Jasper Johns." Publishers Weekly, vol. 212, no. 12 (September 19, 1977): 130. Book review of Michael Crichton, Jasper Johns.

Korzeniowsky, Carole. "Jasper Johns." Financial Times (London), November 5, 1977. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Kramer, Hilton. "Johns’ Work Doesn’t Match His Fame." New York Times, December 18, 1977, p. D33. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Kuspit, Donald B. "Art Criticism: Where’s the Depth?" Artforum, vol. 16, no. 1 (September 1977): 38—41.

Loercher, Diana. "Is Jasper Johns too adulated?" Christian Science Monitor, November 3, 1977, p. 22. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Mann, Maybelle. "Jasper Johns Show at Whitney." TimesHerald Record, November 12, 1977, p. 18. Review of one-man retrospective exhibition at the Whitney Museum of American Art, New York, N.Y.

Masheck, Joseph. "Cruciformality." Artforum, vol. 15, no. 10 (summer 1977): 56—63.

Mellow, James R. "The Many Faces of Art." Saturday Review, (November 26, 1977): 39. Book review of Michael Crichton, Jasper Johns.

Mitchell, Jack. "Views." Soho Weekly News, September 22, 1977, p. 25. Portrait photographs, including one of Johns in front of his Map (Based on Buckminster Fuller’s Dymaxion Air Ocean World) (1967—71).

Olson, Roberta J.M. "Jasper Johns: Getting Rid of Ideas." Soho Weekly News, November 3, 1977, pp. 24—25. Interview conducted on occasion of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. (JJ itw)

Perreault, John. "The Critic Smiles: Johns at the Whitney." Soho Weekly News, November 3, 1977, p. 26. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Priddy, Tom. "Johns Exhibit Opens." Greenville News and Piedmont (Greenville, S.C.), September 25, 1977, p. C12. Review of "Jasper Johns Graphics," Greenville County Museum of Art, Greenville, S.C.

Quindlen, Anna. "Joan Mondale Finds SoHo More Than So-So." New York Times, May 12, 1977, p. B1. Mentions Vice-President Walter Mondale’s wife having lunch with Johns, Roy Lichtenstein, Louise Nevelson, and Robert Rauschenberg.

Ratcliff, Carter. "New York Letter." Art International (Lugano), vol. 21, no. 6 (December 1977): 72.

Richard, Paul. "... With Modern Art/Modern Art Decorates the Vice President’s Home." Washington Post, March 24, 1977, pp. D1, 4.

Richard, Paul. "Jasper Johns: Visual Puns, Mental Games/His Art Makes Us Feel Smart." Washington Post, October 12, 1977, pp. B1—2. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Richard, Paul. "Country Boy Now Art-World Giant/S.C. ‘Super Artist’ Grabs the Headlines." The State (Columbia, S.C.), October 22, 1977, pp. B1, 7. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. Refers to Newsweek issue of October 24, 1977.

Richard, Paul. "Johns is an Artist who ‘fits.’" The Greenville News (Greenville, S.C.), October 27, 1977, p. C6. Review of "Jasper Johns Graphics," Greenville County Museum of Art, Greenville, S.C.; and one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Rose, Barbara. "Jasper Johns: Pictures and Concepts." Arts, vol. 52, no. 3 (November 1977): 148—53.

Rose, Barbara. "To Know Jasper Johns." Vogue, vol. 167, no. 11 (November 1977): 280—85, 323. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Rosenberg, Harold. "The Art World: Twenty Years of Jasper Johns." New Yorker, vol. 53, no. 45 (December 26, 1977): 42—45. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Roth, Moira. "The Aesthetic of Indifference." Artforum, vol. 16, no. 3 (November 1977): 46—53.

Roud, Richard. "Showing the Flag." The Guardian (London), November 21, 1977. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Rubin, Joan. "Retrospective: Jasper Johns at the Whitney." Lofty Times (New York, N.Y.), no. 5 (November 1, 1977): 4—5, 16, 18—22. (JJ itw)

Russell, John. "Drawings by Gallery Artists." New York Times, May 13, 1977, p. C22. Review of "Drawings by Gallery Artists," Leo Castelli Gallery, New York, N.Y.

Russell, John. "Art: The Accent is French." New York Times, August 28, 1977, pp. 1, 24. Announcement of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Russell, John. "Art: Jasper Johns Packs Them In." New York Times, October 21, 1977, p. C21. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. Also published as "Jasper Johns Packs Them In." Visual Dialog (Los Altos, Calif.): vol. 4, no. 1 (September—October—November 1978): 18—20.

Smith, Philip. "Jasper Johns." Interview, vol. 7, no. 12 (December 1977): 36—37. Interview conducted on occasion of one-man retrospective exhibition "Jasper Johns," Whitney Museum of Art, New York, N.Y. (JJ itw)

Stevens, Mark, with Cathleen McGuigan. "Super Artist: Jasper Johns, Today’s Master." Newsweek, vol. 90, no. 17 (October 24, 1977): 66—79. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of Art, New York, N.Y. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 164—66. (JJ itw)

Sweet, David. "Meaning, Value and the Tradition of Paintedness." Artscribe (London), no. 7 (July 1977): 17—22.

Tallmer, Jerry. "A Broom and a Cup and Paint." New York Post, October 15, 1977, p. 20. Interview conducted on occasion of one-man retrospective exhibition "Jasper Johns," Whitney Museum of Art, New York, N.Y. (JJ itw)

Tighe, Mary Ann. "Modern Art." Sunday Times Book Review, December 4, 1977, section 7, p. 11. Book review of Michael Crichton, Jasper Johns (exhibition catalogue).

Todd, Sharon. "Exhibition Features Modern Art." Greenville News and Piedmont (Greenville, S.C.), January 9, 1977, p. C1. Review of "American Art Since 1945 from the Collection of The Museum of Modern Art," Greenville County Museum, Greenville, S.C., 1977; first shown at The Museum of Modern Art, New York, N.Y., 1975.

Wallach, Amei. "Jasper Johns, Enigma." New York Newsday, October 2, 1977, part 2, pp. 4—5, 14. Interview conducted on the occasion of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. (JJ itw)

White, Edmund. "Enigmas and Double Visions." Horizon (London), vol. 20, no. 2 (October 1977): 48—55. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of Art, New York, N.Y. Also published in Russian translation in Ameryka, November 1978. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 153—55. (JJ itw)

White, Edmund. "Jasper Johns and Samuel Beckett." Christopher Street (New York, N.Y.), vol. 2, no. 4 (October 1977): 20—24. Review of etchings by Johns from Foirades/Fizzles by Johns and Beckett, shown during the one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, NY. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 152—53. (JJ itw)

Zura, Trina. "Signac At The Met; Johns At Whitney." Phoenix (Queens College, N.Y.), (November 1, 1977). Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y. JJSA.



1978*


Announcement for Karl Kasten’s lecture on Johns in conjunction with one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. Danville Valley Pioneer (Danville, Calif.), November 15, 1978. LCG.

Announcement one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. Hayward Daily Review (Hayward, Calif.), November 1978. LCG.

Anouncement for one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. Richmond Independent & Gazette (Richmond, Calif.), November 3, 1978. LCG.

"B.H.V." "Jasper Johns à Beaubourg." Libération (Paris), April 28, 1978, p. 15. Review of one-man retrospective exhibition "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Bulletin of the Whitney Museum of American Art
first issue, Fall 1978, n.p.

"Contemporary Prints by Johns on Display." Danville Valley Pioneer (Danville, Calif.), November 1, 1978. Review of one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. LCG.

"Fahne im Orangenfeld." Der Spiegel, February 13, 1978, pp. 170—172. Review of one-man retrospective exhibition "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Geijutsu-Shincho
, Shincho-sha, Tokyo, no. 10 (1978): 34—35.

"Images as Images." TimesLiterary Supplement (London), June 30, 1978, p. 738. Review of the one-man retrospective exhibition "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

International auction review. The Print Collector’s Newsletter, vol. 9, no. 2 (May—June 1978): 63, 65.

"Jasper Johns." L’Aurore (Paris), June 1, 1978, p. 6. Review of the one-man retrospective exhibition "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

"Jasper Johns, American artist." Travel & Leisure, July 1978, p. 74. Discusses Johns’s cooking habits.

["Jasper Johns Exhibition."] Bijutsu Techô (Tokyo), vol. 30, no. 439 (October 1978): 260. Review of exhibition, "Foirades/Fizzles," Minami Gallery, Tokyo. In Japanese.

"Jasper Johns in der Kölner Kunsthalle." Du ( Zürich), April 1978, pp. 4—5. Review of one-man retrospective exhibition "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

"Jasper Johns: un Américain à Beaubourg." La Voix du Nord (Lille), April 7, 1978. Review of one-man retrospective exhibition "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Article also appears in L’Union (Reims).

"Johns Show Unveiled." Independent & Gazette (Berkeley, Calif.), November 2, 1978. Review of one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. LCG.

"Printmaking: Jasper Johns’s Latest Work at Museum." UC Monday Paper (Berkeley, Calif.), November 3, 1978. Anouncement for one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. LCG.

Review of one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. West Coast Artweek, November 25, 1978. LCG.

Reviews of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978, and one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. San Francisco Bay Guardian, November 16, 1978. LCG.

"Works by Jasper Johns in Exhibition." Palo Alto Times, October 16, 1978. Reviews of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California.



Adams, Hugh. "Johns, Warhol et alia . . . ." Art and Artists, vol. 13, no. 5 (September 1978): 38—41. Review of the one-man retrospective exhibition "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Allman, Paul. "Art Who? Jasper Johns, a Critic’s Artist." Independent & Gazette (Berkeley, Calif.), November 3, 1978. Review of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Allman, Paul. "Galleries. Art Who?" Contra Costa Times (Walnut Creek, Calif.), December 1, 1978. Review of one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California. LCG.

Askey, Ruth. "Johns Multiples in Idaho." Artweek, vol. 9, no. 28 (August 26, 1978): 5. Review of one-man exhibition at The Faith and Charity in Hope Gallery, Hope Idaho.

Atkins, Robert. "Jasper Johns: An Unlikely Superstar in Retrospect." San Francisco Bay Guardian, November 17, 1978. Review of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Beaucamp, Eduard. "Flagge hissen für die Malerei: Das Werk des Amerikaners Jasper Johns in der Kölner Kunsthalle." Frankfurter Allgemeine Zeitung (Frankfurt am Main), no. 43 (February 22, 1978): 21. Review of one-man retrospective exhibition, "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Berenson, Ruth. "Quartet and Variations." National Review, January 6, 1978, pp. 40—41. Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977. JJSA

Blistène, Bernard. "Informations Paris." Flash Art , May—June 1978, pp. 4—5, 14. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and the one-man exhibition, Galerie Nancy Gillespie et Elisabeth de Laage, Paris.

Bloomfield, Arthur. "Throwing dirt in your eyes." San Francisco Examiner, October 24, 1978. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Bourget, Jean-Loup. "Jasper Johns fasciné par la mutilation." Vie des arts (Montreal), no. 90 (Spring 1978): 6—7. Review of "Foirades/Fizzles," Whitney Museum of American Art, New York, N.Y., and one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Busche, Ernst. "Ausstellungen: Bericht aus New York." Das Kunstwerk (Stuttgart), vol. 31, no. 1 (February 1978): 40—42. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.

Cabanne, Pierre. "Jasper Johns: Le Degré zéro de la vision." Le Matin de Paris (May 4, 1978). Review of one-man retrospective exhibition "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y. LCG.

Calas, Nicolas. "Jasper Johns ou: ceci n’est pas un drapeau." XXe siècle (Paris), vol. 40, no. 50 (June 1978): 33—39. Review of Michael Crichton, Jasper Johns (exhibition catalogue for one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y.)

Chapier, Henry. "Le Retour des mécènes." Quotidien de Paris (April 24, 1978). Review of one-man retrospective exhibition "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Cornu, Daniel. "Cézanne, Malevitch et Jasper Johns à Paris: Le triomphe de la peinture." La Tribune de Genève (Geneva), May 9, 1978, p. 37. Review of one-man retrospective exhibition "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y.

Crichton, Michael. "Jasper Johns: The Artist and The Man." Sky (Delta Airlines), vol. 7, no. 2 (February 1978): 54—61. Excerpts from Crichton, Jasper Johns (exhibition catalogue, 1977).

Crichton, Michael. "Jasper Johns: Adventures in Paradox." California Magazine (Pacific Southwest Airlines), vol. 13, no. 10 (October 1978): 78—83. Excerpts from Crichton, Jasper Johns (exhibition catalogue, 1977).

Curtis, Cathy. "Jasper Johns: Modern Boy-wonder." Daily Californian/Friday Magazine, Berkeley, vol. 8, no. 20 (November 10, 1978): 10—12. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition, "Jasper Johns: Prints 1970—1977"University Art Museum, University of California, Berkeley.

Dalkey, Victoria. "Johns’ Artwork: Riddles, Imagery." Sacramento Bee (Sacramento, Calif.), November 6, 1978, sec. D, pp. 1, 3. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and accompanying catalogue.

Dickson, Joanne. "Jasper Johns Retrospective a Feast to Savor." Palo Alto Times, November 10, 1978): 20. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Dunham, Judith L. "Jasper Johns in Retrospect." Artweek (Oakland, Calif.), November 25, 1978, pp. 1 & back page. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Feaver, William. "Pure Angel Delight." Observer (London), June 25, 1978, p. 24. Review of "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Field, Richard S. "Jasper Johns Screenprints." Dialogue (Akron, Ohio), December 1978, pp. 10—12. Excerpts from catalogue Jasper Johns/Screenprints (exhibition catalogue, 1977).

Fowler, Carol. "A Flag Is a Flag Is a Flag." Contra Costa Times (Walnut Creek, Calif.), November 10, 1978. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Fowler, Carol. "Barbara Rose Sheds Light on Jasper Johns." Independent & Gazette (Berkeley, Calif.), December 8, 1978. Review of Barbara Rose’s lecture on Johns at the San Francisco Museum of Modern Art on the occasion of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Frackman, Noel. "Jasper Johns: Prints." Arts (New York, N.Y.), vol. 52, no. 5 (January 1978): 21. Review of one-man exhibition at Castelli Graphics, New York, N.Y., 1977.

Frankenstein, Alfred. "Flags, Targets and Beer Cans." San Francisco Examiner Chronicle, October 29, 1978. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Fuller, Peter. "Jasper Johns Interviewed I." Art Monthly vol. 18 (July—August 1978): 6—12; and "Jasper Johns interviewed II." Art Monthly vol. 19 (September 1978): 5—7. Reprinted in Kirk Varnedoe, ed.; and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y..: The Museum of Modern Art, 1996): 172—83. (JJ itw)

Gablik, Suzi. "Jasper Johns’s Pictures of the World." Art in America, vol. 66, no. 1 (January—February 1978): 62—69. Review of "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977.

Gay, Morris. "A Major Modern Artist Who Puts Ideas into Action." Palo Alto Times, (Palo Alto, Calif.), October 23, 1978, sec. II, p. 11. Interview with Johns on the occasion of "Jasper Johns," San Francisco Museum of Art, San Francisco, California; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. (JJ itw)

Geelhaar, Christian. "Jasper Johns in Whitney Museum of American Art." Kunst-Bulletin 1 des Schweizerischen Kunstvereins (January 1978): 8—12. Announcement of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Geelhaar, Christian. "Jasper Johns." Pantheon, vol. 36, no. 1 (January—February—March 1978): 98—99. Review of "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977.

Gibson, Michael. "Art in Paris: A Fresh Look at Jasper Johns’ Game With Banality." International Herald Tribune (Paris), May 3, 1978, p. 5. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Goldin, Amy. "The Body Language of Pictures." Artforum, vol. 16, no. 7 (March 1978): 54—59.

Gottlieb, Carla. "‘Something Else’ in Self-Portraiture." Colóquio Artes (Lisbon), Second series, 20th year, no. 39, (December 1978): 28—35.

Granath, Olle. "Att dra sig undan Trögheten." Dagens Nyheter (Stockholm), May 30, 1978, p. 4. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. JJSA

Green, Blake. "That Enigmatic Father of Pop Art." San Francisco Chronicle (October 23, 1978): 17. Interview with Johns on the occasion of "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 197—200 (JJ itw)

Grosskopf, Annegret. "Verwirrspiel mit dem Sternenbanner." Kölner Stadt Anzeiger, nos. 36/37 (February 11/12, 1978). Review of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Hahn, Otto. "Jasper Johns: ‘Je ne suis que du toc.’" L’Express (Paris), April 17—24, 1978, pp. 45—47. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Hannay, Kathryn. "Abstraction. San Francisco Exhibit Spans Career of Artist Jaspar (sic) Johns." Reporter (Vacaville, Calif.), November 3, 1978, p. 5. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Hecht, Axel. "Jasper Johns: die neue Welt zeigt Flagge." Stern Magazin, no. 7 (February 9, 1978): 34—50. Review of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Henkel, Gabriele. "Die amerikanische Flagge als Gemälde." Die Presse (Vienna), April 1—2, 1978, p. 6. Review of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Hobhouse, Janet. "Jasper Johns" Artnews, vol 77, no. 6 (Summer 1978): 191—192. Review of Michael Crichton, Jasper Johns (exhibition catalogue, 1977).

Hooton, Bruce Duff. "City Plans Art Gallery." Art/World, December 15, 1978—January 17, 1979, pp. 1, 6. Johns honored by New York City mayor, Edward Koch.

Huser, France. "Exposition: Stars and Stripes." Le nouvel observateur (Paris), (May 8—14, 1978): 28. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and the one-man exhibition, Galerie Nancy Gillespie et Elisabeth de Laage, Paris.

Jodidio, Philip. "Jasper Johns: la tradition repensée." Connaissance des Arts, Paris, no. 314 (April 1978): 66—73. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Reprinted as brochure by the Centre Georges Pompidou, 1978.

Jühlen, Monika. "Er werkelte selbst bei der Eröffnung." Kölnische Rundschau, February 11, 1978. Review of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Kelley, Ken. "Betty Parsons Taught America to Appreciate What It Once Called ‘Trash’: Abstract Art." People, February 27, 1978, pp. 76—78, 83—85.

[King, Mary. "At Laumeier, A Good Opportunity To See Themes and Variations By Jasper Johns." St Louis Post-Dispatch (Saint Louis, Mo.), June 18, 1978. Review of exhibition at Laumeier House, Laumeier Sculpture Park, Sunset Hills. LCG.]

Kipphoff, Petra. "Steht man, was man weiss—weiss man, was man sieht? Der Skeptiker als Klassiker." Die Zeit, no. 9 (February 24, 1978): 33. Review of "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Koike, Kasuko. "Interview with Hidetoshi Kato: The Structure of American Society." av (art vivant): Seibu Museum News, Tokyo, vol. 4, no. 10 (July 1, 1978): n.p. Issue dedicated to Johns on the occasion of Review of "Jasper Johns," Seibu Museum of Art, Tokyo [now Sezon Museum of Art]; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. In Japanese.

Lester, Will. "Follow-up: Jasper Johns’ Story: An Inspiration To Dreamers." The Record (Columbia, S.C.), January 30, 1978, p. 1.

Levèque, Jean-Jacques. "Jasper Johns: le jeu des chiffres et des lettres." Quotidien de Paris, April 25, 1978. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Lipman, Jean, and Richard Marshall. "Art about Art." Review (August 1978): 38 —43. Excerpted from Michael Crichton, Jasper Johns (exhibition catalogue; Whitney Museum of American Art, New York, N.Y., 1977).

Lucie-Smith, Edward. "A Feeble Roar." Evening Standard (London), June 7, 1978. Review of "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

McColm, Del. "Jasper Johns exhibits more than pop art work." Enterprise (Davis, Calif.), November 3, 1978. Review of "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Marchand, Sabine. "Le porte-drapeau du Pop’art." Le Point (Paris) no. 296, (May 22, 1978). Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Meleze, Josette. "La relativité matérielle." Pariscope (Paris), May 17—23, 1978, p. 102. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Merckx, A. "Al vechtend tegen de schijn." De Nieuwe Gazet (Antwerp), May 12, 1978. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Micha, René. "Jasper Johns à Paris." Art International (Lugano), vol. 22, no. 5-6 (Summer 1978): 15—18. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and accompanying catalogue.

Michel, Jacques. "Un peintre américain au Centre Georges-Pompidou: L’énigmatique Jasper Johns." Le Monde (Paris), April 20, 1978, pp. 1, 11. Review of "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. JJSA.

Miyamoto, Michiko. "Jasper Johns in New York, Summer 1978." av (art vivant): Seibu Museum News (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. Issue dedicated to Johns on the occasion of Review of "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. In Japanese.

Morgan, Gwynne. "An intellectual approach to illness." Women’s Wear Daily (New York), June 12, 1978, p. 28. Discusses Susan Sontag and Johns.

Morris, Gay. "A Major Modern Artist who Puts Ideas into Action." Palo Alto Times, Palo Alto, Calif.), October 23, 1978, sec. II, p. 11. Interview with Johns on the occasion Issue dedicated to Johns on the occasion of "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. (JJ itw)

Moulin, Raoul-Jean. "La persistance des motifs communs." L’Humanité (Paris), May 2, 1978, p. 11. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition, Galerie Nancy Gillespie et Elisabeth de Laage, Paris.

Nakamura, Keiji. "Trace of Johns." In Yoshiaki Tono and Keiji Nakamura, eds., "Special Feature: Jasper Johns, From Pop Art to Art." Bijutsu Techô (Tokyo), vol. 30, no. 438 (September 1978): 43—127. Published on the occasion of the one-man retrospective exhibition, "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Passage II (1966) reproduced on cover. In Japanese.

Nudelman, Bernardo. "Jasper Johns, el anti-esteta." Punto y Coma (Barcelona): no. 9 (June 1978): 24.

Oliver, Georgina. "Jasper Johns peintre chéri des Américains: essentiellement un regard." Réalités (Paris), May 1978, pp. 51—55. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art.

Overy, Paul. "Modern Masters from Paris." The Times (London), July 11, 1978, p. 11. Includes review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y.

Paulson, Ronald. "Jasper Johns and Others." Bennington Review, no. 1 (April 1978): 62—71. Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977. Expanded version published as "Jasper Johns and the Second Generation of ‘American’ Painting." in Paulson, ed., Figure and Abstraction in Contemporary Painting (New Brunswick, N.J., and London: Rutgers University Press, 1990): 226—64, 275—76.

Perrone, Jeff. Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition, Whitney Downtown Branch, New York, N.Y. Artforum, vol. 16, no. 7 (March 1978): 63—65.

Pierre, José. "Jasper Johns: Fils culturel de Duchamp." Nouvelles littéraires ( Paris), April 20, 1978. Review of one-man retrospective exhibition, "Jasper Johns," Centre George Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. LCG.

Pohlen, Annelie. "Interview mit Jasper Johns." Heute Kunst (Milan), no. 22 (May—June 1978): 21—22. Review of one-man retrospective exhibition, "Jasper Johns," Kunsthalle Köln, Cologne; first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 170—73. (JJ itw)

Power, Kevin. "Jasper Johns." Arts Review, vol. 30, no. 12 (June 23, 1978): 313. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Quantrill, Malcolm. "London Letter." Art International (Lugano), vol. 22, no. 7 (November—December 1978): 46—47. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Raillard, Georges. "Le Langage de Jasper Johns." La quinzaine littéraire (Paris), June 1—15, 1978, p.13. Review of one-man retrospective exhibition, "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Roberts, Sally. "Jasper Johns." Arts, vol. 52, no. 6 (February 1978): 37. Review of one-man exhibition at Brooke Alexander Gallery, New York, N.Y., 1978—79.

Roque, G. "Paris—Beaubourg, été—automne; extraits du menu."Parachute (Montreal), no. 12 (fall 1978): 56. Review of one-man retrospective exhibition, "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Schmidt, Aurel. "Der rätselhafte Jasper Johns." Basler Zeitung (Basel), May 27, 1978. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and accompanying catalogue. LCG.

Shapiro, Estela. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and accompanying catalogue. Galeria Estela Shapiro (bulletin) (Mexico City), September 1978, n.p.

Shepherd, Michael. "Reality and the Image." Sunday Telegraph (London), June 25, 1978, p. 13. Includes review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Shere, Charles. "Did Ab-Ex Painting Say More Than Met the Eye?" The Tribune (Oakland, Calif.), November 5, 1978, sec. E, p. 5. Reviews of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, California.

Shestack, Alan. "Jasper Johns: Reflections." The Print Collector’s Newsletter, vol. 8, no. 6 (January—February 1978): 172—74.

Shone, Richard. "Review of exhibition Jasper Johns at the Hayward Gallery London." Burlington Magazine (London), vol. 120, no. 905 (August 1978): 552—53, 555. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Sozanski, Edward J. "‘Super Artist’ Johns Raised the Flag for Modern Art, But Who’s Saluting?" Providence Sunday Journal (January 15, 1978): 47. Review of one-man retrospective exhibition, "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977. JJSA.

Steger, Pat. "A Red Carpet For Jasper Johns." San Francisco Chronicle (October 20, 1978): 26. Notice of cocktail party in honor of Johns on the occasion of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Sutinen, Paul. "The Stunning Art of Jasper Johns." Willamette Week (Portland, Ore.), November 21, 1978, pp.13, 20. Review of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Stutzin, Leo. "Looking Back at Jasper Johns, Calm Revolutionary." The Modesto Bee (Modesto, Calif.), October 29, 1978, p. E7. Reviews of one-man retrospective exhibition, "Jasper Johns," San Francisco Museum of Art San Francisco, 1978; first shown at the Whitney Museum of American Art, New York, N.Y., 1977, and one-man exhibition "Jasper Johns: Prints 1970—77," University Art Museum, University of California, Berkeley, Calif.

Sugimoto, Hidetaro. ["Jasper Johns at Night."] (av) art vivant: Seibu Museum News, Tokyo, vol. 4, no. 10 (July 1, 1978): n.p. Issue dedicated to Johns on the occasion of "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. In Japanese.

Sweet, David. "Johns’s Expressionism." Artscribe (London), no. 12 (June 1978): 41—45.

Tani, Arata. ["Jasper Johns’ Technique."] Mizue (Tokyo), no. 883 (October 1978): 50—52, 61—63. Issue dedicated to Johns on the occasion of "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. In Japanese.

Tasset, Jean-Marie. "Jasper Johns l’exorciste." Le Figaro (Paris), May 16, 1978. Review of one-man retrospective exhibition, "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Thierry, Solange. "Paris: Jasper Johns." L’Oeil (Paris), no. 274 (May 1978): 82. Review of one-man retrospective exhibition, "Jasper Johns," Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Tisdall, Caroline. "Cooling Power." The Guardian (London), June 24, 1978, p. 11. Review of one-man retrospective exhibition, "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Tono, Yoshiaki, ed. ["Jasper Johns: Sketchbook Notes."] (av) Art vivant: Seibu Museum News (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. (6 pages). Johns’s notes translated into Japanese in issue dedicated to Johns on the occasion of one-man retrospective exhibition "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Reprinted in Yoshiaki Tono, Jasper Johns And/Or. (Tokyo: Bijutsu Shuppan-sha, 1979): 209—224. First published in English in Kirk Varnedoe, ed., and Christel Hollevoet, compiler, Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996); passim. (JJ skbk)

Tono, Yoshiaki. ["Recent Work By Jasper Johns: From Flag to Flagstone" in Yoshiaki Tono and Keiji Nakamura, eds., "Special Feature: Jasper Johns, From Pop Art to Art."] Bijutsu Techô (Tokyo), vol. 30, no. 438 (September 1978): 43—127. Published on the occasion of one-man retrospective exhibition "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. Passage II (1966) reproduced on cover. In Japanese.

Tono, Yoshiaki. ["Jasper Johns Came to Japan for his Great Retrospective."] Geijutsu-Shincho New Art Trend (October 1978): 34—35. Review of one-man retrospective exhibition "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Tono, Yoshiaki. ["Painting Records a Concept."] Sekai (Tokyo), (December 1978): 126—44. Reprinted in: Yoshiaki Tono, Jasper Johns And/Or. (Tokyo: Bijutsu Shuppan-sha, 1979): 187—208.; and Yoshiaki Tono, Jasper Johns—A Source for American Art (Tokyo: Bijutsu Shuppan-sha, 1986). Interview conducted August 22, 1978 on the occasion of one-man retrospective exhibition "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. (JJ itw)

Vaizey, Marina. "Andy Warhol–Our Dipstick-in-Chief." Sunday Times (London), June 25, 1978, p. 37. Includes review of one-man retrospective exhibition "Jasper Johns," Hayward Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Visser, Mathilde. ["Review."] Het Financieele Vrijdagblad (Belgium), May 26, 1978. Review of one-man retrospective exhibition "Jasper Johns," Hayward Gallery, London, and Centre Georges Pompidou, Paris; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Wasserman, Burt. "Turning Cold Facts into Cool Art." Courier-Post (Cherry Hill, N.J.), January 14, 1978. Review of one-man retrospective exhibition "Jasper Johns," Whitney Museum of American Art, New York, N.Y., 1977.

White, Edmund. ["Enigmas and Double Visions."] Ameryka (United States Information Services for Russia), no. 264 (November 1978): 36—43. In Russian. Translation of White, Horizon, 1977. (JJ itw)

Wilson, William. "Dogma Days Cooled Off In Bay Area." Calendar (November 5, 1978): 106. Review of one-man retrospective exhibition "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Yokoyama, Tadashi. ["The Structure of Watchman."] (av) Art vivant: Seibu Museum News (Tokyo), vol. 4, no. 10 (July 1, 1978): n.p. (6 pages). Issue dedicated to Johns on the occasion of one-man retrospective exhibition "Jasper Johns," Seibu Museum of Art, Tokyo (now Sezon Museum of Art); first shown at the Whitney Museum of American Art, New York, N.Y., 1977. In Japanese. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): Sketchbook Notes section, S-26. (JJ skbk)



1979*


"Art Exhibition by Jasper Johns Opens at Georgia Museum in Athens." Atlanta Journal and Constitution, (Atlanta, Ga.), March 11, 1979. Review of one-man exhibition "Jasper Johns: Prints 1970—1977," Georgia Museum of Art, Athens, Ga.

"French Unveil Major Picasso Show." New York Times, October 12, 1979, p. C22. Mention of Johns’s attendance at and comments on Picasso exhibition at the Grand Palais, Paris.

"Jasper Johns: Land’s End (1978)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 10, no. 1 (March—April 1979): 20.

"Jasper Johns: Land’s End (1979)," in "Prints and Portfolios Published."The Print Collector’s Newsletter, vol. 10, no. 4 (September—October 1979): 129.

"Jasper Johns: Painter of Things We Already Know." Réalités (Paris), July—August 1979, pp. 54—61.

"Jasper Johns: Periscope I (1979): Target with Four Faces (1979): Usuyuki (1979)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 10, no. 5 (November—December 1979): 161.

["Jasper Johns Working Proofs."] Du (Zurich), 5 (1979): 25. Review of one-man exhibition "Jasper Johns Working Proofs," Kunstmuseum Basel. In German.

"Katalog Jasper Johns." Basler Magazin (Basel), no. 23 (June 9, 1979): 11. Book review of Christian Geelhaar, Jasper Johns Working Proofs (exhibition catalogue).

"Kopf- und Handwerk." Neue Züricher Zeitung (Zurich), no. 102 (May 4, 1979): 37. Review of "Jasper Johns Working Proofs," Kunstmuseum Basel.

"Personalities." Washington Post, February 24, 1979, p.C3. Johns has tea at the Vice-President’ house on occasion of Corcoran Biennial.] (JJ itw)



Christian, Andy. "A Flag; A Question." Christian Science Monitor, April 13, 1979, p. 20.

Chutkow, Paul. "Picasso Genius Unveiled In ‘Artistic Event of Decade.’ " The State (Columbia, S.C.), October 12, 1979. Discusses Johns at Picasso exhibition, Grand Palais, Paris.

Clarke, Gerald. "Dealer Leo Castelli Sold The World on Pop Art, and Now He’s Cleaning Up." People, February 26, 1979, pp. 33—34, 37—38.

Descloux, Charles. "L’oeuvre graphique de Jasper Johns." La Liberté, May 26—27, 1979, p. 2. Review of "Jasper Johns Working Proofs," Kunstmuseum Basel.

Fleming, Lee. "Honoring the Finest in American Art." Washington Calendar Magazine, February 1979, p. 37. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Forgey, Benjamin. "Stunning Art by New York’s Finest." Washington Star, February 25, 1979, p. E3. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Forgey, Benjamin. "An All-Star Quintet from the 1960’s, Now ‘Old Masters.’ " Smithsonian Studies in American Art, vol. 9, no. 11 (March 1979): 80—85. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Geelhaar, Christian. "Ein Dritter Jasper Johns." Basler Zeitung (Basel), no. 126 (June 1, 1979): 45. Discusses acquisition of a third Johns, Céline, by the Kunstmuseum Basel.

Glozer, Laszlo. "Der Weg ist die Hauptsache." Süddeutsche Zeitung, no. 153 (July 6, 1979): 11. Review of "Jasper Johns Working Proofs," Staatliche Graphische Sammlung, Munich; first shown at the Kunstmuseum Basel.

Glueck, Grace. "Art People." New York Times, February 23, 1979, p. C21. Announcement of the Institute for Art and Urban Resources benefit "Artists for New York," organized by Billy Klüver.

Hohl, Reinhold. "Scheiz—Basel." Museen und Galerien (April 1979): 231—32. Review of "Jasper Johns Working Proofs," Kunstmuseum Basel. JJSA.

Kalil, Susie. "Jasper Johns’ History in Graphics."Artweek, vol. 10, no. 20 (May 19, 1979): 1, 20. Review of one-man exhibition, Janie C. Lee Gallery, Houston, Texas.

King, Mary. "Jasper Johns Prints And Second ‘Currents’ Exhibition At The Museum." St Louis Post-Dispatch (St. Louis, Mo.), May 20, 1979, p. 5. Review of 1978 one-man exhibition "Jasper Johns: Prints 1970—1977," St. Louis Art Museum, St. Louis, Mo., first shown at the Center for the Arts, Wesleyan University, Middletown, Conn., 1978.

Kramer, Hilton. "A Refuge From the Vexing 70’s." New York Times, March 25, 1979, pp. 31, 34. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Lewis, Jo Ann. "Suddenly, Old Masters." Washington Post Magazine (Washington D.C.) (February 25, 1979): 20—24. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Lewis, Jo Ann. "‘Setting Standards’ at the Corcoran." Artnews, vol. 78, no. 4 (April 1979): 85, 88—89. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

McLellan, Joseph, and Carla Hall. "Living Portraits." The Washington Post, February 23, 1979, pp. B1, B3. Artists’ statements about their video portraits at the "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C. (JJ itw)

Monteil, Annemarie. "Beispiel Jasper Johns: Wie Kunstwerke entstehen." Basler Zeitung, no. 88 (April 14, 1979): 45. Review of "Jasper Johns Working Proofs," Kunstmuseum Basel.

Morrison, Ann. "Oh Say, Can You See. . . " Vanguard (February 1979): 19—21. Review of one-man retrospective exhibition "Jasper Johns," San Francisco Museum of Art, San Francisco, Calif.; first shown at the Whitney Museum of American Art, New York, N.Y., 1977.

Moses, Valerie. "Johns Lithograph Presented/Top Artist’s Work Now Hangs Here." Coloradoan (Fort Collins, Colo.), March 7, 1979, pp. A1, B1. Savarin Can lithograph presented to the Lincoln Community Center in conjunction with one-man exhibition at Colorado State University, Fort Collins, Colo.

Netter, Maria. "Jasper Johns Working Proofs." Weltkunst, vol. 49, no. 14 (July 15, 1979): 1753. Review of "Jasper Johns Working Proofs," Staatliche Graphische Sammlung, Munich; first shown at the Kunstmuseum Basel.

Payant, René. "Collage at large: le texte déchaîné." Revue d’esthétique: Rhétoriques, sémiotiques (Paris: 10—18, Union générale d’éditions, Collection Inedit [nos. 1—2], 1979): 254—271. Reprinted in René Payant, Vedute: Pièces détachées sur l’art 1976—1987 (Montreal: Trois, 1987): 75—86; and Artstudio (Paris), no. 12 (spring 1989): 84—97.

Perrone, Jeff. "The Purloined Image." Arts, vol. 53, no. 8 (April 1979): 135—39.

Richard, Paul. "Artistry Reaffirmed–Five Masterful Painters." Washington Post, February 23, 1979, pp. B1, B4. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Richard, Paul. "Corcoran’s Biennial. Focusing on Five." Washington Post, February 18, 1979, pp. K1, K3. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Rose, Barbara. "Tatyana Grosman: The Rise of Graphics in American Art and the Woman Behind it." Vogue (June 1979): 206—7, 248. JJSA.

Shirey, David L. "An Exhibition in Praise of Paper." New York Times, May 13, 1979, p. 24. Review of "Works on Paper U.S.A.," Rockland Center for the Arts, West Nyack, N.Y.

Steinhauser, Monika. "Anatomie der Wahrnehmung. Graphik von Jasper Johns in München." Frankfurter Allgemeine Zeitung (Frankfurt), no. 170 (July 25, 1979): 21. Review of one-man exhibition, "Jasper Johns Working Proofs," Staatliche Graphische Sammlung, Munich; first shown at the Kunstmuseum, Basel.

Stumm, Reinhardt. "Rätsel im Raster." Nürnberger Nachrichten, April 17, 1979, p. 25. Review of one-man exhibition "Jasper Johns Working Proofs," Kunstmuseum Basel.

Stutzer, Beat. "Stationen auf dem Weg zur Perfektion." Basler Volksblatt, vol 107, no. 85 (April 11, 1979). Review of "Jasper Johns Working Proofs," Kunstmuseum Basel.

Tannous, David. "Report from Washington. Big-Name Biennial, Plus..." Art in America, vol. 67, no. 4 (July August 1979): 24—25. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Von Helmolt, Christa. "Die Verwandlungen des Jasper Johns." Frankfurter Allgemeine Zeitung (September 20, 1979): 25. Review of one-man exhibition "Jasper Johns Working Proofs," Städtische Galerie im Städelschen Kunstinstitut, Frankfurt am Main; first shown at the Kunstmuseum Basel.

Wallach, Amei. "Printmaking’s Grande Dame." LI: Newsday’s Magazine for Long Island (New York), ( August 5, 1979): 11—14, 22, 24. On Tatyana Grosman.



1980*


Announcement for exhibition "Poets and Painters," La Jolla Museum of Contemporary Art, La Jolla, Calif. La Jolla Museum of Contemporary Art, (museum newsletter; La Jolla, Calif.), September/October 1980, n.p.

Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Art/World
, vol. 5, no. 2 (October 17—November 14, 1980): 15.

"Expositie van Jasper Johns’ Working Proofs." De Morgen (December 10, 1980). Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel. JJSA.

"Forming An Arts Policy For Reagan-Bush Years." Art/World, vol. 5, no. 3 (November 20—December 20, 1980): 11. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

"An Illustrious Son." The State (Columbia, S.C.), October 16, 1980, p. 16A. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

"Jasper Johns: Two Flags (1980)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 11, no. 4 (September—October 1980): 131.

"Jasper Johns te Hasselt." Het Laatste Nieuws (Belgium), November 25, 1980. Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel. JJSA.

"Jasper Johns: Untitled (1977—80)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 11, no. 1 (March—April 1980): 17.

"Jasper Johns: Usuyuki (1980)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 11, no. 2 (May—June 1980): 54.

"Jasper Johns Working Proofs." De Bond (December 5, 1980). Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979.

"Jasper Johns Working Proofs." Vereniging voor het Museum van Hedendaagse Kunst te Gent, no. 61 (December 1980). Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

"‘Jasper Johns Working Proofs’ in Hasselt ausgestelt." Grenz-Echo, November 25, 1980. Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

"Local Artist’s Work Sells for $ 1 Million." Sunday Journal News (Gannett, Rockland County, N.Y.), September 28, 1980, p.1, 16A. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

"Pop Art in het Begijnhof." Het Nieuwsblad, November 28, 1980. Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

"Poster Toaster." Museums New York, vol. 1, no. 2 (1980): 69. Discusses poster created by Johns for the 50th anniversary of the Whitney Museum of American Art.

"Quotation of the Day. $1 Million Was Paid for a Jasper Johns." New York Times, September 27, 1980, p. L25. Johns’s statement about the sale of Three Flags (1958) to the Whitney Museum of American Art, Fall 1980. Also see Anderson, 1981; and Marsh, 1982. (JJ itw)

"Stars and Stripes for a Million." New York Times, September 28, 1980, p. E7. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.



Bernstein, Roberta. "Jasper Johns: Prints 1970—1977 by Richard S. Field." Art Journal, vol. 39, no. 4 (Summer 1980): 329, 331. Book review.

Blocker, H. Gene. "Autonomy, Reference and Post-Modern Art." British Journal of Aesthetics, vol. 20, no. 3 (1980): 229—36, 233—35.

Bongard, Willi. Art Aktuell (Cologne), vol. 10, no. 21 (November 1980): 974—75. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

De Cnodder, Remi. "Grafische werkproeven van Jasper Johns." Spectator, December 13, 1980. Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

Feinstein, Roni. "New Thoughts for Jasper Johns’ Sculpture." Arts, vol. 54, no. 8 (April 1980): 139—145.

Forgey, Benjamin. "Kvintet Majstora Kicice." Pregled 211 (May—June 1980): 32—37. Review of "36th Biennial Exhibition of Contemporary American Painiting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg," Corcoran Gallery of Art, Washington, D.C.

Forsling, Stephen. "Fizzles, Savage Breeze, Kitty Hawk and a Message from Degas." Artnews, vol. 79, no. 7 (September 1980): 124—128. Curators discuss their favorite prints.

Glueck, Grace. "Painting by Jasper Johns sold for Million, a Record." New York Times, September 27, 1980, pp.1, 12. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Glueck, Grace. "Royalties on Art Resales Are Far From Universal." New York Times, November 12, 1980, p. C25. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Goldstein, Richard. "Art Beat: Keeping up with the Johnses." The Village Voice, October 8—14, 1980, p. 43. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Pauwels, Dirk. "Johns: drukproeven op peil." De Standaard (December 19, 1980). Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

Prijs, G. "Jasper Johns, Working Proofs." Het Belang van Limburg (November 22, 1980). Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.

Prinz, Jessica. "Foirades/Fizzles/Beckett/Johns." Contemporary Literature (Madison: University of Wisconsin Press), vol. 21, no. 3 (Summer 1980): 480—510.

Rand, Harry. "The Modes and Recent Art." Arts, vol. 55, no. 4 (December 1980): 76—92 91—92.

Tomkins, Calvin. "Boom." New Yorker (December 22, 1980): 78—80. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Trucco, Terry. "The Million Dollar Stars and Bars." The Artnewsletter, New York, vol. 6, no. 4 (October 14, 1980): 1—2. Rev. version: "Saluting Three Flags." in Artnews, vol. 79, no. 10 (December 1980): 12. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art.

Tyzack, Michael. "Frame-Shop Display Proves Interesting." The News and Courier (Charleston, S.C.), October 12, 1980, pp. E8—9.

Wallis, Claudia. "People." Time (October 13, 1980): 109. Discusses sale of Three Flags (1958) to the Whitney Museum of American Art. (JJ itw)

Warhol, Andy, and Pat Hackett. "In the Beginning. On the Origins of Pop Art and other Matters . . ." New York (March 3, 1980): 60—71. Adapted from Andy Warhol and Pat Hachette, Popism: The Warhol Sixties.

Waterschoot, Kektor. "Jasper Johns en de grafiek in series." Knack (December 24, 1980). Also published in Het Belang van Limburg, December 24, 1980. Review of one-man exhibition "Jasper Johns Working Proofs," Provinciaal Begijnhof in Hasselt, Belgium; first shown at the Kunstmuseum Basel, 1979. JJSA.



1981*


Getler/Pall Gallery Newsletter
(New York, N.Y.) (fall/winter 1981): n.p. Discusses print acquisitions.

"The Image in American Painting and Sculpture 1950—1980." Dialogue (Akron, Ohio), (September—October 1981): 36. Discusses inaugural exhibition at the Akron Art Museum.

"Jasper Johns: Cicada II (1979—81)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 12, no. 3 (July—August 1981): 83.

"Jasper Johns: Usuyuki (1981)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 12, no. 4 (September—October 1981): 112.

"Proof of the Print." Horizon (London), vol. 24, no. 2 (February 1981): 18—20. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Review of "20th-Century American Art: Highlights from the Permanent Collection," Whitney Museum of American Art. Art Das Kunstmagazin (Hamburg), March 1981, p. 130.

"Ritorno al colore." Bolaffi, La Rivista dell’Arte, July 1981. Review of "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.



Anderson, Alexandra. "From the Horse’s Mouth." Portfolio, vol. 3, no. 1 (January—February 1981): 8. Discusses sale of Three Flags (1958) to Whitney Museum of American Art. Also see "Quotation of the Day." 1980, and Marsh, 1981. (JJ itw)

Bongard, Willi. Art Aktuell (Cologne), vol. 11, no. 23 (November 1981): 91—94. Review of Cologne Art Fair.

Burn, Guy. "Jasper Johns’ Working Proofs." Arts Review (London), vol. 33, no. 2 (January 30, 1981): 33. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Burr, James. "Pools Patronage." Apollo (London), vol. 113, no. 228 (February 1981): 123. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Cooper, Clare. "Jasper Johns, Working Proofs, Tate Gallery." Connoisseur, vol. 206, no. 828 (February 1981): 88. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Feinstein, Roni. "Jasper Johns." Arts, vol. 55, no. 8 (April 1981): 7. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Fletcher, Florence. New York (September 21, 1981): 37. Announcement for "20th-Century American Art: Highlights from the Permanent Collection," Whitney Museum of American Art, New York, N.Y.

Goldman, Judith. "Twenty-Five Years of American Prints and Printmaking: 1956—1986." Print Review: American Prints and Printmaking 1956—1981 (Pratt Graphics Center, New York, N.Y.): 13.

Goldman, Judith. "The Proof Is in the Process: Painters as Printmakers." Artnews, vol 80, no. 7 (September 1981): 148—49. Annoucement for "American Prints: Process and Proofs," Whitney Museum of American Art, New York, N.Y.

Gottlieb, Carla. "Self-portraiture in Postmodern Art." Wallraf-Richartz Jahrbuch (Cologne), 42 (1981): 267—302, 277—80.

Hale, Nike. "Johns Holds Clear Line." Art World (January 16—February 18, 1981): 1, 10. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Kuspit, Donald B. "Personal Signs: Jasper Johns." Art in America, vol. 69, no. 6 (summer 1981): 111—113. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Larson, Kay. "The Game of the Rules." New York, vol. 14, no. 5 (February 2, 1981): 54—55. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Lawson, Thomas. "Jasper Johns." Flash Art, no. 102 (March—April 1981): 39. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Lucie-Smith, Edward. "London Letter. Jasper Johns Working Proofs." Art International (Lugano), vol. 24, no. 7—8 (March—April 1981): 114—115. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Phillips, Antonia. "Mixed Impressions. Jasper Johns Working Proofs at the Tate." TimesLiterary Supplement (London), Februry 20, 1981, p. 195. Review.

Ratcliff, Carter. "The Art of Chic. The Blue-chip Dozen." Saturday Review (New York), vol. 8, no. 4 (April 1981): 12—17.

Russell, John. "The Provocative Drawings of Jasper Johns." New York Times, January 25, 1981, p. D25. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Salmans, Sandra. "Philip Morris and the Arts." New York Times, November 11, 1981, p. D1, D6.

Shone, Richard. Burlington Magazine (London), vol. 123, no. 936 (March 1981): 185—86. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Shone, Richard. Burlington Magazine (London), vol. 123, no. 940 (July 1981): 436. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.

Sill, Gertrude Grace. "The Reversed Canvas." Portfolio, vol. 3, no. 1 (January—February 1981): 48—51.

Smith, Roberta. "Jasper Johns Presents Himself. Again" Village Voice, February 4—10, 1981, p. 79. Review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Stevens, Elisabeth. "Feeding and Flexing your neuroses in SoHo, or browsing through a graffiti conversation." New York Sun, February 6, 1981, pp. B1, 6. Includes review of one-man exhibition "Jasper Johns Drawings 1970—80," Leo Castelli Gallery, New York, N.Y.

Taylor, Robert. "Johns’ Solo Powerful." Boston Globe, November 8, 1981, p. B5. Review of one-man exhibition, "Jasper Johns: Prints: 1977—81, The Complete Works," Thomas Segal Gallery, Boston, Mass.

Todd, Jennifer. "Insight and Ideology in the Visual Arts." British Journal of Aesthetics, vol. 21, no. 4 (August 1981): 305—17, 313—15.

Trucco, Terry [T. T.]. "Contemporary Painting." Artnews, vol. 80, no. 4 (April 1981): 79—82.

Wykes—Joyce, Max. "Jasper Johns at Work at His Best." International Herald Tribune (Paris), March 7—8, 1981, p. 10W. Review of one-man exhibition "Jasper Johns Working Proofs," Tate Gallery, London; first shown at the Kunstmuseum Basel, 1979.



1982*


Article on sale of lithograph False Start I at Christie’s. Art and Auction, December 1982—January 1983. LCG.

"Calendar: 10." Avenue (November 1982): 21. Review of "Jasper Johns: Savarin Monotypes," Whitney Museum of American Art, New York, N.Y. LCG.

"Jasper Johns: Usuyuki (1982): Untitled (Red): Untitled (Yellow): Untitled (Blue): (1982)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 13, no. 2 (May—June 1982): 57.

"Johns Exhibit Opens." The State (Columbia, S.C.), August 19, 1982, p. B1. Announcement for one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C.

"Johns Exhibit Opens Season." Carolinian (Columbia, S.C.), September 1982. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C. JJSA.

"Lithographs Among McKissick Museum Summer Exhibits." Carolinian (Columbia, S.C.), summer 1982. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C. LCG.

"Starring Jasper Johns." The Print Collector’s Newsletter, vol. 12, no. 6 (January—February 1982): 178. Review of film "Hanafuda: Jasper Johns."



Allara, Pamela. Artnews, vol. 81, no. 4 (April 1982): 176, 178. Review of one-man exhibition, "Jasper Johns: Prints: 1977—81, The Complete Works," Thomas Segal Gallery, Boston, Mass.

Bernstein, Roberta. "Books in Review: Jasper Johns Working Proofs by Christian Geelhaar, and Jasper Johns: Prints 1977—1981, Essay by Judith Goldman." The Print Collector’s Newsletter, vol. 13, no. 1 (March—April 1982): 27—29.

Carlsen, Peter, and David Lawrence. "Objects of Desire." GQ (December 1982): 182. Frank O. Gehry on Tantric Detail (1980).

Esterow, Milton, ed. "Contemporary Prints at Christie’s." The Artnewsletter (New York, N.Y.), November 2, 1982, p. 6. Review of auction. LCG.

Esterow, Milton. "Auction News." The Artnewsletter (New York, N.Y.), December 14, 1982, p. 3. LCG.

Feinstein, Roni. "Jasper Johns’s Untitled (1972) and Marcel Duchamp’s Bride." Arts, vol. 57, no. 1 (September 1982): 86—93. (Detail of Untitled (1972) on issue cover).

Fletcher, Florence. New York (September 20, 1982): 52—53. Anouncement of "Jasper Johns: Savarin Monotypes," Whitney Museum of American Art, New York, N.Y.

Forgey, Benjamin. "In Pursuit of the Perfect Print." Washington Post, July 22, 1982, p. E7. Discusses Universal Limited Art Editions (ULAE).

Glueck, Grace. "Group Show Celebrates Pollock Legacy in Art." New York Times, September 10, 1982, p. C1, C21. Review of "Recent Aspects of Allover," Harm Bouckaert Gallery, New York, N.Y.

Glueck, Grace. "The Artists’ Artists." Artnews, vol. 81, no. 9 (November 1982): 94—95. Artists, including Johns, asked to name colleagues who deserve more recognition. (JJ itw)

Marsh, Marian. "Artist with Sumter Ties Hailed as Generation’s Best. The Sumter Daily Item (Sumter, S.C.), August 19, 1982, p. 1B. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C. (JJ itw)

Parris, Nina G. "Any Johns Exhibit An Event Of Note." The State (Columbia, S.C.), (mid August, 1982), pp. B11, 14. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C.

Pearson, Eric. "Fervor Fills The Air." The State (Columbia, S.C.), August 15, 1982, p. B12. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C.

Rollins, Thomas C. "Jasper Johns." The Columbia Record (Columbia, S.C.), August 19, 1982, p. B1. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C.

Russell, John. "Art." New York Times, May 28, 1982, p. C23. Review of "Johns, Kelly, and Serra: New Work," Blum Helman Gallery, New York, N.Y.

Secrest, Meryle. "Leo Castelli: Dealing in Myths." Artnews, vol. 81, no. 6 (Summer 1982): 66—72.

Simons, Riki. "Gesprek met Jasper Johns: Dat ik totaal niet begrepen word, is interessant." N.R.C. Handelsblad (Rotterdam), April 23, 1982, p. CS3. Interview conducted with Johns on the occasion of "’60—’80: Attitudes/Concepts/Images," Stedelijk Museum, Amsterdam. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): pp. 211—14. (JJ itw)

Smith, Roberta. "Group Flex." Village Voice, June 22, 1982, p. 106. Review of "Group Exhibition: Johns, Kelly, Lichtenstein, Rosenquist, Ruscha, Schnabel, Warhol," Leo Castelli Gallery, New York, N.Y.

Tomkins, Calvin. "The Art World: Tatyana Grosman." The New Yorker (August 9, 1982): 82—86. Obituary.



1983*


"Contemporary Art: Twenty-Five Years." Art and Auction, vol. 5, no. 6 (February 1983): 58, 62—64. Includes reproduction of Three Flags (1958) and interview with Leo Castelli.

"Herrmann Art Collection on Display at McKissick." The State (Columbia, S.C.), April 3, 1983. Review of one-man exhibition "Jasper Johns . . . Public and Private: An Exhibition of Prints from Public and Private Collections," McKissick Museum, Columbia, S.C. LCG.

"Jasper Johns, Voice 2 (1982)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 14, no. 1 (March—April 1983): 19.



Burn, Guy. "Artists’ New Prints." Arts Review (March 18, 1983): 123—24, 144. Discusses Savarin lithograph.

Burnett, W.C. "GA. 250/Who’s Who: Visual Arts." Atlanta Journal/Atlanta Constitution, February 20, 1983, p. M21.

Canaday, John. "The State of the Arts." Architectural Digest (August 1983): 24, 26, 28, 30.

de Duve, Thierry. "Who’s Afraid of Red, Yellow, and Blue?" Artforum, vol. 22, no. 1 (September 1983): 30—36.

Glueck, Grace. "When Money Talks, What Does It Say About Art?" New York Times, June 12, 1983, pp. B1, 30. One-line epigram.

Larson, Kay. "All-American Energy." New York (April 11, 1983): 61—63. Review of "1983 Biennial Exhibition," Whitney Museum of American Art, New York, N.Y.

Rosenthal, Mark. "The Structured Subject in Contemporary Art: Reflections on Works in the Twentieth-Century Galleries." Philadelphia Museum of Art Bulletin, vol. 79, no. 340 (fall 1983): 6—7.

Tomkins, Calvin. "Museums without Walls." The New Yorker (January 17, 1983): 102—4 (104). Includes review of Judith Goldman, Jasper Johns: 17 Monotypes (exhibition catalogue).



1984*


Dow Jones Annual Report 1983
. (New York: Dow Jones and Co., Inc., 1984): 14—15. Reproductions of the Whitney Museum’s Three Flags (1958) on cover, and Map (1962—63).

"Jasper Johns: Voice 2 (1983)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 14, no. 6 (January—February 1984): 213—14.

Promised gift in honor of the museum’s fiftieth year, Thermometer (1959). Seattle Art Museum Biennial Report 1982—1984, 1984, p. 21.



Allen, Jennifer. "Jasper Johns’ Beautiful Banalities." New York, vol. 17 (February 20, 1984): 32. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. (JJ itw)

Amaya, Mario. "The Right Stuff: New Works by Jasper Johns." Studio International (London), vol. 197, no. 1005 (1984): 12—13. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Amaya, Mario. "Jasper Johns." The Time (London), April 26, 1984, p. 16. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Ashbery, John. "A Tortoise Among Hares." Newsweek, vol. 103, no. 9 (February 27, 1984): 81. Review of one-man exhibition at the Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Bennetts, Leslie. "Modern Art Museum Is on Display and a Week of Celebration Begins." New York Times, May 8, 1984, pp. B1, B4. (JJ itw)

Bernard, April and Mimi Thompson. "Johns on . . . " Vanity Fair, vol. 47, no. 2 (February 1984): 65. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 214—70. (JJ itw)

Davvetas, Demosthène. "Jasper Johns et sa famille d’objets." Artpress (Paris), vol. 80 (April 1984): 11—12. Interview on the occasion of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 217—19. (JJ itw)

Daxland, John, "Museum of Modern Art Doubles Gallery Space." The State (Columbia, S.C.), June 24, 1984. JJSA.

Francis, Richard. Burlington Magazine (London), vol. 126, no. 971 (February 1984): 120. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Francis, Richard. "Disclosures." Art in America, vol. 72, no. 8 (September 1984): 196—203. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Heartney, Eleanor. "Jasper Johns." Artnews, vol. 83, no. 5 (May 1984): 157. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Hennessy, Richard. "The Man Who Forgot How to Paint." Art in America, vol. 72, no. 6 (Summer 1984): 13—15, 17, 19—21, 23, 25.

Larson, Kay. "Antidotes to Irony." New York, vol. 17, no. 9 (February 27, 1984): 58—59. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Larson, Kay. "MoMA Unveils its Treasures." New York (May 14, 1984): 34—41, 44—49. Flag (1954—55) reproduced on cover.

Larson, Kay. "The Real Things." New York (July 16, 1984): 58—59. Review of "American Still Life 1945—1983," Neuberger Museum, State University of New York, Purchase, N.Y.

Orton, Fred, and Charles Harrison. "Jasper Johns: ‘Meaning What You See.’" Art History (London), vol. 7, no. 1 (March 1984): 76—101. Guest lecture presented by Orton at the Open University "Modern Art and Modernism" Summer School at Westfield College, University of London, in July 1983; reworked with Harrison.

Pincus-Witten, Robert. "Entries: I-know-that-you-know-that-I-know." Arts, vol. 58, no. 6 (February 1984): 126—129.

Preston, Malcolm. "Images with Words in Edgewise." Newsday, June 4, 1984, p. II, 17. Review of "Verbally Charged Images," Queens Museum of Art, Flushing Meadows, N.Y.

Ratcliff, Carter. "The Inscrutable Jasper Johns." Vanity Fair, vol. 47, no. 2 (February 1984): 60—64. Review of one-man exhibition at the Leo Castelli Gallery, New York, N.Y.

Raynor, Vivian. "Art." New York Times, November 30, 1984, p. C26. Review of "Masters of the Sixties: From New Realism to Pop Art," Marisa del Re Gallery, New York, N.Y.

Reynolds, Ann Morris. "Jasper Johns." Arts, vol. 58, no. 8 (April 1984): 7. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Rose, Barbara. "Modern Classics: Johns and Balthus." Vogue, vol. 174, no. 2 (February 1984): 362—65, 417—18. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Excerpt translated into French as "Méditation de Jasper Johns" in Artpress (Paris), 80 (April 1984): 10.

Russell, John. "Art: Jasper Johns Show is Painter at His Best." New York Times, February 3, 19, p. C22. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Russell, John. "Art: An Introduction to Range of Raoul Dufy." New York Times, November 9, 1984, p. C22. Includes review of inaugural exhibition at Janie C. Lee Gallery, New York, N.Y.

Russell, John. New York Times Book Review, December 2, 1984, p. 11. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

Silverthorne, Jeanne. "Jasper Johns, Artforum, vol. 22, no. 10 (Summer 1984): 86—87. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Slaton, Amy. "Jasper Johns at Castelli Greene St." East Village Eye, March 1984, pp. 35—36. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Smith, Roberta. "Jasper Johns’ Personal Effects." Village Voice (February 21, 1984): 89. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Stuttaford, Genevieve. Publisher’s Weekly (October 26, 1984): 91. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

Welish, Marjorie. "Where Art Comes First." House and Garden, vol. 156, no. 8 (August 1984): 116—121, 166. Discusses an art collector’s apartment.

Yoda, Toshihisa. ["From New York: Jasper Johns and Others."] Bijutsu Techô (Tokyo), vol. 36, no. 525 (May 1984): 180—81. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Young, Mary. "Misidentified Artist was Jasper Johns." The State (Columbia, S.C.), September 26, 1984. Correction to article on Rauschenberg (September 2 edition) which had picture of Johns misidentified as Rauschenberg. JJSA.



1985*


Announcement for Wallace Stevens’s "Poems." (Helen Vendler, ed.), with a frontispiece etching by Johns. Art in America, vol. 73, no. 9 (September 1985): 152.

"Book News." Art Business News, February 1985. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

"Jasper Johns Drawings 1954—1984 by David Shapiro." Drawing Magazine (January—February 1985): 108. Book review.

"Jasper Johns: Ventiloquist," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 16, no. 2 (May—June 1985): 36.



Berkson, Bill [William]. "A Ponderable Triad." Art in America (September 1985): 21, 23, 25, 27. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

Bernstein, Roberta. "Jasper Johns Drawings 1954—1984 by David Shapiro." The Print Collector’s Newsletter, vol. 16, no. 2 (May—June 1985): 66—67. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

Brenson, Michael. "The Whitney Biennial—Art’s Cutting Edge?" New York Times, March 17, 1985): sect. 2, 1, 24.

Clark, Garth. "George E. Ohr." Antiques, (September 1985): 490—497. Discusses pots in Johns’s collection and used in Ventriloquist (1983).

Cohen, Ronny H. "Prints About Art." The Print Collector’s Newsletter, vol. 16, no. 5 (November—December 1985): 165.

Deitz, Paula. "Spirit of the Season." Financial Times (London), December 12, 1985, p. 21. Review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y.

Lewinson, David. "Words and Images Combine to Delight and Stimulate." The San Diego Union, February 7, 1985, p. D10. Review of "Verbally Charged Images," San Diego State University.

Madoff, Steven Henry. "What is Postmodern about Painting: the Scandinavia Lectures." Arts, vol. 60, no. 1 (September 1985): 116—21.

Marzorati, Gerald. "Picture Puzzles: The Whitney Biennial." Artnews, vol. 84, no. 6 (Summer 1985): 74—78. Review.

Muchnic, Suzanne. "Images Plus Words Make a Message." Los Angeles Times, April 29, 1985, part VI, pp. 1, 3. Review of "Verbally Charged Images," California State University, San Bernardino, Calif.

Nadelman, Cynthia. "Beckett’s Landscape. The Stage and Beyond." Artnews, vol. 84, no. 5 (May 1985): 84—89.

Reif, Rita. "Rediscovering a Potter." New York Times, February 24, 1985, sec. 2, p. H35. Review of "George E. Ohr: An Artworld Homage," Garth Clark Gallery, [New York, N.Y.], to which Johns lent eight ceramic pieces, Also see Clark, 1985.

Rosand, David. "Testing Gestures." Times Literary Supplement (London), September 6, 1985, p. 970. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

Russell, John. "Art: Whitney Presents its Biennial Exhibition." New York Times, March 22, 1985, C23. Review.

Russell, John. "Art: At the Guggenheim, 40 Years of Sculpture." New York Times, November 29, 1985, p. C20. Review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y.

Shapiro, David. "John Cage: On Collaboration in Art. A Conversation." Res (Harvard University, Cambridge, Mass.), 10 (autumn 1985): 103—16.

Sozanski, Edward J. "Three Exhibits Bridge a Wide Sculpture Chasm." Philadelphia Inquirer, December 1, 1985, p. 14K. Includes review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y.

Staniszewski, Mary Anne. "Pop’s Public Relations." Art and Text (Melbourne), no. 19 (October—December 1985): 83—87. Review of "Pop Art 1955—1970," Sidney, Brisbane, and Melbourne.

Stevens, Elisabeth. "New Shows Feature Prints and Drawings." Baltimore Museum of Art, New York Sun, September 4, 1985, pp. B1, 4. Includes review of one-man exhibition "Baltimore Collects: Prints by Jasper Johns," Baltimore Museum of Art, New York, N.Y.

Tono, Yoshiaki. ["Artists Now 13: Jasper Johns. Feeling Like Robinson."] Bijutsu Techô (Tokyo), vol. 37, no. 546 (July 1985): 176—79, 182—83, 186—91. Includes discussion of Beckett and review of Johns’s works at Whitney Biennial. In Japanese.

Tono, Yoshiaki. ["Discussion on Watercolor."] Mizue (Tokyo), no. 936 (autumn 1985): 4—11. Discusses Johns, Cézanne, and Duchamp. In Japanese.

Walsh, Robert. "An Allegory of Skepticism." Artnews (April 1985): 30. Book review of David Shapiro, Jasper Johns: Drawings 1954—1984.

William, Reba White. "Reviews: Prints." Art and Auction (July 1985): 43—44. Review of Tatyana Grosman print sale at Christie’s (April 18).

Yau, John. "Target Jasper Johns." Artforum, vol. 24, no. 4 (December 1985): 80—84.



1986*


"Can Artists Control the Work They’ve Sold?" New York Times, November 23, 1986, p. 26.

(C. v. H.). "Die Amerikanische Flagge weht auch für die Kunst." Die Neue Arzlichet (Frankfurt), December 8, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

"Eye: Johns at The Museum of Modern Art, New York, N.Y." Women’s Wear Daily, May 16, 1986, p.16. Photographs of opening of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York.

"Jasper Johns Painting is Sold for $ 3.6 Million." Philadelphia Inquirer, November 12, 1986, pp. F1, 7. Discusses sale of Out the Window (1959).

"Jasper Johns & Wallace Stevens." The Print Collector’s Newsletter, vol. 16, no. 6 (January—February 1986): 219. Discusses book of poems by Stevens with a bound-in etching signed by Johns.

"Jasper Johns: A Print Retrospective." The Museum of Modern Art Members Quarterly (New York), (spring 1986): n.p.

"‘Jasper Johns: A Print Retrospective’ Travels Worldwide After MoMA Debut." SunStorm (summer 1986): 7.

"Jasper Johns: Ventriloquist (1986)," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 17, no. 4 (September—October 1986): 141—42.

"Johns Awarded Wolf Prize." New York Times, June 14, 1986, p. 9.

"What to Remember About 1986/Contemporary Painting Scores Big." Newsweek (December 29, 1986): 56. Discusses sale of Out the Window (1959).



Atkins, Robert. "Tracking and Retracking: On Target With Jasper Johns." Print News (San Francisco, Calif.), vol. 8, no. 4 (Fall 1986): 4—9. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y. Two Maps II (1966) reproduced on cover.

Beaucamp, Eduard. "Schwierig und machtvoll. Jasper Johns’ Druckgraphik in Frankfurt." Frankfurter Allgemeine Zeitung, November 21, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Becker, Jochen. "Resultate von Erinnern und Vergessen. Retrospektive der Druckgraphik von Jasper Johns in der Frankfurter Schirn." Giessener Allgemeine (Giessen), December 2, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Bosetti, Petra. "Frankfurt: Jasper Johns. Nachbild auf dem Sternenbanner." Art (Frankfurt), November 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Brenson, Michael. "Jasper Johns Prints On Show at the Modern." New York Times, May 23, 1986, p. C24. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Brenson, Michael. "A Jasper Johns Print Exhibition at the Modern." New York TimesLarge Type Weekly, June 16, 1986, pp. 34—35. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Brooks, Valerie F. "Fall Sales: Good but not Euphoric." Artnews, vol. 85, no. 1 (January 1986): 21. Discusses sale of Painting with Ruler and Gray (1960).

Buck, Ernst. "Signale eines Suchenden. Graphik von Jasper Johns in der Kunsthalle Schirn." Offenbach Post (Offenbach), November 26, 1986, p. 16. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Burn, Guy. "Prints." Arts Review (London), vol. 38, no. 14 (July 18, 1986): 404. Review of oneo-man exhibition, "Jasper Johns: Savarin Monotypes," Tate Gallery, London; first shown at the Whitney Museum of American Art, New York, N.Y., 1982.

Carrier, David. "Theoretical Perspectives on the Arts, Sciences and Technology. Artist’s Intentions and Art Historian’s Interpretation of the Artwork." Leonardo, vol. 19, no. 4 (1986): 337—42.

Charlton, Maryette. "The Group: Art Blooms in South Street." Gaylord’s Guides Ltd. Celebrates the Statue of Liberty, pp. 80—84. LCG.

Debs, Barbara Knowles. "On the Permanence of Change: Jasper Johns at the Modern." The Print Collector’s Newsletter, vol. 17, no. 4 (September—October 1986): 117—23. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

DeLima Greene, Alison. "Jasper Johns in the Museum Collection." The Museum of Fine Arts, Houston, Bulletin, vol. 10, no. 1 (fall 1986): 26—31.

Duka, John. "Back on Top with the Mom of Pop Art." New York (June 9, 1986): 62—69. Discusses Ethel Scull collection. JJSA.

[Faust, Wolfgang Max.["Pop Art Revisited: Catchwords of an Epoch."] Wolkenkratzer Art Journal, no. 5 (November—December 1986): 78—79, 132—133. In German and English. LCG.]

Feinstein, Roni. "The Early Work of Robert Raushenberg: The White Paintings, the Black Paintings, and the Elemental Sculptures." Arts, vol. 61, no. 1 (September 1986): 28—37.

Flam, Jack. "The Graphic Jasper Johns." Wall Street Journal, June 25, 1986, p. 28. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Flam, Jack. "Art Auction: Spike Sells Out, Wistfully." Wall Street Journal, November 10, 1986, p. 20. Discusses sale of Ethel Scull collection.

Gold, Sylviane. "Johns: The Fun and the Mystery." USA Today, May 20, 1986, p. D5. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Gray, Christopher. "The Rise and Fall and Rise of East Sixty-Third Street." Avenue (New York), vol. 11, no. 3 (November 1986): 115—29. Discusses Johns’s house. JJSA.

Heinick, Angelika (with photographs by Serge Cohen). "Langsam, aber mit Erfolg: Jasper Johns." Frankfurter Allgemeine Magazin, vol. 335, no. 31 (August 1, 1986): 10—14. Photograph of Johns on the cover.

Hoffmann, Dieter. "Jasper Johns zeigt Flagge in der Schirn." Frankfurter Neue Presse (Frankfurt), November 15, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Huther, Christian. "Verwandlungen der Flaggen und Bierdosen. Das Drückgraphische Werk des Pop-Künstlers Jasper Johns in der Frankfurter Schirn." Mannheimer Morgenpost (Mannheim), November 22—23, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Jahn, Helmut F. "Jasper Johns—Retrospektive der Druckgraphik." Grafik Design & Technik, no. 1 (December 1986): 4, 5. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt.

Johns, Jasper. "Studies for Works in Progress." Normal (New York, N.Y.), no. 1 (summer 1986): 41—48. The Seasons (1985—86).

Kramer—Bodoni, Rudolf. "Schirn oder nicht Schirn." Die Welt (Frankfurt), December 3, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Larson, Kay. "Rosetta Stones." New York, vol. 19, no. 22 (June 2, 1986): 65—66. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

McGill, Douglas C. "Art People." New York Times, July 18, 1986, p. C15. Discusses Medal of Liberty made by Johns.

McGill, Douglas C. "New Breed of High-Stakes Buyer Pushes Art-Auction Prices to Limit." New York Times, November 24, 1986, p. C12.

McGuigan, Cathleen. "A Pop Patron’s Last Hurrah: The Legendary Scull Collection Goes up for Sale." Newsweek (November 17, 1986): 97.

Marzorati, Gerald. "Lasting Impressions. A Johns Print Retrospective." Vanity Fair, vol. 49, no. 5 (May 1986): 116—117. Interview on the occasion of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 219. ( JJ itw)

Mattera, Joanne. "Jasper Johns From Pop to MoMA." Women’s Wear Daily, (New York), June 3, 1986, p. 24; and August 11—18, 1986, pp. 18—19. Interview with Johns on the occasion of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y. (JJ itw)

Melikian, Souren. "Contemporary Art Soars In New York." International Herald Tribune (Paris), November 15—16, 1986, p. 7.

Payant, René. "De l’iconologie revisitée. Les questions d’un cas (Jasper Johns):" Trois (Montreal), vol. 2, no. 1 (Autumn 1986): 18—34. Reprinted in: René Payant, Vedute: Pièces détachées sur l’art 1976—1987 (Montreal: Trois, 1987): 31—49.

Paysour, Fleur. "Former S.C. Artist’s Work Brings Record $3.6 Million." Charlotte Observer (Charlotte, N.C.), November 12, 1986, p. E12. Discusses sale of Out the Window (1959).

Perl, Jed. "A Winter Notebook." The New Criterion, vol. 4, no. 8 (April 1986): 57.

Poirier, Maurice. "A Vast Sculptural Dialogue." Artnews, vol. 85, no. 3 (March 1986): 143. Review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y.

Poirier, Maurice. "Jasper Johns: A Print Retrospective." Artnews, vol. 85, no. 7 (September 1986): 119. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Raynor, Vivian. "In Honor of John Chamberlain." New York Times, July 4, 1986, p. C21. Review of group exhibition at Xavier Fourcade Gallery, New York, N.Y.

Raynor, Vivian. "Invitational in Orange County Features Johns, Pousette-Dart." New York TimesWestchester Weekly, September 21, 1986, p. 30. Review of the "Mount Aramah Exhibition."

Reif, Rita. "Jasper Johns Painting Brings Record Price." New York Times, November 11, 1986, p. C16. Discusses sale of Out the Window (1959) and Construction with Toy Piano (1954).

Rita Reif, "Jasper Johns Painting Sets an Auction Record." New York Times, November 12, 1986, p. C26. Discusses sale of Out the Window (1959) and Construction with Toy Piano (1954).

Reif, Rita. "Rosenquist Painting Sells for Record Price." New York Times, November 12, 1986, p. C26. Discusses sale of Out the Window (1959).

Robertson, Nan. "Academy Honors Creative Artists." New York Times, May 22, 1986, p. C19. American Academy and Institute of Arts and Letters awards Johns Gold medal for Graphic Art.

Schuchmann, Manfred E. "Mach’ etwas. Mach’ etwas anderes." Frankfurter Rundschau (Frankfurt), November 27, 1986. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Schwartz, Helen. "Exhibit Shows Why Sculpture Defies Categorization." Home News (New Brunswick, N.J.), January 10, 1986. Review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y.

Tomkins, Calvin. "The Art World: Passage." The New Yorker, vol 62, no. 24 (August 4, 1986): 72—76. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Tully, Judd. "Johns Painting Brings Record $ 3.63 Million" Washington Post, November 11, 1986, pp. B1, 8. Discusses sale of Out the Window (1959).

Twardy, Charles A. "Jasper Johns: Greenville Museum Has His Numbers, and More." The State (Columbia, S.C.), August 24, 1986, pp. F1, 5. Review.

Vogel, Carol. "The New Directions for Fall." New York Times Magazine (August 24, 1986): 41—47 [44—45]. Mentions sale of five works by Johns from the Ethel Scull collection.

Von Helmolt, Christa. "Jasper Johns—eine amerikanische Mona Lisa." Frankfurter Allgemeine Zeitung, November 13, 1986, p. 39. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt.

Wallach, Amei. "Jasper Johns, Printmaker." New York Newsday, May 25, 1986, part 2, pp, 4—5, 17. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Wasserstein, Susan, ed. "Appointments/Awards." Art Dealers Association of America Update, vol. 5, no. 2 (September 1986): n.p. Johns awarded the 1986 Wolf Prize in Arts for Painting.

Welish, Marjorie. "Master Class." House & Garden (November 1986): 260. Review of "Seven American Masters," National Gallery of Art, Washington D.C.

Winship, Frederick M. "Exhibit Shows New Radicalism in Sculpture." The Pocono Record (Pocono, Calif.), January 26, 1986. Review of "Transformations in Sculpture: Four Decades of American and European Art," Solomon P. Guggenheim Museum, New York, N.Y. See also "Sculpture Exhibit" in January 31, 1986, issue of The Pocono Record. JJSA.



1987*


(J.M.B.) "Obra gráfica de Jasper Johns: la huella del ‘pop art.’" YA (Madrid), February 9, 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

"Johns, Jasper." Current Biography, vol. 48, no. 5 (May 1987): 18—21.

(K.K.) "Jasper Johns: Retrospektive der Druckgraphik." Zeigefinger (Offenbach), January 1987, p. 14. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt.

"Nueva York." Diario 16 (Madrid), February 9, 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

Review of "Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns," Grunwald Center for the Graphic Arts, Frederick S. Wight Art Gallery, University of California, Los Angeles. The Print Collector’s Newsletter, vol. 18, no. 4 (September—October 1987): 132.



Albrecht, Juerg. "Fountain by R. Mutt: Marcel Duchamp zum 100. Geburtstag." Pantheon, 45 (1987): 160—71.

Auffermann, Verena. "Vertraut ist das Fremde." Nurnberger Nachrichten (Nurnberg), January 8, 1987. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt.

Brown, Kathan. "L’art changeant. Chronique autour de John Cage." Revue d’Esthétique, nouvelle série, nos. 13—14—15, (1987—1988): 87—102. Issue on John Cage.

Buchsbaum, Maria. "Ausgestellt: Jasper Johns, Würtinger, Terzic. Die (Zeit)angepasste Secession." Wiener Zeitung (Vienna), May 8, 1987. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Charbonneaux, Catherine. "Le Pop paie: Jasper Johns." Connaissance des Arts (Paris), no. 420 (February 1987): 26. Discusses sale of Double Flag and Out the Window (1959).

Costa, J.M. "Jasper Johns, en el Centro Reina Sofia: el arte de los signos engendra belleza." ABC (Madrid), February 7, 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

Cullinan, Helen. "Butler is Doing it up Right. Yougstown Institute Celebrates Expansion." The Plain Dealer (Cleveland, Ohio), July 4, 1987, p. A10. Review of "Leo Castelli: A Tribute Exhibition," Butler Institute of American Art, Youngstown, Ohio.

Cumming, Hugh. "Abstract Painting and the Spiritual: An International Survey." Art & Design, vol. 3, no. 5/6. Published on the occasion of the exhibition "The Spiritual in Art," Los Angeles County Museum of Art, Los Angeles, Calif.

Cuno, James. "Jasper Johns." Print Quarterly (London), vol. 4, no. 1 (March 1987): 83—92. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y.

Ericson, Lars O. "Galleriet." Dagens Nyheter (Stockholm), December 13, 1987, p. 28. Discusses Painting with Two Balls (1960).

Feeser, Sigrid. "Man hangt nicht nur an grossartigen Dingen." Die Rheinpfalz (Frankfurt), January 8, 1987. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Fernandez, Luis Alonso. "Jasper Johns: Obra gráfica 1960—1985." Resena (Madrid), April 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid; forst sjpwm at The Museum of Modern Art, New York, N.Y., 1986. JJSA.

Flam, Jack. "Jasper Johns: New Paintings." Wall Street Journal, February 27, 1987, p. 12. Review of "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Flaquier, Jose Antonio. "Jasper Johns expone en Madrid." El Ideal Gallego (La Coruña, Spain), February 21, 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

Frank, Peter. "The Pop Revival." Diversion Travel Planner (January—February 1987): 41. Review of "Jasper Johns: A Print Retrospective," The Museum of Modern Art, New York, N.Y. JJSA.

Glueck, Grace. "Leo Castelli Takes Stock of 30 Years Selling Art." New York Times, February 5, 1987, p. C19.

Glueck, Grace. "The Fine Art of Collecting Collectors." New York Times, May 3, 1987, sec. 2, pp. 1, 26.

Hackenberg, Daniel. "Retrospektive der Druckgrafik: Jasper Johns." Vernissage (Vienna), May 1987, p. 16. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Jarque, Fietta. "Jasper Johns expone dianas, banderas, numeros y letras del arte norteamericano." El Pais (Madrid), (February 10, 1987): 28. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

Jodidio, Philip. "Spécial USA: Douze personnalités à New York." Connaissance des Arts (Paris), no. 420 (February 1987): 51—65.

Johnston, Jill. "Tracking the Shadow." Art in America, vol. 75, no. 10 (October 1987): 128—43. Review of "Jasper Johns: Work since 1974," Venice Biennale. Also see R. D. Phillips, 1988. Adapted and translated in Jill Johnston, "Jasper Johns: Le Puzzle de Grünewald." . [Reprinted in] Artpress (Paris), no. 126 (June 1988): 10—14.

Kutner, Janet. "Jasper Johns teaches us to see anew."Morning News (Dallas), July 24, 1987. Review of "Jasper Johns: A Print Retrospective," Fort Worth Art Museum, Fort Worth, Tex.

Larson, Kay. "Leader of the Pack." New York, vol. 20, no. 10 (March 9, 1987): 110. Review of "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Levin, Kim. "Jasper Johns." Village Voice, February 24, 1987, p. 68. Review of "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

McCampbell, Marlene. "Highlights ‘86.’" Life (January 1987): 27. Discusses sale of Out the Window (1959). JJSA.

McGill, Douglas C. "Key Modern Art Collection Donated to National Gallery." New York Times, January 9, 1987, p. C26. Discusses donation of Robert and Jane Meyerhoff collection.

McGill, Douglas C. "Art Ventures Increase Between U.S. and Soviet." New York Times, May 18, 1987, p. C14.

Madoff, Steven Henry. "Jasper Johns: A Seasonal Lull at Castelli." Artnews, vol. 86, no. 5 (May 1987): 158. Review of "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Mahoney, J.W. "Jasper Johns at Castelli." New Art Examiner, vol. 14, no. 10 (June 1987): 53—54. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Marzorati, Gerald. "Johns and Castelli." Vanity Fair, vol. 50, no. 2 (February 1987): 103. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Merkle, Harry. "‘Das bin nicht ich.’ Die Retrospektive des Druckgraphischen Werkes von Jasper johns in Frankfurt." Die Tageszeitung (Berlin), January 7, 1987. Review of "Jasper Johns: A Print Retrospective," Schirn Kunsthalle, Frankfurt. JJSA.

Niederle, Helmut A. "Schöne Blöde Welt." Osterreichische Nachrichten Magazin (Vienna), April 1987. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Orton, Fred. "Present, The Scene of ... Selves, The Occasion of ... Ruses." Block (England) no. 13 (Winter 1987-88): 5—19. Also published in James Cuno, ed., Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns (exhibition catalogue; Los Angeles: University of California at Los Angeles, Frederick S.Wight do global Art Gallery, 1987: 167—92). Also see Fred Orton, "Present, the Scene of My Selves, the Occasion of these Ruses" in his book Figuring Jasper Johns (London: Reaktion Books; and Cambridge, Mass.: Harvard University Press, 1994): 17—87.

Perl, Jed. "Jasper’s Seasons at Castelli." The New Criterion, vol. 5, no. 10 (June 1987): 56—58. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Plumb, Barbara. "The Artist’s Artists." Vogue, vol. 177, no. 6 (June 1987): 122.

Rose, Barbara. "Jasper Johns: The Seasons." Vogue, vol. 177, no. 1 (January 1987): 192—99, 259—60. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Translated into French (by Ann Hindry), Galeries Magazine (Paris), no. 17 (February—March 1987): 62—67, 117—18.

Ruhe, Barnaby. "Jasper Johns’ 4 Seasons." Art/World, vol. 11, no. 5 (February 15—March 15, 1987): 1, 4. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Russell, John. "The Seasons: Forceful Paintings from Jasper Johns." New York Times, February 6, 1987, pp. C1, 30. Includes review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Translated in Russian in Ameryka (United States Information Service for Russia), no. 387 1989, 31—33; LCG. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Russell, John. "Rauschenberg and Johns: Mr. Outside and Mr. Inside." New York Times, February 15, 1987, pp. 33—34. Includes review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Serraller, Francisco Calvo. "Un precursor mas alla del ‘Pop.’" El Pais (Madrid), February 10, 1987. Review of "Jasper Johns: A Print Retrospective," Centro de Arte Reina Sofía, Madrid. JJSA.

Shapiro, David. "Jasper Johns." Flash Art , no. 133 (April 1987): 87. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Shapiro, Harriet. "The Past Master of Pop, Leo Castelli, Celebrates his 30th Anniversary as Art’s Big Dealer." People, vol. 27, no. 7 (February 16, 1987): 41—45. Discusses opening at one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Shinoda, Tatsumi, ["Jasper Johns: Confession by quotation."] Uriika (Tokyo), vol. 19, no. 7 (June 1987): 74—75. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. In Japanese.

Sotriffer, Kristian. "Die Amerikanische Fahne ist das Bild." Die Presse (Vienna), May 15, 1987. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Stein, Donna. "A Master’s Graphic Explorations." Artweek (November 14, 1987): 1. Review of "Jasper Johns: A Print Retrospective," Los Angeles County Museum of Art, Los Angeles, Calif.

Stevens, Mark. "The School of Bloomingdale’s." New Republic (May 18, 1987): 25—28. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Tabor, Jan. "Retrospektive der Druckgraphik in der secession. Verwandlung in Kunst: Jasper Johns in Wien." Kourier (Vienna), May 10, 1987. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Tomkins, Calvin. "Speciale Leo Castelli." Vernissage: Il fotogiornale dell’arte 1987, n.p. Published on the occassion of "30th Anniversary Exhibition," Leo Castelli Gallery, New York, N.Y. JJSA.

Vedrenne, Elisabeth. "Ileana Sonnabend: avant-gardes et passion." Air France Madame, no. 4 (Winter 1987/88): 138, 162. Interview on the occasion of "Sonnabend Collection Exhibition," Centro de Arte Reina Sofía, Madrid; and the Musée d’art contemporain de Bordeaux, Bordeaux, 1988.

Wallach, Amei. "Melange For Art Lovers." New York Newsday, February 6, 1987, part 3, pp. 1, 26. Review of one-man exhibition "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y.

Wallach, Amei. "The Seasons of Jasper Johns." New York Newsday, February 21, 1987, part 2, p. 10. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Welish, Marjorie. "Frame of Mind: Interpreting Jasper Johns." Art Criticism, vol. 3, no. 2 (1987): 71—87.

Wiesflecker, Oskar. "Jasper Johns Retrospektive in der Wiener Secession: Spitzenverdiener mit Banalem." Volkstimme (Vienna), May 23, 1987. Review of "Jasper Johns: A Print Retrospective," Wiener Secession, Vienna. JJSA.

Wilson, William. "Jasper Johns Uncorked." Los Angeles Times, October 11, 1987, p. 3ff. Review of "Jasper Johns: A Print Retrospective," Los Angeles County Museum of Art, Los Angeles, Calif.

Yau, John. "Jasper Johns." Artforum vol. 25, no. 9 (May 1987): 142—43. Review of one-man exhibition, "Jasper Johns: The Seasons," Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Zona, Louis A. "The Butler Institute of American Art/Youngstown. Leo Castelli: A Tribute Exhibition." Dialogue (July—August 1987): 49—50. Interview with Castelli conducted on the occasion of "30th Anniversary" Exhibition.



1988*


Annnoucement for one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale; and Philadelphia Museum of Art. Drawing, vol. 10, no. 2 (July—August 1988): 41.

"Buyer of Johns Painting." New York Times, May 9, 1988, p. C 14. Discusses sale of Diver (1962).

"Christie’s to Sell Jasper Johns’s Diver on May 3." Christie’s Auction News (New York), vol. 9, no. 6 (April 1988): 1.

"Contemporary Art." Sotheby’s Newsletter (New York), October 1988, pp. 1, 6—7. Discusses sale of twelve paintings from the Victor W. Ganz collection.

("D. G.") "Venice." Art & Auction, vol. 10, no. 11 (June 1988): 70. Review of the Venice Biennale.

"Dragoceni Letni casi." Primorske Hovice (August 23, 1988): 4. Discusses opening of one-man exhbiition, Caffe Galleria Dante, Umagu, Yugoslavia.

"The Drawings of Jasper Johns from the Collection of Toiny Castelli." MOCA Guide to Galleries (Los Angeles), February—June 1988. Review of 1987 one-man exhibition at the Museum of Contemporary Art, Los Angeles, Calif.

"Eagles Owner And Wife Own Johns’ Diver." New York Times, August 18, 1988, p. C22. Diver (1962) exhibited in "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

"Grand Prix: Jasper Johns." Beaux-Arts (Levallois-Perret, France), no. 60 (September 1988): 106. Biography and bibliography.

"High Art." Newsweek (May 16, 1988): 85. Discusses sale of Diver (1962).

"Jasper Johns Painting Is Sold for $17 Million." New York Times, November 12, 1988, p. 11. Discusses sale of White Flag (1955)and False Start (1959).

"Jasper Johns’s Diver To Be Sold at Auction." New York Times, February 19, 1988, p. C 5.

"Leao embandeirado." Veja, July 6, 1988, pp. 128—29. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

"I premi: unanimi solo per l’Italia." Vernissage: Il Fotogiornale dell’Arte (July—August 1988): n.p. Premio Internazionale awarded to Johns at the Venice Biennale.

"Mojstri pop-arta v kavarni v Umagu." Primorski Dnevnik (Trieste), August 29, 1988. Review of one-man exhbiition, Caffe Galleria Dante, Umagu, Yugoslavia.

"Moscow and New York. Going, going, going . . . Rodchenko and Johns: Auction Shockers." The Journal of Art, vol. 1, no. 1 (December 1988): 1, 33. Discusses sale of False Start (1959).

"Preview: Jasper Johns in Venice and Philadelphia." Arts, vol. 62, no. 10 (Summer 1988): 30.

"Ready to Rocket: Even Score." Art and Antiques (May 1988): 53. Discusses sale of Diver (1962) on May 3.

Review of "Jasper Johns: A Print Retrospective," Hara Museum ARC, Gunma-ken, Japan. Art Center News, July 1988. LCG.

[Review of "Jasper Johns: A Print Retrospective," Hara Museum ARC, Gunma-ken, Japan. Bijutsu no Mado, August 1988. LCG.]

[Review of "Jasper Johns: A Print Retrospective," Hara Museum ARC, Gunma-ken, Japan.] Yomiuri Shimbun, June 14, 1988. LCG.]

Review of one-man exhibition "Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns," Grunwald Center, Frederick S. Wight Art Gallery, University of California, Los Angeles, Calif., 1987. American Federation of Arts Newsletter, vol. 1, no. 2 (1988).

[Review of Venice Biennale. Nikkei Art, no. 10 (1988): 133—138. In Japanese. JJSA.]

["$17 Million Paid for Painting by Living Artist."] The Japan Times, November 13, 1988, p. 3. Discusses sale of White Flag (1955)and False Start (1959).

"Stasera a Umago: Jasper Johns al ‘Dante.’" La Voce del Popolo, August 16, 1988, pp. 1, 3. Discusses opening of one-man exhbiition, Caffe Galleria Dante, Umagu, Yugoslavia.

"Venice Biennale." Interview (New York), (June 1988): 25. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

"Would You Pay $4 Million for This?" National Enquirer, August 16, 1988: n.p. Discusses sale of Diver (1962).



Agajanian—Quinn, Joan. "Shopping with Andy." Contemporanea, vol. 1, no. 2 (July—August 1988): 102—5. Also see "Auctions" in same issue.Discusses Andy Warhol’s contemporary art collection in May, including Johns’ painting Screen Piece (1967) and the drawing Light Bulb (1958), ibid., 118—21.

Allen, Jane Addams. "American Ingenuity Wins in Venice." Insight (August 1, 1988): 62—63. Review of Venice Biennale.

Altamira, Adriano. "Jasper Johns." Tema Celeste (October—November 1988): 53. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Altieri, Charles. "John Ashbery and the Challenge of Postmodernism in the Visual Arts." Critical Inquiry, vol. 14, no. 4 (summer 1988): 805—30.

Artner, Alan G. "Venetian Class: The Fabled Biennale Recaptures its Glory as a Major World Showcase." Chicago Tribune, July 24, 1988, sec. 13, pp. 16—17. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Baker, Kenneth. "Jasper Johns’ Paintings Take an Inward Turn." San Francisco Chronicle November 19, 1988, p. C3. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Biadene, Susanna, and Gianna Marini. "Le chiacchiere nei Giardini." Vernissage: Il fotogiornale dell’arte (July—August 1988): n.p. Review of the Venice Biennale.

Brenson, Michael. "Hard Questions About Exhibiting U.S. Art Abroad." New York Times, May 22, 1988, pp. 33, 40.

Brenson, Michael. "As Venice Biennale Opens, Jasper Johns Takes the Spotlight." New York Times, June 27, 1988, C15.

Brenson, Michael. "Jasper Johns Shows the Flag in Venice." New York Times, July 3, 1988, pp. H27, 29. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Brenson, Michael. "The Blur of the Venice Biennale: Art in Its Context and Aching Feet." New York Times, July 4, 1988, p. 11. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Caley, Shaun. "Jasper Johns: American Pavilion." Flash Art, no. 142 (October 1988): 106—7. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Chua-Eoan, Howard G. "People." Time, vol. 131, no. 20 (May 16, 1988): 79. Discusses sale of Diver (1962).

Cook, Joan. "Going On in the Northeast." New York Times, April 10, 1987. Review of one-man exhibition "Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns," Yale University Art Gallery. LCG.

Cooke, Lynne. "Venice Biennale: Aperto ma non troppo." Art International (Paris), no. 4 (Autumn 1988): 60—62. Review of Venice Biennale.

Comi, Enrico R. "Ileana Sonnabend, Great Lady of Art." Spazio Umano/Human Space (Milan), no. 2 (May 1988): 6—22. Review of "Sonnabend Collection Exhibition," Centro de Arte Reina Sofía, Madrid, 1987.

Costa, Vanina. "Jasper Johns: l’art du réel." Beaux-Arts (Levallois-Perret, France), no. 60 (September 1988): 54—63. Johns awarded Golden Lion at Venice Binnale.

Cox, Meg. "Manic Market." Wall Street Journal, November 28, 1988, pp. A1, 9. Discusses sale of False Start, (1959).

Cumming, Hugh. "Jasper Johns." Art & Design, vol. 4, no. 3/4 (1988): 70—75. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Damsker, Matt. "Hightened Popularity of Jasper Johns Belies Complexity of His Work." Hartford Courant (Hartford, Conn.), April 24, 1988. Review of "Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns," Yale University Art Gallery.

Damsker, Matt. "Peerless Jasper Johns/Organizer of Johns Exhbit Served Time at Atheneum." Hartford Courant (Hartford, Conn.), November 23, 1988, pp. B1, 4. Review of one-man exhibition, "Jasper Johns: Work since 1974."

Datsko, Tina. "Jasper Johns." The Contemporary (newsletter, Museum of Contemporary Art, Los Angeles), vol. 5, no. 1 (Winter 1988). Review of "The Drawings of Jasper Johns from the Collection of Toiny Castelli," Museum of Contemporary Art, Los Angeles, Calif.

Dorment, Richard. "Is the Price Right?" Daily Telegraph (London), November 14, 1988, p. 19. Discusses on sale of White Flag (1955) and False Start (1959).

Du Bois, Peter C. "Action in Art. Sizing up the Torrid Scene." Barron’s, November 7, 1988, pp. 30, 32.

Ellis, B. J. "At $17 Million, it’s going, going, gone!" The State (Columbia, S.C.), November 12, 1988, pp. A1, 9. Discusses on sale of White Flag (1955) and False Start (1959).

Fanelli, Franco. "Il ‘Giro’ della Biennale." Vernissage: Il fotogiornale dell’arte (July—August 1988): n.p. Discusses Venice Biennale prizes. Also see "I premi: unanimi solo per l’Italia."

Flam, Jack. "Around the Art World in One Day." Wall Street Journal, August 2, 1988, p. 18. Review of Venice Biennale.

Graham—Dixon, Andrew. "Biennale Bulletin: Five Significant Contenders for Venice." British Vogue (London), vol. 152, no. 7 (July 1988): 136—39.

Hayot, Monelle. "La collection d’Andy Warhol." L’Oeil (Lausanne), no. 393 (April 1988): 70—73.

Horsley, Carter B. "Oh, Ho! Boom Looms for Houston Street." New York Post, May 5, 1988, pp. 62, 65.

Hughes, Robert. "The Venice Biennale Bounces Back. Dominated by Jasper Johns, This Year’s Event is Again a Prime Festival of the New." Time (July 25, 1988): 84—85. Review.

Jendric, Doroteja. "Jasper Johns u Umagu." Start (August 1988): 76. Review of one-man exhibition Caffe Galleria Dante, Umagu, Yugoslavia.

Jendric, Doroteja. "Godisnja doba Jaspera Johnsa Johnsova Godisnja doba." Cetvrtak—Verernji list (Zagreb), August 18, 1988, pp. 1, 10. Review of one-man exhibition Caffe Galleria Dante, Umagu, Yugoslavia; and one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Jiménez, Carlos. "La Colección Sonnabend." Arte en Colombia Internacional (Bogotá), no. 37 (September 1988): 73—75 (in Spanish), 155—156 (in English). . Review of "Sonnabend Collection Exhibition," Centro de Arte Reina Sofía, Madrid, 1987.

Jinkner-Lloyd, Amy. "Philadelphia Exhibit Shows Evolution of Johns’ Craft." Atlanta Journal—Atlanta Constitution, December 20, 1988, p. E3. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.; and Venice Biennale.

Jodidio, Philip. "Jasper Johns." Connaissance des Arts (Paris), no. 437—438 (July—August 1988): 36—37. Review of one-man exhibition "Jasper Johns: Work since 1974," Venice Biennale.

Jodidio, Philip. "Faux départ." Connaissance des Arts (Paris), no. 442 (December 1988): 42. Discusses sale of False Start (1959).

Johns, Jasper. [Illustrations by Johns]. Vuelta (Mexico City), vol. 12, no. 145 (December 1988): cover, 14, 30, 34, 41, 45, 47, 57, 59, 64, 65.

Johnston, Jill. "Jasper Johns: Le Puzzle de Grünewald." Artpress (Paris), no. 126 (June 1988): 10—14. Adapted from Jill Johnston, "Tracking the Shadow," Art in America, vol. 75, no. 10 (October 1987): 128—43.

Johnston, Jill. "Jasper Johns’ Artful Dodging." Artnews, vol. 87, no. 9 (November 1988): 156—59.

Kawanishi, Hiroshi. "Jasper Johns and Collaborative Studio Work." Nikkei Art (Tokyo), no. 1 (October 1988): 133—38. Discusses Simca Print Artists.

Kimmelman, Michael. New York Times, May 6, 1988, p. C34. Review of "In Honor of Toiny Castelli: Drawings From the Toiny, Leo and Jean-Christophe Castelli Collection," The Museum of Modern Art, New York, N.Y.

Kroll, Jack. "A Johns for All Seasons." Newsweek, vol. 112, no. 20 (November 14, 1988): 82. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Kudis, Nina. "Ritam suvremenosti." Subota, August 29, 1988, p. 20. Review of one-man exhibition, Caffe Galleria Dante, Umago, Yugoslavia.

Lang, Luc. "Trente Warhol valent mieux qu’un." Artstudio (Paris), no. 8 (Spring 1988): 38—51.

Lekovic, Koraljka. "Il ‘Dante,’ un purgatorio dell’arte yu: Intervista con il critico Zvonko Makovic." Rerview of one-man exhibition at the Caffe Galleria Dante, Umago, Yugoslavia, La Voce del Popolo (August 18, 1988): 3.

Lipson, Karin. "$4.1 M for Jasper Johns’ Diver." New York Newsday, May 4, 1988, pp. 3, 37.

Lipson, Karin. "A Jasper Johns Nets $7 M." New York Newsday, November 10, 1988, pp. 9, 29.

Lipson, Karin. "A ‘False Start’ But Still Record Sale for Painter." New York Newsday, November 11, 1988, p. 4.

Lou, Vickie. "God Bless America Jasper–Venice Biennale Opener." Art/World (June—July 1988): 1, 6.

Madoff, Steven Henry. "Venice Biennale: Calm Waters." Artnews, vol. 87, no. 7 (September 1988): 178, 180. Review.

Maro, Tonko. "Dok je vruce."Danas, August 23, 1988, p. 40. Review of one-man exhbiition, Caffe Galleria Dante, Umagu, Yugoslavia.

Martin, Mary Abbe. "Walker Art Center Acquires 242 Prints by Jasper Johns." Star Tribune, October 19, 1988, pp. A1, 8.

Melega, Gianluigi. "Un bel pop di dollari." L’Espresso (December 18, 1988): 190—192, 195, 197. Discusses sale of False Start (1959); interview with Leo Castelli.

Molotsky, Irvin. "National Gallery to Show Jasper Johns Drawings." New York Times, May 17, 1988, p. C14.

Muchnic, Suzanne. "Is Jasper Johns New van Gogh of the Art Market?" Los Angeles Times, February 19, 1988, part VI, pp. 1, 22. Discusses sale of Diver (1962).

Nakayama, Hiroko, and Judith Connor Greer, eds. ["Jasper Johns: A Print Retrospective."] Hara Museum Review (Shinagawaku), no. 6 (Spring/May 1, 1988): n.p. Review of Hara Museum ARC, Gunma-ken, Japan. In Japanese and English.

Nemeczek, Alfred. "Jasper Johns, immer nur Flagge zeigen? Jasper Johns: Still Just Showing the Flag?."Art Das Kunstmagazin (Hamburg), no. 12 (December 1988): 4, 28—48 Photograph of Johns on cover.

Novick, Dorothy. Journal of Art, vol. 1, no. 1 (December 1988): 44. Review of "The 25th Anniversary Exhibition to benefit the Foundation for Contemporary Performance Arts, Inc."

Perazzi, Mario. "Jasper Johns." Max (Milan), vol. 4, no. 10 (October 1988): 226—31. Johns awarded the Golden Lion at Venice Biennale.

Phillips, R. D. "Johnston on Johns." Art in America, vol. 76, no. 1 (January 1988): 21. Letter to the editor on Jill Johnston’s article, "Tracking the Shadow," October 1987.

Pincus-Witten, Robert. "Jasper Johns Reveals Himself in Somber Art." San Diego Union (San Diego, Calif.), December 18, 1988, p. E1 ff. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.; and Venice Biennale.

Ratcliff, Carter. "Master of Abstraction: Jasper Johns Brings Clarity to Chaos." Harper’s Bazaar (October 1988): 194—95, 236, 238.

Reif, Rita. "Record Price for Johns Work." New York Times, May 4, 1988, p. C17. Discusses sale of Diver (1962).

Reif, Rita. "Johns’ ‘White Flag’ Is Sold for Record Price." New York Times, November 10, 1988, p. C26. Discusses sale of White Flag (1955).

Reif, Rita. "Johns’ ‘White Flag’ Sold for Record Price." New York Times, November 11, 1988, p. 20. Discusses sale of White Flag (1955).

Reif, Rita. "Jasper Johns Painting is Sold for $17 Million." New York Times, November 11, 1988, p. C27. Discusses sale of False Start (1959).

Reif, Rita. "Traffic Is Heavy on the Art Auction Route." New York Times, November 15, 1988, pp. 19—20. Discusses sale of White Flag (1955) and False Start (1959).

Richard, Paul. "Johns’ Marketable Mystique." Washington Post, November 12, 1988, p. C1, 5. Discusses on sale of White Flag (1955) and False Start (1959) and includes review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Robinson, Walter, and Cathy Lebowitz. "Venice Biennale Prizes." Art in America, vol. 76, no. 9 (September 1988): 212.

Rodriguez, Bélgica, and Luis Camnitzer. "XLIII Bienal de Venecia." Arte en Colombia, no. 38 (December 1988): 50—53, 135—36. In Spanish and English.

Rose, Barbara, ed. "A New Image of America." The Journal of Art, pilot edition, vol. 1, no. 1 (November 1988): 1, 67. Discusses Venice Biennale.

Rosenthal, Mark. "Jasper Johns: The Seasons." Art & Design (London), vol. 4, no. 7/8 (1988): 69—71.

Ruhrberg, Karl. "So ist es—Ist es so? Jasper Johns oder Kunst als Denkspiel." Die Kunst, no. 7 (July 1988): 536- 43. Detail of Diver (1962) reproduced on cover.

Russell, John. "After the Crosshatch: Johns in Philadelphia." New York Times, October 24, 1988, pp. C11, 18. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Salisbury, Stephan. "Jasper Johns, unlocked." The Philadelphis Inquirer, December 9, 1988, pp. 22—23.

Sauerbier, S.D. "Uli Bohnen: Kommt die Kunst von Kunst?" Kunstforum International, no. 97 (November—December 1988): 318—30. Interview with the curator of exhibition "Hommage–Demontage," Sammlung Ludwig, Aachen. Exhibition does not include Johns, but interview mentions him.

Smith, Roberta. "Jasper Johns: Toward a Fuller Disclosure." New York Times, October 30, 1988, sec. 2, pp. 35, 37. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Solomon, Deborah. "The Unflagging Artistry of Jasper Johns." New York Times Magazine, June 19, 1988, pp. 20—23, 63—65. Interview with Johns. Photograph of Johns on cover. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 220—21. (JJ itw)

Sosnoff, Martin. "Jasper Johns, the Leading Indicator." New York Post, November 21, 1988, p. 38. Discusses auction sales.

Sozanski, Edward J. "Philadelphia to Venice." The Philadelphia Inquirer Daily Magazine, June 20, 1988, pp. E1—5. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.; and Venice Biennale.

Sozanski, Edward J. "Jasper Johns’ Coup in Venice." The Philadelphia Inquirer, June 23, 1988, pp. F1—8. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.; and Venice Biennale.

Sozanski, Edward J. "Johns Wins Top Prize in Venice Show." The Philadelphia Inquirer, June 27, 1988, pp. A1—6. Johns awarded the Golden Lion at Venice Biennale.

Sozanski, Edward J. "A ‘Strong Showing’ for U.S. in Venice." The Philadelphia Inquirer, June 28, 1988, pp. E1—8. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn., and Venice Biennale.

Sozanski, Edward J. "Enlivening the Venice Biennale." The Philadelphia Inquirer, July 3, 1988, pp. H1—6. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn., and Venice Biennale.

Sozanski, Edward J. "The Lure of the Impossible." The Philadelphia Inquirer Magazine, October 23, 1988, pp. 25—31. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn., and Venice Biennale. Reprinted in Kirk, pp. 224—26. (JJ itw)

Staggs, Sam. "Mark Rosenthal: Philadelphia Story." Artnews, vol. 87, no. 9 (November 1988): 29—30. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn., and Venice Biennale.

Steiger, Bill. "Poinsett, Johns named to Hall of Fame." The News and Courier/The Evening Post (Charleston, S.C.), September 24, 1988, p. B1.

Tantucci, Enrico. "Jasper Johns il grande lirico. Un Leone d’oro agli anni ’60." La Repubblica, June 26—27, 1988, n.p. Johns awarded the Golden Lion at Venice Biennale.

Tono, Yoshiaki. ["Jasper Johns in Venice."] Mizue (Tokyo), no. 948 (Autumn 1988): 3—19. Review of "Jasper Johns: Work since 1974," Venice Biennale.

Trebbe, Ann. "Lofty Expectations for Johns Art Sale." USA Today, May 3, 1988, p. D1. Discusses sale of Diver (1962).

Trebbe, Ann. "Art Mania’s $45M Mix." USA Today, May 4, 1988, p. A1. Discusses sale of Diver (1962).

Tully, Judd. "$79 Million for Impressionist And Modern Works at Sotheby’s." Washington Post, November 12, 1988, pp. C1, 9. Discusses sale of White Flag (1955) and False Start (1959).

Twardy, Charles A. "Venice Show Fittingly Crowns Jasper Johns’ Success." The State (Columbia, S.C.), July 17, 1988, p. F3. Review of "Jasper Johns: Work since 1974," Venice Biennale.

Twardy, Charles A. "Jasper Johns." The State (Columbia, S.C.), September 11, 1988, p. F1, 2. Review of "Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns," High Museum of Art, Atlanta, Ga.

Twardy, Charles A. "You Can Never Pay Too Much." The State (Columbia, S.C.), November 11, 1988, pp. A1, 6. Discusses sale of White Flag (1955) and False Start (1959).

Twardy, Charles A. "Has Entire Art Market Gone Nuts?" The State (Columbia, S.C.), November 13, 1988, p. A1, 11. Discusses sale of White Flag (1955) and False Start (1959).

Vedrenne, Elisabeth. "Le mai de Bordeaux: la collection cosmopolite d’Ileana Sonnabend." Beaux Arts (Levallois, France), no. 57 (May 1988): 44—48.

Vischer-Honegger, Irene. "Ich bringe nichts mehr in meinen Kopf." Bilanz (Zurich), June 1988, pp. 94—96. Interview with Johns. (JJ itw)

Wallach, Amei. "Jasper Johns at the Top of His Form." New York Newsday, October 30, 1988, part 2, pp. 4, 20. Interview conducted on the occasion of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn., and Venice Biennale. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 227—27. (JJ itw)

Wallach, Amei. "Not Above Having Fun." New York Newsday, October 30, 1988, part II, p. 5. Review of exhibition, Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Wallach, Amei. "Jasper Johns: On Target." Elle, vol. 4, no. 3 (November 1988): 152, 154, 156. Interview conducted on the occasion of the exhibition "Jasper Johns, Bruce Nauman, David Salle," Leo Castelli Gallery, New York, N.Y. (JJ itw)

Walsh, Robert. "Coming up Rosenthal." Vanity Fair (June 1988): 86. Review of "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Venice Biennale.

de Wavrin, Isabelle. "Jasper Johns: Le Plus Cher des Artistes Vivants." Beaux-Arts (Levallois-Perret, France), no. 60 (September 1988): 22.

Weinberg, Jonathan. "It’s in the Can: Jasper Johns and the Anal Society." Genders (Austin, Tex.), vol. 1 (March 1988): 40—56.

Weisser, Tom. "They Gotta Have It. The Underside of Today’s Art Auctions." New York Press, vol. 1, no. 33 (November 25, 1988): 1—8. Discusses sale of False Start (1959).

Weisser, Tom. "They Gotta Have It. Jasper Johns’ Blue Chip Period." The City Paper (Baltimore, Md.), November 25, 1988. Discusses sale of False Start (1959).

Wilson, William. "A Mega-Star for All the Wrong Reasons: Jasper Johns’ Older Works Break Sales Records as His Newer Ones Go on Exhibit in Philadelphia." Los Angeles Times, November 20, 1988, pp. 108—9. Discusses sale of White Flag (1955) and False Start (1962).

Yau, John. "Jasper Johns." Contemporanea (New York), vol. 1, no. 2 (July—August 1988): 65—69. Review of "Jasper Johns: Work since 1974," Venice Biennale.

Yau, John. "Jasper Johns. Proofs Positive: The Master Works." Artnews, vol. 87, no. 7 (September 1988): 104—6. Discusses a day with Johns at Maurice Payne’s printmaking studio. (JJ itw)

Yau, John. "Brice Marden." Flash Art, no. 142 (October 1988): 92—95. Discusses Marden and Frank Stella’s response to Johns’s work.

Zic, Ingrid. "Galerija ‘Zivih Legendi.’" Subota, August 29, 1988, p. 20. Review of one-man exhibition at the Caffe Galleria Dante, Umago, Yugoslavia.

Zimmerman, David. "The Eye-Opening Imagery of Johns." USA Today, October 26, 1988, p. D4.



1989*


"All The Great Ones Smoke." New Art Examiner, June 1989, p. 68. Johns included in slogan of the Art Patrons for an Antismoking Legislation Free America.

["The Art Market 1979—1989." Art and Auction (May 1989). Johns Flag (1954—55) reproduced on cover. LCG.]

Book reviews of Georges Boudailles, Jasper Johns and Mark Rosenthal, Jasper Johns: Work since 1974 (exhibition catalogue). The State (Columbia, S.C.), October 22, 1989. LCG.

"Cage, Cunningham & Johns: Participation and Collaboration." Journal of Art, vol. 2, no. 2 (November 1989): 12—14. Includes excerpts from exhibition catalogue accompanying the exhibition "Dancers on a Plane: Cage, Cunningham, Johns," Anthony d’Offay Gallery, London.

"East Side Johns." Evening Standard (London), October 31, 1989, p. 6. Discusses students asking for autographs from Johns at Anthony d’Offay Gallery, London.

"The History of False Start." Art Talk (March 1989). LCG.

"Jasper Johns’ Latest Season." Journal of Art, vol. 2, no. 2 (November 1989): 19. Discusses drawing included in "Master Drawings," Janie C. Lee Gallery, New York, N.Y.

"Jasper Johns and Robert Rauschenberg: Selections from the Anderson Collection." San Jose Museum of Art Frameworks, vol. 2, no. 6 (December 1989—January 1990): n.p.

"Jasper Johns at McKissick Museum." Allendale County Citizen Leader (Allendale, S.C.), March 22, 1989, p. 8. Review of one-man exhibition "Jasper Johns Prints," McKissick Museum, Columbia, S.C.

"Jasper Johns in Venice." Dialogue (Washington, D.C.), no. 83 (1.1989): 1.

"Jasper Johns the Formalist." Dialogue (Washington, D. C.), (September—October 1989): 38. Announcement for "Jasper Johns: Drawings and Prints from the Collection of Leo Castelli," Butler Institute of American Art, Youngstown, Ohio.

Johns elected to the American Academy of Arts and Letters. Art Information Report, vol. 2, no. 5 (January 1989): 2.

"A Landmark Evening for Contemporary Art." Sotheby’s Calendar (January 1989): 6—7. Discusses sale of False Start (1959)

"Minneapolis: A Johns Donation Completes a Collection." Flash Art News, no. 145 (March—April 1989): 5. Discusses gift of prints to the Walker Art Center, Minneapolis, Minn.

"News of the Print World: People & Places November print sales at Christie’s and Sotheby’s." The Print Collector’s Newsletter, vol. 19, no. 6 (January—February 1989): 220—22, 224.

"S.C. Honors Artist, Statesman." Spartanburg Herald-Journal, January 31, 1989, p. B3. Jasper Johns and Joel Roberts Poinsett inducted into the South Carolina Hall of Fame at Myrtle Beach Convention Center.

"$17 Million for This?" National Inquirer, February 7, 1989. Discusses sale of False Start (1959). LCG.

"Taro Suzuki." Juliet (Trieste, Italy), no. 40 (February—April 1989): 39.

"242: A Magic Number." The Print Collector’s Newsletter, vol. 19, no. 6 (January—February 1989): 222. Discusses gift of prints to the Walker Art Center, Minneapolis, Minn.



Apesos, Anthony, and Carolyn Smyth. "Raising the Reserve: Philadelphia Museum Hosts Jasper Johns Retrospective." New Art Examiner (June 1989): 40—42. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Armstrong, Elizabeth. "First Impressions." The Print Collector’s Newsletter, vol. 20, no. 2 (May—June 1989): 41—46. Discusses "First Impressions: Early Prints by Forty-six Contemporary Artists," Walker Art Center, Minneapolis, Minn.

Baal-Teshuva, Jacob. "World Records Broken: Jasper Johns brings 17 Million Dollars in New York." Cimaise (Paris), vol. 36, no. 198 (January—February 1989): 121—123.

Carrier, David. "Jasper Johns at the Philadelphia Museum of Art." Burlington Magazine (London), vol. 131, no. 1030 (January 1989): 66- 67. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Carrier, David. "La intencionalidad del artista y la interpretación historiográfica de la obra de arte." Kalías (Valencia, Spain), vol. 1, no. 1 (February 1989): 40—47.

Causey, Andrew. "American Art in the 20th Century." Art & Design (New York), vol. 5, no. 7/8 (1989): 85—96.

Cohen, Ronny H. "Up & About: The Market for Contemporary Prints." The Print Collector’s Newsletter, vol. 20, no. 1 (March—April 1989): 10—14.

Cyphers, Peggy. "The Maps." Arts, vol 63, no. 9 (May 1989): 109—10. Review of "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.

De Chiaro, Tommaso. "Le poetiche dell’oggetto e la collezione Sonnabend." Terzo Occhio (Bologna, Italy), vol. 15, no. 2 (51): (June 1989): 16—18.

Dorsey, John. "Tighter Money Squeezed Art Shows, Museums/Everything Going Up." The Sun (Baltimore), December 24, 1989, pp. J1, 4, 5.

Felver, Christopher. "Artists in Close-up." Art International (Paris), no. 9 (Winter 1989): 44—49. Photographic portraits of artists by Cuno Felver.

Gass, William. "Jasper Johns." New York Review of Books, February 2, 1989, pp. 22—27. Book reviews of Mark Rosenthal, Jasper Johns: Work since 1974 and of James Cuno, ed., Foirades/Fizzles: Echo and Allusion in the Art of Jasper Johns. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Gherasim, Marin. "Imposibila demarcatie." Arta (Bucharest, Romania): vol. 36, no. 9 (1989): 17—18.

Gimelson, Deborah. "What Makes Larry Go-Go?" 7 Days (New York), December 20, 1989, pp. 16—22. Profile of dealer Larry Gagosian.

Goldman, Judith. "Les saisons." Artstudio (Paris) [issue on Johns], no. 12 (spring 1989): 110—119. English-language manuscript in Leo Castelli Gallery archives.

Grimm, Art. "Mary Young Remembers Jasper Johns as a Kid in Allendale." Allendale County Citizen Leader, April 26, 1989, pp. 1, 6. Also see Carolyn Fluker Smith, 1989.

Harrison, Katharine. "Jasper Johns at Gagosian." Flash Art (June 1989): 114. Review of "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.

Hindry, Ann. "Conversation with Jasper Johns/Conversation avec Jasper Johns." Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 6—25. In English and French. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 227—34. (JJ itw)

Holert, Tom. "Geographic der Intention. Jasper Johns’ Map (Based on Buckminster Fuller’s Dymaxion Airocean World) (1967—71)." Wallraf-Richartz Jahrbuch (Cologne), vol. 50 (1989): 271—305.

Howell, John. "Goldilocks and the Three Bears." Sunday Times Magazine, October 29, 1989, pp. 92, 95. Discusses Merce Cunningham, John Cage, and Johns.

Hughes, Robert. "Sold!" Time (November 27, 1989): 60—65.

Hyde, Nina. "Style: The List." Washington Post, January 1, 1989, p. F1.

Johns, Jasper. Art Journal, vol. 48, no. 3 (Fall 1989): 232. Statement on Willem de Kooning dated January 1983 in issue dedicated to de Kooning, edited by Bill Berkson and Rackstraw Downes. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 23. (JJ wtg)

Johnston, Jill. "Grünewald Lives." New York Review of Books, vol. 36, no. 10 (June 15, 1989): 60. Letter to the editors on William Gass’s review; see Gass, 1989.

Kaufman, Jason Edward. "Multimillion Dollar Modern Art Maps." New York City Tribune, March 8, 1989." Review of "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y. JJSA.

Kazanjian, Dodie. "Cube Roots." Vogue, no. 179 (September 1989): 728—29, 798, 800—1. Interview with artists and critics on the influence of Cubism. Reprinted in Kirk, p. 238. (JJ itw)

Kazanjian, Dodie. "Going Places." Vogue (November 1989): 412—417, 462. Discusses dealer Larry Gagosian.

Kenner, Hugh. "Madness, Madness." Art & Antiques (February 1989): 104, cover. Discusses sale of False Start (1959).

Kramer, Hilton. "Gass-Tly Johns." Art and Antiques (March 1989): 131—32, 135. Discusses William Gass’s review in the New York Review of Books; Gass, 1989.

Kramer, Hilton. "Jasper Johns at Gagosian Gallery: Distinctly Comical, Pathetic Show." New York Observer, vol. 3, no. 11 (March 20, 1989): 1, 11. Review of "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.

Lang, Luc. "La peinture inutile." Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 48—57.

Laroni, Gianni. "Realismo e post-realismo nella pittura americana." Op. cit. (Naples), no. 75 (May 1989): 33—40.

Leenhardt, Jacques. "Artist, Career, Mainstream, and Art." Art Criticism (Stony Brook, N.Y.), vol. 6, no. 1 (1989): 43—50.

Levinger, Esther. "Jasper Johns’ Painted Words." Visible Language (Cleveland, Ohio), vol. 23, no. 2/3 (spring—summer 1989): 281—95.

Lewis, Jo Ann. "Art ’88: Amid the Soaring Prices, Some Fine Shows." Washington Post, January 1, 1989, pp. G10—11.

Lewis, Mary Tompkins. "Jasper Johns." Art & Antiques, vol. 6, no. 6 (summer 1989): 37. Review of "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.

Lloyd, Ann Wilson. "Private Collection: Happy Hour at the Atlantic House." Contemporanea, vol. 2, no. 1 (January—February 1989): 60—64. Discusses Reginald Cabral’s collection.

Marin, Louis. "De la Citation. Notes à partir de quelques oeuvres de Jasper Johns." Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 120—32.

Marincola, Paula. "Philadelphia." Contemporanea (January—February 1989): 16—17. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Marion, John L. "The Auction Season 1988—89." Sotheby’s Newsletter (August 1989): 2. Discusses sale of False Start (1959).

Marriner, Robin. "Jasper Johns." Art Monthly 132 (December 1989—January 1990): 20—21.

Monnier, Geneviève. "Dessins: l’équilibre de l’alternative." Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 98—109.

Morgan, Robert C. "Jasper Johns, David Salle, Bruce Nauman at Leo Castelli." Flash Art, no. 144 (January—February 1989): 123. Review.

Muchnic, Suzanne. "The Frenzy." Los Angeles Times, June 11, 1989, pp. 3, 88—89. Discusses the art market.

Namuth, Hans. "Artists’ Portraits." Art International (Paris), nouvelle serie, no. 5 (spring 1989): 40—49.

Natkin, Robert and Leda. "Jasper Johns." Modern Painters, vol. 2, no. 1 (spring 1989): 87—88. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn.

Norman, Géraldine. "Johns et Picasso sur fond d’or." Connaissance des Arts (Paris), January 1989, pp. 17—18. Discusses sale of False Start (1959).

Nunn, Peggy G. "The Elusive Jasper Johns." Artifacts (Columbia, S.C.), vol. 5 (April—May—June 1989): 20. Announcement of "Jasper Johns Prints," McKissick Museum, Columbia, S.C.

O’Connor, John J. "Jasper Johns: The Mystery of Simplicity." New York Times, September 11, 1989, p. C20. Review of the TV documentary Jasper Johns: Ideas in Paint.

Orton, Fred. "On Being Bent ‘Blue’ (Second State): An Introduction to Jacques Derrid/A Footnote on Jasper Johns." Oxford Art Journal (Oxford, England) vol. 12, no. 1 (1989): 35—46.

Payant, René. "Collage at large: Le texte Déchaîné."Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 84—97. Reprinted from: Revue d’esthétique, no. 1—2, Rhétoriques, sémiotiques (Paris: 10—18, Union générale d’éditions, Collection Inedit, 1979): 254—71.

Penn, Suzanne. "Johns, Rauschenberg and Kiefer: Preserving the Artist’s Intentions." Journal of Art, vol. 1, no. 2 (January 1989): 24—25.

Reif, Rita. "A Potter Who Found Art in the Mississippi Mud." New York Times, September 24, 1989, 38. Review of George Ohr pottery exhibition at the American Craft Museum, New York, N.Y.

Reif, Rita. "Auctions." New York Times, November 3, 1989, p. C30.

Reuterswärd, Carl Fredrik. "Jasper Johns. Medan tuppen tittar på New Yorks regionalteve." "While [Johns’] rooster watches New York regional TV." Månads Journalen (Stockholm), March 1989, pp. 3, 48—54.

Richardson, Brenda. "Jasper Johns: Device." The Baltimore Museum of Art Diamond of the Month (April 1989): n.p.

Robins, Corinne. "Jasper Johns: Will Good Manners Suffice?" Art International (Paris), nouvelle serie, no. 6 (spring 1989): 97—99. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn; and Venice Biennale.

Rosenthal, Mark. "Cage, Cunningham & Johns." Journal of Art (November 1989): 12—14. Adapted from "‘Dancers on a Plane’ and Other Stratagems for Inclusion in the Work of Jasper Johns" in Susan Sontag, et al, Dancers on a Plane: Cage, Cunningham, Johns (exhibition catalogue; London: Anthony d’Offay Gallery, 1989).

Rougé, Bertrand. "Le visage de l’angoisse." Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 68—83. Also see Bertrand Rougé, 1991 (Études anglaises).

Russell, John. "When Three’s No Crowd." New York Times, February 24, 1989, p. C26. Review of one-man exhibition "Jasper Johns: The Maps," Gagosian Gallery, N.Y.

Russell, John. "People Either Get the Point or They Don’t." New York Times, November 19, 1989, sec. 2, pp. 35, 46. Review of the exhibition "Dancers on a Plane: Cage, Cunningham, Johns," Anthony d’Offay Gallery, London.

Schefer, Jean-Louis. "Jasper Johns, quelle critique?" Artstudio (Paris) [issue on Jasper Johns]: no. 12 (spring 1989): 38—47.

Sem-Sandberg, Steve. "Adult Dreams: ur arbetsdagboken—New York, november—december 1988." Paletten (Göteborg, Sweden): no. 198 (March 1989): 8—16. In Swedish.

Shain, Andrew. "Poinsett, Johns Induced into S.C. Hall of Fame." The Sun (S.C.), January 31, 1989, pp. A1, 5. Johns and Joel Roberts Poinsett inducted into the South Carolina Hall of Fame.

Smith, Bruce. "Johns, Poinsett Join State’s Hall of Fame." The Item (Sumter, S.C.), January 31, 1989, pp. A1—12. Jasper Johns and Joel Roberts Poinsett inducted into the South Carolina Hall of Fame.

Smith, Bruce. "Pop Artist, Statesman Celebrated." The State (Columbia, S.C.), January 31, 1989, p. D1—2. Jasper Johns and Joel Roberts Poinsett inducted into the South Carolina Hall of Fame.

Smith, Carolyn Fluker. "Letter to the Editor: Allendale as Heaven." Allendale County Citizen Leader, March 28, 1989, pp. 4, 6. Also see Art Grimm, 1989.

Smith, Roberta. "Targeting Jasper Johns." Applause (Channel WHYY), September 1989, pp. 19—21. Discusses film Jasper Johns: Racing Thoughts.

Solomon, Andrew. "Surprise Symphony." Harpers & Queen (London), (November 1989): 48, 52. Review of the exhibition "Dancers on a Plane: Cage, Cunningham, Johns," Anthony d’Offay Gallery, London.

Stevens, Mark. "Pessimist at Play." New Republic (January 9—16, 1989): 25—26, 28. Review of one-man exhibition "Jasper Johns: Work since 1974," Philadelphia Museum of Art, Philadelphia, Penn; and Venice Biennale.

Stretch, Bonnie Barrett. "The $430-Million Week." Artnews, vol. 88, no. 1 (January 1989): 25. Discusses sale of False Start (1959) and White Flag (1955).

Sylvester, David. "Entretien avec Jasper Johns." Artstudio (Paris) [issue on Jasper Johns], no. 12 (spring 1989): 26—37. Interview with Jasper Johns at Edisto Beach, June 1965, translated into French. Originally published in English in Jasper Johns Drawings (exhibition catalogue; London: Arts Council of Great Britain, 1974): 7—19. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 113 -21. (JJ itw)

Sylvester, David, David Vaughan and Mark Rosenthal. "Cage, Cunningham & Johns: Participation and Collaboration" Journal of Art (November 1989): 12—14. Excerpts from Susan Sontag, et al, Dancers on a Plane: Cage, Cunningham, Johns (exhibition catalogue; London: Anthony d’Offray Gallery, 1989).

Turner, Elisa. "The Bramans: The Happy Look." Artnews, vol. 88, no. 3 (March 1989): 105—8. Discusses Norman and Irma Braman collection.

Twardy, Charles A. "Jasper Johns: Artist’s Works Come Home for a Visit." The State (Columbia, S.C.), April 23, 1989, pp. F1—2. Includes excerpts from a letter by Johns. (JJ itw)

Ursino, Mario. "La Collezione Sonnabend alla Galleria Nazionale d’Arte Moderna: America chiama Europa." Art e Dossier, no. 36 (June 1989): 4—6. Review.

Vaughan, David. "The Art of Friendship: Jasper Johns Talks to David Vaughan." Sunday Times Magazine, October 29, 1989, p. 95. Adapted from David Vaughan, "The Fabric of Friendship: Jasper Johns in Conversation with David Vaughan About His Friendship and Collaborations with Merce Cunningham and John Cage" (August 1989) in Susan Sontag, et al, Dancers on a Plane: Cage, Cunningham, Johns (New York: Alfred A. Knopf, with Anthony d’Offay Gallery, 1990): 137—42. Abridged French translation published in Mouvement; see Vaughan, 1995. (JJ itw)

Verdier, Jean-Emile. "Le modèle du moulage dans la fabrication de l’oeuvre de Jasper Johns." Artstudio (Paris) [issue on Jasper Johns], no. 12 (spring 1989): 58—67.

Welish, Marjorie. "Matter over Mind." Connoisseur, vol. 219 (March 1989): 32, 36. Discusses the Walker Art Center’s permanent collection of Johns prints.

Yau, John. "The Phoenix of the Self." Artforum, vol. 27, no. 8 (April 1989): 145—51.

Yau, John. "Jasper Johns at Gagosian Gallery." Artforum, vol. 27, no. 9 (May 1989): 152. Review of one-man exhibition "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.

Zaya, Octavio. "Jasper Johns: El valor de la pintura." El Europeo, no. 9 (February 1989): 58—71. Photograph of Johns on cover.

Zimmer, William. "Jasper Johns, Gagosian." Artnews, vol. 88, no. 5 (May 1989): 157. Review of one-man exhibition "Jasper Johns: The Maps," Gagosian Gallery, New York, N.Y.



1990*


Announcement for one-man exhibition "The Drawings of Jasper Johns," Kunstmuseum Basel; first shown at the National Gallery of Art, Washington, D.C. Beaux Arts (October 1990): 157.

"Artists Take Center Stage at White House." TimesUnion (Albany, NY), September 14, 1990. President George Bush honors American artists and patrons. JJSA.

"Christmas in June." The Print Collector’s Newsletter, vol. 21, no. 3 (July—August 1990): 104. Discusses gift made by Leo Castelli to the National Gallery of Art on the occasion of one-man exhibition "The Drawings of Jasper Johns."

"The Drawings of Jasper Johns." Elle Decoration (London), (December 1990—January 1991): 43. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Dancers on a Plane: Cage, Cunningham, Johns," Anthony d’Offay Gallery, London.

"For Love or Money." Washington Dossier, September 1990, p. 91. Photographs of opening of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Gallery is Sole U.S. Venue for Jasper Johns’ Drawings." Antiques and the Arts Weekly (Newton, Conn.), May 18, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

"Gallery Receives Johns Drawing." Antiques and the Arts Weekly (Newton, Conn.), June 15, 1990. Drawing given by Leo Castelli on the occasion of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Jasper Fills the Gallery." Women’s Wear Daily, May 17, 1990, p. 24; and June 11—18, 1990, p. 10. Discusses opening of one-man exhibition, "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Jasper Johns." London Weekly Diary of Social Events, December 2—8, 1990. Announcement one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

"Jasper Johns Drawings." Journal of the Print World (Meredith, N.H.), no. 2 (Spring 1990): 38. Review of one-man exhibition, "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Jasper Johns in Washington." Flash Art, no. 152 (May—June 1990): 173. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Jasper Johns: Printed Symbols." The Museum of Fine Arts Houston Calendar of Events, vol. 2, no. 5 (May—June 1990): 2, 5.

"Jasper Johns: Printed Symbols." The Museum of Fine Arts Houston Calendar of Events, vol. 2, no. 6 (July—August 1990): 1, 4, 5.

"Jasper Johns: 30 ans de symboles." L’Actualité (Montreal), December 15, 1990, p. 111. Review of "Jasper Johns: Printed Symbols," Musée de Beaux Arts, Montreal; first shown at the Walker Art Center, Minneapolis, Minn., 1990.

"Medium und Motiv." Basler Zeitung (Basel), no. 192 (August 18, 1990): 37. Review of one-man exhibition "The Drawings of Jasper Johns," Kunstmuseum Basel; first shown at the National Gallery of Art, Washington, D.C.

"Names and Faces: Tandy, Cronyn among honorees." The Sun (Baltimore), September 10, 1990. President George Bush honors American artists and patrons. JJSA.

"National Gallery of Art." The Print Collector’s Newsletter, vol. 21, no. 3 (July—August 1990): 114. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Rauschenberg and Johns in San Jose." Flash Art, no. 150 (January/February 1990): 153, also auctions, 171. Review of exhibition of works by Johns and Rauschenberg from the Harry W. Anderson collection, San Jose Museum of Art, San Jose, Calif.

Review of Johns calendar published by Anthony d’Offay Gallery, London. Arts Review, vol. 42, no. 24 (November 30, 1990): 14.

Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C. CV (London), vol. 3, no. 4 (December 1990): 30—31.

Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C. 20/20 Magazine (London), (Autumn 1990). JJSA.

Review of one-man exhibition "The Drawings of Jasper Johns," Drawing, vol. 12, no. 1 (May—June 1990): 11—12. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Silhouetten eines Ausgebrannten?" Die Welt, no. 299 (December 22, 1990). Review of "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C. JJSA.

"Stressing Internationalism, Ford Funds Exhibition of Jasper Johns." Corporate Artnews (New York, N.Y.), vol. 7, no. 3 (July 1990): 4.

"Les U.S.A. face à l’art." Connaissance des Arts (Paris), no. 464 (October 1990): 119.

"Washington D.C." Art Now Gallery Guide (May 1990): 22. Review of one-man exhibition, "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

"Word and Image." Kansas City Star [April ? 1990]. JJSA. Review of "Contemporary Illustrated Books: Word and Image, 1967—1988," Nelson-Atkins Museum of Art, Kansas City, Mo.



Alberge, Dalya. "Sculpture Sheds a Steely Light on Surrealism." The Independent (London), December 24, 1990. Review of "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C. JJSA.

Baker, Kenneth. "Sketching Out Two Careers." San Francisco Chronicle (July 22, 1990): 14—15. Review of Ruth E. Fine an Nan Rosenthal, The Drawings of Jasper Johns (exhibition catalogue).

Baker, Kenneth. "Lasting Impressions of Jasper Johns." San Francisco Chronicle, September 15, 1990. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn. JJSA.

Boime, Albert. "Waving the Red Flag and Reconstituting Old Glory." Smithsonian Studies in American Art, vol. 4, no. 2 (spring 1990): 2—25.

Bonetti, David. "Jasper Johns: A Bull’s Eye." San Francisco Examiner, September 18, 1990, p. C1. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn.

[Braff, Phyllis. New York Times, Long Island edition, [1990]. Review of Hans Namuth’s film "Jasper Johns: Take an Object." LCG.]

Bredin, Lucinda. "Drawing on inspiration." Evening Standard Magazine (London), December 1990, p. 117. Review of "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Burchard, Hank. "Long Johns Wears on You." Washington Post (June 1, 1990). Review of "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Burkhart, Dorothy. "Object Lessons from Symbols a Mind Knows." Mercury News (San Jose, Calif.), September 14, 1990, p. D1, 14. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn.

Cantrell, Scott. "A Magnificent Mix of Print and Art." Kansas City Star, May 13, 1990, p. H6. Review of "Contemporary Illustrated Books: Word and Image, 1967—1987," Nelson Atkins Museum of Art, Kansas City, Mo.

Chadwick, Susan. "Public gets long-awaited look at Jasper Johns’ enigmatic art." Houston Post, June 15, 1990, pp. C1—8. Review of "Jasper Johns: Printed Symbols," Museum of Fine Arts, Houston; first shown at the Walker Art Center, Minneapolis, Minn.

Clements, Paul. "The Artist Speaks." Museum and Arts Washington, vol. 6, no. 3 (May—June 1990): 76—81, 116—117. Interview with Johns. Published in Spanish as Paul Clemente (sic), "Jasper Johns, habla el artista," Reverso (Bilbao, Spain), no. 2 (summer—autumn 1990): 57—59, 61—63, 65—67, 69. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 242—44. (JJ itw)

Conconi, Chuck. "Personalities." Washington Post, September 12, 1990, p. B3. JJSA.

Cork, Richard. "The Liberated Millionaire is Not Flagging." The Times (London), November 30, 1990, p. 21. Interview conducted on the occasion of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 257—58. (JJ itw)

Cork, Richard. "Unflagging Precision: Jasper Johns’s Transformations of the Banal." The Listener (London), December 13, 1990, p. 33. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Day, Jeffrey. "Johns’ Classic Prints End Tour." The State (Columbia, S.C.), April 1, 1990, p. F4. Review of one-man exhibition "Jasper Johns Prints," University of South Carolina, Columbia, S.C., 1989.

Day, Jeffrey. "D.C. Tour Features Munch and Johns." The State (Columbia, S.C.), July 8, 1990, p. F1, 3. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Dorment, Richard. "A New Perspective on Jasper Johns." Daily Telegraph (London), December 4, 1990, p. 18. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

Dudar, Helen. "Enigmatic, Distant, Jasper Johns is at the Top of his Form." Smithsonian (Washington D.C.), vol. 21, no. 3 (June 1990): 56—68. Review of "Jasper Johns: Printed Symbols," Walker Art Center, Minneapolis, Minn.; and "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Dumont, Etienne. "Johns, Gorky, Modigliani and Light." The Art Newspaper, no. 1 (October 1990). Includes review of of one-man exhibition "The Drawings of Jasper Johns," Kunstmuseum Basel; first shown at the National Gallery of Art, Washington, D.C. LCG.

Dupuy, Pascale. "Long Courrier: Washington." Elle (Paris), (June 1990). Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Ergmann, Raoul. "L’image, la séquence, le temps." Connaissance des Arts (Paris), no. 458 (April 1990): 98—105. Review of "Polyptyques: Le tableau multiple du moyen-âge au vingtième siècle," Musée du Louvre, Paris.

Farson, Daniel. "Seeing the Light on the Sombre Profit of Gloom." The Mail on Sunday (London), December 23, 1990, p. 29. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Feaver, William. "Everyday Icons." Vogue (London), (December 1990): 47. Book review of Ruth E. Fine and Nan Rosenthal, The Drawings of Jasper Johns (exhibition catalogue).

Feaver, William. "Slow Hill Starts and Flat Stalls." Observer (London), December 9, 1990.

Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Filler, Martin. "Sharp Penn." Vanity Fair (February 1990): 180—87, 222. Includes Irving Penn’s portrait of Johns.

Fisher, Philip. "Jasper Johns: Strategies for Making and Effacing Art." Critical Inquiry, vol. 16, no. 2 (winter 1990): 313—54. Also see "Jasper Johns and the Effacing of Art" in Philip Fisher, Making and Effacing Art. Modern American Art in a Culture of Museums (New York, N.Y., and Oxford: Oxford University Press, 1991): 48—89.

Fowler, Carol. "Legion Exhibits Johns’ Versatility." Daily Ledger/Post Dispatch (Antioch, Calif.), October 11, 1990, p. 16. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn.

Frankel, Susannah. "Is Jasper Johns the World’s Greatest Living Artist?" Blitz (London), no. 96 (December 1990): 21. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

Gibson, Eric. "Dull Johns Drawings Fail to Impress." Washington Times, May 21, 1990. Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Gibson, Eric. "A Modern but Masterless Exhibit." Insight on the News, vol. 6 (June 18, 1990): 60. Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Giuliano, Mike. "NGA Honors the Intriguing Images of Jasper Johns." Columbia Flier (Columbia, Md.), May 24, 1990. Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Godfrey, Tony. "Drawings on Target." RA [Royal Academy Magazine] (London), no. 29 (winter 1990): 10—11. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Gopnik, Adam. "Bits and Pieces." New Yorker (May 14, 1990): 88—92. Review of Bruce Nauman exhibition at Leo Castelli Gallery, New York, N.Y.

Graham—Dixon, Andrew. "Art Without Balls." The Independent (London), (November 24, 1990): 74—79. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Graham—Dixon, Andrew. "By Numbers." The Independent (London), (December 11, 1990): 15. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Grundberg, Andy. "Hans Namuth, Photographer, Is Dead at 75." New York Times, October 15, 1990, p. B7.

Hall, James. "Jasper Johns: Pop Goes the Easel." Interiors (London), (November 1990): 200—1. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Hall, James. "The American Picasso." New Statesman Society (London), December 7, 1990, pp. 26—27. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

Hardy, William. "True Colors." Tatler (London), December 1990—January 1991, p. 38. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Harrison, Helen A. "Under the Influence of the Far East." New York Times (Long Island edition), October 21 1990, sec. 1, p. 17. Review of group exhibition "The Transparent Thread: Asian Philosophy in Recent American Art," Hofstra Museum, Hofstra University, Hampstead, N.Y.

Haxthausen, Charles W. "Basel, The Drawings of Jasper Johns." Burlington Magazine (London), vol. 132, no. 1051 (October 1990): 734—36. " Review of of one-man exhibition "The Drawings of Jasper Johns," Kunstmuseum Basel, and Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Hellekson, Diane. "Jasper Johns" St.Paul Pioneer Press Dispatch, February 18, 1990, pp. D1, 3. Review of "Jasper Johns: Printed Symbols," Walker Art Center, Minneapolis, Minn.

Heller, Ben. "Reaching For the Stars." Artnews, vol. 89, no. 6 (summer 1990): 138—41. Discusses Heller’s letters to Johns.

Hilton, Tim. "The Flagging American." Guardian Weekly (London), December 16, 1990, p. 27. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Hirsch, Faye. "Master of the Reflected Life: The Allegories of Jasper Johns." Arts, vol. 65, no. 4 (December 1990): 38—41.

[Homisak.] "Johns Drawings Unfurled at National Gallery." Tribune Review (Greensburg, Penn.), May 18, 1990. Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Hughes, Leonard. "Jasper Johns: Drawing on the Familiar–With a Twist." The Journal (Fairfax, Va.), May 18, 1990. Review of of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Hunter, Timothy. "Considers the Protean Images of Jasper Johns." Harpers & Queen (London) (December 1990): 44, 47. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Hyman, James. "Jasper Johns: The Most Valuable Contemporary Artist in the World." The Art Newspaper, vol. 1, no. 2 (November 1990): 15. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Importico, Robert. "Tandy, Cronyn Among 12 to Receive Medal of Arts." The Star-Ledger (Newark, N.J.), September 8, 1990, p. 2.

Jeromack, Paul. "Contemporary Prints." Art & Auction (February 1990): 147.

Johnson, Patricia C. "Jasper Johns’ Endlessly Inventive Prints." Houston Chronicle, June 17, 1990, p. 20. Review of "Jasper Johns: Printed Symbols," Museum of Fine Arts, Houston; first shown at the Walker Art Center, Minneapolis, Minn.

Johnson, Robert Flynn. "Traveling Exhibition." Triptych (San Francisco), no. 53 (November—December 1990): 25. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn.

Johnston, Jill. "Cage, Cunningham, Johns." New York Times Book Review , December 16, 1990, p.13. Book review of Susan Sontag, et al, Dancers on a Plane: John Cage, Merce Cunningham, Jasper Johns (exhibition catalogue).

Kent, Sarah. "Jasper Johns: Strokes of Genius." Time Out (London), December 5—12, 1990, p. 14—15. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 258—59. (JJ itw)

Kido, Hitoshi. ["Printer karano me/A Printer’s reflection."] Mizue (Tokyo), no. 957 (winter 1990): 105—15. In Japanese and English.

Kilian, Michael. "National Gallery Exhibiting its New Prize, Rubens’ Fall of Phaeton." Chicago Tribune (Chicago, Il.), June 7, 1990. Includes review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Koerner, Joseph Leo. "The Master’s Secret" The New Republic, November 26, 1990, pp. 42—46 (43). Includes discussion of Johns’s appropriation of details from Malthias Grünewald’s Isenheim Altarpiece.

Krasnow, Iris. "On Scene." Museum & Arts Washington, vol. 6, no. 5 (September—October 1990): 13. Discusses opening of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Krebs, Betty Dietz. "Target: Jasper Johns." Dayton Daily News (Dayton, Ohio), July 7, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Kuspit, Donald B. "Jasper Johns: Butler Institute of American Art." Artforum, vol. 28, no. 6 (February 1990): 143—44. Review of one-man exhibition at the Butler Institute of American Art, Youngstown, Ohio.

Larson, Kay. "War at the Whitney." New York, vol. 23, no. 6 (February 12, 1990): 30—37. Discusses retirement of director Thomas Armstrong. Three Flags (1958) reproduced on cover.

Larson, Philip. "Famous Artist Bottoms Out in Love Nest with Own Shadow. Critics Claim One Thing Led to Another." The Print Collector’s Newsletter, vol. 21, no. 3 (July—August 1990): 89—91.

Legros, Hervé. "Sotheby’s emballe le Japon." Beaux Arts (Levallois-Perret, France), (January 1990): 42. Discusses sale of Two Flags (1980).

Lewis, James. "Powers of Disingenuousness." Art Issues, no. 11 (May 1990): 12—17.

Lewis, Jo Ann. "Jasper Johns, Personally Speaking." Washington Post, May 16, 1990, pp. F1, 6. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. (JJ itw)

Lewis, Jo Ann. "Hale at 60, Jasper Johns Starts to Look Inward." International Herald Tribune (Paris), May 19—20, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. LCG.

Lubbock, Tom. "Invention Over the Void." Independent on Sunday (London), December 2, 1990, p. 17. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

McEwen, John. "No Longer Hitting the Bullseye." Sunday Telegraph (London), December 9, 1990, review section: XVII. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

McKenna, Kristine. "Drawing the Lines." Harper’s Bazaar (April 1990): 196—97, 222.

Marandel, Patrice. "I disegni di Jasper." Il Giornale dell’Arte (Torino), June 1990.

Marar, Dawn Elizabeth. "Jasper Johns Drawings at the National Gallery." Art Times (July 1990): 8—9. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Mitchell, W.J.T. "Ut Pictura Theoria: La Peinture abstraite et la répression du language." Cahiers du Musée National d’Art Moderne, no. 33 (autumn 1990): 78—95.

Mitsuda, Yuri. ["Jasper Johns: The Face of American Contemporary Art."] Bijutsu Techô (Tokyo), vol. 42, no. 622 (April 1990): 159—63.

Moisan, Micheline M.M. "Jasper Johns: Printed Symbols." Collage (newsletter of Montreal Museum of Fine Arts), November—December 1990, p. 6. Review of "Jasper Johns: Printed Symbols," Musée de Beaux Arts, Montreal; first shown at the Walker Art Center, Minneapolis, Minn.

Moorman, Margaret. "Disparate Delicacies Bloom In ‘Transparent Thread.’" Newsday, October 5, 1990, part 2, p. 19. Review of group exhibition "The Transparent Thread: Asian Philosophy in Recent American Art," Hofstra Museum, Hofstra Uniersity, Hampstead, N.Y.

Muchnic, Suzanne. "Jasper Johns’ ‘Map’ Pledged to MOCA." Los Angeles Times, December 3, 1990, pp. F1, 12.

Naugrette, Jean-Pierre. "La peau de la peinture: Three Flags de Jasper Johns." Revue française d’Etudes Américaines (Paris), vol. 15, no. 46 (November 1990): 245—52.

[Oltramare, Elisabeth. "L’art et la bannière." Beaux-Arts (Levallois-Perret, France) [Issue dedicated to the 1990 Foire internationale d’art Contemporain (FIAC)]: 19—31. LCG.]

Ossias, Geoff. "America’s Symbols." Daily Californian (Berkeley, Calif.), September 19, 1990. Review of "Jasper Johns: Printed Symbols," Fine Arts Museum of San Francisco; first shown at the Walker Art Center, Minneapolis, Minn. JJSA.

Packer, William. "The Heraldry of the Everyday." Financial Times (London), December 4, 1990, p. 19. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Perlman, Bennard. "‘The Drawings of Jasper Johns’ at the National Gallery of Art." Daily Record (Baltimore, Md.), July 3, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Perreault, John. "Making Book." Village Voice, February 27, 1990, p. 85. Review of "Contemporary Illustrated Books: Word and Image, 1967—1988," Franklin Furnace Archives, New York, N.Y.

Plagens, Peter. "When Once Is Not Enough." Newsweek (July 9, 1990): 62—63. Review of "Polyptyques: Le tableau multiple du moyen-âge au vingtième siècle," Musée du Louvre, Paris.

Pye, Michael. "Behind Veils, The Elusive Heart." The Independent on Sunday (London), November 18, 1990, pp. 21—22. Interview with Johns on the occasion of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 254—56. (JJ itw)

Richard, Paul. "The Old Glories of Jasper Johns." Washington Post, May 19, 1990, pp. C1, 9. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

[Richard, Paul. "The Drawings of Jasper Johns." The State (Columbia, S.C.), June 10, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. LCG.]

Roberts, Roxanne. "13 Get Arts Medals." Washington Post, September 11, 1990, p. B2. President George Bush honors American artists and patrons.



[Rusnáková, Katerina. "Od pop-artu po dnes." Vytvarny Zivot (Czechoslovakia): vol. 35, no. 6 (1990): 39—43. LCG.]

Russell, John. "The Drawings of Jasper Johns: Delight Tempered by Challenge." New York Times, May 21, 1990, p. C11, 20. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Saurat, Marie-France. "Les Peintres vivants les plus chers du monde. Leo Castelli, leur marchand, raconte comment il les a lancés." Paris Match (January 18, 1990): 14—17, 105—7. Discusses Claude Berri’s film Rencontre Leo Castelli, marchand d’art (1987—88).

Searle, Adrian. "Take a Skull; Cover it with Paint." Artscribe (London), March—April 1990, pp. 10—11. Review of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

Segi, Shinichi. ["The Museum of Art Markets 26: Jasper Johns, Hero of Pop Art."] Art Magazine International (Tokyo), no. 27, (May 5, 1990): 108—11. In Japanese.

Shapiro, David. "The Seasons." American Poetry Review, vol. 19, no. 3 (May—June 1990): 3—4. Includes four poems by Shapiro and mention of his book Jasper Johns Drawings 1954—1984 (1984).

Sherrill, Martha. "At the National Gallery, Agog Over van Gogh." Washington Post, May 16, 1990, pp. F1, 10. Discusses opening of one-man exhibition "The Drawing of Jasper Johns" and auction prices.

Skimpole, Harold. "Review of Reviews: Art." Sunday Telegraph (London), December 16, 1990, review section: XVI. Discusses reviews of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Smith, Roberta. "Jasper Johns: Incessant Recycler of Images." New York Times, July 29, 1990, p. H29, 31. Review of one-man exhibitions "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.; and "Jasper Johns: Printed Symbols," Walker Art Center, Minneapolis, Minn.

Stevens, Mark. "The Seducer of Certainty." New Republic (Washington D.C.), July 30—August 6, 1990, pp. 28—30. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Sweeney, Louise. "A Master’s Cryptic Drawings." Christian Science Monitor, July 9, 1990, pp. 10—11. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Tallman, Susan. "The Other Biennial." Arts, vol. 64, no. 7 (February 1990): 17—18. Review of "Projects and Portfolios: The 25th National Print Exhibition," Brooklyn Museum, Brooklyn, N.Y., 1989.

Tallman, Susan. "Jasper Johns." Arts, vol. 65, no. 1 (September 1990): 17—18. Review of "Jasper Johns: Printed Symbols," Walker Art Center, Minneapolis, Minn.

Tallmer, Jerry. "Eye on Art: Once Not Enough for 19 Moderns." New York Post, February 16, 1990, p. 32. Review of "Contemporary Illustrated Books: Word and Image, 1967—1988," Franklin Furnace Archives, New York, N.Y.

Taylor, John Russell. "Distinctive Whisper in Gallery." The Times (London), December 1, 1990, p. 27. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.

Taylor, John. "A Life in Art." New York (December 24—31, 1990): 76. Review of Leo Castelli Gallery booth at the Forie internationale d’art contemporain, Paris, October 1990.

Taylor, Paul. "Jasper Johns." Interview, vol. 20, no. 7 (July 1990): 96—101, 122—23. Interview with Johns. Published in German in 1990 and 1994; see Taylor below. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 244—53. (JJ itw)

Taylor, Paul, with Photographs by Thomas Hoepker. "Ein Ami Zeigt Flagge." German translation of "Jasper Johns," Interview, July 1990. Zeit Magazin, no. 44 (October 26, 1990): 104—14. Reprinted as "Paul Taylor im Gespräch mit Jasper Johns." Künstler. Kritisches Lexikon der Gegenwartskunst (Verlage Weltkunst und Bruckmann, Munich), no. 25; issue dedicated to Johns (1994): 14—15. (JJ itw)

Taylor, Paul. "Robert Raushenberg: ‘I Can’t Even Afford My Works Anymore’." Interview (December 1990): 142—48.

Temin, Christine. "The Variety is Dazzling in ‘The Unique Print’ at the MFA." Boston Sunday Globe, September 23, 1990, p. B26. Review of "The Unique Print: 70s into 90s," Museum of Fine Arts, Boston, Mass.

Tourigny, Maurice. "Jasper Johns: Incertitudes, images et fragmentations Jasper Johns." Vie des Arts (Montreal): vol. 35, no. 141 (December 1990): 48—51. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Tracy, Robert. "Interview: le duo Johns—Cunningham." Vogue (Paris), no. 709 (September 1990): 42. Interview conducted with Johns on the occasion of Lyon Dance Biennial. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 253. (JJ itw)

Twardy, Chuck. "Johns Drawing Donated to Washington Museum." Orlando Sentinel (Orlando, Fla.), June 3, 1990. Discusses donation by Leo Castelli on the occasion of "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C.

Vaizey, Marina. "Sublime Talent Devoted to the Commonplace." Sunday Times (London), December 9, 1990, pp. 7, 10. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London.

Waddington, Chris. "Scope of Johns Show Offers a Broad Overview." Star Tribune (Minnesota), February 18, 1990, pp. F1, 2. Review of one-man exhibition "Jasper Johns: Printed Symbols," Walker Art Center, Minneapolis, Minn.

de Wavrin, Isabelle. "Des records encore, les records j’adore!" Beaux-Arts (Levallois-Perret, France), no. 75 (January 1990): 38—39. Discusses sale of Small False Start.

Weatherby W.J. "The Enigma of Jasper Johns." The Guardian (London), November 29, 1990, p. 29. Interview with Johns, on the occasion of "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the Naitonal Gallery of Art, Washington, D.C. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 256—57. (JJ itw)

Welish, Marjorie. "Jasper’s Patterns." Salmagundi (Saratoga Springs, N.Y.), no. 87 (summer 1990): 281—302. On one-man exhibition "Jasper Johns: Work since 1974," Venice Biennial; and Philadelphia Museum of Art, Phildelphia, Penn., 1988.

von der Wenge, Ruth. "Jasper Johns—Der Maler ohne Leidenschaften." Parnass (Vienna), vol. 5 (September—October 1990): 107—10. Review of "The Drawings of Jasper Johns," Kunstmuseum Basel; first shown at the National Gallery of Art, Washington, D.C. In German.

Whittaker, Jeanne. "People." Detroit News (Detroit, Mich.), May 29, 1990. Discusses opening of "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.

Woods, Jean. "Painter Jasper Johns: The Leader of Pop Art." Herald Mail (Hagerstown, Md.), March 25, 1990. Review of one-man exhibition "The Drawings of Jasper Johns," National Gallery of Art, Washington, D.C. JJSA.



1991*


Announcement for one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. The Tel Aviv Guide, October 4, 1991, p. 59. In Hebrew.

"Awards." Flash Art, vol. 24, no. 157 (March—April 1991): 163. Johns awarded the National Medal for the Arts at White House.

Book review of Susan Sontag, et al, Dancers on a Plane: John Cage, Merce Cunningham, Jasper Johns (exhibition catalogue). Arts (April 1991): 112.

["Castelli did not exactly identify them."] Maariv (Tel Aviv), (October 11, 1991). Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

"Contemporary Prints." Nikkei Art (Tokyo), no. 5 (1991): 24. Announcement for group exhibition at the Fuji TV Gallery, Tokyo in May.

"The Drawings of Jasper Johns." Atelier (Tokyo), May 1991, pp. 46—55. Review of of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C.

("H.L.") "Les estampes piquent du nez." Beaux-Arts (Levallois-Perret, France), February 1991, pp. 38—39.

"Festival d’automne à Paris." Le Magazine (Centre Georges Pompidou, Paris), September—November 1991, p. 42. Reproduction of poster designed by Johns.

"Gavel to fall again on two Artists?" New York (April 8, 1991): 12. Discusses Hans Thulin’s collection.

["The Greatest Western Art Dealer Comes to Israel."] Maariv (Tel Aviv), September 26, 1991. Discusses one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

"Jasper Johns." American Friends of the Tel Aviv Museum of Art Newsletter (fall 1991): n.p.

"Jasper Johns." Blitz (London), January—February 1991, p. 12. Discusses calendar produced by Johns with Anthony d’Offay Gallery.

"Jasper Johns. Bei Hayward und d’Offay." Frankfurter Allgemeine Zeitung (Frankfurt), January 5, 1991. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London. JJSA.

["The Jasper Johns exhibit opens in Tel Aviv."] Maariv (Tel Aviv), October 4, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

["Jasper Johns Prints at the Tel Aviv Museum."] Hamathil (Tel Aviv), no. 681 (October 8, 1991): 11. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

("J.V.H.") "Leo Castelli maakt van jong talent miljonairs." Nieuwsblad (Groot-Bijgaarden, Belgium), December 12, 1991. Review of one-man exhibitions Galerie Isy Brachot, Brussels.

("P.S.") "USA: Jasper Johns et Calder." L’Instant (Belgium), December 2, 1991, p. 85. Review of one-man exhbition "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Galerie Isy Brachot, Brussels.



Barnes, Curt. "Travels along the Dialectic." Art Journal, vol. 50, no. 1 (spring 1991): 27—28.

Bayley, Stephen. "London: Rauschenberg and Jasper Johns/Bless the bed we lie on." The Art Newspaper, vol. 2, no. 4 (January 1991): 8. Includes review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C., 1990.

Beaumont, Mary Rose. "Jasper Johns at the Hayward Gallery." Arts Review (London), vol. 43, no. 2 (January 25, 1991): 46—47. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C., 1990.

Brody, Jackie; Dick Solomon, Brooke Alexander, and Tomoko Liguori. "Cast of Four with a Target: The Contemporary Print Market." The Print Collector’s Newsletter, vol. 21, no. 6 [January—February 1991], 214—26.

Burr, James. "Variations on a Theme: Jasper Johns." Apollo, vol. 133, no. 349 (March 1991): 205. Review of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; and Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990.

Cage, John. "Art is Either a Complaint Or Do Something Else." Aerial (Washington D.C), no. 6/7 (1991): 1—35. Texts by Cage based on statements by Johns.

Cameron, Don. "Shifting Tastes." Art and Auction, September 1991, p. 79. Includes review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Comi, Enrico R. "Conversazione con Leo Castelli/Conversation with Leo Castelli." Spazio Umano/Human Space (Milan), (December 1991): in Italian, 33—64; in English, 65—99.

Director, Ruthie. ["Feeling Like a Walking Dummy. It is worth investigating once and for all Johns’ influence on Israeli Art."] Maariv (Tel Aviv), weekly supplement early October 1991, 62—63. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Director, Ruthie. ["Coke, Beer Cans, the American Flag."] [Journal] (Tel Aviv), October 3, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew. LCG.

Duwek, Nechama. ["Leo Castelli Recommends."] Yediyot Aharonot (Tel Aviv), October 8, 1991, p. 5. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Esterow, Milton. "Conversation with Leo Castelli: ‘Who Knows When Another Epiphany Will Occur?’" Art News, vol. 90, no. 4 (April 1991): 73—77.

Flam, Jack. "Encore for Master Draftsman." Wall Street Journal, March 18, 1991, p. A12. Review of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990.

Fox, Catherine. "Brenau Scores an Artistic Coup with Jasper Johns Print Exhibit." Atlanta Constitution, March 4, 1991, pp. E1, 4. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Simmons Visual Arts Center, Brenau College, Gainesville, Ga.

Gillemon, Danèle. "Cibles, drapeaux et Cie: rien que pour vos yeux." Le Soir (Brussels), December 27, 1991. Review of one-man exhibition at Galerie Isy Brachot, Brussels.

Gimelson, Deborah. "New York’s Surprising Market for Contemporary Monotypes." Architectural Digest (November 1991): 90—94.

Goldfine, Gil. "Johns Master Prints." The Jerusalem Post, November 10, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Heartney, Eleanor. "Chance Inspirations." Artnews, vol. 90, no. 3 (March 1991): 87—88. Book review of Susan Sontag, et al, Dancers on a Plane: John Cage, Merce Cunningham, Jasper Johns (exhibition catalogue, 1989).

Heartney, Eleanor. "Jasper Johns." Artnews, vol. 90, no. 5 (May 1991): 145—46. Review of "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990; and of one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Hirsch, Faye. "Jasper Johns." Arts, vol. 65, no. 9 (May 1991): 77. Review of "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990, and one man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Hoyen, Andrew. "Working Together: Collaboration in the Book Arts." Visible Language (Cleveland, Ohio), vol. 25, no. 2/3 (spring 1991): 209.

Johnston, Jill. "Trafficking With X." Art in America, vol. 79, no. 3 (March 1991): 102—11, 164—65.

Kadar, Dorit. ["That’s it: Jasper Johns Prints from the Leo Castelli Collection"] Al Hamishmar (On Guard), October 18, 1991, p. 16. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Kimmelman, Michael. "Jasper Johns, Cool And/Or Confessional." New York Times, March 1, 1991, p. C20. Review of one-man exhibition at the Whitney Museum of American Art, New York, N.Y., and Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

[Kokoska, Barbara. "Jasper Johns i pieniadze." Sztuka (Warsaw), vol. 15, no.1 (1991): 18—22. LCG.]

Kolberg, Gerhard. "Die Bierdose auf den Sockel gestellt." Weltkunst, vol. 61, no. 21 (November 1, 1991): 3,232—3,236 (3,233).

Kopik, Michal. ["Jasper Johns: Figure, Target and Double Flags." Studio (Tel Aviv), September 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew. LCG.

Krull, Aviva. ["One of the Best-Selling Artists."] [Globes] (Tel Aviv), October 2, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew. LCG.

Lambrecht, Luk. "Jasper Johns, de smalle brug tussen Abstract Expressionism en Pop Art." De Morgen (Belgium), December 31, 1991. Review of one-man exhibition "Jasper Johns," Galerie Isy Brachot, Brussels.

Larson, Kay. "New History." New York, (March 18, 1991): 62, 71. Review of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990.

Lorent, Claude. "Un Pop en prints." Journal et Independance (Charleroi, Belgium), December 19, 1991. Review of one-man exhibitions at Galerie Isy Brachot, Brussels.

Lyon, Christopher. "Two Master Printmakers in the Shadow of Picasso." MoMA Members Quarterly, spring 1991, pp. 8—13, 23. Discusses "Seven Master Printmakers: Innovations in the Eighties," organized by The Museum of Modern Art, New York, N.Y.

Mahoney, Robert. "Jasper Johns at Leo Castelli." Flash Art, vol. 24, no. 158 (May—June 1991): 137.

Maor, Chaim. ["Book Johns."] Al Hanishmar (Tel Aviv), October 11, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Meir, Rivka. ["He Influenced Art: Jasper Johns Prints from the Leo Castelli Collection."] Davar (Tel Aviv), October 1, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Meir, Rivka. ["Mutual Compliments."] Davar (Tel Aviv), October 6, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Meuris, Jacques. "Jasper Johns en contrepoint de lui-même . . ." Libre Belgique (Brussels) [December? 1991]. Review of one-man exhibition "Jasper Johns," Galerie Isy Brachot, Brussels. LCG.

Michelson, Annette. "‘Where Is Your Rupture?’: Mass Culture and the Gesamtkunstwerk." October 56 (spring 1991): 43—63 [51—54].

Pagel, David. "The Politics of Negativity." Art Issues, no. 18 (summer 1991): 13—17.

Popelier, Bert. "Kaleidoscoop." Kunst & Cultuur (Brussels), December 1991. Review of one-man exhibition at Galerie Isy Brachot, Brussels.

Rankin—Reid, Jane. "Brooke Alexander Editions." Artscribe (London), (March—April 1991): 17.

Regev, Ruth. ["What do Coke, the Flag, and a Hanger Have in Common?"] News (Tel Aviv), [early October 1991], p. 31. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Reif, Rita. "50 Paintings to be Sold from Tremaine Collection." New York Times, June 7, 1991, p. C3.

Revach, Yehudith. ["Jasper Johns: Prints, Leo Castelli Collection."] [Journal?] [October ?1991]. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew. LCG.

Rey, Stéphane. Review of one-man exhibition at Galerie Isy Brachot, Brussels. L’Echo (Belgium), December 30, 1991.

Rimanelli, David. "Jasper Johns." Artforum, vol. 29, no. 9 (May 1991): 141—42. Review of one-man exhibition at Leo Castelli Gallery, New York, N.Y.

Rinaldi, Angelo, Pierre Schneider, and Jérôme Dumoulin. "Octavio Paz: Un Poète pour tout le monde." L’Express (Paris), June 20, 1991, pp. 112—19.

Romain, Lothar. "Pop Art." Pan: Zeitschrift für Kunst und Kultur, no. 11 (1991): 30—39. Review of "The Pop Art Show," Royal Academy, London.

Roman, Zipora. ["A Real Treasure of a Woman : Kathleen Slavin."] Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. Also in Laisha (Tel Aviv), October 21, 1991, pp. 54—55. In Hebrew.

Rose, Barbara. "Jasper Johns: This is Not a Drawing." Journal of Art, vol. 4, no. 4 (April 1991): 16—17. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p.

Rose, Matthew. "What ever Happened to . . . ?" Art and Antiques (November 1991): 23. On Ray Johnson.

Rougé, Bertrand. "Pop Art américain, ironie et collage. Une poétique de la répétition." Artstudio (Paris), no. 23 (winter 1991): 68—83 [76—78, 81].

Rougé, Bertrand. La Peinture à la lettre. Fragments sur la littéralité dans la peinture américaine." Americana (Sorbonne, Paris), no. 8 (January 1991): 77—101.

Rougé, Bertrand. Le Visage d’angoisse. Jasper Johns et les tentations de l’autoportrait." Études anglaise, vol. 44, no. 1 (January—March 1991): 91—105. Different text than Bertrand Rougé, 1989 (Artstudio).

Ruyters, Marc. "Sterren en strepen." Knack Weekend (Belgium), December 25, 1991, p. 11. Review of one-man exhibition "Jasper Johns," Galerie Isy Brachot, Brussels.

Savage, Tom. "Reading The Walls." Poetry Flash (Berkeley, Calif.), May 1991, pp. 3, 7. Review of "Poets/Painters Collaborations," Brooke Alexander Editions, New York, N.Y.

Schjeldahl, Peter. "Hide Bound." Village Voice, March 19, 1991, p. 79. Review of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990.

Shaked, Shlomit. ["Leo Castelli: No Israeli Artist has Fascinated me Yet."] Maariv (Tel Aviv), September 27, 1991. Interview on the occasion of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Shiff, Richard. "Constructing Physicality." Art Journal, vol. 50, no. 1 (spring 1991): 42—47.

Shimshi, Ziona. ["The High Priest: An Exhibition of Prints by Jasper Johns from the Leo Castelli Collection is opening today."] Haaretz (Tel Aviv), October 3, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Siman-Tov, Naomi. ["Mister Johns’ Mystery: Jasper Johns influenced Israeli artists more than any other American artist."] Tel Aviv Journal [week of October 4 or 5 (?) 1991], p. 57. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Siman-Tov, Naomi. ["Mister Johns’ Mystery: Jasper Johns influenced Israeli artists more than any other American artist."] Jerusalem, October 4, 1991, p. 26. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Spencer, Susan. "American Legends: Jasper Johns." Vis-à-Vis (The Magazine of United Airlines), (August 1991): 32—33. Photograph by Yousuf Karsh.

Swift, Nigel. Review of of one-man exhibition "The Drawings of Jasper Johns," Hayward Gallery, London; first shown at the National Gallery of Art, Washington, D.C.; and of the exhibition "Jasper Johns: New Drawings and Watercolors.," Anthony d’Offay Gallery, London. London Weekly Diary of Social Events, January 6—12, 1991.

Taylor, Paul. "Soho’s Avant-Guardian." Connoisseur, September 1991, pp. 17—22, 102—4. Includes statement by Johns on Ileana Sonnabend. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 280—81. (JJ itw)

Teuber, Dirk. "Werke der Pop Künstler in den achtziger Jahren." Das Kunstwerk, vol. 44, no. 3 (September 1991): 3—4, 13—16.

Vardeman, Johnny. "Arts Center is Statewide Hit." The Times (Gainesville, Ga.), March 3, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Simmons Visual Arts Center, Brenau College, Gainesville, Ga.

Vogel, Carol. "The Art Market." New York Times, November 8, 1991, p. C23. Discusses print sales.

Walker, Susan C. "Exhibit ‘Targets’ Jasper Johns." Daily News (New York, N.Y.), March 3, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Simmons Visual Arts Center, Brenau College, Gainesville, Ga, and Tel Aviv Museum of Art, Israel. LCG.

Wallach, Amei. "An American Icon: Jasper Johns and His Visual Guessing Games." Newsday, February 28, 1991, part 2, pp. 57, 64—65. Review of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990; and one-man exhibition at Leo Castelli Gallery, New York, N.Y. Reproduced in Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli (exhibition catalogue; New York, N.Y.: Harry N. Abrams, Inc., 1993): n.p. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 259—66. (JJ itw)

Weckstein, David. ["Artistic Monologue."] Davar (Tel Aviv), October 3, 1991. Review of one-man exhibition, "Retrospective of Jasper Johns Prints from the Leo Castelli Collection," Tel Aviv Museum of Art, Israel. In Hebrew.

Weitman, Wendy. "Jasper Johns: Ale Cans and Art." Studies in Modern Art: American Art of the 1960s (The Museum of Modern Art, New York): no. 1 (1991): 39—63. Excerpted in Wendy Weitman, "Jasper Johns: The Ale Can Proofs." MoMA Magazine (The Museum of Modern Art, New York): no. 23 (fall 1996): 7—9.

Welish, Marjorie. "When is a Door Not a Door?" Art Journal, vol. 50, no. 1 (spring 1991): 48—51. (JJ itw)

Yau, John. Drawing, vol. 12, no. 6 (March—April 1991): 134—35. Book review of Ruth E. Fine and Nan Rosenthal, The Drawings of Jasper Johns (exhibition catalogue, 1990).

Zimand, Noel. "The Drawings of Jasper Johns." The Upper East Side Resident, March 25, 1991, p. 10. Review of one-man exhibition "The Drawings of Jasper Johns," Whitney Museum of American Art, New York, N.Y.; first shown at the National Gallery of Art, Washington, D.C., 1990.



1992*


Announcements for Ugo Mulas and Hans Namuth exhibitions, the latter as part of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. Photographie Magazine, September 1992. LCG.

"Archives Receives Papers of Barbaralee Diamonstein-Speilvogel." Newsletter of the Archives of American Art, vol. 1, no. 2 (fall 1992): 1. Interview with Johns included in these papers.

"Arles: Jasper Johns." Côte Sud, July 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Arles: Jasper Johns." Le Monde (Paris), July 16, 1992, arts supplement. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Arles: Jasper Johns, l’oeuvre grapique." Le Monde (Paris), June 11, 1992 (arts and events supplement). Announcement of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Arles: L’oeuvre graphique de Jasper Johns." Parcours Air Inter, September 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Caroline." Le Provençal, July 22, 1992. Princess of Monaco visits Johns exhibition at the Fondation Vincent Van Gogh, Arles, France.

("C.M.") "Jasper Johns." Lapiz (October 1992): 75. Review of "Jasper Johns: The Seasons, Prints and Related Works," Galeria Weber, Alexander y Cobo, Madrid; first shown at Brooke Alexander Editions, 1991.

"Dans le voisinage des rencontres." Le Provençal, July 13, 1992. Discusses opening of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"La France des Expositions: Arles." Le Figaro (Paris), June 18, 1992. Announcement of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Fondation Vincent Van Gogh, Arles." Capital (July 1992): 109. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper chez Vincent." Connaissance des Arts (Paris), no. 485—486 (July—August 1992): 19. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns." Kiosque (Brussels), January 1992. Review of one-man exhibition at Galerie Isy Brachot, Brussels.

"Jasper Johns." La Farandole, August 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns." [Les Nouvelles?], August 12 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

"Jasper Johns." Midi Libre, no. 87 (July 8—14, 1992): 10. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns: Dessins et gravures." Arles Magazine, September 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns en Arles." Aladdin, no. 57 (July—August 1992). Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

"Jasper Johns Homage in Arles." Provence—Languedoc Journal, no. 13 (summer 1992). Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns: Quand l’art fait . . . pop!" Arles Magazine (summer 1992): 3, 31—34. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jasper Johns: Une Star internationale de la peinture." Le Provençal, June 30, 1992. Review of one-man exhibition and accompanying catalogue at the Fondation Vincent Van Gogh, Arles, France.

"Jaspers Jones [sic]." A Suivre, August 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

("J. Bn.") "Jasper Johns, l’art de détourner le signe." Le Méridional, September 11, 1992, p. 2. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

"Jean Lee, mother of artist Jasper Johns." The State (Columbia, S.C.), [December 28, 1992]. Obituary. JJSA.

"La réception de l’Hôtel de Luppé." Le Méridional, July 6, 1992. Discusses opening of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.



Alfandari, Daniel. "Jasper Johns hôte de Vincent." Var Matin, August 27, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

Ariès, Silvie. "Jasper Johns: l’objet de la peinture." Le Méridional, June 17, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Bodinier, Gérard. "Un Grand maître chez Van Gogh." Le Provençal, July 4, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Bodinier, Gérard. "Deux Américains à Arles." Le Provençal, July 9, 1992, pp. 1, 4. Discusses opening of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Bodinier, Gérard. "Jasper Johns et les 35 ans de la galerie Leo Castelli." Le Provençal, August 5, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Boissieu, Jean. "Un dialogue avec Jasper Johns." Le Provençal, July 23, 1992, p. 21. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France.

Cotter, Holland. "A Pivotal Jasper Johns is a Show’s Centerpiece." New York Times, February 14, 1992, p. C24.. Review of one-man exhibition, Gagosian Gallery, New York, N.Y.

Cotter, Holland. "Far Better to Display than Merely to Receive." New York Times, May 29, 1992, p. C22. Review of "Gifts and Acquisitions in Context," Whitney Museum of American Art, New York, N.Y.

Coulomb, Patrick. "Jasper Johns sous le soleil de Provence." Le Méridional, August 12, 1992, culture supplement, p. 1. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Darras, Claude. "Arles: Jasper Johns, le messager." Le Soir, July 29, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Darras, Claude. "Jasper Johns: un Américain à Arles."Le Soir, August 20, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Dreher, Thomas. "Traces: What Do You Mean and How Do You Mean It: Frank O’Hara: The New York School between Abstract Expressionism and Pop Art." Arte Factum, vol. 9, no. 43 (April—May 1992): 14—18.

Gastellier, Fabian. "Une semaine avec." Elle (Paris), (August 3—9, 1992). Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Jamart, Christine. "Le print dans tous ses états." Art et culture (Brussels), January 1992. Review of one-man exhibition at Galerie Isy Brachot, Brussels. LCG.

Johns, Jasper. "From Pop to MoMA." Women’s Wear Daily, July 21—27, 1992, p. 150. Statement by Johns. (JJ itw)

[Kimmelman, Michael. "Setting One Visual Trap after Another." New York Times, October 4, 1992, p. H35.]

Kramer, Hilton. "This ‘Dear Johns’ Letter’s for MoMA. The Duchampian Jasper Johns? Yes, a Mediocrity Enshrined." New York Observer, February 10, 1992, pp. 1, 23. Review of one-man exhibition, Gagosian Gallery, New York, N.Y.

Laborde, Jacques. "Arles: Jasper Johns à la Fondation Van Gogh." Semaine Provence, July 3, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Laborde, Jacques. "Jasper Johns, Bernard Pages et les RIP." Semaine Provence, July 24, 1992. Discusses opening of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

Leggio, James. "Robert Rauschenberg’s Bed and the Symbolism of the Body." Studies in Modern Art: Essays on Assemblage (The Museum of Modern Art, New York, N.Y.): no. 2 (1992): 79—117.

Lerrant, Jean-Jacques. "Les investigations de Jasper Johns." Le Monde (Paris), August 5, 1992. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles, France. LCG.

McFadden, Sarah. "Blue Chip Americans." The Bulletin (Brussels), January 30, 1992, p. 13. Review of one-man exhibition at Galerie Isy Brachot, Brussels, 1991.

Minne, Michèle. "Estampes pop." La Cité (Brussels), January 16, 1992. Review of one-man exhibition at Galerie Isy Brachot, Brussels, 1991.

Monteau, M. "Jasper Johns à Arles: L’oeil américain." Le Comtadin (Avignon), no. 2513 (September 10, 1992).

Ott, Lise. "Rencontre avec Leo Castelli. L’Art, le marché et Jack Lang." Midi Libre, August 17, 1992, p. 20. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles.

Pagel, David. "A Trio of Masterpiece Makers." Los Angeles Times, May 7, 1992, pp. F 7—8. Review of "Jasper Johns—Brice Marden—Terry Winters: Drawings," Margo Leavin Gallery, Los Angeles, Calif.

Rosas, Carlos A. "Scull-Duggery." Art and Auction (March 1992): 20, 22, 24. Discusses theft and retrieval of The Critic Sees.

Russell, John. "While You’re Saving for a Van Gogh: A Guide to Inexpensive Art Books." New York Times Book Review, November 1, 1992, pp, 15—16 (16). Discusses Robert Bernstein, Jasper Johns’ Paintings and Sculptures: 1954—1974 (1985).

Selz, Peter. "Oh Say Can You See? Flags: Johns to Burkhardt." Artspace (May—June 1992): 63—65. Review of exhibition "The Flag," San Francisco Art Institute, San Francisco, Calif.

Smith, Roberta. "Jasper Johns: The Seasons." New York Times, January 3, 1992, p. C28. Review of one-man exhibition "Jasper Johns: The Seasons, Prints and Related Works," Brooke Alexander Editions, New York, N.Y.

Stella, Rachel. "Arles: Jasper Johns, Fondation Van Gogh." Artpress (Paris), 173 (October 1992): 110. Review of one-man exhibition at the Fondation Vincent Van Gogh, Arles

Wilson, W.S. "Abstract Painting on a Manhattan Ice Floe II." Artspace (July—August 1992): 42—45. Review of one-man exhibition at Gagosian Gallery, New York, N.Y.



1993*


"Leo Castelli Gallery." [Journal?] (1993): 24—25. Book review of Susan Brundage, ed., Jasper Johns–35 Years–Leo Castelli. LCG.

"The 50: The Art World’s Most Powerful People." Artnews, vol. 92, no. 6 (summer 1993): 154—160 (157).

"Jasper Johns." New Yorker (February 8, 1993): 16. Review of "Jasper Johns: 35 Years with Castelli," Leo Castelli Gallery, New York, N.Y.

"Jasper Johns will receive Edward MacDowell Medal on Sunday, August 14th." MacDowell Colony News, winter—spring, 1993—1994, p. 1—2.

"Kunst-Pioniere aus Amerika." [Die Stern?] 1993. LCG.

"Rostropovich and Johns Win Awards." New York Times, June 22, 1993, p. C14. Johns awarded 1993 Japanese Praemium Imperiale award for lifetime achievement in the arts.



András, Edit. ["America Painting for Everyday and Special Occasions."] Ùj Muvészet = Art Today (Budapest): vol. 4, no. 3 (March 1993): 20—24. Review of group exhibition "Slow Art: Painting in New York Now," P.S.1., Long Island City, N.Y., 1992. In Hungarian.

Casadio, Maruccia. "Incontriamo Leo Castelli, mitico gallerista e principe della pop art, nella sua casa a N.Y." Casa Vogue, no. 251 (May 1993): 86—91, 185.

Cembalest, Robin. "The Ghost in the Installation." Artnews, vol. 92, no. 9 (November 1993): 140—43. Discusses reinstallation of permanent collection at The Museum of Modern Art, New York, N.Y.

Cheever, Susan. "Johns & Castelli, Inc. Countless shows and 35 Years Later." Harper’s Bazaar (January 1993): 76—81, 137—38. Review of one-man exhibition, Leo Castelli Gallery, New York, N.Y.

Decter, Joshua. "American Art in the 20th Century." Flash Art, vol. 26, no. 173 (November—December 1993): 104—5. Review of "American Art in the 20th Century: Painting and Sculpture, 1913—1993," Martin-Gropius-Bau, Berlin.

Duncan, Michael. "Painterly Pop." Art in America, vol 81, no. 7 (July 1993): 86—89, 117. Review of "Hand-Painted Pop: American Art in Transition, 1955—62," Whitney Museum of American Art, New York, N.Y.

Esterow, Milton. "The Second Time Around." Artnews, vol. 92, no. 6 (summer 1993): 148—49. Statement by Johns. Reprinted in Kirk Varnedoe, ed., and Christel Hollevoet, comp., Jasper Johns: Writings, Sketchbook Notes, Interviews (New York, N.Y.: The Museum of Modern Art, 1996): 284—85. (JJ itw)

Finch, Spencer. "No Davy Crockett." New York Observer, March 1, 1993, p. 4.

Fleischmann, Eric. "Thirty-Fifth Anniversary Exhibit of Jasper Johns; Leo Catelli Gallery" Review, Art New England, Brighton, MA ca. January—February ? 1993. Typescript LCG. ck

Gardner, Paul. "Leo and Jasper: Still on Target." Artnews, vol. 92, no. 1 (January 1993): 40. Review of "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

[Golman, Judith. Letter to the editor on Adam Gopnik, "Jasper’s Dilemmas." See Adam Gopnik, 1993. New Yorker [after February 1, 1993]. Typescript. LCG.]

Gopnik, Adam. "Jasper’s Dilemmas." New Yorker (February 1, 1993): 85—92. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Gutterman, Scott. ["Jasper Johns: 35 Years."] Atelier (Tokyo), no. 794 (April 1993): in Japanese, 4—9; in English, 19—20. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Hagen, Charles. "Jasper Johns: Elegant, Cryptic Meditations on the Art of Painting." Art and Antiques, vol. 15, no. 4 (April 1993): 83. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Hahn, Elisabeth. "Contemporary Prints from the Smoller Collection." Auction News from Christie’s, vol. 15, no. 2 (November 1993): 8.

Harrison, Helen A. "Young in the Hamptons: Photographs by John Gruen, 1957—68." Artnews, vol 92, no. 8 (October 1993): 166—67. Review of exhibition including photograph of Johns.

Hoexter, Corinne K. "Winter Wonderlands." Spotlight (February 1993): 56—57. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Joachimides, Christos M. ["Wrenching America’s Impulse into Art."] Arti (Athens), no. 15 (May—June—July 1993): 100—17. Review of exhibition "American Art in the 20th Century: Painting and Sculpture, 1913—1993," Martin-Gropius-Bau, Berlin; and Royal Academy of Arts, London.

Kimmelman, Michael. "Explosive Painting: The Path to Pop." New York Times, July 9, 1993, pp. C1, 24. Review of "Hand-Painted Pop: American Art in Transition, 1955—62," Whitney Museum of American Art, New York, N.Y.

Kimmelman, Michael. "The Peephole Approach to Artist Couples." New York Times, August 15, pp. 30, 33. Discusses Jonathan Katz’s approach to Johns and Rauschenberg.

Kramer, Hilton. "Jasper Johns’ ‘Melancholy’: This is a case for Danto!" New York Observer, February 8, 1993, pp. 1, 16. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y. See also Spencer Finch, 1993.

Lawson, Sandy. "Jasper Johns: Prints and Multiples." The Meliorist (Alberta, Canada), January 7, 1993, p. 7. Review of one-man exhibition, University of Lethbridge Art Gallery, Alberta, Canada.

Malanga, Gerard. "A Brief Statement: Now and Ahead." Arshile: A Magazine of the Arts (Los Angeles, Calif.), no. 2 (1993): 66—78 [69: photograph of Johns]. Discusses Malanga’s photographs.

Musto. Michael. "Art-Attack Time." Vanity Fair (August 1993). Review of "Hand-Painted Pop: American Art in Transition, 1955—62," Whitney Museum of American Art, New York, N.Y.

Phillips, Joseph Andrew. "Jasper Johns: Tour de Force." Daily Gazette (Albany, N.Y.), March 5, 1993, pp. C1, 5. Review of one-man exhibition "Jasper Johns: Prints and Multiples," University Art Museum, Albany, N.Y.

Robertson, Bryan, and Tim Marlow. "The Private World of Jasper Johns." Tate: The Art Magazine (London), issue 1 (winter 1993): 40—47. Interview with Johns, on the occasion of "American Art in the 20th Century: Painting and Sculpture, 1913—1993," Royal Academy of Arts, London. Reprinted in Kirk, 285—90. (JJ itw)

Rose, Barbara. "Jasper Johns—The Tantric Details." American Art: National Museum of American Art, Smithsonian Institution, vol. 7, no. 4 (Fall 1993): 47—71. Tantric Detail reproduced on issue cover.

Roth, Moira. "Une petite valise pleine de souvenirs." Artpress (Paris), no. 178 (March 1993): 47, 49. Interview with Robert Smithson just before his death.

Rothfuss, Joan. "‘Foirades/Fizzles’: Jasper Johns’s Ambiguous Object." Burlington (London), vol. 135, no. 1081 (April 1993): 269—275.

Rougé, Bertrand. "Une Véronique américaine. Le Drapeau des Etats-Unis à traverss l’oeuvre de Jasper Johns." Revue française d’études américaines, no. 58 (November 1993): 388—99. [Issue titled "Le Drapeau american."]

Saltz, Jerry. "Let Us Now Praise Artist’s Artists." Art and Auction (April 1993): 74—79, 115 (75).

Saunders, Wayne. "Making Art, Making Artists." Art in America, vol. 81, no. 1 (January 1993): 74—75. Discusses Johns’s studio assistant Gary Stephan.

Scott, Sue. "It Started with a Flag." Artnews, vol. 92, no. 4 (April 1993): 127. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Smith, Roberta. "On the Move: The Johns Evolution." New York Times, January 22, 1993, p. C21. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Titterton, Pat. "Jasper Johns’ Art Focuses In On the Way We See the World." TimesUnion (Albany, N.Y.), February 28, 1993, pp. J1, 4. Review of one-man exhibition "Jasper Johns: Prints and Multiples," University Art Museum, Albany, N.Y.

Valkonen, Markku. "Maali-tauluna katsojan odotukset." Helsingin Sanomat (Helsinki), January 23, 1993, p. C 1. Review of one-man exhibition "Jasper Johns–35 Years, Leo Castelli," Leo Castelli Gallery, New York, N.Y.

Wechsler, Judith. "Illustrating Samuel Beckett. The Issue of Supererogatory." Art Journal, vol 52, no. 4 (winter 1993): 33—40.





1994*


"Jasper Johns: After Holbein," in "Prints and Portfolios Published." The Print Collector’s Newsletter, vol. 25, no. 1 (March—April 1994): 26. Discusses Johns prints made at Universal Limited Art Editions, West Islip, N.Y.

"Jasper Johns. Tonfo imprevisto: nessuno sale oitre I 10 millard. Arte, July—August 1994, p. 113. Discusses sale of Untitled (1983) and Wilderness I (1963).

Brozan, Nadine. "Chronicle." New York Times, June 20, 1994, p. B2. Johns awarded the Edward MacDowell Medal.

Castleman, Riva. "Jasper Johns: d’après Holbein." Nouvelles de L’Estampe, no. 136—37 (October 1994): 21—23.



Crichton, Michael. "Art in the Can." Sunday Times Magazine (New York, N.Y.), May 22, 1994, pp. 5, 18—29. Chapter of Michael Crichton, Jasper Johns.

Decker, Andrew. " S. I. Newhouse, Jr.: Now a Top Seller." Artnewsletter (New York), vol. 20, no. 5 (November 1, 1994): 4—5. Discusses sale of Weeping Woman (1975).

Goldman, Judith. "Jasper Johns: Seeing Becomes Feeling." Artnews, vol. 93, no. 7 (September 1994): 87. Review of one-man exhibition, Leo Castelli Gallery, New York, N.Y.

Kerber, Bernhard. "Jasper Johns: Übernehmen statt Entwerfen." Künstler. Kritisches Lexikon der Gegenwartskunst (Verlage Weltkunst und Bruckmann, Munich) no. 25, [issue dedicated to Johns] (1994): 3—13.

Koestenbaum, Wayne. "Jasper Johns. In Memory of my Feelings—Frank O’Hara, 1961." Artforum, vol. 32, no. 7 (March 1994): 74—75, 119.

Prouty, Leslie. "Exploring Space & Color." Sotheby’s Preview, April 1994, pp. 8—9. Discusses auction sale of Highway (1959).

Ratcliff, Carter. "Jackson Pollock & American Painting’s Whitmanesque Episode." Art in America, vol. 82, no. 2 (February 1994): 64—69, 118.

Russell, John. "Images to Cherish in the Realm of the Word." New York Times, November 11, 1994, p. C28. Review of "A Century of Artists Books," The Museum of Modern Art, New York, N.Y.

Sheets, Hilarie M. "Johns Re-viewed." Artnews, vol. 93, no. 9 (November 1994): 104. Book review of Michael Crichton, Jasper Johns.

Stein, Deidre. "John Cage: Chance Collection." Artnews, vol. 93, no. 7 (September 1994): 88. Review of Cage’s graphic work at Susan Sheehan Gallery, New York, N.Y.; includes Johns’s contribution.

Swartz, Mark. "Jasper Johns’s Zen Consciousness." Chicago Art Journal, vol. 4, no. 1 (spring 1994): 14—23.

Zane, Sharon. "Interview with Jasper Johns." The Museum of Modern Art Oral History Project, August 23, 1994. Unpublished transcript in The Museum of Modern Art Archives, New York, N.Y. (JJ itw)

Zelevansky, Lynn. "Dorothy Miller’s ‘Americans’: 1942—63." Studies in Modern Art: The Museum of Modern Art at Mid-Century (The Museum of Modern Art, New York, N.Y.): no. 4 (1994): 56—107.



1995*


"The Language of Printmaking: Jasper Johns’ Flag." Auction News From Christie’s, New York, vol. 16, no. 3 (May 1995). Discusses Flags I (1973).

"Openings." Art and Antiques, vol. 18, no. 2 (February 1995): 30. Review of "On Target," Horodner Romley Gallery [New York, N.Y.?]; nine artists use Johns’s multiple Target (1970).



Aronson, Steven M.L. "AD Visits Leo Castelli: The Legendary Art Dealer’s Fifth Avenue Collection." Architectural Digest, vol. 52, no. 10 (October 1995): 142—49, 226—27.

Bernstein, Roberta. "Winter by Jasper Johns." Sotheby’s Preview, New York, vol. 7, no. 6 (November 1995): 12—14.

Cato, Robert. "An Original: One of A Kind, Leo Castelli." City (New York, N.Y.), vol. 1, no. 6 (February 1995): n.p. Discusses photographs of Johns taken by Cato at opening of his first one-man exhibition at Leo Castelli Gallery, New York, N.Y. Also see Catherine Drillis, 1995.

Drillis, Catherine. "An Original: One of A Kind, Leo Castelli." City (New York, N.Y.), vol. 1, no. 6 (February 1995): n.p. Also see Robert Cato, 1995.

Heitz, Bernard. "Jasper Johns." Telerama, August 16, 1995. Film review of Rick Tejada-Flores, Jasper Johns: zwischen Abbild und Wirklichkeit/Entre representation et Réalité.

Hindry, Ann. "L’issue du formalisme à travers Jasper Johns et Susan Rothenberg." Artpress (Paris), hors série, no. 16 (1995): 36—40.

Johns, Jasper. Arshile: A Magazine of the Arts (Los Angeles, Calif.), no. 4 (1995). Cover.

Johns, Jasper. "Works on Paper." Grand Street 54, vol. 14, no. 2 (fall 1995): 71—80. Portfolio and cover.

Newman, Emily. "Views from Abroad." Elle Decor (August—September 1995): 38. Review of group exhbiition "Views from Abroad," Whitney Museum of American Art, New York, N.Y.

Roux, Emmanuel de. "Naissance de la peinture américaine." Le Monde (Paris), August 13, 1995, p. 23. Television program review.

Rubinstein, Raphael. "Full Circle." Art in America, vol. 83, no. 5 (May 1995): 108—9.

Shiff, Richard. "Go Figure." Artforum, vol. 33, no. 10 (summer 1995): 1, 26, 33. Book review of Fred Orton, Figuring Jasper Johns (1994).

Vaughan, David. "Jasper Johns interrogé sur son amitié et ses collaborations avec Merce Cunningham et John Cage." Mouvement, no. 1, nouvelle serie (October—November—December 1995): 13—15. Also see David Vaughan, 1989. (JJ itw)

Vogel, Carol. "Inside Art." New York Times, June 15, 1995. Includes comment on exhibition of Johns’ "Untitled" of 1992—95 at The Museum of Modern Art, New York, N.Y.

Vogel, Carol. "Low-Risk Auction Ends Fall Sales." New York Times, November 16, 1995, p. C22. Discusses sale of Winter (1986)



1996*


"Flags of Convenience." The Independent (London), July 2, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London.



Bernstein, Roberta. "Inspiration and Innovation: The Art of Jasper Johns." MoMA Magazine (The Museum of Modern Art, New York): no. 23 (Fall 1996): 2—6. Excerpts from Bernstein’s essay in Jasper Johns: A Retrospective (exhibition catalogue).

Bywater, Michael. "Wham bam thank you ma’am! There’s no time for foreplay when you’re viewing Jasper Johns." New Statesman (London), July 5, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London. Flag (1954—55) reproduced on issue cover.

"M.G." "Glorious salute to flag of convenience." The Daily Telegraph (London), July 3, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London.

Domecq, Jean-Philippe. "Jasper Johns ou l’Art sur l’art." Esprit (Paris), no. 219 (March 1996): 115—30.

Gandee, Charles. "Comrades in Art." Vogue (September 1996): 617—22, 696. Interview with Leo Castelli.

Gooding, Mel. "Do Not Touch." Art Monthly (London), no. 198 (July—August 1996): 3—6. Review of "Jasper Johns: The Sculptures," Leeds City Art Gallery, Leeds.

Haden-Guest, Anthony, "Larry, Jasper, Leo—and me." The New York Observer, September 30, 1996, p. 23. Excerpt from Anthony Haden-Guest, True Colors: The Real Life of the Art World.

Hall, James ("J.H.") "Jasper Johns." Artforum, vol. 35, no. 1 (September 1996): 121. Review of "Jasper Johns: The Sculptures," Leeds City Art Gallery, Leeds.

Knight, Christopher, "Split Decision: Jasper Johns in Retrospect. One for All." Artforum, vol. 35, no. 1 (September 1996): 79—84, 125. (plate from Souvenir (1964) reproduced on cover. Also see Rosalind Krauss, 1996.

Krauss, Rosalind, "Split Decision: Jasper Johns in Retrospect. Whole in Two." Artforum International, vol. 35, no. 1 (September 1996): 79—84. (plate from Souvenir (1964) reproduced on issue cover. Also see Christopher Knight, 1996.

Liebmann, Lisa. "Jasper Johns Unplugged." Harper’s Bazaar (August 1996): 162—67, 194. Interview with Johns conducted on the occasion of one-man exhibiition "Jasper Johns: A Retrospective," The Museum of Modern Art, New York, N.Y. (JJ itw)

McEwen, John. "Art." The Sunday Telegraph (London), July 14, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London.

Negrotti, Rosanna. "Jasper Johns." What’s On In London (London), July 17—24, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London.

Newhall, Edith. "In Print: Enigmatically Yours." New York, September 23, 1996. Discusses Jill Johnston’s book, Jasper Johns: Privileged Information.

Orton, Fred. "Jasper Johns: The Sculptures." The Henry Moore Foundation Review (Leeds), no. 2 (spring 1996). Review of "Jasper Johns: The Sculptures," The Menil Collection, Houston; and the Leeds City Art Gallery, Leeds.

Packer, William. "Endless variations on ‘Old Glory.’" The Financial Times (London), July 2, 1996. Review of one-man exhibition "Jasper Johns Flags 1955—1994," Anthony d’Offay Gallery, London.

Vogel, Carol. "Inside Art: From ‘Ale Cans’ to the Four ‘Seasons.’" New York Times, July 19, 1996. Mentions of auction sale of Johns prints.

Weitman, Wendy. "Jasper Johns: The Ale Cans Proofs." MoMA Magazine (The Museum of Modern Art, New York): no. 23 (Fall 1996): 7—9. Adapted from Wendy Weitman, 1991.

White, Edmund. "The Museum of Modern Art, New York, N.Y.’s Boy." Vanity Fair (September 1996): 296—305, 346—47. Interview with Johns conducted on the occasion of one-man exhibiition "Jasper Johns: A Retrospective," The Museum of Modern Art, New York, N.Y. (JJ itw)